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Lot 1

A pair of Art Nouveau brass door handles, cast with sinuous scrolls, 37.5cm high; a 19th mahogany and brass wig stand (3)

Lot 1

An oak longcase clock, the 30cm brass dial with Roman and Arabic numerals, inscribed Whitehurst, Derby, single winding hole, 30-hour movement, the case of unusual design, circular hood, long arched door to waist, plinth base, shaped feet, 92cm high

Lot 1

An early 20th century mahogany longcase clock, the 32cm silvered dial with gilt Arabic numerals, engraved and chased overall with scrolling foliage, subsidiary seconds dial, the arched with strike/silent dial, inscribed Mappin and Webb, Ltd., Oxford Street, London, three winding holes, eight day double fusee movement, striking on a gong, the hood with urn finials to angles, pierced gallery, blind fret work to angles, the shaped door with oval blind fret, plinth base, bracket feet, 233cm high

Lot 1

An early 20th century mahogany longcase clock, the 30cm gilt dial with silvered chapter ring and gilt Arabic numerals, subsidiary seconds dial, the arched with strike/silent dial, pierced gilt spandrels, inscribed Barry and Sons, Edinburgh, twin winding holes, eight day movement, striking on a gong, the hood with swan neck pediment terminating with bat wing patera, centred by a lofty fluted urnular finial, freestanding Corinthian pilasters, inlaid over all in coloured woods with urns and tendrils, bevelled glass shaped door to waist, flanked by fluted columns, bracket feet, 250cm high

Lot 1

A George III oak and mahogany crossbanded long case clock, the 25cm square enamelled with Roman and Arabic numerals, painted with scrolls to spandrels, twin winding holes, eight day movement, striking on a bell, subsidiary seconds dial and date aperture, inscribed E. Massey, Newcastle, the hood with square pediment, turned pilasters, shaped door to waist flanked by quarter fluted columns. plinth base, bracket feet, 188cm high **The maker is the well-regarded Edward Massey of Newcastle-under-Lyme born 1740 and was working from 1763 until 1813. Although bankrupted in 1778, he undertook work for Josiah Wedgwood - a Catholic, he belonged to a prolific Staffordshire clock making dynasty, and three of his sons - Edward II, Francis and John also became clockmakers

Lot 1

A George II oak longcase clock, the 26cm square brass dial with black Roman numerals, subsidiary seconds dial and inscribed F Bayley Uttoxeter, pierced brass spandrels, thirty hour movement, single hand, the hood with moulded square top and inlaid with a deep band of mahogany, freestanding turned pilasters, shaped door to waist, plinth base, 200cm high ** Francis Bayley was born 1702 and was working by 1726 when he took an apprentice, but probably set up in 1723. He is recorded until 1760.

Lot 1

A 19th century oak and mahogany crossbanded longcase clock, the 33cm painted arched dial with white chapter ring and Roman numerals, inscribed Thomas Craw?, Retford, twin winding holes, eight day movement striking on a bell, painted with Admiral Lord Nelson and battle ships, the arch with village church, the hood with later pierced cornice, shaped door to waist centred by a shell patera flanked by quarter fluted columns, plinth base, 223cm high

Lot 1

A George III oak splay front wall hanging corner cupboard, with ovolo cornice above shaped fielded panelled door with quarter patera to angles, shaped shelves, 109cm high, c. 1810.

Lot 1

An Edwardian mahogany wall hanging corner cabinet, with moulded cornice above a fluted frieze and astragal glazed door, 96cm high, c.1910.

Lot 1

A Victorian walnut davenport, the raised back with ogee moulded hinged cover, enclosing stationery compartments, the slope front with tooled leather writing surface, enclosing a satin birch interior, with pigeon holes and drawer, on acanthus carved cabriole legs, door to side enclosing four graduated drawers with turned handles, D-shaped base, bun feet, on casters, 56cm wide, 100cm high, c.1870

Lot 1

A Victorian mahogany triple wardrobe, the moulded cornice above pointed arched mirrored door flanked by two panelled doors, the interior fitted with drawers, sliding trays and hanging rail, plinth base, 170cm wide, c.1870.

Lot 1

A George III oak and mahogany crossbanded splay front wall hanging corner cupboard, with boxwood and ebony stringing, the dentil cornice above rectangular fielded panelled door with quartered paterae to angles and centred by a shell patera, shaped shelves, 110cm high, c.1800.

Lot 1

A 19th century ormolu mounted marquetry cabinet, the pagoda top with lacquered brass three-quarter gallery above a downswept cornice and shield shaped glazed door, glazed sides conforming, enclosing three velvet lined shelves, shaped apron, cabriole legs, inlaid overall with floral marquetry panels and outlined with boxwood string, 63cm wide, c.1870

Lot 1

An Edwardian mahogany Art Nouveau splay front floor standing display cabinet, stepped cornice above a serpentine frieze, the three-quarter glazed door and sides with leaded lights, decorated with vaseline, green and brown glass flowering stems enclosing two velvet lined shelves, tapered square legs, the whole outlined with satinwood crossbanding and boxwood string, 120cm wide, c.1905

Lot 1

A 19th century ormolu and brass mounted Boulle vitrine, the brass rim above a bordered pagoda top with deep frieze, shaped glazed door with stiff acanthus leaf border, enclosing two silk lined shelves, plinth base applied with masks and acanthus scrolls, 126cm high, c.1860.

Lot 1

A George III oak splay front wall hanging corner cupboard, with stepped cornice above fielded panelled door, two shaped shelves, elaborated H-hinges, oval escutcheon, 101cm high, c.1800.

Lot 1

A George III mahogany splay front wall hanging corner cupboard, the moulded cornice above crossbanded fielded panelled door, three shaped shelves, 107cm high, c.1810.

Lot 1

19th Century Staffordshire Pottery Pastille Burner, formed as a castle with twin castellated turrets, opened windows and arched door, on a separate shaped base, encrusted with fruits, flowers and leaves, 20cms, (8”).

Lot 1

Pair of early 19th Century Staffordshire Pottery Pastille Burners, each formed as a country cottage with thatched roof, encrusted with flowers, with painted door and on a shaped base with gilt band, 11cms, (4.5”).

Lot 1

Early 19th Century Staffordshire Pastille Burner, formed as a small cottage, with square chimney, floral encrusted roof, with gilt outlines, painted door and open windows, on a shaped base with decorative leaves and flowers and with gilt scrolls, 12cms, (4.5”).

Lot 1

Early 19th Century pottery Pastille Burner, formed as a castle, with castellated turrets, encrusted with fruit and flowers and of brick coloured ground, the windows with gilt outlines, with painted arched door and steps to the front, 18cms, (7”).

Lot 1

18th Century Longcase Clock, square painted dial with date aperture, the spandrels painted with flowers, thirty-hour movement, contained within an oak case, with swan neck pediment, fluted columns supports, arched and crossbanded door, shaped apron and bracket feet, 206cms, (6’9”).

Lot 1

George III Stick Barometer, the brass dial inscribed D. Poncia & Co., Fecit, contained within a mahogany case, with break arch pediment above a glazed door, the column bounded with boxwood and ebony and the cistern cover with mother of pearl inlay, 97cms, (3’2”).

Lot 1

19th Century Longcase Clock, with circular enamelled dial inscribed, “Cooke & Co., Nottingham” and with Roman numerals, the eight-day movement stamped “Walker & Hughes?”, striking on a gong, contained within a mahogany and crossbanded case, the hood with swan neck pediment and fluted column supports, above an arched door with bone lozenge escutcheon and plain base, 220cms, (7’4”).

Lot 1

George III Longcase Clock, with brass arched dial, inscribed “Jas. Grant, Glasgow” with secondary seconds and date dials, cast and embossed spandrels, the arch with cast appliqués of a dolphin decoration and circular panel inscribed, Tempus Fugit, eight-day movement, contained within a mahogany case, with swan neck pediment, arched glazed door, flanked by turned columns, with brass mounts, above a panel door, plain base and bun feet, 224cms, (7’4”).

Lot 1

Late Victorian standing Corner Cupboard, the top with break arch pediment above a frieze inlaid and decorated with leaf scrolls and vases, the interior of the upper half fitted two shelves and enclosed by a Gothic glazed door, the base with a panelled door, inlaid with flowers and scrolls and enclosing one shelf, on bracket feet, 69cms, (27”).

Lot 1

Victorian ebonised Credenza, the breakfront top with moulded edge, above a central door, with oval Sevres type panel, decorated with a courting scene, flanked by half-round cupboards enclosed by glazed doors and with all-over gilt metal mounts, on plain base and bun feet, 190cms, (5’9”).

Lot 1

Victorian walnut Credenza, the top with oval mirrored back with scrolled frame above a serpentine fronted marble top, with central door inset oval mirror below, flanked by canted doors with rectangular mirrors, on a plain base, 137cms, (4’6”).

Lot 1

George III oak Bureau, the interior fitted central cupboard, the door inlaid with a conch in stained woods and flanked by pigeonholes and drawers, enclosed by a fall front, similarly inlaid and with three long graduating drawers below, all with brass oval handles and plates, shaped apron, on bracket feet, 92cms, (3’).

Lot 1

An Edwardian brass door curtain pole with various fittings, 105 cms.

Lot 1

A Vienna style single weight wall clock within an ebonised case with carved ped, fluted rails to the side of the door, enclosing a white dial with Roman numerals, eight-day[?] movement, 123 cms.

Lot 1

A Vienna style double-weight wall clock with ebonised and simulated rosewood case, plain pediment, two fluted rails to the side of the door, enclosing a white dial and Roman numerals, eight-day movement, striking on a single gong, 97 cms.

Lot 1

A 19c inlaid rosewood display cabinet with stringing and shell inlaid decoration; the plain top with inlaid frieze, single glazed door, enclosing two shelves raised upon a platform base, 76 cms.

Lot 1

A Georgian oak hanging corner cupboard with stepped pediment, inlaid frieze over a shaped panel door, enclosing three shaped shelves, 69 cms.

Lot 1

A pair of Victorian mahogany tall and narrow bookcases, each with stepped pediments, plain single glazed doors enclosing adjustable shelves over a single panelled cupboard door, raised upon a platform base, 224 cms. high.

Lot 1

A late Victorian rosewood music cabinet, the whole inlaid with stringings, the shaped upper part fitted one shelf above shaped bevelled mirror panel and with turned supports, the base fitted three shelves enclosed by a single door with bevelled glazing to the lower section, the upper section with shaped panel inlaid with classical urns and leaf scroll ornament, on square tapered front legs and castors, 22ins wide x 55ins high

Lot 1

A late 19th Century French ebonised and red tortoise-shell Boulle dwarf display cabinet with gilt metal mounts, mouldings and caryatid side brackets, the frieze and single front door inlaid with scroll work, the cloth covered interior fitted two shelves enclosed by a single arched glazed door, on shaped plinth base, 33.5ins wide x 45.5ins high

Lot 1

An 18th Century mahogany cased 'Tavern' wall clock, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with A-frame plates and anchor escapement, contained in case with cast brass bezel and turned bezel to case, the long trunk with shaped ears and shaped trunk door, with moulded apron, 50ins high.

Lot 1

A mahogany cased 'Tavern' clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, shaped trunk door and shaped apron, 54ins high

Lot 1

A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with carved leaf ears, shaped trunk door and shaped apron, 54ins high

Lot 1

A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, figured veneered shaped trunk door and shaped apron, 54ins high.

Lot 1

A mahogany cased wall mounted 'Regulator' of early 19th Century design by Leslie Brundle, the 12ins cream enamelled dial, sweep minute dial and with central seconds dial, hour dial and small 'Up and Down' dial to side, to the eight day fusee movement with maintaining power and dead beat escapement, contained in case with turned bezel, the long trunk with shaped ears, the shaped trunk door crossbanded in rosewood, and with curved apron, 52ins high.

Lot 1

A late 19th Century walnut cased 'Vienna Regulator' wall clock, the 6.5ins white enamelled dial with Roman numerals and seconds dial to the eight day weight driven movement, with wooden pendulum rod and heavy brass bob, contained in walnut case with shaped and moulded cresting with turned finials and split turned pillars to the glazed door, and turned pendant finials to the apron, 51ins high

Lot 1

A late 17th/early 18th Century longcase clock movement by Ralph Cloud at Beaminster, the 11ins square brass dial with wide silvered chapter ring, subsidiary seconds dial and date aperture, turned winding holes and engraved 'Tudor Rose' to dial centre, engraved wheat sheaf pattern borders and cast cherubs heads and scroll spandrels to the eight day two train movement with outside locking plate striking on a bell, now contained in later oak and mahogany case with shaped and moulded pediment, reeded pillars to hood, the trunk door crossbanded in mahogany, with reeded front corners, 84ins high. Note: Ralph Cloud recorded working Beaminster, born 1663-1714 . See 'Dorset Clocks and Clockmakers' by Tom Tribe and Philip Whatmoor, published by Tanat Books 1981 for further details of maker

Lot 1

A mid 18th Century walnut longcase clock by John Faver of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and calendar dial to arch and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with deep moulded overhanging cornice, fretted frieze and plain turned pillars to hood, matched veneered trunk door inlaid with herringbone banding and with cross-grained mouldings, 90ins high. Note: John Faver recorded working London before 1753

Lot 1

An early 18th Century walnut longcase clock by James Walker of London, the 12ins brass square dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved wheat sheaf pattern borders to the eight day five pillar two train movement with inside locking plate striking on a bell, contained in case probably rebuilt and partly reveneered in figured walnut with caddy top and moulded cornice above fretted frieze, plain turned pillars, the shaped trunk door veneered in figured walnut and banded, and with cross-grained mouldings, 91ins high (new plinth and caddy top). Note: James Walker recorded working as apprenticed in London 1733

Lot 1

An 18th Century walnut longcase clock by Henry Thornton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case probably partly rebuilt and partly reveneered with deep moulded arched pediment above fretted frieze, plain turned pillars to hood, the trunk door veneered in figured matched veneers, banded and with cross-grained mouldings, inset with circular glass 'Bulls-Eye', 93ins high. Note: Henry Thornton recorded as apprenticed 1692 clockmaker 1699-1732 recorded in Basing Lane in 1723 and Royal Exchange in 1730

Lot 1

An 18th Century walnut longcase clock by Benjamin Steele of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved dial centre to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in case largely rebuilt and reveneered in figured walnut with moulded overhanging cornice and fretted frieze, plain turned pillars to hood, figured veneered trunk door and with cross-grained moulding, 87ins high. Note: Benjamin Steele recorded working Old Southampton Buildings, London 1744

Lot 1

An early 18th Century walnut longcase clock by John Harris of London, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and turned winding holes to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in modern replacement case with moulded cornice and fretted frieze, spiral turned columns to hood, figured veneered trunk door and with cross-grained mouldings, on bun feet, 84ins high. Note: John Harris recorded as apprenticed 1717, and member of The ClockmakersÕ Company 1737

Lot 1

A mid 18th Century walnut longcase clock by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case with deep moulded cornice and fretted frieze, plain turned pillars to door, arched trunk hood inlaid with herringbone banding and crossbanded (the plinth rebuilt and with some reveneering), 86ins high. Note: William Dowell Swan recorded working Margate before 1754

Lot 1

An early 18th Century walnut longcase clock by James Leicester, Drury Lane, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, calendar dial to arch showing phases of the moon and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with moulded overhanging cornice above fretted frieze, arched and moulded lower cornice, plain pillars to hood, figured trunk door, crossbanded and with cross-grained mouldings, 86ins high

Lot 1

An early 18th Century walnut longcase clock by Jonathan Beake, Crutch Fryers, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to arch and star pattern centre to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered, with moulded overhanging cornice and fretted frieze, moulded arch and plain turned pillars to hood, arched trunk door with figured veneered centre panel, crossbanded and with cross-grained mouldings, 91ins high. Note: John Beake recorded as apprenticed 1673 member of The ClockmakersÕ Company 1681 Ð Assistant to Daniel Quare

Lot 1

A late 18th Century mahogany longcase clock by Levy & Godfrey of Kidderminster, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture showing phases of the moon, landscape and shipping scene to arch to the eight day two train movement striking on a bell, contained in associated case with moulded scroll pediment, turned and fluted pillars to hood, shaped trunk door inlaid with oval shell motifs and crossbanded in satinwood, fluted quarter columns, the rebuilt plinth similarly inlaid and on ogee bracket feet, 84ins high. Note: Levy & Godfrey dissolved partnership in 1795

Lot 1

A late 18th Century mahogany longcase clock by Walter Barry of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in modern replacement case with deep arched and moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered arched trunk door with moulded edge and conforming plinth, 89ins high. Note: Walter Barry recorded working London 1790

Lot 1

A late 18th Century mahogany longcase clock by Jacob Swaby of Deal, the 12ins arched silvered dial with subsidiary seconds dial and date aperture with engraved spandrels to the eight day two train five pillar movement striking on a bell, contained in associated case with deep arched moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered trunk door of shaped outline, with fluted and brass stopped quarter columns, astragal panelled plinth, on bracket feet, 93ins high. Note: Israel Swaby recorded working Dover 1775-1785 and Jacob Swaby recorded working Romney 1795

Lot 1

A George III mahogany longcase clock by James Scholefield of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in associated case with pagoda top, turned, fluted and brass stopped pillars to hood, figured trunk door of shaped outline with moulded edge, fluted cant corners and astragal panelled plinth, 93ins high. Note: James Scholefield recorded working The Strand, London, apprenticed 1747 to circa 1760

Lot 1

A George III mahogany longcase clock by John Wilkins of Islington, London, the 12ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in case with moulded cornice and shaped cresting, with turned, fluted and brass stopped columns to hood, the arched trunk door veneered in figured mahogany with moulded edge, fluted and brass stopped quarter columns to sides, the plinth with astragal panel and double plinth on bracket feet, 91ins high. , and on Back Cover. John Wilkins recorded working Islington, London 1773

Lot 1

A mahogany longcase Regulator of early 19th Century design by Leslie Brundle, the 9.75ins square silvered dial with subsidiary seconds dial and hour dial to the eight day movement with dead-beat escapement and maintaining power, the twin shaped plates with five blued pillars, wooden pendulum rod with heavy brass bob, contained in case with moulded cornice and fluted frieze, glazed door, and figured veneered plinth, 74ins high.

Lot 1

A Black Forest carved eagle door pediment, modelled with spreading wings and turned head 38.5ins

Lot 1

A gilt carved wooden eagle door pediment, modelled with outstretched wings and turned head 43ins

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