A pair of Victorian burr thuya credenzas in the Louis XV taste each with a gilt metal pierced galleried back over a rosewood crossbanded boxwood line strung frieze, above a single cabinet door with central oval Serves porcelain style painted plaque within a ribbon and leaf moulded gilt metal surround, the door with crossbanded outer border and egg and dart moulded gilt metal beading, opening to reveal two fixed claret plush velvet covered shelves, each credenza with half turned boxwood line strung protruding front corner pilasters flanked by a single serpentine glazed pane to each end, on a cut-out plinth base, 121.5cm wide, 112cm high, 43cm deep (2)
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A Regency mahogany ebony line strung drop-centre pedestal sideboard, the bowed centre drawer between two pedestals each with an ogee moulded tapering lidded box over a single panel cabinet door revealing an arrangement of short drawers and pull-out trays, raised on short turned front legs, 139.5cm wide, 102cm high, 50.5cm deep,
A Victorian walnut tulipwood crossbanded and boxwood line strung pier cabinet with gilt metal mounts, the rectangular top with proud front corners, over a single glazed cabinet door revealing three plush covered fixed shelves, between proud fluted front corner pilasters with acanthus mouldings, on a crossbanded plinth base, 76cm wide, 106cm high, 49.5cm deep
An Edwardian mahogany Chippendale revival break-front china cabinet on stand, the central astragal glazed cabinet door with blind fret moulding flanked by matching side and end panels, on a rectangular table base with ribbon moulded edge over a central pierced frieze on four slender square tapering legs terminating in spade feet, 106cm wide, 206cm high, 47cm deep
A George III chevron banded mahogany mercury stick barometer, Joseph Torre & Co., London, early 19th century, with broken pediment above a silvered rectangular vernier register calibrated in inches, with the usual observations, signed Joseph Torre & Co. LONDON to upper edge and applied with a Fahrenheit scale alcohol thermometer behind glazed door, the caddy moulded trunk with visible tube flanked by angled veneers and chevron stringing above rounded base with domed cistern cover, 95cm high.
A Victorian walnut, marquetry and gilt metal mounted credenza, circa 1860, serpentine fronted, decorated throughout with floral marquetry, gilt metal mounts with female busts and cast acanthus, central glazed door flanked by two further serpentine doors, on a plinth base, 113cm high, 192cm wide, 45cm deep
Williams, Merthyr, a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted twelve-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture, painted shell decoration to the corners, a painted scene to the arch depicting a large house beside a river, decorative brass hands and signed `Williams, Watch Maker, Merthyr`, the dialplate to the movement stamped with the dialmaker`s name `Walker & Hughes, Birmingham`, the mahogany case having a short door, a swan neck pediment with three brass `eagle` finials, wavy cresting, with wavy moulding to the hood door and having fluted columns with cast brass capitals to the hood and stringing to the trunk door and base, height 226cm (inc. finial). * There were a number of makers named Williams working as clockmakers in Merthyr Tydfill at the beginning of the 19th century including Griffith Williams circa 1810, Evan circa 1822 and William 1822 until 1837. * For details of the dialmaker Walker & Hughes see lot no. 419.
Joseph Donisthorpe, Normanton, an oak longcase clock having an eight-day duration movement striking the hours on a bell, the associated eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and `flame` half-hour markings, the matted dial centre having a large date aperture and a raised plaque engraved with the maker`s name `Donisthorpe, Normanton`, with cast brass `vase & scroll` spandrels to the four corners, the oak case having a break-arch door and a flat-topped hood with turned wood pillars, height 190cm. * Joseph Donisthorpe is recorded as working at Normanton-le-Heath, Leicestershire until 1774. He was the eldest son of George Donisthorpe of Charley (1653-1728) and was apprenticed in 1716. He set up at Normanton-le-Heath in circa 1723, working there until 1767 when he moved to Loughborough. One of his apprentices was the well-known clockmaker Samuel Deacon of Barton-in-the-Beans.
James Webb, Frome, an Adam & Eve automata longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having black Roman numerals, Arabic five minute markings, a subsidiary seconds dial, date aperture, blued steel hands, painted `strawberry` corner spandrels and having an Adam & Eve automata to the arch, the falseplate stamped with the name of the dialmaker `Wilson, Birmingham`, the oak case having a raised panel to the base, fluted columns with cast capitals to the flat-topped hood and shell inlay to the base & door with further inlay to the corners, height 206cm. (movement a/f) * James Webb is recorded as working in Frome from circa 1760 until 1814 working with his son Thomas from 1806 as Webb & Son. * James Wilson was a pioneer of the painted `enamel` dial having started his manufactory in Birmingham in circa 1772 in partnership with Thomas Osborne. An advert from Aris`s Birmingham Gazette in 1772 describes the partners making `White Clock Dials in Imitation of Enamel, in a Manner entirely new`, being the new style of painted dial that was to become so popular. On the dissolution of the partnership in September 1777 James Wilson set up on his own account at 11, Great Charles Street before enlarging into number 12. James Wilson died in 1809, aged 54, and his business effectively went with him after a relative of his wife, Nathaniel Porter, tried unsuccessfully to run it but ended up going bankrupt in 1811.
Benjamin Mayne, Kelvedon, an Adam & Eve automata longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having black Arabic numerals, a subsidiary seconds dial, date aperture, later hands, painted `floral` corner spandrels and indistinctly signed `Bn. Mayne, Kelvedon`, with an Adam & Eve automata to the arch, the falseplate stamped with the name of the dialmaker `Walker & Hughes, Birmingham`, the oak case having fluted columns with cast capitals to the break-arch hood and arched trunk door, height 193cm. * Benjamin Mayne is recorded as working in Kelvedon, Essex from before 1839 until 1851. * George Walker & Thomas Hughes were working in Birmingham from 1812 until 1834, when the former died, having become the most important and prolific of the Birmingham dialmaker`s over the two decades.
Whitehurst, Congleton, an oak longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel consisting of pins set on the barrel wheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and signed `Whitehurst, Congleton`, with a date aperture to the dial centre and cast `four-season` corner spandrels, the oak case having a shaped top to the trunk door, turned pillars to the flat-topped hood and standing on bracket feet, height 204cm. * Egerton Whitehurst was a member of the famous Whitehurst family of clockmakers from Derby who originated in Congleton and included John Whitehurst, Fellow of the Royal Society, clockmaker & philosopher and maker of many fine clocks. The firm of Whitehurst & Son of Derby were invited to tender for the Great Clock at Westminster (commonly known as Big Ben)
Thomas Bennet, London, an oak and mahogany longcase clock, having an eight-day duration, five pillar movement striking the hours on a bell and with brass bound weights, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and half-hour lozenge markings, with cast brass `female-head` spandrels to the corners, the matted centre having a subsidiary seconds dial and date aperture, the arch having a boss engraved with the maker`s name `Thos Bennet, London` and cast `dolphin` spandrels, the flat top case having fretwork either side of the arch, raised mouldings to the trunk door and applied three-quarter columns with brass capitals to the hood, height 207cm. * Thomas Bennet was apprenticed in 1710 becoming a Freeman of the Worshipful Company of Clockmakers in 1720.
1963 Jaguar Mark II 3.4 litre four door Saloon Registration :822 SAF Chassis No :161130DN Engine No :KH6569-8 A 3.4 manual with overdrive finished in green with matching interior. Stored since the 1980`s the car is in "barn find" condition with the resulting deterioration associated with long term storage. The engine is not seized and overall the car is a rolling restoration project for any Jaguar enthusiast. The car is currently on an updated V5 document
A Victorian walnut, inlaid and gilt metal mounted Pier Cabinet crossbanded and bordered with boxwood lines, the cushion frieze decorated with floral sprays, enclosed by a glazed panel door, flanked by stiles with pendant floral foliage, headed with applied guilloche and flowers and foliage, on a shaped plinth base, 75cm (2ft 5 1/2 in) wide.
Late Victorian Mahogany Inlaid Display Cabinet, top section with canted corners, 8 pane glass panels, centre door 16 pane glass with cloth lined shelves under boxwood & ebony strung frieze with cornice over, lower section with central fall flap with quarter veneers, shaped under tier on square tapering spade footed supports
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