A George III mahogany longcase clock Alexander Ferguson, Cupar, Fife, the silvered dial with Arabic and Roman numerals, with subsidiary seconds dial and date aperture, the twin train four pillar movement striking on a bell, within a broken swan-neck pediment hood supported by three quarter columns, with crescent-shaped sound fret, the trunk with shaped rectangular door on rectangular base with shaped apron and bracket feet, pendulum, weights and key present, 235.5cm high.
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Searle & Co, London, a late-Victorian 17th century-style brass lantern clock: the eight-day duration, double-fusee movement striking the hours on a bell and the quarters on two bells all set within the brass straps to the top, the backplate engraved with the maker's details Searle & Co, 78 & 79, Lombard St, London, EC, No. 370, the brass lantern case with turned pillars to the corners, matching feet and finials and fretwork to the top, the six-inch brass dial having a raised chapter ring engraved with black Roman numerals, the dial centre with engraved floral decoration and having blued steel hands, the inside of the rear door having an engraved presentation inscription to Robert Love, Esq dated May 1904, height 40cm.
Charles Frodsham, London, a mahogany wall regulator: the eight-day duration weight-driven movement having maintaining power, dead-beat escapement and a mercury compensating pendulum which sits on a bracket to the backboard of the case, with an off-set pully for the brass bound weight, the nine-inch round silvered dial engraved with black Roman minute numerals to the outer aspect, with a subsidiary hour dial to the centre and signed Chas Frodsham, 84, Strand, the curved top case with glazed sides and trunk door, with a silvered beat-plate to the backboard, height 108cm
Elliott, London, a double-faced hanging G.P.O. clock: the eight-day duration timepiece chain fusee movement having micro beat adjustment to the pendulum, with a pair of eleven-inch painted dials both having black Roman numerals and blued steel hands, the octagonal mahogany case being double-sided with moulded edges, the top door stamped inside GPO APPD 2920 and punched 51 EFW 36/1, all hanging from a cast iron bracket, diameter 39cm.
Jeremiah Day, London a lacquered tavern clock: the eight-day duration 'A' frame, weight-driven movement with five-leaf pinions through-out allowing for anti-clockwise winding, the twenty-three inch cream painted dial with black Roman numerals, brass 'heart' hands and a moulded surround, the lacquered case with gilded decoration and painted with a scene to the trunk door depicting an elderly lady asleep with a dog at their feet, as a young boy tickles her nose, with decorative ears to the case sides and a scroll base, signed to the top of the trunk Jeremiah Day, London, height 135cm. * Biography; Jeremiah Day is recorded as working in the mid-to-late 18th century having been apprenticed in 1753.
Robert Hodgkin, London, a mahogany cased chiming longcase clock: the Victorian eight-day duration movement chiming the quarters on eight-bells and the hour on a gong, the earlier twelve-inch square brass dial now with an added engraved arch, having a raised chapter ring engraved with black Roman numerals, meeting arrow-head half-hour markings, Arabic five-minute numerals and engraved with the name Robert Hodgkin, London, with a later dial centre and steel hands, the mahogany case of Edinburgh form circa 1770, with a swan-neck pediment to the hood, full fluted pillars with satinwood stops, the trunk with quartered fluted pillars with satinwood stops, inlaid decoration the centre of the door and satinwood crossbanding, the base with inlaid decoration to the centre, height 250cm.
Whitehurst, Derby, a mahogany stick barometer: the tapering column flat-top trunk surmounted by a rectangular silvered dial engraved with usual barometer gauge and the maker's name Whitehurst, with a glazed opening door, the trunk base with a moulded cistern, height 96cm. * Biography There were three generations of Whitehursts making both fine clocks and barometers, with this example the work of John Whitehurst II, (born 1761 died 1834), who was the nephew of the renowned John Whitehurst senior, taking on the Cheshire business at 22, Irongate, Derby when the latter moved to London. In circa 1810 he took on his son into a partnership renamed Whitehurst & Son and which remained as such until the father's death. Whitehurst II was known to favour barometer's with a dark mahogany tapering column and used this style in a number of different forms. A number of barometers signed by differing members of the Whitehurst family are known in various museums including the British Museum and the Museum of the History of Science in Oxford.
P. Gally, London, a mahogany stick barometer: the silvered dial having curved lower corners and engraved with a typical barometer scale, with a barometer set to the side and signed & numbered P. Gally, High Holborn, London, 132, with an opening glazed door, the mahogany case having a visible tube, a pediment top with cast brass finial, turned cistern to the base and inlaid chevron decoration to the edge, height 96cm. * Biography Both Paul and peter Gally are recorded as working in London at various addresses from circa 1809 until circa 1854.
A 19th Century mahogany bureau:, the sloping hinged fall enclosing a shaped and graduated fitted interior with pigeon holes and small drawers about a central cupboard enclosed by a domed arch fielded panel door, flanked by fluted columns, containing two short and three long drawers below and with brass carrying handles to the sides, on bracket feet, 95cm (3ft 1 1/2in) wide.
A 19th Century rosewood and brass bound secretaire military chest:, in two parts, the upper part with a detachable folding three quarter ledge gallery, having a fall enclosing a fitted interior with nine small drawers about a central cupboard enclosed by a reeded tambour door flanked by upright concealed compartments containing a single long drawer below, the lower part containing two long drawers on reeded scroll feet, 92cm (3ft 0 1/4in) wide.
A Victorian walnut and inlaid serpentine fronted side cabinet:, decorated with boxwood lines and scrolling foliate designs, the domed mirror back surmounted by a carved figure of an eagle and with leaf decorated surround, having a white marble top, enclosed by a central oval mirror panel door below, flanked by an enclosed mirrored canted cupboard to either side with moulded and flowerhead and leaf decoration, on a plinth base, 138cm (4ft 6 1/4in)wide.
An Edwardian mahogany, inlaid and decorated display cabinet:, of shaped and bow front outline, crossbanded in satinwood and bordered with boxwood lines, having a shaped and moulded ledge back painted with ribbon tied floral garlands and with floral foliate frieze, enclosed by a central glazed panel door, flanked by concave sides each with an oval painted panel depicting a female figure gathering flowers, surmounted by ribbon tied floral garlands, on square tapered legs, united by an undertier, terminating in spade feet, 110cm (3ft 7 1/4in) wide.
A pair of Edwardian rosewood and marquetry standing corner display cabinets:, bordered with boxwood lines and decorated with ribbon tied husk garlands, fan medallions and floral sprays, the upper parts each with an architectural broken pediment and inlaid simulated dentil cornice, having a foliate scroll frieze centred by an oval fan medallion and enclosed by an ogee pointed arched astragal glazed panel door with ribbon tied pendant husk ornament, the lower parts enclosed by a panel door with ribbon tied husk garlands and oval fan medallions, in lozenge surrounds, on square tapered legs, united by an undertier, 63.5cm (2ft 1in) across, 215cm (7ft 0 1/2in) high.
An Edwardian mahogany and floral marquetry corner display cabinet:, decorated with bouquets, ribbon tied garlands and trailing floral foliate stems, the upper part with a swan neck broken pediment and moulded dentil cornice, enclosed by an astragal glazed panel door, the bow fronted stand with two dummy drawers on square tapered legs, united by a triangular undertier, 67.5cm (2ft 2 1/2in) across, 191cm (6ft 3in) high.
An early 19th Century Dutch mahogany and floral marquetry bow fronted standing corner cupboard:, in two parts, decorated with wide bands of trailing floral foliage within chequer feather strung lines, the upper part with a stepped pediment, having fixed shelves enclosed by a door above and below, decorated with birds amidst flowers and foliage and an urn of radiating flowers and foliage, raised on block feet, approximately 89cm (2ft 11in) across, 213cm (7ft) high.
'GILBERTS SUITES', ART DECO LIGHT WALNUT BEDROOM SUITE OF THREE PIECES, VIZ A LADY'S TWO DOOR HANG WARDROBE, 4' WIDE; A GENT'S FITTED WARDROBE WITH TWO DOORS OVER TWO SHORT AND ONE LONG DRAWERS AND A SUNK CENTRE DRESSING TABLE WITH SHAPED FRAMELESS MIRROR, ALSO THE 4'6" PANEL BEDSTEAD ENSUITE
G-PLAN TEAK DINING ROOM SUITE COMPRISING SIX RAIL BACK SINGLE CHAIRS; ROUNDED OBLONG EXTENDING DINING TABLE WITH FOLDING LEAF BELOW; A TALL CORNER UNIT IN FIVE SECTIONS WITH OPEN SHELVES, GLAZED TWO DOOR DISPLAY CABINET, A FALL-FRONT COCKTAIL SECTION, OPEN SHELVES AND BASE WITH FIVE CUPBOARDS AND THREE DRAWERS, 6'6" HIGH
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235302 item(s)/page