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Lot 153
A Victorian ebonised and boulle work breakfront credenza, the black slate top at fault, over a gilt metal leaf moulded frieze, the central cabinet having two single boulle panel doors within brass strung borders, flanked by a glazed single door to each side, with boulle work frame opening to reveal two fixed shelves on a cut-out plinth base with gilt metal mounts (at fault), 172cm wide, 108cm high, 41.5cm deep
Lot 158
A 19th century mahogany satinwood crossbanded marquetry inlaid drop-centre pedestal sideboard, the oval panel and scroll-cut low back over two short frieze drawers, between a single drawer and single panel cabinet door to each pedestal, raised on shaped bracket feet, 252cm wide, 141cm high, 71cm deep
Lot 167
A late Victorian painted satinwood side cabinet, the glazed central cabinet with swan neck pediment opening to reveal two fixed shelves, flanked by two serpentine mirror back open shelves to each side, over a triple mirror back open canopy, above a shallow frieze drawer and single panel cabinet door to the base, with central painted oval panel depicting sheep within a landscape, flanked by twin open serpentine shelves to each side, on four slender short square tapering legs, 115cm wide, 220cm high, 35.5cm deep
Lot 214
A Regency mahogany Davenport, the sloping top with gilt metal gallery and quarter bobbin turned edge, opening to reveal four short drawers and with side ink well/pen tray drawer to the right over a book slide and single panel cabinet door to the base revealing four graduated drawers fitted with flush fitting brass swing handles raised on four bun feet with hidden brass castors, 51.5cm wide, 90cm high, 55cm deep
Lot 215
A Victorian figured walnut credenza, the breakfront top over a marquetry inlaid frieze and single panel central cabinet door, flanked by scrolling leaf gilt metal mounts between a single quarter bowed display cabinet to each end revealing two fixed shelves, on a skirting plinth base, 174cm wide, 108.5cm high, 39cm deep
Lot 219
A William IV mahogany breakfront sideboard, the crossbanded top with gilt metal pierced back gallery over a reeded edge and three frieze drawers fitted with brass lion ring handles over two end pedestal cabinets each with a single panel door with re-entrant corners between reeded columns on slender front bracket feet, 136cm wide, 92cm high, 45cm deep
Lot 675
A Winterhalder & Hofmeier burr walnut and gilt brass quarter chiming bracket clock, late 19th century, the arched brass dial with silvered chapter ring Roman numerals and fleur-de-lys hour markers, subsidiary dials for slow/fast and chime/silent, the three train movement chiming the quarters on four coil gongs and the hour on a further gong, the backplate stamped W&H/Sch, the handsome arch top case surmounted by three acorn finials above a foliate cast mount in the arch, the arch door flanked by Corinthian columns, the breakfront plinth base raised on flattened gilt brass bun feet, with pendulum, winder and case key. 60cm to top of the finial
Lot 682
William Waldie, Dunse, a Scottish mahogany eight day longcase clock, circa 1830, the hood with swan neck pediment over an arched door flanked by columns, the case with quarter columns flanking a moulded door over a fielded panel, the base raised on bracket feet, the painted arch dial with subsidiary seconds, painted in the arch with a shepherd and his flock, signed. 212cm
Lot 684
Samuel Shepley, Stockport, a George III oak eight day longcase clock, circa 1750-70, the 12" brass dial with silvered chapter, date aperture and subsidiary seconds, signed, applied with pierced spandrels cast with the bust of an Eastern man, the hood with caddy top and turned columns, the trunk with a long crossbanded door, the base raised on bracket feet. 220cm
Lot 685
Richard White, North Walsham, a George III oak eight day longcase clock, the 11" break arch brass dial with silvered chapter, subsidiary seconds and date aperture, signed in the arch, the arched hood carved with a blind fretwork band above Corinthian columns, the case with fluted canted corners flanking a door with a glazed lenticle, the panel base raised on bracket feet. 223cm
Lot 686
Thomas Arlot, Sunderland (1765-91), a George III oak eight day longcase clock, the 12" brass break arch dial with subsidiary seconds and date dial, engraved with scrolling vine, signed in the arch, the hood with broken pediment and brass sphere finial, Corinthian columns, the case with long trunk door, with weights and pendulum. 234cm
Lot 687
Joseph Heppell Maughan, Gateshead (1834-64), an oak eight day longcase clock, the 13" painted break arch dial with subsidiary seconds and date dial, painted in the arch with a milkmaid and a shell to each corner, the arch top hood with turned columns, the case with pointed arch door flanked by quarter columns, raised on bracket feet. 217cm
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235302 item(s)/page