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A small Vienna type regulator wall clock: the eight-day duration, weight-driven movement with maintaining power, a dead-beat escapement and wood rod pendulum with large brass bob, the round white enamel dial having black Roman numerals, decorative blued steel hands and a cast brass bezel, the walnut case having a stepped pediment top, integral pillars to the corners, a shaped glazed trunk door and inverted bell-top shaped base, height 87.5cm.
A George III mahogany serpentine-fronted chest:, the top with a moulded edge and cut corners, containing eight short drawers between canted angles on later turned tapered feet, 113cm (3ft 8 1/2in) wide, together with a mahogany serpentine-fronted display cabinet, enclosed by a single glazed panel door, 112cm (3ft 8in) wide.
M.Wilde, Wakefield, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the centre with engraved decoration, subsidiary seconds dial and date aperture, the mahogany case having boxwood stringing, decorative fan inlay to the four corners of the base, a shaped top to the trunk door, three-quarter clustered pillars to the trunk, the hood having a swan-neck pediment with three brass ball-and-spire finials, brass paterae and full pillars with cast-brass capitals, all standing on bracket feet, height 233cm (inc. finial)* Biography Micheal Wilde is recorded as working in Wakefield from circa 1765 until his death in 1811 with his son, also Michael, recorded working from before 1838. Various longcase clocks are known signed by both makers.
Tomlin, Royal Exchange, London, a mahogany bracket clock with matching bracket: the eight-day duration, double-fusee five-pillar movement with anchor escapement, striking the hours on a bell, with pull repeat and a strike/silent lever operated through the side of the case, the backplate engraved with oriental style floral and scroll engraving, the eight-inch round white enamel dial having black Roman numerals, five-minute outer numerals and signed Tomlin, Royal Exchange, London, and with decorative blued steel hands, the mahogany case having a full opening front door with inset brass bezel and brass edging, the bell-top having a cast-brass finial to the top block, four further matching finials to the four top corners, and brass moulding, with brass carrying handles to each side above glazed panels and standing on four brass bracket feet, complete with a matching mahogany and brass wall bracket with lockable key tray, height 53cm (76cm including bracket)* Biography Edward Tomlin is recorded working at the Royal Exchange having been admitted to the Clockmakers Company in 1768 until 1798. A bracket clock signed by him is illustrated in Cescinsky & Webster English Domestic Clocks Fig. 359 page 315, published 1914 by George Routledge & Sons. Examples of both clocks and watches by Tomlin are displayed in the Science Museum, London and Peiping Museum.
A carved oak cuckoo clock: the eight-day duration, double fusee movement striking the hours on a gong whilst a cuckoo appears from the doors above the dial, the round silvered dial with an engraved centre, black Arabic numerals, and blued steel hands, the carved oak case having a pediment top, a scroll bracket base and various applied mounts, the lower door bearing a label for Camerer Cuss of 186, Uxbridge Road, who at the period were the main retailers of quality clocks of this type, height 85 cm.
Betty Joel (1894-1985) A Token low mahogany sideboard:, with rectangular open shelf over one long over three short and one long cedar lined drawers with a panelled cupboard door to one side, raised on fluted square feet, signed typed paper label to rear 'Token hand-made furniture, Designed by ... made by W Perkins At 'Token' works Portsmouth 1929' (not signed by Betty Joel) 85cm x 152cm. * Provenance Formerly the property of Dorothy and Leonard Elmhirst, Dartington Hall from their London residence.
A pair of mid 19th Century kingwood, crossbanded and gilt metal mounted pier cabinets:, with applied scagliola panels, the chevron veneered tops with reeded and husk decorated edges, having acanthus scroll friezes and lions masks to the cut corners each enclosed by a quarter veneered door with central oval panel depicting a display of flowers and foliage in a rocaille, acanthus and flowerhead frame, surrounded by four smaller oval angled panels with floral stems, the canted angles headed with palmette, foliate and scroll ornament and with panels decorated with vine leaves and bunches of grapes, the quarter veneered sides with central foliate scroll cartouches and surrounding paterae, on shaped plinth bases, 79cm (2ft 7in) wide, 113.5cm (3ft 8 3/4in) high.
Bennett, Torquay, a Victorian walnut floor-standing regulator: the eight-day duration timepiece movement having a dead-beat escapement with a split anchor and jewelled pallets, maintaining power and a mercury filled jar to the compensating pendulum, although unsigned this style of movement can be attributed to Odber of Birmingham, see below, the twelve-inch round silvered dial having a typical regulator layout with a minute ring to the outer aspect and two subsidiary dials to the centre for seconds and hours, signed Bennett, Torquay, being the retail jewellers premises situated in Lower Union Street, Torquay in which it was positioned from their opening in the mid-Victorian period until closing in 1985, the arched top case with side doors for adjustment to the movement, a glazed trunk door, fretwork below the dial and a panelled base, height 195cm.* Although unsigned, two identical movements have been noted with similar shaped plates and with split anchors, both signed for Odber, Birmingham, with a further floor-standing regulator signed for Reid & Sons, Newcastle-on-Tyne also housing a near-identical movement. See Derek Roberts, English Precision Pendulum Clocks page 246, Schiffer Publications, 2003.
A late 18th Century mahogany longcase clock by Thomas Lake of Taunton, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in mahogany case with adapted hood, now with shaped cresting and replaced pillars, plain trunk door and on plinth base with bracket feet, 86ins high Note: Thomas Lake recorded working as a Watchmaker in Taunton in 1795
A Late 18th Century dark oak cased longcase clock by James Wilson of Loop, the 12ins arched brass dial with narrow chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial and with strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in dark oak case with shaped and moulded pediment and plain turned pillars to hood, arched trunk door and moulded base, 81ins high (including finials)
A George III mahogany longcase clock by William Franklin of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with matted and engraved dial centre, to the eight day two train movement striking on a bell, contained in mahogany case with moulded cornice and gilded wood finals and slender turned pillars too hood, arched and moulded trunk door, the base with astragal moulding, on double plinth base, 88ins high (including finials) Note: Possible William Franklin, recorded working London 1790-1810
A Victorian figured walnut and gilt metal mounted breakfront credenza inlaid with arabesques and stringings, the bowed ends each fitted two shelves enclosed by single glazed doors, fitted one central shelf enclosed by single panelled door, with gilt metal brackets to sides, on shaped apron and bracket feet, 72.5ins wide x 16.5ins deep x 42.75ins high
A 19th Century oak longcase clock by P. Monti of Sandwich, the 12ins arched painted dial with Roman numerals and with subsidiary seconds and calendar dials, to the eight day two train movement striking on a bell, contained in plain oak case, the hood with arched and moulded cornice, with wood finials and turned and fluted pillars to hood, arched trunk door and on bracket feet, 81ins high (including finials) Note: Peter Monti, born 1817 in Italy, recorded working in High Street, New Street and Knightrider Street, Sandwich - died 1895.
A Tri-Ang Minic tinplate steam roller (boxed), a Minic tinplate clockwork "Road, Rail, Air and Sea Express Service" lorry (unboxed), a Joustra tinplate clockwork "Auto Radar 2003" salon car (boxed), a small collection of tinplate items and a Schuco wooden two door garage, 12ins x 7ins x 5ins high
A late 19th Century American walnut drop cased dial wall clock, the 12ins painted metal dial with Roman numerals, to the two train movement striking on a bell, contained in inlaid walnut case with shaped wings and curved base, 27.5ins high, and one other American wall clock by Seth Thomas, the 9.5ins diameter painted metal dial with Roman numerals, to the single train movement, contained in walnut case with octagonal front and pointed drop with glazed door, 21ins high
A late Victorian stripped pine kitchen cabinet with moulded cornice, fitted two shelves enclosed by a pair of arched panelled doors, the base fitted two long and two short drawers and small cupboard enclosed by a single panelled door, on plinth supports, 46ins wide x 21ins deep x 76.5ins high
An 18th Century oak longcase clock by John Day of Wakefield, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the silvered dial centre engraved with leaf scroll ornament, inset with aperture showing phases of the moon above calendar aperture, to the eight day two train movement striking on a bell, contained in oak case, the hood with shaped pediment and three later brass finials and plain pillars, plain trunk door, on plinth base, 94ins high (including finials) Note: John Day recorded working in Wakefield, Yorkshire - Born 1729 - Died 1801
A Victorian figured walnut ebonised and gilt metal mounted breakfront credenza, crossbanded and inlaid with stringings and floral arabesques, fitted one shelf enclosed by a single panelled door, flanked by two shelves enclosed by glazed panelled doors with pleated silk linings, with four turned and fluted columns to front and on plinth base, 72ins wide x 16.5ins deep x 40ins high (some mounts missing and lifted)
A Victorian burr walnut wardrobe with moulded cornice, enclosed by a pair of shaped panelled doors and with turned and fluted columns to sides, on plinth base, 52ins wide x 25ins deep x 82ins high, and two matching bow front bedside cabinets, each fitted one frieze drawer and cupboard under enclosed by single door, 19.5ins wide x 22.5ins deep x 30.5ins high
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235302 item(s)/page