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Lot 310
Richard & Cie, Paris, a French brass cased repeating and striking carriage clock, the enamel dial with blued steel hands, the 8-day duration timepiece mechanism, signed to the back plate with R & Ce stamp, striking on two gongs, lacking door handle, 13.5 x 9.5 x 8cm.Richard & Co started life in Paris in 1848 under a different name but then added a London branch at 24 Cannon Street in 1867 which became Richard & Co. They were mainly carriage clock makers, producing clocks in different English and French styles for the respective markets. The London business lasted until 1881 with the Paris workshop based at Rue Bondy continuing on until the beginning of the 20th Century.
Lot 320
A Rye Fortress alarm novelty mantle clock, retailed by J.N. Masters, Rye, Sussex, the architectural clock tower case with a Jughans movement, paper label to the door, 27cm.John Neve Masters (1846-1928) advertised in the 1868 Sussex trade directory as trading as a watchmaker at 21 High Street, Rye, then in 1890 and 1891 as a watch and clock maker at 95 High Street, Rye. In 1899 as a watch and clock maker and also as a jeweller but the abbreviation changed to J. N. Masters Ltd. and this was used for the 1905 listing when he occupied numbers 8, 9 and 95 High Street, Rye. The 1911 and 1915 directories show the address as 8 and 9 High Street, Rye under watch and clock makers but no listing appears under jewellers.
Lot 48
Vinyl - The Cure - 4 original UK albums to include: The Head On The Door (FIXH 11) VG+ / EX (with printed inner), Three Imaginary Boys (FIX 1), VG+ / EX (with printed inner), Faith (FIX 6), Sleeve VG (foxing), Vinyl EX (with printed inner), Seventeen Seconds (FIX 004), Sleeve VG (foxing), Vinyl EX
Lot 1479
A YEWWOOD TWIN PEDESTAL DINING TABLE, extended length 211cm closed length 164m x depth 96cm x height 73cm, six chair including two carvers and a four door tv cabinet, width 98cm x depth 52cm x height 141cm (9) (condition:-surface scratches to table top and chairs, tv cabinet with section cut out)
Lot 8357
Maggy Clarysse. Still Life of a Bouquet of Flowers hanging on a door.. Oil on canvas, signed lower right and verso. 55 x 46cmPROVENANCE; The residual studio collection of the artist. Maggy Clarysse (1931-2011), hidden away for the past decade, will come to auction in this sale.Consigned by her family, the art displays an extraordinary range, from pointillist studies of ponds, via Cézanne-inspired landscapes to Impressionist and post-Impressionist still lifes. In all, the auction will offer over 450 works by a woman who was obsessed with art and would rise early each day to get to her easel, completing 12 hours of painting, sketching, sculpting and drawing before turning her hand to crafts in the evening.BIOGRAPHY; The art came before and after a successful career as a model from the 1940s to 60s with the glamour that it brought with it.Born in Belgium, Maggy studied at art college in Brussels with the aim of becoming a Paris fashion designer. To that end, she eventually approached a leading couture house to show them her designs.To her delight, they agreed to take her on immediately. However, they did not want her as a designer, but as a model!This led to work in Paris, London and around Europe, with Maggy basing herself first in Germany and then in Paris as a couture house model and then a model for Vogue.She was photographed by Terence Donovan and David Bailey, with one shoot ending up with her pushing the then leading film star, Norman Wisdom, into a swimming pool her reasons for doing so remain shrouded in mystery!It was while on holiday in the south of France in the late 1950s that she met her future husband, an English businessman, and they then married and moved to Barnes in south-west London.She gave up modelling when her son was born, and the glamour days of chic long dresses were over, and she then turned her exceptional work ethic towards art.Maggy painted from dusk to dawn for many decades up until her death in 2011 and enjoyed considerable success commercially.She would divide her time between London and their apartment in the South of France, and she hosted several exhibitions a year between the early 1970s and the late 2000s in both London and Antibes. Works sold for up to £6,000-8,000 but are much more reasonably estimated here. Few of her works come on to the market and this sale provides a unique opportunity for collectors. In all, the auction will offer over 450 works by the artist.
Lot 8384
Maggy Clarysse. Flowers Tied to Blue Door. Oil on canvas board 1998, signed and inscribed verso. 39 x 49cm.PROVENANCE; The residual studio collection of the artist. Maggy Clarysse (1931-2011), hidden away for the past decade, will come to auction in this sale.Consigned by her family, the art displays an extraordinary range, from pointillist studies of ponds, via Cézanne-inspired landscapes to Impressionist and post-Impressionist still lifes. In all, the auction will offer over 450 works by a woman who was obsessed with art and would rise early each day to get to her easel, completing 12 hours of painting, sketching, sculpting and drawing before turning her hand to crafts in the evening.BIOGRAPHY; The art came before and after a successful career as a model from the 1940s to 60s with the glamour that it brought with it.Born in Belgium, Maggy studied at art college in Brussels with the aim of becoming a Paris fashion designer. To that end, she eventually approached a leading couture house to show them her designs.To her delight, they agreed to take her on immediately. However, they did not want her as a designer, but as a model!This led to work in Paris, London and around Europe, with Maggy basing herself first in Germany and then in Paris as a couture house model and then a model for Vogue.She was photographed by Terence Donovan and David Bailey, with one shoot ending up with her pushing the then leading film star, Norman Wisdom, into a swimming pool her reasons for doing so remain shrouded in mystery!It was while on holiday in the south of France in the late 1950s that she met her future husband, an English businessman, and they then married and moved to Barnes in south-west London.She gave up modelling when her son was born, and the glamour days of chic long dresses were over, and she then turned her exceptional work ethic towards art.Maggy painted from dusk to dawn for many decades up until her death in 2011 and enjoyed considerable success commercially.She would divide her time between London and their apartment in the South of France, and she hosted several exhibitions a year between the early 1970s and the late 2000s in both London and Antibes. Works sold for up to £6,000-8,000 but are much more reasonably estimated here. Few of her works come on to the market and this sale provides a unique opportunity for collectors. In all, the auction will offer over 450 works by the artist.
Lot 368
Approximately Twenty Five 'OO' Gauge/4mm Steam Locomotive for Spares and Repair, 4-6-2 - 4-6-0, tank etc, all with varying degrees of damage and /or missing parts/components, sometimes boxed. Of interest a Hornby 4-6-2 boxed 'Thomas and Friends', very good loco missing smoke box door, badly damaged tender (with motor).
Lot 338
A LOUIS XV STYLE WALNUT, MARQUETRY AND GILT METAL MOUNTED BUREAU DE DAME 20th century, the top section with a central mirrored door opening to a shelved interior, flanked by a series of small drawers, the bottom has an inset leather writing surface, above a single frieze drawer, on slender cabriole legs terminating in sabots, 123cm high x 110cm wide x 60cm deep
Lot 48
GEORGE CUIT SENIOR (BRITISH 1743 - 1818) A SET OF FOUR VIEWS OF THE HYDE, NEAR INGATESTONE, ESSEXOil on canvasInscribed and dated `Ingatestone church and the cottage/near the Hyde. Taken from the Hall door./Painted by Geo. Cuit/1806'; `South East view of the Hyde near Ingatestone, Essex/late the seat of Thomas Brand Holles Esq. now of/John Disney DD/Taken from the London Road/painted by George Cuit 1806'; `The Hermitage at the Hyde near Ingatestone/Painted by George Cuit/1806': and `View of the water and grounds at the Hyde/near Ingatestone. Taken from the end of the shrubbery walk/Painted by George Cuit/1806' respectively (on the reverse) 43 x 54cm (16¾ x 21¼ in.) (4)Provenance: Sale, Phillips, London, 20 June 1995, lot 42 (sold for £14,500)The collection of Lady Victoria GettyAccording to David W J Gill's The World of Disney From Antiquarianism to Archaeology the Revd. John Disney inherited the Hyde Estate from Thomas Brand Hollis in 1805 and commissioned the paintings of it from his friend, George Cuit Senior in 1806. Please note: The cataloguing has been amended to GEORGE CUIT SENIOR (BRITISH 1743-1818) rather than George Cuit Junior
Lot 234
A George V small silver cased travelling carriage timepiece of Asprey London, London 1913, height including handle 9cm, within original carry case.The leather covering on the travel case is in poor condition. The top strap handle is missing. The base corners are scuffed and worn. The silk in the interior is torn and thread bare. The silver case is tarnished all over. There is a small dent on the door corresponding with the winder. The dial has a crack running from the 9 o'clock position to the 1 o'clock position. The front right ball foot is dented so it is now wobbly on its feet. The bottom hallmarks are rubbed. It winds but doesn't appear to run.
Lot 387
§ David Tindle RA, HRBSA, RE (British 1932-) The Doorsigned with initials (lower right); further signed, titled and dated 95 to the reverseegg tempera on board59 x 48cmClosely associated with the Soho artists of the 1940s and 50s, Royal Academician, David Tindle, is perhaps best known for his technical acuity in the early Renaissance method of egg tempera painting. Born in Huddersfield in 1932, Tindle received his early training at the Coventry School of Art, before being appointed visiting tutor at the Royal College of Art, and later as Ruskin Master of Drawing at Oxford University. Praised for his sensitive and meditative depictions of domestic interiors and for his dexterous tonal control, Tindle’s works are characterised by their fastidious attention to detail and enigmatic, dreamlike qualities, where human activity is evident and yet conspicuously hidden.
Lot 24
A Modern Freestanding Mirror / Jewellery Cabinet, the hinged door with full length mirror and fitted interior, overall height approximately 144cm; together with red diamanté hand compact mirror, modern ladies wristwatch, the openwork bracelet stamped "925", jewellery oddments (damage / incomplete) etc.
Lot 1202
French ormolu and cloisonné repeater carriage clock striking on a gong, the 2" gilt dial with Roman cabochon enamel numerals and within an ornate pillared case decorated with coloured foliate enamel panels on the sky blue ground, surmounted by an ornate scrolling cornice, 10.5" high (key) (loose back door)
Lot 1226
Carriage clock timepiece, signed Garrard & Co, London W1 on the dial plate below the chapter ring, within a corniche brass case, 6" high; also within a J.W. Benson outer Morocco leather travelling case (winding key) *This clock also bears a presentation plaque fitted to the back door inscribed Rolls-Royce Limited, Bristol, E.J. Brook, 1981
Lot 1331
English mahogany double fusee bracket clock, the 7" brass arched dial signed Jno Green, London, on a shaped silvered plate to the matted centre enclosed by a silver chapter ring, surmounted by a strike/silent subsidiary dial, within a later stepped case surmounted by four brass acorn finials and carrying handle, 20.25" high (pendulum and door keys) (Alterations)
Lot 1337
Interesting early Dutch ebonised two train mantel clock with alarm, the 6.5" brass chapter ring signed Rade Kovell Vegl 1673 and enclosing a central alarm dial, within a foliate and C-scroll repousse surround, the movement with pull repeat, within a rounded arched glazed case with vertical sliding back door with and sweeping canted corners uniting a shaped apron to the base, 16.25" high (pendulum and key)
Lot 1717
Good rosewood Joh. Baptist Beha Black Forest double fusee cuckoo clock in need of restoration, the 6.75" white onyx dial with Roman cartouche enamel numerals, bearing the maker's trademark label to the top inside of the back door, within a foliate inlaid case with bombé style stepped base and surmounted by a rounded arched cornice, 18.25" high (pendulum)
Lot 1809
Oak thirty hour longcase clock with birdcage movement, the 11" square brass dial signed Simon Cross, Liphill on the silvered chapter ring enclosing a matted centre with calendar aperture, the case with long door and the hood surmounted by a wavy cornice and three acorn finials, 83" high (pendulum and weight)
Lot 1810
Oak eight day longcase clock, the 12" square brass dial signed S. Wright, Northwich on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the crossbanded case with long door and the hood surmounted by a flat stepped moulded cornice, 83" high (pendulum, two weights and winding key)
Lot 1822
Light oak thirty hour longcase clock, the 11" square brass dial signed Jonathan Way, Newton St Loe on the silvered chapter ring enclosing a matted centre engraved with stylised flowers, the case with long door and the hood surmounted by a flat stepped cornice, 74.5" high (weight, no pendulum)
Lot 1826
Oak eight day longcase clock, the 12" cream arched dial signed J. Goater, Winchester over subsidiary seconds and calendar dials, the case with long crossbanded door and the hood surmounted by a rounded moulded cornice with two ball and eagle brass finials, 81.5" high (pendulum and two weights)
Lot 1828
Oak eight day longcase clock, the 12" brass arched dial signed Willm. Parry, Newport on a silvered disc to the arch, the silvered chapter ring enclosing a matted centre engraved with birds, with subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a stepped caddy top, 89" high (pendulum, no weights)
Lot 1829
Interesting elm thirty hour longcase clock, the 10" square brass dial with silvered chapter ring enclosing a matted centre fitted with an alarm dial and single iron hand, the case with beaded edged long door fitted with a circular lenticle and the hood surmounted by a moulded stepped cornice, 81" high (weight, no pendulum)
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234658 item(s)/page