There are 235346 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeLATE 19TH CENTURY EBONISED AND LINE INLAID DISPLAY CABINET, the oblong top above a glazed cupboard door, enclosing three fixed shelves to the red plush lined interior, flanked by floral and scroll gilt metal mounts to the uprights and flanked by a plinth base, the whole outlined in boxwood stringing, 47 1/2" (120.6cm) high, 28 3/4" x 14" (73cm x 35.6cm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)
GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high
NINETEENTH CENTURY FRENCH RED SHELL AND GILT BRASS INLAID BOULE WORK EBONISED SIDE CABINET, the oblong top with wet lea moulding above a scrollwork panelled frieze and conforming cupboard door with raised oval panel to the centre, enclosing two shelves to the red plush lined interior, raised on a shaped plinth with applied gilt ormolu mounts, 44 3/4" (113.7cm) high, 35" x 14 1/2" (88.9cm x 36.8cm) (losses to inlays)
EARLY TWENTIETH CENTURY CARVED MAHOGANY DISPLAY CABINET, the mounted oblong top surmounted by a shaped, low back with foliate scroll carved panel above a bevel edged astragal glazed cupboard door, enclosing three white fabric lined shelves to the mirror backed interior, raised on square tapering legs with moulded feet, tied by a shaped undertier, 63" (160cm) high, 27" x 17" (68.6cm x 43.2cm)
EDWARDIAN CARVED MAHOGANY DISPLAY CABINET, the centre section with bulls eye glazed 15 panel cupboard door enclosing a glazed shelf to the pale green plush lined interior, flanked by a pair of bevel edged shaped mirrors and open shelves, the advanced lower section with moulded oblong top above a pair of conforming cupboard doors and interior, raised on straight cabriole fore legs, tied by a shaped under tier and glazed back, 83 1/2" (212.1cm) high, 46" x 16 1/2" (116.9cm x 41.9cm)
EARLY TWENTIETH CENTURY NEWHAVEN CLOCK CO. AMERICAN MAHOGANY CASED MANTEL CLOCK, the 5" painted Roman dial powered by an eight day movement, striking on a bell and gong and housed in an oblong, chamferred case with floral print to the glazed door raised on a plinth base, 18 1/4" (46.3cm) high
EARLY TWENTIETH CENTURY WALNUTWOOD AND GILT METAL MOUNTED MANTEL OR BRACKET C LOCK, the 6 1/2" brass dial with silver Roman chapter ring, scroll pierced spandrels and matted centre, powered by an eight day movement striking on two gongs, the back plate stamped RSM and rose motif, numbered 977, housed in a bonnet top case with cast finials, bevel edged glazed door and side panels and raised on a moulded plinth base, with turned feet, 18 1/2" (47cm) high
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Lassel Park, the 13" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the diaper matted centre, enclosed by emblematic figural spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, free standing fluted fore columns, long flame cut trunk door with shaped top and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89" (226cm) high
LATE NINETEENTH CENTURY 'KOMET' DISC MUSICAL BOX, with coin in the slot operated mechanism, the movement working but sluggish and dirty, playing on combs (complete) in stained walnutwood case with moulded forecolumns flanking the framed door, with milestone shaped glass panel over cash drawer, 30" high x 28 3/4" wide THE WINDING HANDLE and TWENTY 20 1/2" DIAMETER DISCS (rusty)
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high
An excellent circa 1900 crossbanded mahogany display cabinet, single central door with satin lined interior and glass display shelves, the eleven paned door with round beading, three door crossbanded and quarter veneered base with central line inlaid quatrefoil cartouche, six turned and block supports with under tier shelf, 198 x 114 cms
A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms
A superb quality rosewood and ivory inlaid display cabinet, the multi-mirrored super structure with broken pediment and carved urn central finial, ribbon and floral swag inlay, multi-shelved with finely carved supports, twin bevelled edge glass fronted doors above floral inlaid ivory panels, twin flanking base doors with architectural tops, mirrored and velvet lined interior shelving, central undershelf with centre door cupboard below with campana pot inlay, shell surmounted with profuse ribbon and floral swags, the whole on tapering spade feet, 240 x 168 cms
A top quality Edwardian inlaid mahogany dressing table, the mirror with broken swan neck pediment and carved urn finial, brass finial capped side supports, curved centre drawers with flanking two door drawer pods, bowed central front drawer with twin three drawer flights, tapering supports on brass cup castors, the whole crossbanded and line inlaid with Regency brass swing handles and pommels, 198 x 138 cms
A good oak triple mirror dressing chest with pierced gallery sides incorporating two door corner cupboards, long carved top central mirror to a drop down chest of seven drawers with long flanking swing mirrors, the drawers having Arts & Crafts style backplates and handles (Note - this item matches Lot 3), 190 cms to top of centre mirror x 122 cms
A 19th Century oak longcase clock, the hood with broken swan neck pediment and carved square pillars flanking a single glazed door with 14 ins square dial behind, decorated spandrels and Roman numerals with subsidiary seconds dial and date aperture, maker E Griffiths, Abergele, with eight day movement, striking on a bell, twin weight pendulum driven (included), the trunk with concave pillar fronts and single shaped top door on a stepped trunk base with applied square panel and bracket foot with shaped frieze, 215 x 54 cms
2nd-4th century AD. A bronze key with iron shank and bit; the handle square in section with flange rims above and below, substantial integral loop; two lateral faces each with three ring-and-dot motifs, upper face with a temple(?) outlined in silver inlay with incised pediment and door, starbursts and ring-and-dot motifs above the triangular roof, row of ring-and-dot motifs below the silver-inlaid steps. Cf. Pall, M. Schlüssel und Schlösser, Graz, 2012, item 5658 for type. 213 grams, 11.5cm (4 1/2"). Property of a Surrey collector; acquired in the early 1970s. Fine condition.
Thomas Stewart, Auchterarder: a Georgian oak longcase clock, the arched painted roman dial decorated with rose designs, subsidiary seconds and date dials, two train movement with anchor escapement, the case with swan neck pediment, shaped waist door, panel base on plinth (with single weight and pendulum), 84in. high to top of brass finial.
John Sanderson, Wigton: a pine thirty hour longcase clock, the brass roman dial centred by inscription "Remember Man That Die thou Must And after that too Judgement Just", with date aperture to centre, single train movement with anchor escapement, plain pine case with rectangular waist door, panel base on plinth, 74in. (188cms) high. NB John Sanderson was orphaned as a child and was brought up by his father's brother. He then went on to father a child by the wife of this uncle who had brought him up. When the child was baptised, he had to face the shame of this being announced in church before every member of his family and the rest of the parish. His early mistake caused him to turn to religion and for a while he turned to Quakerism. The inscription on this clock appears to have been his favourite verse. Almost all of his output was in thirty hour square dial clocks with anchor escapements and some with lantern movements.
Charles Ross, Broughty Ferry: a mid 19th Century mahogany longcase clock, with gilt enriched roman dial with subsidiary seconds and date dials, two train movement with anchor escapement, the case with leaf design pediment, the glazed door flanked by turned quadrants and foliate design, panelled waist door flanked by carved quadrants, panel base on bracket feet, 80in. high.
Read, Knutsford: a mid 18th Century oak and mahogany banded longcase clock, the 12in. brass dial with silvered roman chapter ring, subsidiary seconds dial, date aperture, mask and foliate spandrels, two train movement with anchor escapement, the case with caddy top, cavetto cornice, shaped waist door, panel base on bracket feet, 78 1/2in. (199.5cms). See illustration
A Victorian mahogany longcase clock, with painted roman dial and unidentified Carlisle maker, subsidiary seconds and date dials, interior scene to arch, two train movement with anchor escapement, the case with swan neck pediment, banded waist door flanked by fluted columns, panel base on bun feet, 90in. high.
Willm. Thomson, Newcastle: an oak longcase clock, the brass roman dial with calendar dial to outside of centre, rocking ship mechanism to arch, ornate spandrels, two train movement with anchor escapement, pull repeat lever, the case with dentil cornice, arched waist door, fluted canted sides, panel base with small bracket feet, 79in. high.
M. Young, Newcastle: a Victorian mahogany longcase clock, with painted roman dial, subsidiary seconds and dater dials, with scene to the arch of a King playing a harp, two train movement, anchor escapement, shaped weights, the case with pierced frieze, shaped waist door with arcaded surround, fluted detail, bun feet, 91in. high.
William Tickle: a Georgian mahogany longcase clock, with painted roman dial, subsidiary seconds and date dials, vacant winding hole at 3 o'clock, painted four seasons spandrels and fusilier to arch, two train movement with anchor escapement, pull repeat mechanism, cavetto cornice, shaped waist door, panel base, 82in. high.
A handsome mahogany longcase clock, c.1900, with silvered roman chapter ring and subsidiary seconds dial, chime/silent and Whittington chimes/Westminster chimes dials to arch, three train quarter striking movement with deadbeat escapement striking on one coiled gong and eight tubular bells, fretwork sound board to rear, three graduated brass cased weights, the case with swan neck pediment with brass finial, arched glazed door below flanked by two pairs of fluted columns with brass detail, arched waist door flanked by fluted quadrants, panelled base with bracket feet, 97in. high.
Jas. Cameron, Dundee: a Georgian mahogany and satinwood banded longcase clock, with painted roman dial, subsidiary seconds dial with Home Countries spandrels and 'domestic happiness' scene to arch, two train movement, anchor escapement, swan neck pediment with giltmetal flowers, waist door flanked by leaf carved quadrants, panel base on bracket feet, 82in. high.
An Edwardian inlaid mahogany bureau bookcase, the pierced swan neck pediment and flared cornice above blind fret frieze, a pair of glazed doors under enclosing adjustable shelves, the base fitted a fall-flap inlaid with paterae, sun ray spandrels and chequer banding, opening to reveal a central door, pigeon holes and drawers, four long graduated drawers under fitted brass handles and escutcheons, raised on bracket feet, 36 1/2 x 90 1/2 x 94in. high.
A Victorian inlaid figured walnut whatnot, the rectangular top with turned finials and pierced gallery sides, decorated with leaf scrolls and stringing, raised on turned, fluted and acanthus carved supports, the undertier with matching decoration, an inlaid glazed panel door under enclosing lined shelving, flanked further turned supports, raised on turned legs terminating in ceramic castors, 26 x 16 1/2 x 43in. high. See illustration
Loading...
