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Lot 119
A GENTLEMAN'S SIZE STAINLESS STEEL ROLEX OYSTER PERPETUAL DATEJUST BRACELET WATCHCIRCA 1963, REF. 1603 WITH "DOOR STOP" QUARTERLY MARKERS & "DAGGER" HANDSMovement: 26J, automatic chronometer, cal. 1560, signed Montres Rolex S.A. Geneva, numbered.Case: Diameter approx. 36mm, Oyster case, signed Montres Rolex S.A., case back dated III.63, serial no. 82x,xxx, milled bezel, Rolex crown.Bracelet: Original Rolex Jubilee bracelet, clasp dated 4/63, with 55 end links. CONDITION REPORTDial: Original dial in fair condition, showing signs of age. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In good condition, with some scratches and wear due to general use. Strap/Bracelet: In good condition, with some wear from general use.
Lot 1019
19th century figured mahogany quadruple breakfront press wardrobe, projecting cornice with banded frieze over arch panelled doors, the interior fitted with three sliding trays over two short and three long graduating drawers with recessed brass handles, flanked by two hanging cupboards with hooksDimensions: Height: 237cm Length/Width: 262cm Depth/Diameter: 74cmCondition Report:The left-hand door is missing a piece of veneer in the upper section. See images.
Lot 1084
Edwardian figured mahogany and satinwood banded wardrobe, enclosed by shield shaped bevelled mirror door, flanked by panelled uprights, drawer to base, on bracket feet Dimensions: Height: 198cm Length/Width: 127cm Depth/Diameter: 49cmCondition Report:Loss to the upright on the right hand side of the door. See images.
Lot 1085
Thomas Pringle of Sunderland - oak cased mid 19th century 8-day longcase clock with a swans neck pediment and three gesso finials, trunk with redded corners and a long rounded top door, on a rectangular plinth with an applied skirting, painted break arch dial with a depiction of flowers to the arch and conforming spandrels, Roman numerals, date and seconds dial with brass hands, dial pinned directly to a rack striking movement. With weights, pendulum and key.Dimensions: Height: 215cm Length/Width: 43cm Depth/Diameter: 20cm
Lot 1086
Mahogany - longcase clock with an eight day movement and brass dial, with a swans necked pediment and ball and eagle finial, break arch hood door, trunk with canted corners and along door, on a rectangular plinth with moulding , raised on bracket feet, brass dial with spandrels, chapter ring, seconds dial and steel hands, dial pinned via a false plate to a rack striking movement. With pendulum Key and weights. Dimensions: Height: 235cm Length/Width: 50cm Depth/Diameter: 25cmCondition Report: Minute hand missing.
Lot 1087
Late 19th century 30 hour mahogany longcase clock, with a swans necked pediment and break arch hood door flanked by two ring turned pilasters, trunk with a short door with a bone escutcheon on a wide plinth with a recessed panel, painted dial with a depiction of a sportsman to the arch and game birds to the spandrels, Roman numerals, minute markers and brass hands, chain driven countwheel striking movement. With weight and pendulum.Dimensions: Height: 240cm Length/Width: 58cm Depth/Diameter: 25cm
Lot 30
WELSH OAK TRIDARN Snowdonia (Eryri), circa 1720-1750, two cupboard base having fielded arched panels, below three drawers below pair of flank cupboards having fielded arched panels, below open canopy featuring internal shelf and with pair of turned baluster supports, raised on stile-feet and with brass furniture, 187h x 126w x 52cms dProvenance: private collection SurreyComments: Some minor restoration to the canopy right upright, lower left corner of left middle cupboard door, right middle cupboard door restored under lock, Lower right cupboard corner nibbed inside, rear feet replaced with brackets, interior shelves and canopy shelves later. Interior shelf brackets additions. One drawer base restored, another with old cracks. Good overall colour.
Lot 2055
Jan Steen, Landschaft an einem Fluss und mit einem Turm, davor be- oder entladen Männer einen KarrenÖl auf Leinwand (doubliert). 62,8 x 86,8 cm.Monogrammiert unten Mitte: JS.ProvenienzWahrscheinlich Nicolaas van Suchtelen, Hoorn, 17. April 1715, no 4 "A Capitael Stuk, verbeeld' eenige Reysigers, seer konstig geschilderd door Jan Steen" (ein kapitales Werk mit Reisenden, fein gemalt von Jan Steen). - Kunsthandel P. de Boer, Amsterdam, 1934. - Kunsthandel F. H. Minken, Amsterdam 1935. - Dr. Wilhelm Mautner, Amsterdam, vor 1938, zum Verkauf genötigt nach Mai 1940. - Kunsthandel D. Katz, Den Haag 1943. - Bernhard Böhmer, Gustrow. – Dokumentiert in „Sonderauftrag Linz“, 5. Januar 1944, Inv. Nr. 3435. – Beschlagnahmt und transferiert zum Central Collecting Point, München, Oktober 1945. – Von dort transferiert zum „Stichting Nederlands Kunstbezit“, Inv. Nr. NK2655. - Restituiert an die Erben von Dr. Wilhelm Mautner Dezember 2012. - Christie´s, Amsterdam 20.11.2013, Lot 66. – Privatbesitz Niederlande.LiteraturC. Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts, Paris 1907-28, Nr. 679b. - H. Gerson: ‘Landschappen van Jan Steen’, Kunsthistorische mededeelingen van het Rijksbureau voor Kunsthistorische Documentatie `s Gravenhage 4 (1948), S. 50-51. – K. Braun: Alle tot nu toe bekende schilderijen van Jan Steen, Rotterdam 1980, Nr. 42, in: Rijksdienst Beeldende Kunst - The Netherlands Office for Fine Arts The Hague. - Old Master Paintings: An Illustrated Summary Catalogue, Zwolle-Den Haag 1992, S. 281, Nr. 2473. - G.M.C. Jansen (Red.): Kennerschap - Bredius. Jan Steen en het Mauritshuis, tent. cat. Den Haag (Museum Bredius), 2014, S. 62-65, Kat. Nr. 4.Das vorliegende Gemälde ist bereits im frühen 18. Jahrhundert als Werk des Leidener Malers Jan Steen überliefert. Es gehört der vergleichsweise kleineren Gruppe von Werken Steens an, die sich im Außenbereich abspielen und dementsprechend auch ein Stück Landschaft abbilden. Hier ist es eine sanft hügelige Flusslandschaft mit einer kleinen Ortschaft, die besonders durch ihren Turm mit Taubenschlag auffällt. Davor wird ein Holzfass von einem Karren be- oder entladen. Aus diesem Grund trug das Bild zeitweilig auch den Titel „Brauerei“. Das ist wenig überzeugend, denn so bemerkt Dr. Guido Jansen auch: „Ein kleines Fass macht noch keine Brauerei aus“ (op. cit.). Der hölzerne Wagen mit seinen vier schweren Rädern wird von zwei Pferden gezogen, ein anderes Pferd mit einem Reiter beherrscht die Mitte des Bildes, während weitere Figuren die Szenerie beleben und farbliche Akzente setzen. Im Gegensatz zu den meist schwach beleuchteten Tavernen-Interieurs von Jan Steen zeigt die leuchtende Farbigkeit der Figuren und der sonnenbeschienen Landschaft dieser Komposition deutliche Anklänge an Isaak van Ostade, ebenso wie in der Landschaft an Jan van Goyen, dem Schwiegervater Jan Steens. Diese Flusslandschaft mit ihrem niedrigen Horizont ist von seinem Werk inspiriert, ebenso wie der hohe Wolkenhimmel und die Art und Weise, wie der Maler unser Auge durch die Komposition führt. Wir kennen eine Reihe von Landschaften van Goyens mit einer weiten Aussicht auf der linken Seite und Bäumen und Gebäuden auf der Rechten, darunter auch ein Gasthaus, vor dem Reisende zu Pferd und mit einer Kutsche Halt machen.
Lot 225
Edward King, Warwick, a mahogany 8 day Longcase Clock with two-weight movement striking on a bell, the 12-inch white and painted dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 214 cm high, with two weights and pendulum.
Lot 228
William Davison, Eccleshall, an oak 8-day longcase clock with two-weight movement striking on a bell, the 14-inch brass circular dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 230cm high, with two weights, winder and pendulum.
Lot 276
An Arts and Crafts Small Upright Bookcase, having leaded glass door with stained green glass centre, with open shelves below and Shapland style chequer inlay, W 32 cm x H 94.5 cm x D 19 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.
Lot 283
A Shapland and Petter of Barnstaple, Arts and Crafts oak Wardrobe, circa 1900, the projecting cornice above a frieze of four Ruskin roundels above one long door, the opposing door with embossed metal panel, above two short drawers, the whole above one long drawer, lock stamped S&P/ B, W 136 cm x H 207 cm x D 59 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.
Lot 319
An Arts and Crafts oak wall Cabinet, with moulded cornice above shelf and cupboard, with carved door reading 'CAK 1911', W 39 cm x H 68.5 cm x D 25 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.
Lot 323
A very small Arts and Crafts glazed oak Cabinet, with leaded and stained glass door, W 38 cm x H 43 cm x D 30 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.
Lot 170
A fine late 17th century Charles II / James II walnut and marquetry eight day longcase clock by Henry Jones of London - the 10in square brass dial with winged cherub mask spandrels, silvered Roman chapter ring with stylised fleur-de-lys half hour markers and outer minute track with Arabic 5 minute markers and a matted centre with chamfered silvered calendar aperture at 6 and silvered subsidiary seconds dial at 12, signed 'Henry Jones in Ye Temple' to lower edge, fronting a movement with 7½ x 5in plates, five knopped and finned pillars, anchor escapement, bolt and shutter maintaining power and small outside count wheel striking on a bell, the hood with pierced fret carved frieze and barleytwist pilasters, the sides with rectangular windows and conforming quarter pilasters against bargeboards to the rear, the trunk door with circular lenticle dividing two broken-arched floral marquetry panels with floral spandrels to the angles, over a conforming floral marquetry base with later bun feet, 193 cm high, 44 cm at widest point to hood.* Condition: The clock has clearly been through the trade in the past 20-30 years and the movement has been cleaned and restored - it remains in good condition and as far as we are aware, was working when removed from the vendor's property and is complete with pendulum and weights. The case has also been cleaned and restored and remains in good condition - there are some small veneer repairs evident, as would be expected. The plinth does not appear to have been reduced in height as far as well can see, but the bun feet are later, as are the barleytwist columns and quarter columns to the hood. The trunk door has probably been reveneered at some time, probably in the early 20th century - it is lined with oak which appears to be rather more recent than the remainder of the case structure. There are several old and more recent holes drilled through the back panel for old wall fixings. The sides of the case have bowed over time and there is a little movement showing in the veneers, although this is minimal. The case does some some old (inactive) worm throughout, which in a few places also shows to the external veneers, which have been wax filled over time.
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235346 item(s)/page