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An unusual pair of mid Victorian figured and burr walnut display cabinets, ormolu mounted, the upper sections with an arched glazed door enclosing shelves, the lower section with a fielded panelled door centred with a Sevres style porcelain plaque depicting putti, on shaped plinth bases, H.5ft 1.5ins W.2ft 2.5ins
An 18th Century stripped pine longcase clock by John Mercer of Hythe, the 10.75ins arched brass dial with silvered chapter ring and subsidiary calendar dial to the thirty hour movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and plain trunk door, 80ins high Note: John Mercer recorded pre 1736 working to 1779
An 18th Century stained oak longcase clock by William Hutchinson of Retford, the 11ins silvered dial with subsidiary calendar dial and gilt brass spandrels to the thirty hour movement striking on a bell, contained in case with broken swan neck pediment and turned pillars to hood and plain trunk door, 85ins high Note: William Hutchinson recorded working in Retford circa 1795
An 18th Century oak longcase clock by Stevens of Great Milton, the 11ins square silvered dial to the thirty hour iron framed movement striking on a bell, contained in case with moulded cresting, turned pillars to hood and plain trunk door, 76ins high Note: Robert Stevens recorded working in Milton circa 1781-1795
An 18th Century mahogany longcase clock by James Ivory of Dundee, the 12ins arched brass dial with subsidiary seconds and calendar dial to the eight day two train movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and with plain trunk door, 86ins high
An early 18th Century walnut longcase clock by John Buffett of Colchester, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in figured walnut case, the hood with deep moulded arched cornice and fretted frieze and with plain turned pillars, the shaped trunk door inlaid with chequered stringings, with conforming plinth and moulded plinth, 95ins high Note: John Buffet recorded working Colchester 1721-1735
Greg Adams, Australian b.1949- Outback landscape; oil on canvas, signed and dated `81, 55x82.5cm: V Cox, late 20th/early 21st century- Untitled building; gouache and pastel on board, signed and dated `89, 78.5x53cm: Jane Strother, British b.1956- Hallway with stained glass front door; oil on canvas board, signed, 90x60cm: together with a similar oil on canvas board by the same hand, signed, in matching frames, 90x60cm., (4) (may be subject to Droit de Suite)
A mahogany and line inlaid dressing table, early 19th century, with three drawers upon square tapering legs, 70 x 84 x 46 cm, together with a mahogany low cupboard, the quarter galleried top above a single door enclosing one adjustable shelf, 85 x 59 x 53 cm, together with a mahogany demi-lune side table, (3).
A GEORGE III MAHOGANY BUREAU with blind fret carved and canopied interior centred by a door, fitted with two short and three long moulded drawers, on ogee feet, 106cm h; 53 x 106cm++. Handles replaced, one drawer with let in repair to the keyplate and associated small repairs between the drawers etc. Old stain on the top
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235302 item(s)/page