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Lot 463
Edwardian satin walnut three-piece bedroom suite, comprising a wardrobe, broken triangular pediment, single mirror door, single drawer under, plinth base, width 122cm, height 206cm; dressing table with a mirror back, two raised trinket drawers over two short and two long drawers, width 108cm; and a bedside cupboard, width 32cm. (3)
Lot 464
Edwardian satin walnut two-piece bedroom suite, comprising a single wardrobe, shaped pediment, mirror panelled door, two short and a single long drawer under, plinth base, width 126cm, height 218cm; and a dressing table, triple mirror back, two banks of two trinket drawers, the base with two short and two long drawers, width 107cm.
Lot 1245
Fine Paul Garnier Series I repeater carriage clock striking on a bell, the back plate signed P.G. Brevete and Baullier Pere et Fils, the 3" silvered chapter ring within a silvered engine turned mask, also with a foliate engraved platform escapement, with vertical rising front door to enable winding, within a one-piece case, 7" high *This clock was sold at Bonhams on 12th October 2014, lot 351 for £1250 *This clock was possibly originally fitted with a chaff cutter escapement, although it is fitted with a high quality old English platform which might be original. *Most collectors associate Paul Garnier movements as having the chaff-cutter escapement as patented by him in 1830; a form of escapement that supposedly allowed for a more robust action and improved timekeeping as compared to the still commonly used cylinder. Indeed, it is often suggested that a Garnier movement without a chaff-cutter has had the platform changed or is not a Garnier. However an analysis of these movements shows that a large proportion of Garnier clocks made from circa 1840 were in actuality fitted with the lever platform escapement and not the chaff-cutter, with the majority having the corner cut-out of the platform to accommodate the positioning of the rack lifting piece. Magistretti & Pippa mention some 98 Garnier clocks in their chapter on Garnier of which thirty-six have some form of escapement described. Of this thirty-six, 21 are lever escapements, 13 chaff-cutter and one a duplex, with the majority of platform lever escapements recorded after circa 1840, incidentally the year the ten-year chaff-cutter patent ended.*The above information is taken from published research undertaken by Leigh Extence
Lot 1311
Good rare gilt brass strut clock in the manner of Thomas Cole, the silvered chapter ring signed Hunt & Roskell enclosing a finely and profusely engraved dial plate over a fixed date calendar, the gilt brass case also finely engraved with stylised foliage, with easel stand, shaped swivel base with folding suspension loop to the top, the back with vertical sliding door revealing the escapement and inscribed Hunt & Roskell, 156, New Bond Street, London, 5.75" high overall
Lot 1316
Good English satinwood and rosewood cased double fusee library clock, the 6" square silvered foliate engraved dial signed Herbert Blockley, Succr to Lund & Blockley, 41, Duke Street ST. James's, London, the movement striking the hours and quarters on two bells and with locking pendulum, within a later cushion stepped case surmounted by a flat cornice with bevel glazed window, 14.5" high (pendulum & door key) *This clock is in a finely made later case
Lot 1330
Good English mahogany triple fusee verge bracket clock, the 7" brass arched dial signed John Arnold, London on a silvered shaped plate to the matted centre with false pendulum bob and calendar apertures enclosed by a silvered chapter ring, with strike/silent dial to the arch, the movement with finely engraved scrolling foliate back plate playing on a nest of six graduated bells and striking the hours on another, within a stepped case raised upon a cushion shaped flaring base and surmounted by a caddy top with four turned brass finials and carrying handle, 21.5" high (pendulum and door key)
Lot 1333
Patek Philippe Solar mantel clock, the back door hinged at the top and opening to reveal the movement, within a pillared brushed brass case with silvered dial and gilt baton markers, surmounted by solar cells, 5.5" high, within original red leather hinged folding travelling case *This clock is sold with the original Patek Philippe Instruction Guide
Lot 1334
Fine English mahogany double fusee library clock and wall bracket, the 7.5" silvered dial signed W. Chambers, 18 Powell Street, London, the movement with deadbeat escapement and maintaining power, within a glazed flame mahogany rounded arched case with gadrooned and foliate carved plinth, 22" high (without wall bracket) (with cylindrical glazed mercury pendulum and door key)
Lot 1335
Good English ebonised double fusee original verge bracket clock, the 7" brass arched dial signed Chater & Son, London on an arched shaped plate to the matted centre with false bob pendulum and date apertures, with strike/silent dial to the arch, also signed Chater & Son, London to the fine foliate engraved back plate, within a stepped case surmounted by a caddy top, four turned brass finials and a carrying handle, 20.5" high (pendulum and door key)
Lot 1336
Fine English red lacquer chinoiserie decorated double fusee verge bracket clock and bracket, the 7" brass arched dial with silvered chapter ring enclosing a matted centre with false pendulum bob and calendar apertures, with strike/silent dial to the arch, the back plate finely engraved with a basket of flowers and meandering foliage, within a stepped case with gilded chinoiserie decoration, surmounted by a caddy top, four acorn brass finials and carrying handle, 19" high (later pendulum and door keys)
Lot 1804
Oak eight day longcase clock, the 12" painted arched dial signed Davied Peat, Grieff to the centre with subsidiary seconds and calendar dials, painted with a duck shooting scene to the arch and signed beneath Peter Crarer, within a later bespoke made oak case with long rounded arched door, the hood surmounted by a rounded arched stepped pediment, 81" high (pendulum, two weights and door key)
Lot 1808
Good mahogany eight day longcase clock, the 12" brass arched dial signed John Taylor, London on a silvered circular plaque to the matted centre with calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch, the case with long rounded arched reeded moulded door and the hood surmounted by a rounded moulded arched pediment, 87" high (pendulum, two weights and keys)
Lot 1810
Good oak thirty hour longcase clock with birdcage movement, the rectangular brass dial (10.25" x 8.5") signed Stephen Wilmshurst, Odiham above the silvered chapter ring enclosing a foliate engraved centre with single iron hand, the slender figured oak case with long door and the hood surmounted by a flat stepped moulded cornice with three turned brass finials, 83" high (pendulum and weight)
Lot 1811
Fine walnut and marquetry month going longcase clock with five pillar movement, the 11.5" square brass dial with silvered chapter ring signed William Provost (Prevost), Newcastle on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with moulded edge long door inlaid with three panels of birds and foliate marquetry, also fitted with a circular lenticle, the base similarly inlaid and the sides with boxwood stringing, the hood with a flat stepped cornice over a foliate marquetry inlaid door surround, 81" high (pendulum, two large brass cased weights and keys) (Case alterations) *It is thought that William Prevost (signed Provost on the dial) was of French extraction and was born in the early 1660s. Although based in Newcastle, he obviously visited London regularly and usually signed his dials with a London address. He married Margaret Badudouin at St Mary Magdalene church in Fish Street, London in 1689. His most famous clock is the year going and striking walnut longcase clock exhibited in the Horological Masterworks exhibition, item 44. This clock shares the same Newcastle address *This clock was sold by Bonhams in their Fine Clocks sale dated 11th December 2007 (lot 174) for £9,600 and by Bearnes Hampton Littlewood on 7th October 2009 for £11,400 *The clock also features in Brian Loomes - Clockmakers of Britain 1286-1700, p381, fig 202
Lot 1814
Good walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed John Hebert, Isleworth on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, profusely engraved to the arch with a basket of flowers over scrolling foliage, the whole dial also engraved with continuous arrowhead borders, the case with long beaded and crossbanded door and the hood surmounted by a flat stepped cornice over a foliate carved pierced frieze, 90" high (pendulum, two brass cased weights and door key) (case restoration required)
Lot 1815
Good marquetry eight day longcase clock, the 11" square brass dial signed Tho. Savage, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and a calendar aperture, within a later marquetry case inlaid to the front with panels of birds amidst flowering foliage, with long beaded moulded door fitted with a circular lenticle, the hood surmounted by a flat stepped cornice over a pierced foliate carved frieze, 84" high (pendulum, two weights and keys)
Lot 1816
Oak and mahogany crossbanded eight day longcase clock, the 12" brass arched dial signed James Gould, London on a convex boss to the arch, over a silver chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy pointed arched door and the hood surmounted by a stepped cornice with Greek key and foliate fretwork blind panels, 84" high (pendulum and two weights)
Lot 1818
Oak eight day longcase clock, the 12" brass arched dial signed Samuel: Whichcote, London on an oval plaque to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and with strike/silent dial to the arch, the case with long rounded arched moulded door and the hood surmounted by a rounded arched stepped pediment with two brass ball and spike finials, 78.5" high (pendulum, two brass cased weights and keys)
Lot 1819
Mahogany eight day longcase clock, the 12" square brass dial with silvered chapter ring enclosing an engraved centre depicting thatched dwellings in a rural landscape, with subsidiary seconds dial and calendar aperture, with rocking ship automata to the arch inscribed 'The Lighthouse', the case with medium length rounded arched door inlaid with a boxwood line and flanked by quarter cable twist pillars, the hood surmounted by a swan neck pediment and two brass ball and eagle finials, 85" high (pendulum and two weights)
Lot 1820
Interesting small mahogany two day longcase clock, the 4.75" brass arched dial signed Joseph Plowman, Chichester to the arch over two iron hands and a central alarm dial, the case with long rounded moulded arched door and the hood surmounted by a stepped moulded rounded arch pediment, 59.5" high (pendulum & weight) *This clock has recently been overhauled and is sold with a guarantee invoice certificate dated 7th October 2020
Lot 1821
Good oak inlaid eight day longcase clock with five pillar movement, the 13" brass arched dial signed Tho. Ogden, Rippenden on the silvered chapter ring below 6 o'clock, enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, surmounted by a calendar chapter ring enclosing a matted centre with penny moon aperture, the case with long door inlaid with a vase of flowers in bog oak and boxwood, flanked by chevron banded borders and barley twist columns, with similar inlay to the recessed panelled base, carved all over with egg and dart borders, with stylised geometric flowerheads to the sides, the hood surmounted by a moulded swan neck pediment, 88" high (wooden rod pendulum and two brass cased weights)
Lot 1823
Good walnut eight day longcase clock, the 12" square brass dial signed Sam Stevens, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the movement with outside countwheel, the case with long beaded moulded edged door fitted with a lenticle and the hood surmounted by a flat stepped cornice over a blind fretwork carved panel, 82" high (pendulum and two weights)
Lot 740
Three rectangular enamelled signs including "Caution Trench Covers are Adequate for Pedestrian Purposes Only. No Wheelbarrows, Trolleys or Vehicles Without Additional Reinforcement" 5" x 12 1/2"; "Notice - the Audable Alarms in this Sub-Station may Operate on Opening this Door..." 7" x 9" and one other (3)
Lot 1042
An early 20th century walnut-cased 8-day dome-top mantel clock, movement chiming on 5 gongs, case height 33cm, with pendulum and key, not currently working, and a Smiths dome-top mantel clock, not currently working (2)Both in need of some restoration as movement in larger clock is slightly loose inside case, general wear to both cases with a few small splits in the door frame of larger clock, but no obvious major damage
Lot 258
RICHARD YOUNG (BRITISH, BORN 1947)Roger Moore & Sean Connery, Langan's, London, 1983original vintage photographic print, together with another of Roger Moore and Susan George, Regine's, London 1979; signed by the photographer in black ink and stamped to the verso, both unframed both approx. 20 x 25.5cm (8 x 10in), (2)Footnotes:ProvenanceOffered directly by the photographer'Another big part of my life was Langan's Brasserie. Every A List star would be there to be seen and photographed. What an iconic shot here, taken outside the infamous Langan's door, of the two best 007s!'- Richard YoungFor further information on this lot please visit Bonhams.com
Lot 417
A 19th century satinwood strung mahogany five function, Mercurial, banjo barometer, thermometer by J. Grassi of Exeter. With swan neck and urn pediment. Second-quarter of the 19th century. 21cm diam dial.Condition report: Ivory setting knob missing, one scroll of pediment damaged.I can't open the rear door to assess the tube or cistern condition as it has been glued shut.The hub of the hygrometer is loose but present.
Lot 1000
Abbey Road Studios - Original wooden doors from the entrance foyer of Abbey Road Studios that date back to 1931 when the studio was officially opened as EMI Recording Studios. The glass panel inserts are not original as these were later replaced due to fire regulations. These doors were used in the studios right up until 1988 when they carried out a major refurbishment at the studios. Many famous artists would have passed through these doors over the years including The Beatles and David Bowie. The doors are solid wood, with original brass hinges and each measure 78 x 200 cm approx. (2)Provenance: Property of an EMI executive. These were previously listed at Bonham's in 2002 and have remained in private ownership since. They are consigned with original authenticity statement and envelope from Abbey Road studios dated 1988. Also included is a hand signed letter from Ken Townsend and newspaper clipping of the Bonham's listing from 2002.Condition Report: Overall scuffing and small marks commensurate with use and age, some old damp marks to door edges, small areas between window panes with old filler.
Lot 515
A George II eight day oak longcase clock, circa 1730, made by John Buffett of Colchester who worked between 1721 and 1735, the hood with a dome shaped top and two finials, arched glazed doors and two glazed side windows to view inner workings, the hood door enclosing a 12 inch brass dial and a silvered chapter ring, Roman numerals, calendar date numerals, 220cm high; complete with weights and pendulum
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235346 item(s)/page