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George III oak and mahogany crossbanded longcase clock, the pagoda top with a painted glass frieze above a shaped door flanked by quarter fluted pilasters and a plinth base, the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar, inscribed William Lawton, Newton, the eight day movement striking on a gong
Mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door and conforming plinth base, the painted dial with Roman numerals, subsidiary seconds dial and date aperture, the two train movement with anchor escapement striking on a bell, the dial and movement 19th Century, the case modern
Mahogany longcase clock, the broken arch hood with flanking pilasters above a figured, arched and moulded panel door with conforming plinth base, the painted dial signed Sam Harley Salop, with Arabic and Roman numerals, subsidiary seconds dial and date aperture, the two train movement striking on a bell (the dial and movement 19th Century, the case modern)
George III oak longcase clock, the square hood with swan neck pediment and flanking pilasters above a rectangular panel door and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Brown, Birmingham, the two train movement with anchor escapement striking on a bell
Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs
George III oak longcase clock, the broken arch hood above a crossbanded arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector to the arch, subsidiary seconds dial and date aperture within floral spandrels, signed George Brown, Beverley, the two train movement with anchor escapement striking on a bell
George III oak longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the painted dial with Arabic numerals, subsidiary seconds dial and date aperture with a single train thirty hour movement striking on a bell (with alterations)
George III longcase clock the square hood with broken arch pediment and flanking pilasters above a panel door and conforming plinth base with original grained painted finish, the square 10in brass dial with floral spandrels, Arabic and Roman numerals, signed John Dadswell, Burwash with single train thirty hour movement
George III mahogany cased eight day longcase clock having arched hood enclosing a brass dial with silvered chapter ring, Roman numerals and strike silent dial, subsidiary seconds with date aperture, inscribed Junior Gatward Hitchin, the two train movement striking on a bell above a flush panelled door and conforming plinth base
George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass moon phase dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Day, Wakefield, the two train movement with anchor escapement striking on a bell
George III oak longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above an arched panel door and conforming moulded plinth base with splay bracket feet, the gilt brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Spence Dysart, the two train movement with anchor escapement striking on a bell (case with some alterations)
Unusual George III Irish mahogany wall timepiece, the shaped pediment with a brass owl surmount above a moulded and glazed panel door and box base, the painted dial with Arabic numerals, signed Rider, High Street, Belfast with a single train key wind weight driven movement, 37.5ins high overall
AN ANTIQUE INDIAN HARDWOOD PANTRY CUPBOARD, with stepped pediment over a single florally carved panelled door, flanked to either side by upright panels and all over three drawers with ceramic knob handles and further cupboard doors below, all standing on short turned feet, 104cm wide x 183cm tall
A George II mahogany bureau , circa 1740, the fall opening to an arrangement... A George II mahogany bureau , circa 1740, the fall opening to an arrangement of drawers and pigeon holes flanking central mirrored door with pilasters, above four long graduated drawers and bracket feet 106cm high, 110cm wide, 55cm deep
An Edwardian inlaid mahogany tubular bell quarter chiming eight-day longcase... An Edwardian inlaid mahogany tubular bell quarter chiming eight-day longcase regulator, William Drew, Peterborough , early 20th century, The very substantial triple train movement chiming the quarters on eight tubular gongs and striking the hour on an additional gong, the going train with deadbeat escapement, Harrison's maintaining power and fine beat adjustment for the wood rod pendulum with cylindrical nickel plated bob, the 13 inch brass break-arch dial with subsidiary seconds dial to the fine foliate scroll engraved centre within applied silvered chapter ring with raised gilt Arabic numerals and rococo scroll cast spandrels to angles, the arch with twin subsidiary Strike/Silent and Whittington/Westminster selection dials with rosette engraved centres, upper silvered infill panel signed WILLIAM DREW, MAKER, Peterboro' and flanked by conforming mounts, the swan neck pedimented case with Corinthian columns flanking dial and rectangular sound frets to sides of hood above bevel-glazed break-arch caddy moulded door flanked by Corinthian quarter columns to trunk, on fielded panel fronted plinth base with canted front angles and moulded skirt, 246cm (97ins) high.
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235346 item(s)/page