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Lot 978
A 19th Century longcase clock, painted arch dial with shepherdess and sheep in landscape, seconds and date aperture, eight day movement striking on a bell, indistinctly inscribed Phillip Tredegar, enclosed by a glazed hood surmounted with a finial and broken swan neck pediment, over a short inlaid trunk door, canted bracket plinth, 208cm high
Lot 2605
A Victorian flame Mahogany Long Case Clock, having painted face with eight day movement. Maker `M. Winter Holder, Pontypool`. The case having swan necked pediment and columns to the hood. Cross banded flame mahogany throughout, short shaped top door, standing on bracket feet. 24`` wide x 87`` high x 10`` deep.
Lot 1321
A circa 1900 Oak Smokers Chest having lift up lid revealing a cigarette/Cigar Case interior releasing a pin locking an uncommon swivel door below incorporating a plinth with recesses for a tobacco jar and four pipes, the case nicely detailed with shaped and pierced brass plates and corner pieces. Measuring 13 5/8`` wide, 7 1/2`` deep and 10 1/4`` high approx.
Lot 99
A late 19c French mantel clock in tortoiseshell and boullework case with cast gilt mounts, feet and side frets. The boullework extends to the inside of the rear door and the inner base, visible through the glazed aperture below the dial. The cast gilt dial has blue enamel numeral plaques and the Vincenti movement is countwheel striking on a bell, 14.5" tall overall.
Lot 107
An early 19c thirty hour longcase clock with 12" square painted dial, having geometric corner paintings and a church painted in the dial centre. The plated movement is rope driven and rack striking on a bell. It is contained in a plain oak case with swan neck pediments to the hood and plain columns flanking the dial. The long trunk door has a round top and the plain base has a plain plinth (front section missing), 78" tall overall.
Lot 108
An early 19c thirty hour longcase clock, the 12" square painted dial signed `A. Heale, Chulmleigh` and having florally painted corners. The plated movement is chain driven and is countwheel striking on a bell. The pine case has swan neck pediments to the hood and turned columns flanking the dial. The long trunk door is plain and the base is plain with a wavy plinth. The case is heavily varnished and stands 83" tall.
Lot 109
A mid 18c thirty hour longcase clock, the 10" square dial signed `Jas. Wright Knoll` and has urn spandrels and a matted centre. The plated movement is chain driven and countwheel striking on a bell. The oak case has a tall flat top hood with sound fret and no hood columns. The long trunk door has a shaped top and edge moulding and the small base is plain with a shaped plinth, the case back has been replaced, 77" tall overall.
Lot 220
* A fine cast and gilded metal armorial of the impaled arms of Prince William Henry, Duke of Clarence and his Duchess Adelaide subsequently King William IV and Queen Adelaide, believed to have been from a door panel of one of the royal carriages, early 19th c., armorial supported by lion and unicorn with `label` mounted together on velvet backing, contained within a fine gilt moulded frame of shield form with coronet above, paper label to backing board, reglazed, total dimensions 66 x 57cm (26 x 22.5 inches)Additional information supplied by Thomas Woodcock, Garter Principal King of Arms, ‘The cast metal coach panel shows the arms of a husband and wife surmounted by the coronet of rank of a younger child of a Sovereign of the United Kingdom. The husband’s half shows the British Royal Arms as used after 1801 and up till 1837. The wife’s arms are those used by Adelaide, daughter of the Duke of Saxe-Meiningen who married William, Duke of Clarenceux on 11 July 1818. In 1830 on the death of his brother George IV on 26 June 1830 he became William IV and his wife Queen Adelaide. The coronet would point to the object dating between 1818 and 1830 as after he succeeded as King he would not use labels and his coronet would become a Royal Crown. The problem is the label of three points on the two supporters. A plain label is used by the Prince of Wales who however has a single arch to his coronet. There appear to be plain labels on the lion and unicorn whereas William, Duke of Clarence bore a Label of three points Argent the centre point charged with a Cross Gules and each of the others with an Anchor Azure. The label should also appear on the arms though I cannot see it. When Queen Victoria succeeded to the Throne in 1837 her next uncle the Duke of Cumberland became King of Hanover and was heir presumptive to the Throne till the birth of the Prince of Wales, later Edward VII. As heir presumptive after 1837 he initially bore a plain label. It is possible though I have not seen any evidence for it that after William IV became heir presumptive to the Throne on the death of his elder brother Frederick, Duke of York on 5 January 1827 he bore a plain label. This would narrow the date of the object down to 1827-1830 though I must stress that I have seen no evidence that a plain label was used by William, Duke of Clarence when he was heir presumptive.’
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235346 item(s)/page