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Click here to subscribeLate 18th Century Longcase Clock, enamelled arched dial, with sweep second hand, eight-day movement, contained within an mahogany case, swan neck pediment with three brass eagle mounts, the arched hood with fluted tapered columns, with brass capitals, the crossbanded arched door with ebony and satinwood inlay, quarter column pilasters and on a plain base, 230cms, (7;6").
18th Century Longcase Clock, with brass arched dial, 30cms, (12"), inscribed, "Jno. Hallifax- Barnsley", secondary seconds dial and date aperture, cast and embossed spandrels, rolling moon phase in the arch, inscribed, "Cresam Decresco", eight-day movement and contained within a mahogany case, later swan-neck pediment, the hood with tubular supports, the base with a panelled door, brass hinges and plain base, 203cms, (6'8").
Early 20th Century Longcase Clock, with brass arched dial, 30cms, (12"), silvered chapter ring and secondary seconds dial, pierced and cast spandrels and chime/silent dial in the arch, with eight-day movement, striking on five tubular bells, in ebonised mahogany case, with swan-neck pediment, blind fretwork frieze, door with glazed oval panel, on bracket feet, 233cms, (8'8").
18th Century Longcase Clock, with square brass dial, 30cms, (12") and silvered chapter ring, inscribed, "William Barnard - Newark", with secondary seconds dial and date aperture, cast and pierced spandrels, eight-day movement, contained within an oak case with plain top, column pilasters, arched panelled door with lenticle and plain base, 206cms, (7'7").
George III Longcase Clock, with brass arched dial, 30cms, (12"), silvered chapter ring, inscribed "Tho. James - London", secondary seconds dial, cast and pierced spandrels, the arch inscribed, "Tempus Fugit", eight-day movement, striking on nine bells, contained within a mahogany case with arched hood, fluted columns, arched door case, with arched hood, fluted columns, arched door, shaped apron and bracket feet, 230cms, (7'6").
'Castlemaine House': wood model of a house built for Mr and Mrs James Duncan, pebble-dash finish, L-shape with four bays, two storeys with porch, French and Lancet windows, first-floor bay window, pile of logs to the side, trees in pots flanking the door, interior lighting, 1880's, 495mm wide, 360mm high, 240mm deep
A Mahogany Wall Timepiece, Osborne & Son, Buckhurst, circa 1866, circular case with side and bottom viewing doors, side door with retailers label, 12-inch painted dial with Roman numerals, single fusee movement with anchor escapement, movement front plate stamped "T & R" (Thwaites & Reed) and numbered "13622", 36cm high See illustration
An Oak Thirty Hour Longcase Clock, signed Joseph Butterworth Fecit, circa 1740, the ebonised oak case with caddied top, shaped trunk door, plain rectangular plinth with feet and skirting "missing", 11-inch square brass dial with chapter ring signed, matted dial centre with arched date aperture, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 211cm high See illustration
An Oak Eight Day Longcase Clock, signed Jos Read, Knutsford, circa 1770, case with flat top pediment, (finials missing), fluted columns, case with mahogany crossbanded borders, wavy shaped trunk door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon "later" bracket feet, 13-inch square brass dial with Roman and Arabic chapter ring, engraved scrolled dial centre with date aperture, seconds and signed, four pillar movement with anchor escapement and rack striking on a bell, 200cm high See illustration
An Oak Eight Day Longcase Clock, signed Lawson, Newton, circa 1780, the "later" carved case with swan neck pediment, front of hood with inset gilded glazed panel, wavy shaped trunk door with inset pilasters, canted plinth with raised panel, 13-inch square brass dial with chapter ring signed, engraved dial centre with date and lunar moon disc aperture, "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 220cm high See illustration
A Mahogany Eight Day Longcase Clock, the case with arched pediment and surmounted by three eagle finials, twisted columns, arched trunk door with inlaid stringing and flanked by inset twisted pilasters, rectangular plinth with inlaid stringing, 12-inch arched brass dial with Roman and Arabic chapter, dial centre signed "Blackford, Plymo Dock", date aperture, subsidiary seconds, the arch with rolling moon disc for lunar scale, and above "High Water At Plymo Dock", "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, (dial and movement circa 1790) associated to case "later", 224cm high See illustration
An Impressive Dutch Burr Walnut Inlaid Ship's Automaton Longcase Clock with Calendars and Alarm, signed Jan Hermelink, circa 1760, the nicely figured burr walnut case with moulded shaped hood with central carved bird, (finials missing), "later" pierced front and side frets, trunk with canted corners, long shaped door with inlaid borders and a father time lenticle, curbed base with inlay and raised upon claw feet, 13-inch arched brass dial with silvered chapter ring signed, arcaded minute track, dial centre with rolling moon lunar disc, central alarm disc, month and day of the week apertures, seconds combined with date aperture, the corners with the worlds four continents, automata depicting Neptune’s chariot and ships before a painted landscape background, four pillar movement with anchor escapement, striking on two bells, separate small weight to drive alarm with hammer striking within the bell, levers connected from arbors to operate automata in the arch, (some imperfections to case), 245cm high See illustration Jan Hermelink is recorded as working in Amsterdam in the 2nd half 18th century. See Baillie (GH) Watchmakers & Clockmakers of the World, page 151.
A Mahogany Secretaire Bookcase, having a dentilled cornice and inlay-banded frieze, over two lancet-glazed door enclosing adjustable shelves, the base with a fitted secretaire drawer over three long drawers crossbanded with yew-wood, on bracket feet, a marriage, both parts George III, 233cm by 112cm by 58cm See illustration
An Art Deco burr walnut eleven piece dining suite, attributed to the Epstein Brothers, comprising: a sideboard with fluted bowed centre flanked by shaped door ends with gilt metal handles and raised on scroll supports with acanthus knees and terminals united by a shaped undertier, 114cm high, 167cm wide, 62cm deep; a smaller sideboard with open compartment above fluted central frieze drawer, 105cm high, 121cm wide, 56cm deep; a dining table with rectangular shaped top, 213cm long, 91cm wide; and four single chairs and two carvers with curved rollover backs and broad ribbed upholstery, 103cm high; with glass dust protectors. See Sothebys Olympia sale Decorative Arts and Design from 1870 29th May 2003, lot 120 for a comparable suite
A mid 19th century gilt brass giant quarter-chiming carriage clock, the 10.5cm. foliate engraved silvered Roman dial signed J.W.Benson, Ludgate Hill, London with subsidiary seconds dial, the three train repeating fusee and chain movement, maintaining power, with lever platform escapement, chiming on eight bells and striking the hours to a further bell, the shaped, unnumbered backplate signed Benson, London, the foliate engraved case with bevelled glasses, repeat button to the side, the back door with regulation, strike/silent and sliding dust cover to the winding arbors, 28cm. high, with key, contained in a fitted leather travelling case.
Richard Kenfield, Winton. A George III mahogany longcase regulator timepiece, the arched hood with brass ball and spire finials and stop fluted turned columns, the trunk enclosed by an arched waist panel door between stop fluted quarter pilasters on a panelled and shaped plinth base, the 30.5cm. arched and silvered Roman dial signed Richd Kenfield, Winton to the arch, having a subsidiary seconds dial and date aperture, the single train movement with dead beat escapement, 208cm. high.
David Collier, Gatley. A George III oak, crossbanded and inlaid longcase clock, the hood with swan-neck pediment and brass ball finials above a scrolling foliate painted frieze and turned columns, the trunk enclosed by a shaped waist panel door inlaid with a snake and flanked by quarter pilasters, on a box base and shaped plinth, the 33cm. arched brass Roman and Arabic dial with moonphase mechanism, signed David Collier, Gatley to the arch, having a subsidiary silvered seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 226cm. high.
A 19th century mahogany longcase clock, the arched hood with eagle and ball finial and moulded thistle decoration, having a moulded rectangular waist panel door enclosed by foliate decorated quarter columns to a moulded box base on bracket feet, the 33.5cm. circular painted dial signed U.Whutock, Dundee, with subsidiary seconds dial, the twin train movement with anchor escapement striking to a bell, 222cm. high.
An Edwardian rosewood and marquetry display cabinet inset with bevelled mirror panels and inlaid with mother-of-pearl, ivory and woods in the mannerist taste, the upper section with small door depicting a boy with cornucopia, the bowfront lower door with musical trophies and on tapering square legs, 196cm. high x 76cm. wide.
An 18th century oak bureau, the fall mahogany banded with later hinges to a fitted interior with central bowfront cupboard door, pilaster compartments, drawers, pigeon holes above a well and a frieze drawer flanked by lopers to two short and two long drawers fitted later brass plate handles and later bracket feet, 40in (102cm) h, 34.75in (88.5cm) w, 20.75in (53cm) d.
A late Regency mahogany barrel front sideboard, the edge inlaid a brass band and ebonised stringing above a central frieze drawer and arcaded apron, flanked by a short drawer and cupboard door (base missing) and a deep cellaret drawer with bottle divisions, all fitted later brass lion mask ring handles, and flanked by ribbed pilasters to ring turned and ribbed tapering legs, 37.5in (95cm) h, 74in (188cm) w, 31.5in (80cm) d.
An Italian carved wood and painted bowfront sideboard, the glass top having a needle and wirework floral decorated fabric under, to a central cupboard door flanked by two drawers either side, concave fielded panel sides, to a floral festooned apron with central shell, on leaf and husk decorated scroll volute legs, 35.5in (90cm) h, 83in (211cm) w, 25.25in (64cm) d.
A Victorian burr walnut veneered Davenport, with inlaid stringing, the top with two moulded glass inkwells with brass covers, the right side with a hinged door enclosing four drawers with sunken handles, on brass castors, the undersides with remains of trade label '& Sons, 9 Union Street, Rye', 33.5in (85cm) h, 22in (56cm) w, 22.5in (57cm) d.
An early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.
An early 19th century Scottish mahogany longcase clock, the 8 day movement striking on a bell to a 13in circular enamelled dial, with subsidiary seconds and calendar dials inscribed 'JNO WALLACE, LENEN,' the arched hood with a brass bezel door and moulded angles above an arched waist door, flanked by fluted quarter pilasters, the panel base on bracket feet, 78in (198cm). Pendulum, two weights and winding key.
A mahogany longcase clock, the 8 day movement striking on a bell to a 12in arched brass dial, the chapter ring previously silvered with subsidiary seconds dial, alarm and date aperture, the circular boss inscribed 'Samuell Ogbourne', London, the hood with blind fret panels above cluster columns to an arched door and panelled base, 88.25in (224cm) h.
An early 19th Century English Fire Gilt cased Travelling Watch Case, in Carriage Timepiece form, the movement signed Jno Jardin, London No 1137, the gilt verge movement with pierced and engraved cock and blued steel screws with large Diamond end stone and plain pillars, with signed dust cover, to a Roman Enamel dial (hairlines) with outside minute track and blued steel spade hands, to a case with swing carry handle, mounted to an engraved panel depicting a pheasants amongst acanthus leaf and lattice work decoration, over four outset reeded three quarter columns with further engraved side panels and mask, behind a single glazed door with sprung clasp to the base and hinged back panel, enclosing shuttered winding square and regulation dial, on a spreading plinth base and raised on four flared feet, height 4 ¼”
A George V silver cased Timepiece, the rectangular case with hinged carry handle and engine turned striped decoration, with hinged back door and raised on four compressed bun feet, to a 2 ¼” Arabic enamel dial (A/F), with outside minute track and blued steel fleur de lys hands, to a brass movement with lever platform escapement, height 5 ½”, London 1910, Makers Mark W C
A late 19th Century Mahogany and crossbanded American Drop Dial Wall Clock, the circular surround with crossbanded panels to carved ears flanking a single glazed door and cushion base, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and blued steel spade hands, to a spring-driven movement with anchor escapement and strike on a bell
A late 19th Century walnut cased Vienna Style Wall Clock, the architectural pediment surmounted by three ring turned finials over an overhanging cornice with half ring turned and fluted columns with single glazed door and cushion base, with a Roman two part enamel dial with outside minute track and subsidiary seconds with blued steel hands, to a weight driven movement with anchor escapement and strike on a coiled gong, height 49”
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