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A GREEN 1971 MORRIS MINOR 1000 HISTORIC VEHICLE 'RMW 19K', petrol, 1098cc, single key, V5C log book stating acquired on 09/06/2003 and one former keeper, mileage 70,873Body work structurally sound - no visible rust holes. Front and rear floor pans look good under the carper. Corrosion spots to top of outer sills. Sun blemishes to paintwork. Several body filler patches to lower offside front door. Engine starts and drives, road worthy capacity not checked. All four tyres have deep tread, battery failed
A Late 17th/ Early 18th Century Walnut and Marquetry Longcase Clock, by James Clowes of London, the hood with a blind fret above glazed door and ebonised columns above a long trunk door with marquetry inlaid with flowers and a bird with an oval window, the base with conforming inlay, the 10” square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train five pillar movement striking on a bell, 198cm high James Clowes is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in around 1643 in Astbury, Cheshire, older brother of John and son to James Clowes senior, a nail maker of Odd Rode. James Clowes became a Free Brother of The Clockmakers Company in 1671 - the same year as Thomas Tompion, Joseph Knibb, Daniel Quare and Joseph Windmills. In 1673 he was working at St. Giles in the Fields and then At. Ann s Blackfriars in 1675 when he married Mary Winckley of Biddulph, Staffordshire (at Barthomley in Cheshire). He is believed to have married again to a Jane Coulton in 1680 who was still alive in 1686. James Clowes signed the Clockmakers Company oath of allegiance in 1697 and paid quarterage up until 1705 when he is thought to have died.
Bachmann OO Gauge group of Private Owner and other Goods Wagons consisting of Ref 37-150K 8-plank Metropolitan RC&W Company, Ref 37-425 Noel Press Door Charles Roberts, Ref 37-950Z Conflat BR with BD Container, Ref 37-675 Midland Tar Distillers Tanker, Ref 38-075Y Ventilated Van Arnold Hancock together with a number of limited edition wagons. Contents Excellent to Excellent Plus, number of box ends over-hand written. (17)
French Hornby O Gauge mixed group of Goods Wagons consisting of a early EST Covered Wagon with tarpaulin, early version with open axle guards and droplink couplings, some wear generally Good in Fair to Good box together with a Milk Traffic Van with Vigie (note missing door), otherwise Excellent in Fair to Good box. (2)
Kit / Scratchbuilt Gauge 1 10mm scale WCJS (West Coast Joint Stock) Full Brake Coach No.214. One door handle missing but otherwise Excellent and including detail such as corridor connectors, vacuum pipes and underside detailing, signed to the underside Frank Rainger and dated 2/93. Has been used outside and would benefit from a clean but generally Excellent in Excellent period box.
JBC Models (Sheffield) Gauge 1 10mm scale HR (Highland Railway) Sleeping Carriage 1st/3rd with raised brass regional oval crest band and door handles. Excellent internal detail, external coach with match board style wood finish, there is some deterioration tacky mess to the varnish finish. Would benefit from a light clean to the roof but otherwise Excellent.
Bing Gauge 1 2-6-0 Loco and Tender GNR (Great Northern Railway) lined green No.1630, 3-rail electric. This was a Steam Locomotive which has been modified and a modern 3-rail mechanism fitted using the original wheels. General steam fittings inside the cab have remained, a smokebox door can still be opened. There has been some over/repainting particularly below the chassis, overall condition is generally Good and includes a 6-wheel tender. Good to Good Plus overall.
A pair of Edwardian marquetry inlaid mahogany serpentine display pier cabinets, in the manner of Jones of Dublin, each cabinet with a swan neck pediment and urn finial above a single glazed door with shaped glazed panel and a pair of neoclassical inlaid marquetry cupboard doors below on slender shaped splayed supports united by a shaped under tier, 95 cm wide x 50 cm deep x 206 highQty: 2A private estateBoth appear in good overall condition, with no major damage. Some splits to the wood in places, and small nicks. Wear to the flat undertiers on both.
Kommode à vantauxHöhe: 88 cm.Breite: 151 cm.Tiefe: 59 cm.Frankreich, 19. Jahrhundert.Im Louis XV-Stil gestaltetes Möbel über ziselierten und vergoldeten Bronzesabots. Über trapezförmigem Grund stehendes zweitüriges Möbel mit frontübergreifender Ormolu-Kartusche mit eingelegten Blattwerkornamenten über Spiegelfurnier. Der Innenraum mit drei Schüben und in den Wölbungen der Seiten gelegten Geheimfächer. Übergreifende profilierte Marmordeckplatte in Campan Grand Mélange-Marmor. Herausnehmbare Schubladenführung und dadurch zu öffnende Geheimfächer in den Seiten. Ein Schlüssel vorhanden. (1370342) (13)Commode à vantauxHeight: 88 cm. Width: 151 cm. Depth: 59 cm.France, 19th century.Commode designed in Louis XV style on chased and gilt bronze sabots. Two-door commode on a trapezoidal base with an ormolu cartouche spanning the front with inlaid scrollwork ornaments over mirror veneer. The interior with three drawers and secret compartments in the curves of the sides. Projecting profiled marble tabletop in Campan Grand Mélange marble. Removable drawer slides and secret compartments in the sides that can be opened as a result. With one key.
Bedeutendes SpiegeltriptychonMaße in geschlossenem Zustand: 114 x 64,5 x 12 cm.Paris, zweite Hälfte 19. Jahrhundert.Zweitüriger Aufbau in vergoldeter und versilberter sowie ziselierter Bronze. Hochrechteckig mit zwei Flügeltüren. Diese außen schwarz emailliert mit hochovalen vergoldeten figürlichen Reliefs mit betitelnder Aufschrift Psyche und Pandore. Renaissanceornamente die Ovalkartuschen umspielend. Die Zwickel mit Lilienornamenten. Unten mit plastischen Ornamenten abschließend, oben mit eingerolltem Blattwerk und vergoldetem Widderkopf auf schwarz emailliertem Fond abschließend. Letzterer von einer plastischen Vase überhöht. Türen und zentrales Feld inwandig mit facettiertem Spiegelglas ausgestattet. (1370594) (1) (13)Important mirror triptychDimensions closed: 114 x 64.5 x 12 cm.Paris, second half of the 19th century.Two-door structure with gilt and silvered, chased bronze.
Dame Laura Knight, RA, RWS (British, 1877-1970)Mickey and his Moke signed and dated 'Laura Knight/1962' (lower left)oil on canvas96.5 x 83.8cm (38 x 33in).Footnotes:ProvenanceSotheby's, London, Artist's Estate Sale, July 1971, lot 85.With Phillips and Sons, Marlow.Private collection, UK.ExhibitedLondon, Upper Grosvenor Gallery, 1969, no. 2, owned by the artist.Nottingham, Nottingham Castle Museum, 1970, no. 37, owned by the artist.The present lot was painted in 1962, based on sketches held by the artist from her original work A Man from Mousehole which was painted in 1928, exhibited at The Leicester Galleries, London (cat. no. 25) and illustrated in the artist's first autobiography, Oil Paint and Grease Paint (p. 369); the work was also illustrated in The Sphere on 17th March 1928, just prior to the exhibition, but under the title of Stonebreaker.On 17th December 1929 the S.S. Manulka of the Union Steam Ship Company sank in darkness and heavy fog approximately 70 miles south of Dunedin on her way from Melbourne Australia to Wellington New Zealand. All the passengers were saved, but most of the cargo went down with the ship, including a consignment of the artist's pictures that included A Man from Mousehole.Differing in the background, both depict an almost identical scene of a Cornish farm worker sat with folded arms - subsequently identified as Mr Johns (Witt library) - together with his working beast of burden, a donkey. In the original work lost at sea, the background depicts the local Cornish landscape with a tin mine on top of a hill, whereas this picture has simply a door and brick wall as a background.We are grateful to John Croft for his assistance in cataloguing this lot. The present lot is listed in the online catalogue of Laura Knight's work, under cat. no. 0616.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Victorian rosewood bracket clock, mid-19th century, with shaped top above applied honeysuckle carving, the sides with ring handles above Gothic style brass sound frets, on plinth base, the silvered dial with Roman numerals and outer minute track, dial signed W. T. Middleton 133 Leadenhall Street, LONDON, the five-pillar eight day movement chiming a gong, with pendulum, 44cm high, 31cm wide, 15cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: William T. Middleton is recorded as working between 1844-57 - Brian Loomes, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 537pp.Condition Report: With later oak door to reverse.
An Irish inlaid walnut longcase clock, by Thomas Sanderson, Dublin, second quarter 18th century, the case with foliate marquetry and chevron parquetry, having two gilt wood finials above a scrolling foliate fretwork frieze and ebonised columns with gilt painted Corinthian capitals, the trunk with corresponding inlaid decoration and break arched door with oval lenticle with giltwood surround, on plinth base and bracket feet with shaped apron, the square brass dial enclosing twin cherub and crown spandrels and a silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds and calendar aperture, the chapter ring signed Thomas Sanderson DUBLIN, the four-pillar eight day rack striking movement with anchor escapement, approx. 238cm high total Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: T. Sanderson was recorded as working in Dublin c.1730 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 684pp.
A Queen Anne walnut bureau, first quarter 18th century, the hinged fall front enclosing fitted interior, above two short and two long graduated drawers, raised on bun feet, 95cm high, 73cm wide, 45cm deepCondition Report: Knocks, marks and scratches all over, small splits to veneer all over, some dark stains and small gouges to all veneer, veneer is bubbling and lifting slightly in places, small corner of veneer missing from back left side of top, piece of moulding missing from back left corner, splits to moulding, splits to sides, small areas of possibly replaced veneer, drawers run smoothly and sit well, loss of veneer to lower left corner, veneer missing from border of base, back panels are split and cracked in places, all bun feet are split, large chunk of wood missing from inside of back left foot, dents and knocks to feet, small chunk missing from back right foot where split, splits to veneer inside fall front, marks and scratches to leather writing surface, some knocks and scratches to fitted interior, moulding of sliding door is split in places, the sliding mechanism itself sits slightly proud of its runner but functions as intended.
A Dutch marquetry mahogany secretaire abattant, first quarter 19th century, frieze drawer above fall front, enclosing fitted interior, over two doors, on square tapering feet, 148cm high, 92cm wide, 45cm deepCondition Report: Scratches, stains and old gouges throughout, large split to fall front, large split to both doors, split to bottom of right side, specs of white paint which can be removed, one door needs new hinges, structurally sound, overall good condition.
A George III mahogany longcase clock, William Nicholls, London, late 18th century, the break arched moulded cornice with three brass ball and spike finials above brass capped and stop fluted columns, the trunk with corresponding quarter columns flanking a moulded door, on plinth base, the brass break arch dial with strike / silent dial in the arch, the silvered chapter ring enclosing subsidiary seconds, alarm dial, plate signed Wm Nicholls London, and calendar aperture, with cast scroll and foliate gilt spandrels, the four-pillar eight day rack striking movement with anchor escapement, subsidiary alarm movement to one side with crown wheel escapement, with weights and pendulum, approx. 240cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Regency rosewood side cabinet and a later copy, first quarter 19th century, the D-shaped top with guilloche cast brass mounted edge, above a cupboard door enclosing an adjustable shelf, the door and rounded sides lined with pleated pink silk and with brass grilles, on turned tapering legs; together with a later example made to match in the second half of the 20th century, fitted for a television set, 88cm high, 122 cm wide, 45cm deepAn Article 10 Licence, Certificate No 624139/01, has been issued for the later side cabinet.Provenance: The Property of Lord and Lady Weinstock Condition Report: Good condition overall. Structurally stable and ready to use. The Regency cabinet with inevitable minor surface scratches, marks, knocks, wear, abrasions and areas of discolouration, consistent with age and use. Some shrinkage splits and minor repairs to the veneers. The shelf has a split to the left hand side. The metalwork with rubbing, tarnishing and surface scratches. The pleated silk is replaced and likely dates to the same time as the creation of the modern cabinet. Some breakages to the wire at edges. The lock replaced and with one key. The modern cabinet somewhat faded and with numerous hairline cracks to the very thin veneers. The varnish discoloured and flaking in some areas. The legs are grained rosewood rather than solid. Lacking a central backboard and the bottom board with slats cut out for ventilation. One key.
A gilt-bronze mantel clock, mid-19th century, the case finely chased with scrolling foliage, phoenixes and dragon heads, with swing handle flanked by acorn finials to corners above foliate columns on corresponding base and pad feet, with bevelled glass and scrolling foliate dial surround enclosing the silvered chapter ring with Roman numerals, the engine turned dial centre with subsidiary seconds dial, the scrolling foliate chased reverse door engraved to interior VINER / 235 Regent Street / LONDON / 1844, the pocket watch movement with chronometer escapement, compensated balance wheel, and adapted external single chain fusee, the pocket watch movement signed Barraud Cornhill London and numbered 367, with associated winder, 16cm high (handle not extended)Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Viner & Co. are recorded as a working in London, Regent Street, from 1827-50, - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 799pp.Barraud are recorded as working in London, Cornhill, from 1799-c.1860, and being maker of chronometers to the Royal Navy, - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 43pp.
A George III gilt-bronze mounted musical bracket clock, by George Prior made for the Turkish Market, London, last quarter 18th century, the architectural case painted with polychrome floral swags and sprays on a green ground, surmounted with a cut-glass sphere above a facetted dome flanked by flambeau urn finials and cut-glass spheres to corners, above two conforming gilt-bronze capped faceted columns, the sides with fabric lined pierced scrolling foliate panels and swing handles, the reverse with arched glazed door, on a moulded plinth base with scrolling foliate feet, the white enamel dial with Turkish numerals, signed GEORGE PRIOR LONDON, with two subsidiary dials above, one inscribed CHIME / SILENT, the other with list of tunes SABAC HAFFIF / MINUETT / SAMAHE / SONG, within shaped floral decorated surround within gilt borders, enclosed within floral cast bezel, the three train fusee movement striking on a bell and playing four tunes on ten bells, the backplate signed Geo Prior London, with pendulum and case key, 67cm high, 40cm wide, 23.5cm deepProvenance: The Property of a LadyPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: George Prior, 1735-1814, was well known for exporting clocks to the Turkish market in the late 18th century. After the establishment of trade with the Ottoman Empire, British diplomats in the late 17th century began presenting clocks as gifts to Ottoman officials, leading to a break in the dominance of the French and Swiss in the market for timepieces. This eventually resulted in a high demand for British clocks and lucrative export businesses such as that of George Prior. Such was his success in this area that the word coined by the Turkish to describe a British-made timepiece, 'Pyrol', is a derivative of his surname. He is listed as being active in 1765-1812 at 31 Prescot Street, Goodman's Fields, London, when he was succeeded by his son Edward - Looms, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 630pp.
A George III oak longcase clock, last quarter 18th century, the broken swan neck pediment with three brass eagle and ball finials above gilt painted foliate frieze and brass capped fluted columns, the trunk with quarter columns flanking a shaped door with mahogany crossbanding, on a plinth base with bracket feet, the square brass dial enclosing scrolling foliate spandrels and silvered chapter ring with Roman and Arabic numerals, the foliate engraved dial centre signed FEARNLEY WIGAN and having moonphase and subsidiary calendar dial, the four-pillar eight day rack striking movement with anchor escapement, subsidiary alarm movement to one side with crown wheel escapement, with weights and pendulum, 224cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Peter Fearnley, b.1749, is recorded as working in Standishgate, Wigan (Lancs), mar. 1776 - d.1826, also at Charnock Richard (Lancs) in 1797 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, p.261.
A George III mahogany bracket clock, third quarter 18th century, the case with a caddy top surmounted by a swing handle and flanked by brass pinecone finials, with gilt-pierced quadrants above the break arch brass lined front door, on plinth base and ogee bracket feet, with glass panels to sides and loose brass fretwork panel to reverse door, the brass dial with silvered chapter ring with black Roman and Arabic numerals, with dodecagon subsidiary date dial and shaped plaque signed Solom'n Clark London to matted dial centre, with C-scroll spandrels and Strike/Silent dial to arch, the two train fusee movement striking on a bell, the backplate engraved with a pagoda amongst scrolling foliage, with winder and pendulum, 48cm high (handle not extended), 28cm wide, 19cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Solomon Clark(e) is recorded as working in Shoreditch, London, in 1762 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 155pp.
J Swift Binocular Microscope no.1555, with course/fine focussing, plano concave mirror (some deterioration mainly to concave side), two way adjustable stage, two way adjustable stage, with two lens turret, five lenses in cases and two sets of eye pieces; on stand 'J Swift Optician 15 Kingsland Rd London' with stamp 'Supplied by Broadhurst Clarkson &Co. 63 Farringdon Road London EC', in fitted mahogany case with 'Broadhurst' plaque inside door
BEN NEVIS 1992 10 YEAR OLD SINGLE CASK #2613 HIGHLAND SINGLE MALT Ben Nevis distillery, located at the foot of the UK’s highest mountain of the same name, was responsible for producing one of the most successful blended whiskies of the late 19th Century. Named after “Long” John MacDonald, who was the first to acquire a licence for the distillery, the Long John brand was so popular that a second distillery was built next door just to keep up with demand (and, no… before you ask, we don’t know what Mr MacDonald’s “Long” moniker referred to, or if it was self-appointed). Sadly, these good fortunes didn’t continue, and by 1908 the second distillery ceased production, instead being utilised as a bonded warehouse.Today Ben Nevis is owned by Japanese whisky giants, Nikka, with some of its output being used in their blended “Japanese” whiskies. Its popularity as a single malt has also grown thanks to many favourable reviews.Distilled: 11/09/1992Bottled: 12/2002Matured in Sherry Butt #261355.2% ABV / 70cl
BRORA 1972 22 YEAR OLD RARE MALTS HIGHLAND SINGLE MALT Originally called Clynelish, the Sutherland distillery we now know as Brora had to change its name in 1975 to avoid confusion with the modern Clynelish 2 distillery operating next door. Clynelish 2 was built to replace the dated Brora facility, which was struggling to keep up with the increasing demand placed upon it by the surging popularity of the Johnnie Walker blend. However, only a year after it was decommissioned Brora was pressed back into service, this time making heavily peated whisky to pick up the slack for Johnnie Walker while Caol Ila distillery on Islay was being renovated. Eventually the distillery’s owners decided it was no longer required, and in 1983 the site was mothballed once more.But that wasn’t the end. As the years have rolled by, demand for Brora as a single malt has steadily grown, resulting in owners, Diageo, announcing plans in 2017 to reopen the distillery.Distilled: 197258.7% ABV / 70cl
SMWS 61.11 BRORA 1981 19 YEAR OLD HIGHLAND SINGLE MALT Originally called Clynelish, the Sutherland distillery we now know as Brora had to change its name in 1975 to avoid confusion with the modern Clynelish 2 distillery operating next door. Clynelish 2 was built to replace the dated Brora facility, which was struggling to keep up with the increasing demand placed upon it by the surging popularity of the Johnnie Walker blend. However, only a year after it was decommissioned Brora was pressed back into service, this time making heavily peated whisky to pick up the slack for Johnnie Walker while Caol Ila distillery on Islay was being renovated. Eventually the distillery’s owners decided it was no longer required, and in 1983 the site was mothballed once more.But that wasn’t the end. As the years have rolled by, demand for Brora as a single malt has steadily grown, resulting in owners Diageo announcing plans in 2017 to reopen the distillery.Distilled: 03/1981Bottled: 02/200055.7% ABV / 70cl
BEN NEVIS 1992 10 YEAR OLD SINGLE CASK #2613 HIGHLAND SINGLE MALT Ben Nevis distillery, located at the foot of the UK’s highest mountain of the same name, was responsible for producing one of the most successful blended whiskies of the late 19th Century. Named after “Long” John MacDonald, who was the first to acquire a licence for the distillery, the Long John brand was so popular that a second distillery was built next door just to keep up with demand (and, no… before you ask, we don’t know what Mr MacDonald’s “Long” moniker referred to, or if it was self-appointed). Sadly, these good fortunes didn’t continue, and by 1908 the second distillery ceased production, instead being utilised as a bonded warehouse.Today Ben Nevis is owned by Japanese whisky giants, Nikka, with some of its output being used in their blended “Japanese” whiskies. Its popularity as a single malt has also grown thanks to many favourable reviews.Distilled: 11/09/1992Bottled: 12/2002Matured in Sherry Cask #261355.2% ABV / 70cl
BEN NEVIS 1975 26 YEAR OLD SINGLE CASK #945 HIGHLAND SINGLE MALT Ben Nevis distillery, located at the foot of the UK’s highest mountain of the same name, was responsible for producing one of the most successful blended whiskies of the late 19th Century. Named after “Long” John MacDonald, who was the first to acquire a licence for the distillery, the Long John brand was so popular that a second distillery was built next door just to keep up with demand (and, no… before you ask, we don’t know what Mr MacDonald’s “Long” moniker referred to, or if it was self-appointed). Sadly, these good fortunes didn’t continue, and by 1908 the second distillery ceased production, instead being utilised as a bonded warehouse.Today Ben Nevis is owned by Japanese whisky giants, Nikka, with some of its output being used in their blended “Japanese” whiskies. Its popularity as a single malt has also grown thanks to many favourable reviews.Bottled: 2001Bottle Number: 226 / 23753.9% ABV / 70cl
Oak cased Vienna style wall clock 19th Century, with lattice effect door, enclosing a silvered dial with Roman numerals, 33cm wide x 67cm high x 20cm deepProvenance: The Property of a Gentleman, from a Period Winchcombe Town House. With wear consistent with age and use. Not guaranteed to be in working order.
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