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Click here to subscribeOak eight day longcase clock, the 11" square brass dial signed Sam Bradley, Worcester to the chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded rounded arched door, the hood surmounted by a stepped caddy top, 86" high (at fault)
Mahogany eight day longcase clock, the 12" painted arched dial with subsidiary seconds and calendar dials to the centre and subsidiary strike/silent dial to the arch, the case with moulded rounded arched long door, the pillared hood surmounted by a moulded arched cornice, 81" high (pendulum, two weights)
Mahogany eight day longcase clock, the 12" painted arched dial signed Joseph Bath, Taunton with subsidiary seconds dial and calendar aperture, the case with short rosewood crossbanded door flanked by cable twist pillars and the hood surmounted by a swan neck pediment, 86" high (pendulum and two weights)
Fine small contemporary rosewood and ebony bound Laterndluhr Vienna regulator wall clock, the movement with month duration, deadbeat anchor escapement and maintaining power, also with knife edge suspension, steel shafted pendulum and flask shaped brass cased weight, the 4.5" white chapter ring enclosing a skeletonised centre with subsidiary days of the week and calendar dials, within a glazed case with foliate carved friezes, forward sliding hood with front opening door and removable front panels for pendulum access, surmounted by a Classical portico hood and ebony oil lamp finial, 34" high overall (steel shafted pendulum, flask shaped brass cased weight and crank key)
Fine English flame mahogany triple fusee musical verge bracket clock, the 8" brass arched dial signed Benjamin Wilter, London to the centre, enclosed by a brass chapter ring with calendar, under subsidiary chime/silent and jig/dance/hornpipe/dance dials, the five pillar verge movement with engraved back plate, playing on a nest of eleven graduated bells and striking on another, also with pull repeat, within an ormolu mounted stepped case surmounted by a true bell top with five turned pillars, 24" high (pendulum and door key)
Marquetry month duration longcase clock, the six pillar movement with outside countwheel striking on a bell, the 12" square brass dial signed Bon Bywater, Stamford to the silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture to the later engraved centre, with winding hole release lever to the left of the dial, the later inlaid case with long door and central glass lenticle, the pillared hood surmounted by a cushion top and turned ball finials above a carved blind fret carved panel, 92" high (pendulum, two weights)
Mahogany eight day longcase clock, the 14" painted arched dial with subsidiary seconds dial and calendar aperture, with moon phase to the arch, the case with long figured and banded wavy moulded edged door and the panelled hood surmounted by a swan neck pediment, 83" high (pendulum, two weights and two winding keys)
Good mahogany eight day five pillar longcase clock, the 12" brass arched dial signed Ellicott, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the movement with five knopped pillars, deadbeat escapement and rack striking on a bell, the case with long rounded arched door, the hood surmounted by a pagoda moulded arched top with pierced foliate fretwork panels and three brass ball and flame finials, 106" high (pendulum, two weights and keys)
Oak eight day longcase clock, the 12" square brass dial signed George Hewett, Marlboro to the chapter ring enclosing subsidiary seconds dial and arched calendar aperture to the engraved centre, the case with long moulded door, the hood surmounted by a stepped moulded cornice, 81.5" high (pendulum, two weights)
GEORGIAN OAK FREE STANDING GLAZED CORNER CABINET, having moulded cornice over single astragal glazed door revealing three fitted shelves to the interior, frieze drawer with flanking dummies below, on a later projecting base with blind panel door and platform support. 82 x 51 x 210cm CONDITION REPORT: Overall in good condition with only minor wear and tear.
VICTORIAN WALNUT STANDING CORNER CUPBOARD with blind panelled door flanked by moulded arch panels and revealing later fitted drawers to the interior, platform base. 68.5 x 50 x 99cm. CONDITION REPORT: Some minor losses to veneers particularly edges of the top in places, scuffs, bumps and marks commensurate with age. Later fitted interior.
EARLY 19TH CENTURY WELSH OAK LOW PRESS CUPBOARD having moulded cornice above two blind panelled doors revealing fitted shelf to the interior, on a separate projecting base with an arrangement of five moulded drawers all with later Victorian turned knobs, standing on bracket feet. 134 x 51x 159cm. CONDITION REPORT: Overall in good condition for its age, general wear and tear but no serious damage or losses. Bone escutcheons missing off one cupboard door and one drawer. General ink stains and wear, no evident obvious losses.
LATE 19TH CENTURY MAHOGANY THREE DOOR LIBRARY BOOKCASE IN GEORGIAN STYLE, having broken swan neck pediment above three bevelled astragal glazed doors revealing fitted shelves to the interior, the base with moulded edge over foliate moulded panel secretaire drawer with tooled leather writing surface and fitted interior, flanked by a pair of short moulded drawers over three arched foliate moulded, blind panel cupboard doors on a platform base. 152cm wide x 49 deep, x 94cm high. CONDITION REPORT: In good usable, if a little dusty and grubby, condition with only minor wear and tear.
WILLIAM AND MARY STYLE WALNUT SINGLE DISPLAY CABINET having moulded arch top over single astragal glazed door revealing two adjustable shelves to the interior above a projecting base with two frieze drawers with shaped apron below standing on moulded cabriole legs with hoof feet. 59 x 36 x 185cm. CONDITION REPORT: Overall clean useable condition, a little dry and grubby in places, minor wear and tear.
18TH CENTURY FRUITWOOD HANGING CANDLE BOX with slide out arched door and pierced arch back. 36cm approx. Together with an 18th Century mahogany cutlery tray with heart shaped loop handle to the central division. 32cm. (2) CONDITION REPORT: Candle box has minor splitting to the back and the door has experienced some shrinkage although it is still a decent loose fit. Cutlery tray has repair to the handle and cracks in places.
VICTORIAN MAHOGANY TWO DOOR FITTED WARDROBE having molded cornice over two arched blind panelled doors revealing three slide out press shelves to the interior above an arrangement of four short and two long drawers with brass handles, on a platform base. 138cm wide. CONDITION REPORT: Good clean condition for its age, a little paint and wear and tear only.
EARLY 20TH CENTURY ART NOUVEAU DESIGN MAHOGANY BOOKCASE, having moulded cornice over a pair of lead glazed, foliate design doors, adjustable shelves to the interior, on a projecting moulded edge base with two frieze drawers over two foliate moulded and panelled blind cupboards with a platform support. 160 x 50 x 239cm. CONDITION REPORT: Overall in good condition with only obvious wear and tear, scuffs and marks commensurate with age. One draw handle is missing its loop and similarly one cupboard door handle is missing its loop.
LATE 18TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK by Budgen of Croydon, the case having arched hood with brass ball and spike finials above arched aperture flanked by reeded, canted angles, the waist with moulded arch door flanked by reeded canted angles on a panelled base with bracket feet and shaped apron. 42cm x 35.5cm brass face having foliate pierced spandrels, Roman numerals, seconds dial and date aperture. Eight day, two train movement, striking on one bell. 239cm approx. CONDITION REPORT: Overall appearing in good original condition, plain field to the face suggests possible lacking decoration, otherwise good, includes two weights and pendulum. Backboard behind movement has a circular hole covered with a piece of cardboard.
EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONG CASE CLOCK marked: James Evans, Carmarthen and having broken swan neck pediment with ball and eagle brass finial above arched aperture, flanked by baluster turned columns, the waist with canted angles and cross banded, shaped door on a platform base with bracket supports. Arched, painted face with fox hunting scene and churches, having Roman numerals, seconds dial and date aperture. 47cm x 32cm. Eight day two train movement, striking on one bell. 223.5cm high approx. CONDITION REPORT: Generally in good condition for age, the name painted on the face has been poorly done. Scuffs and wear commensurate with age. Two weights and pendulum.
19TH CENTURY, FLEMISH DESIGN, HEAVILY CARVED OAK SINGLE BOOKCASE CABINET, having moulded cornice with fluted frieze over mask mounts with brass loop handles, single glazed door revealing two fitted shelves, the base with similar decoration, frieze drawer over arch panelled moulded door and block feet. 90 x 42 x 234cm. CONDITION REPORT: Overall good condition for age, no obvious serious damage or losses.
EARLY 19TH CENTURY WELSH OAK 30 HOUR LONG CASE CLOCK by Evan Williams of Trecastle, the case having flat hood over arched aperture, flanked by baluster and ring turned columns, the strung outlined waist with moulded rectangular door flanked by canted angles, strung inlaid panel base with bracket feet. 44.5 x 30.5cm painted face with Scotsman figure to the arch, painted shell spandrels, Roman numerals and date aperture. Overall 112cm high. CONDITION REPORT: May have been reduced, otherwise good condition, face has been well re-painted.
A mahogany two door bookcase in George III style , early 20th century A mahogany two door bookcase in George III style , early 20th century, with fretwork frieze above a pair of glazed doors and plinth base, 247cm high, 110cm wide, 45cm deep Provenance: From Cherkley Court, former home of Lord Beaverbrook
A Dutch satinwood display cabinet , late 19th/early 20th century A Dutch satinwood display cabinet , late 19th/early 20th century, with canted corners, the chevron frieze above a glazed panel door and quatersawn panel, on square section tapering legs, 155cm high, 75cm wide, 35cm deep, enclosed by single glazed door with inlaid panel, 74cm wide Provenance: The Miskin Collection
A Victorian inlaid satinwood and ebonised side cabinet, circa 1870, by Edwards A Victorian inlaid satinwood and ebonised side cabinet, circa 1870, by Edwards, the whole with crossbanding, foliate panels and rosettes, the ebony banding with gilt bead edges and swag mounts, stamped íwards' twice to door, 113cm high, 167cm wide, 41cm deep
A George III mahogany sideboard, circa 1800 A George III mahogany sideboard, circa 1800, with central drawer above a deep drawer flanked by a cellaret drawer with divided interior and a cupboard door, 106cm high, 216cm wide, 96cm deep Provenance: Syre Lodge, Sutherland, Scotland and by direct descent through the family
A George III mahogany eight-day longcase clock, John Agar, York A George III mahogany eight-day longcase clock, John Agar, York, late 18th century, the four pillar rack and bell striking movement with trip repeat and 12 inch brass break-arch dial with subsidiary seconds to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed JN'O AGAR, York to lower margin, the angles with rococo scroll pierced spandrels beneath arch with subsidiary calendar dial flanked by conforming mounts, in a case with moulded cornice over blind fret upper quadrants and columns flanking dial, the trunk with rectangular caddy moulded door over plain plinth base, 199cm high.
A figured mahogany, cedar and studded leather humidor cabinet A figured mahogany, cedar and studded leather humidor cabinet , last quarter 20th century, with brass three-quater gallery rail above central door enclosing drawers and slatted shelf, flanked by corner liquor cupboards with internal galleried shelves, 90cm high, 86cm wide, 61cm deep
NINETEENTH CENTURY FRENCH RED SHELL AND GILT BRASS INLAID BOULE WORK EBONISED SIDE CABINET, the oblong top with wet lea moulding above a scrollwork panelled frieze and conforming cupboard door with raised oval panel to the centre, enclosing two shelves to the red plush lined interior, raised on a shaped plinth with applied gilt ormolu mounts, 44 3/4" (113.7cm) high, 35" x 14 1/2" (88.9cm x 36.8cm) (losses to inlays) (many loose pieces of inlay present)
EARLY TWENTIETH CENTURY CONTINENTAL CARVED GILTWOOD DISPLAY CABINET, the arched floral cresting above a glazed cupboard door and sides, enclosing two glass shelves to the mirror back interior, raised on flowerhead capped short cabriole supports, 61 1/4" (155.6cm) high, 39" x 17 1/4" (99cm x 43.8cm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high
NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
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