A splendid Marklin Gauge 1 'First Quality' Wagons-Lits Dining Car/Voiture Restaurant, ref 1932/1, with cast-iron bogies and steel wheels, finely-embossed detailing to sides, finished in CIWL brown 'match-boarded' livery as No. 1932 D, complete with all door handles and handrails, extended couplers, buffers, roof handrails and lamp tops, 'Paris-Marseille' route boards to sides (4), fine interior detailing with kitchen, tables and 10 composition figures with exquisite facial painting (4 ladies and 6 gentlemen wearing top hats!), VG, roof a little grubby from display (partially cleaned), a little chipping to bottom edge of roof 'opening' side panels, in believed-to-be original box, lacking label but with pencil markings, box P-FCondition Report - Please see additional images.
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Two modified Bing for B-L Gauge 1 '1921' coaches and a B-L Full Brake Van (3), all in LNWR 'plum and spilt milk', a 1st class 1921 corridor coach and matching brake/3rd, both with more modern replacement bogies and iron wheels, both F-G, some retouching, some door handles damaged, roofs repainted, now with slight rust spotting, together with full brake No. 1332, F, buffers replaced, odd wheels fitted and one axle-set missing, general playwear including dents to roof, one coupler broken (3)
Paul Barraud of London, a George III mahogany cased hour repeating eight day bracket clock, the arched dial with strike silent and central cartouche engraved with the maker's name, twin fusee movement with verge escapement and bob pendulum, named Barraud, Cornhill, London to the backplate, 28cm wide, 19cm deep, 37cm high***CONDITION REPORT***Looks to be in honest condition with some old flaws and old restorations, colour is faded down to an even mid brown tone, brass work oxidised, dial equally with some oxidisation but probably cleaned within the relatively recent past, front door unlocked, no key present, back door with old restorations to the left side, original lock but again no key. Movement looks original, rather dusty and dirty, not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Charles Bayles of Hampstead, a George III ebonised eight day repeating bracket clock, the arched silvered dial with strike silent and date aperture, twin fusee movement with anchor escapement and engraved backplate, 32cm wide, 20cm deep, 43cm high***CONDITION REPORT***Looks to have been restored many years ago but now a little neglected, case rubbed and scuffed particularly across the top of the arch, one small piece of veneer missing from the top of the front door, oxidisation to the dial, and equally to the other brass work, movement looks complete but not tested for timekeeping, comes with probably original engraved brass pendulum, winding key and loose section of veneer from the top of the back door, apparently no case key for front or back doors, both of which have original locks and are not locked shut.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 20th century French miniature timepiece modelled on a 17th century domed bell clock, the silvered Roman dial with sunphase and the sides engraved with Elizabethan ladies, finials set with pearls, eight day movement signed Made in France 5505, 4.75cm wide, 9.5cm high, with original leather travelling case***CONDITION REPORT***Looks to be in good original condition, a little light rubbing to the ormolu on the sides panels and the back door, a later plaque applied to the base inscribed 'Given by M.P. to Brittany for the Millenium', leather case with signs of wear but essentially good, comes with two associated winding keys, movement going but not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Payne of 163 New Bond Street, London, a mid 19th century ormolu rococo revival mantel clock striking on a bell, in a gilt case, with engine turned face, heart-shaped hands and unusually high winding holes, bevelled glass door to the movement, signed to the backplate Payne 163 New Bond Street, separate threaded rod for rating nut, 23cm wide, 15cm deep, 35cm high***CONDITION REPORT***Ormolu with a slightly matted finish and a little dirt and dust in the crevices, dial and hands look original, movement going but not tested for timekeeping, comes with adjustable pendulum and an associated winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 20th century French ormolu mounted red tortoiseshell eight day mantel clock, of Louis XVI style, with enamelled dial and Japy movement, 22cm wide, 12cm deep, 40cm high***CONDITION REPORT***Honest untouched condition, ormolu now slightly matted but complete, dial with minor chipping around the winding holes and some hairline cracks at 12 and 6 o'clock, a few surface flaws in the tortoiseshell but essentially good, movement complete, comes with pendulum and key but not tested for timekeeping, knob for the back door is replaced with a screw.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A French Vernis Martin style walnut vitrine, of bombé form with ormolu mounts, three quarter glazed door, lower panels, painted with scenes after Boucher and signed 'Albertine', on cabriole legs, 78cm wide, 42cm deep, 172cm high***CONDITION REPORT***Overall with a slightly yellowed dull finish, small amount of damage around the keyhole and no key present, decorated panels to the base all with small chips and dents, old lighting wiring fitted to the back which will need replacing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* A Louis XV ormolu mounted rosewood and tulipwood Meuble d’Appui, with a serpentine fronted Rouge de Maine marble top, the quarter veneered doors centered by Apollo’s masks, 130cm wide, 63cm deep, 132cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Christie’s 12th September, 2006, Lot 234; thence Private collection Guernsey***CONDITION REPORT***One or two small nicks and chips around the edge of the marble, main body is of a dark rich treacle brown tone to the right but somewhat lighter to the left where it has been sunbleached leaving some patches and some slight splitting and lifting of the veneers, metal work lacking a few pins and oxidised in places, escutcheon on the right hand door is broken away and missing, a few small scratches in the veneer lower down on the doors, interior with two shelves and positions for three shelves with signs of wear and use.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of French Transitional style satinwood and marquetry side cabinets, each with fretwork gallery, frieze drawer and single cupboard, and inset with japonaiserie lacquer panels, on squared tapered legs with brass pad feet, 57cm wide, 40cm deep, 87cm high***CONDITION REPORT***Possibly Dutch, circa 1890-1910. Both in somewhat neglected condition, one with sections of the gallery missing on the left, a few spare pieces are in the drawer, stippled black marking to the top along with other small scratches and damages, section of ormolu ovulo moulding loose from the left side but retained in the drawer, some wear to the front including the central lacquer panel, comes with original key with working lock, the other with similar section of fretwork gallery broken away but much of it retained in the drawer otherwise in slightly better condition but still with some hairline cracks running through the top and side panels and crazing to the front door, original lock and working key, door encloses removable oak shelves.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A set of six large cut and etched glass door panels each engraved with heraldic beasts, two with Royal coats of arms inscribed 'Britanniarum Rex Fidei Defensor' - George IV, by the grace of God, King of Britain, defender of the faith, 112cm wide, 230cm high***CONDITION REPORT***All in good condition but for very tiny rub and paint marks around the edges, all have brass runners fixed at the base, each comes with a brass lettered grey painted wooden sign listing the heraldry, The Griffin of Edward III (x2), The Greyhound of the Tudors, Dragon of The Tudors, The Bull of Clarence and The Falcon of the Plantagenets.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* * After Pierre-Philippe Thomire (1751-1843), a French Empire ormolu and rouge marble centrepiece converted from a mantel clock, the ormolu column modelled as ‘’The Three Graces’’, beneath a cut glass dish, raised on a marble triform plinth with ormolu strapwork marks and central foliate paterae where the dial was originally placed, 37cm diameter, 97cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Private collection Guernsey***CONDITION REPORT***Bowl with a few small nicks and chips to the underside of the rim, mount that it sits in showing soldering marks at the joints, remainder of the ormolu stem of a good bright colour, slightly matted in places with a few verdigris spots, base in good order, central paterae mount is a fair match but does show slight gaps through to where the dial once was, hinged brass door to the back.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
George III mahogany secretaire bookcase, moulded cornice, lancet glazed doors enclosing three adjustable shelves, the base with a secretaire drawer over three long graduating drawers, brass handles, splayed bracket feet, width 102cm, depth 56cm, height 222cm.Condition report:Some splitting to the veneer of the cornice and there is a length of moulding missing to the left hand side of the cornice. The top left hand pane of the righthand bookcase door is cracked. The top of the secretaire is heavily marked and water stained. The lower left hand panel of the secretaire is split and has some scratches. Splits also to the right-hand side of the drawer fascias between the second and third drawers. The interior of the fitted drawer is relatively tidy, some of the inner drawer pulls are replaced and one is loose. The other drawers are sound but run dry.
Small painted pine cupboard, panelled door enclosing adjustable shelves, bracket feet, width 59cm, depth 38cm, height 132cm.Condition report:There are some splits to the paintwork where the joins of the cabinet underneath meat (cornice outlines, surrounding the panel edging etc). No splits to the wood itself. There are three shelves internally with fully adjustable pegs running the full height. There is a strong odour to the interior - soap or similar. Some staining to the top surface.
Siesta by N.H Chapman of Newcastle upon Tyne: An early 20th Century Jacobean Revival oak sideboard, the raised stub gallery back over a geometrically carved frieze, the two central drawers with linenfold decoration flanked by single door cupboard with arcaded decoration, raised on cup and cover legs united by peripheral stretchers, 152 x 46 x 97cm high.
A fiddleback mahogany Globe Wernicke style bureau bookcase, with geometric detailing to the frieze, the lead-glazed doors enclosing shelves over a fall front writing area, a further glazed double door cabinet and panelled cabinet raised on bracket feet, largest measures 89 x 26 x 167cm high, disassembles for ease of transport, together with matching glazed stacking bookcase, 89 x 25 x 138cm high.
A 20th Century stripped pine blanket box, the moulded edge to the hinged lid, opening to reveal a spacious interior, raised on a plinth base, 82 x 48 x 46cm high, together with a pine wall hanging display cabinet, with scrolled pediment over a glazed door enclosing shelves, 59 x 22 x 113cm high.
A close matched Arts & Crafts Gothic Reform inlaid Ash four part bedroom suite in the manner of Charles Bevan, comprising a combination wardrobe with castellated cornice, centred by an arched mirror panelled door, 162 cm w x 64 cm x 216 cm h; a mirror backed dressing table with recessed Minton tiled footwell, 138 cm w x 61 cm x 165 cm h; a chest of two short over four long graduated drawers, 117 cm w x 56 cm x 121 cm h; a single door pot cupboard, 43 cm w x 33 cm x 82 cm h and a double bed frame (altered) - all original but at fault (5)
Scheuchzer,J.J.: Geestelyke Natuurkunde, Uitgegeven in de Latynsche Taale. In't Nederduits vertaald. Versierd met Byschriften in Poëzy door G. Tysens. 15 Teile in 5 Bdn. Amsterdam, Schenk 1735-39. Fol. Mit gest. Front., 2 gest. Portraits von Pintz nach de Marees und Laub nach Heidegger in Schabkunstmanier, 15 (wdh.) gest. Titelvign. u. 750 (auf 748, davon 5 dplblgr.) Kupfertaf. von J.A. Pfeffel (u.a.) nach J.M. Füssli. Blindgepräg. Ldrbde. d. Zt. Nissen ZBI 3661. Vgl. Horn/Schenckling 19267, Faber du Faur 1855, Lanckoronska/Oe. I, 32, ausführlich Kat. "Natura Sacra" (Zürich 2012), S. 77-128. - Einzige niederländische Ausgabe der "Kupfer- Bibel oder Physica sacra" (Augsburg 1731-35) mit den Kupfertafeln der Originalausgabe. - Mit diesem Werk unternahm Scheuchzer den "einzigartig gebliebenen Versuch einer naturwissenschaftlichen Exegese der Heiligen Schrift" (NDB). Sie erschien in deutscher, lateinischer, französischer und niederländischer Sprache, wobei die ersten beiden mit identischen Kupfern erschienen (die Bildunterschriften deshalb in Latein und Deutsch gedruckt). Scheuchzer selbst vollendete noch das deutsche und das lateinische Manuskript, den vollständigen Druck erlebte er nicht mehr. Die eindrucksvollen Kupfer, von Augsburger Meistern nach J. M. Füssli gestochen, zeigen biblische Szenen mit figürlichen Umrahmungen und Details, meist gefolgt und ergänzt durch weitere Kupfer mit detaillierten Tier-, Pflanzen, Architektur- und technischen Darstellungen. "Wo immer in der Bibel ein Tier-, eine Pflanze, Metalle, Versteinerungen, Naturphänomene oder heilige Bauwerke Erwähnung finden, werden sie von Scheuchzer unter Berücksichtigung der damals bekannten wissenschaftlichen Literatur ausführlich erörtert." (J. Hesse, in: Kat. Natura Sacra, S. 108). Weiterhin finden sich Kupfer zu Haus- und Landwirtschaft, aus der Astronomie, aber auch Schlachtordnungen, Stammbäume, Karten und Landschaften ebenso wie Portraits von Autor und Verleger. - Die Tafelzahl variiert, wobei die Nummern 37-39 auf 1 Doppelblatt angeordnet sind. Im vorliegenden Exemplar sind folgende zusätzliche Tafeln vorhanden: 39 A, 99 B, 133 A, 217 A, 223 A, 340 B, 446 B und C, 463 A und 470 A. - In den Rändern etwas stock- und braunfleckig, stellenweise auch etwas feuchtrandig.
Doctor Who - a large collection of vintage VHS tapes of various Dr Who episodes. Includes: Spearhead From Space, The Android Invasion, Planet Of The Daleks & Revelation Of The Daleks Ltd Ed tin set, The Seeds Of Door, Death To The Daleks, Robots Of Death and others. All housed in their original VHS boxes.
A Victorian 19th century ash / oak chest of drawers / linen press. Raised on a plinth base with a double door linen press cupboard over a chest of drawers with two over two configuration. Linear detailing to drawers, cast iron drop handles to the drawers with caddy top above. Measures approx. 210cm x 114cm x 54cm.
Henri Matisse (French, 1869 - 1954) The Door of the Casbah - 1912 Screenprint on paper Copyright Succession H Matisse/DACS 1995 Published by Enormous Art 80 cm x 60 cm (31 1/2 " x 24") The Snail - 1953 Screenprint on paper Copyright Succession H Matisse/DACS 2001 Copyright Tate Gallery Publishing 86 cm x 86 c (33 5/8" x 33 5/8") Presented unframed, unglazed and previously stored in roll.
A grooved decoration large chest, juniper (or cedar), decoration with grooves filled with putty (gall nut) "Imaginary animals, heads of Imaginary animals and plant motifs", with inscription WD, interior with pigeon holes, scalloped and engraved iron hinges, locks, escutcheon and door strike plate en relief, Portuguese - Azores, 16th/17th C., missing socle, small restoration, minor faults and defects. Notes: this type of chests was studied in FERRÃO, Bernardo - "Mobiliário Português - dos primórdios ao maneirismo - volume quarto - Anexos". Porto: Lello & Irmão - Editores, 1990, pp. 7-35, reproducing several copies. For grooved decoration chest with similar imaginary animals vd. FREIRE, Fernanda Castro - "Mobiliário - volume II". Lisbon: Ricardo do Espírito Santo Silva Foundation, 2001, p. 43., Dim. - 55,5 x 138,5 x 56,5 cm
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235302 item(s)/page