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Click here to subscribeA Regency mahogany work table or night stand with drop leaves two short narrow drawers and a drop down cupboard door all raised on faux bamboo legs terminating in gilt castors 48cm wide 35cm deep (leaves down) 73cm high.Study and sound, a few surface marks and scratches otherwise appears tip top and without historic repairs, damage, loose joints.
A George III mahogany bracket clock, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes, matted centre with false pendulum aperture, date aperture and name plaque signed Edward Pashler, London. The arch with strike/silent ring and rococco spandrels. The twin fusee movement with pull repeat, chiming on a nest of six bells and striking on a further bell, verge escapement and engraved back plate. The inverted bell top case with brass handle, sound frets and block fret, 20" high, handle downDial - clean, restored.Movement - clean, overhauled, not tested.Case - repolished, front door spandrels replaced, glass cracked, inner dial slip cracked (lower left corner) side frets and rear door frets replaced, a few minor age related faults.
An 18th century mahogany library timepiece, the silvered Roman dial with Arabic five minutes and blued steel hands. The single fusee verge movement signed William Burbank, London with inverted bell top case, brass handle, glazed sides, brass door bezel and ogee bracket feet, 15 1/2" high, handle downDial - tarnishedMovement - unable to wind as front door locked and unable to open. Untested.Case - repolished, some areas of veneer and moulding missing, see pics.
A George III mahogany bracket clock, the break arch silvered Roman dial signed Thomas Ray, London, date aperture and strike/silent dial to the arch. The twin fusee verge movement with pull repeat, bell strike, urn and foliate scroll engraved back plate. The bell top case with brass finials over a herm canted corner door, fish scale side frets, twin handles upon ogee bracket feet, 20" highClock service required, some veneer cracks, chip to corner.Please see condition report pics.
A 19th century rosewood double sided table clock, the arched painted Roman dial signed Desbois with strike/silent dial below, the reverse dial without the strike/silent dial. The twin fusee movement also signed and with bell strike, the arch top case with brass stringing, fish scale side frets, canted corners and ball feet, 17 1/2" highDials - the strike/silent dial slightly stained, the reverse dial clean.Movement - we can only see through the base aperture, appears complete, not tested. Aperture cover missing.Case - top veneer lifting, two areas missing, corner mouldings missing, small slithers missing to door and side frets, small piece missing from base.
A Victorian walnut cased bracket clock by Barraud and Lunds Cornhill London, the silvered dial with roman numerals numbered 5631, having a twin fusee movement and brass feet 27cm wide 19cm deep 34.5cm highUntested, latch from front case glass door detached, with some areas of restoration to the walnut veneer around the front, clock working at present, strikes on the hour and once on half hour.
A George III green japanned eight day longcase clock, the 12" brass break arch Roman dial with Arabic five minutes, matted centre with subsidiary seconds and date aperture, the arch with convex disc signed William Rooker, London, mask and scroll spandrels. The break arch hood with raised pagoda top, three brass ball and spike finials, plain pilasters over a break arch trunk door, 95" high (2 x lead weights and pendulum)Dial - restored, brass plate with holes mainly seen from the reverse.Movement - untested, probably a marriage.Case - right finial detached, the laquer overall faded, the gilding rubbed, skirt base later.
A George III and later mahogany eight day longcase clock, the 12" break arch brass dial with silvered Roman chapter ring, Arabic five minutes, the centre signed Francis Dorrell, London, subsidiary seconds, date aperture and urn and eagle engraving, strike/silent ring to the arch, foliate scroll spandrels and five knopped pillar movement. The case with break arch hood, fluted pillars with cast brass corinthian capitals over a moulded top door flanked by inset quarter columns upon a panelled plinth base with canted corners, 91 3/4" high, 2 x brass cased weights, pendulum and keyDial - dial good although a little tarnished.Movement - untested, crutch broken, probably a marriage.Case - generally good but probably of later date.
A 19th century mahogany longcase clock, the 12" painted break arch Roman dial with Arabic five minutes signed R Burfield, Arundel, subsidiary seconds, date aperture, turtle dove to the arch and floral decoration. The swan neck hood with plain pillars over a break arch door flanked by inset quarter columns, plain base and bracket feet, 85" high
Beckett, Samuel (1906-1989) Autograph note signed, [1966] ‘Dear Mr Clift & Mr Turner, Thank you for the stout. I can’t see you now. Too much to do and too tired. Nothing to say about modern playwrights. Sorry, yours, Sam. Beckett’, in blue ink on single sheet (26.5 x 20.5cm), folded in envelope addressed in Beckett’s hand. A few splash-marks to letter, envelope stained from tape residue Provenance: ‘I was a student in 1966 and a friend and I hitchhiked to Paris with the intention of meeting one of our heroes, Samuel Beckett. By researching articles etc. in the university library, I was able to work out where Beckett was living then (Rue St Jacques) and we blagged our way into the building. Nobody answered our knocks on the door, so we left a bottle of Irish stout, with a request to see Beckett. We went back the next day and this note was sellotaped to the door. We laughed when we read it, accepted defeat and hitched back home again’ (owner’s recollection)
Gunni Omann for Axel Christensen Odder (Aco Mobler) - A retro mid 20th Century Danish Scandinavian teak wood sideboard credenza. Left sliding door reveals four green baize lined pull out drawers with scalloped handle detail. Twin sliding central doors opening to reveal adjustable shelves, and right hand sliding doors revealing more shelves. Curved / bow front on tapering circular legs with horizontal shaped slide handles. Stamped Denmark to verso. Measures approx. 80x200x52cm
British Modern Design - A retro mid 20th century teak wood bookcase cabinet wall unit. Of rectangular form with twin sliding glazed doors with shelved interior, with a pigeon hole storage above a single cabinet door. Raised on a plinth base with grooved shaped handles. Measures approx. 87x135x30cm
G Plan - E Gomme - British Modern Design - A retro mid 20th century oak wood double door wardrobe amoire. Raised on inset plinth bases with full length double doors with oak wood pull handles opening to reveal fitted interior, hanging space and door mirror. With original key. Measures approx.
VANSON Design - A mid 20th century circa 1950’s walnut wood sideboard credenza by Peter Hayward. The sideboard with a bank of three drawers to the centre - double cutlery drawers atop. Flanked by two single door cupboards, one for drinks, all raised on slender design tapered supports. Recessed detailing around surface top. Brass trumpet handles/pulls throughout. Measures 86x157x52cm
Herbert Gibbs - British Modern Design - A retro mid 20th century teak bookcase cabinet having a glazed sliding door cabinet to the left opening to reveal a series of shelves, alongside a single door cabinet to the right. The cabinet raised on tapered supports. Measures approx 85 x 15 x 27 cm.
Two 20th century Jacobean revival oak turntable cabinets. The larger cabinet raised on tapered squared legs, with doors to front and carved detailing. The smaller cabinet being raised on block feet with carved detailing to front, having one faux and one real door with knob handles. Each cabinet having a hinged top opening to reveal a turntable inside. Largest measures approx 87 x 78 x 49 cm.
A 1950s vintage mid 20th century oak wood floor standing wall unit cupboard / display cabinet. Of slender, elongated form with duel sectional cupboards/display cabinet, with enclosed wooden door to cupboard space and open display cabinet. Wood handle, brass hinges, shelved interiors and raised on hidden risers. Measures approx: 81x150x30cm
A 19th century Victorian painted pitch pine pantry / kitchen cupboard larder cabinet. Having a later example pine top, panelled front single full length door opening to reveal a shelved interior. Air vents / grates to side with chain metal close fitting. Raised on a plinth base. Worn commensurate with age. Measures approx 137 x 50 x 25 cm.
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![Beckett, Samuel (1906-1989) Autograph note signed, [1966] ‘Dear Mr Clift & Mr Turner, Thank you for the stout. I can’t see y](https://cdn.globalauctionplatform.com/460eb7d6-a172-4efe-854a-b0fc00a88668/5dd3b6ae-39a9-4a00-9e86-b0fc00aa260c/468x382.jpg)
