Ω A Flemish ebony and repousse worked silver coloured metal mounted table cabinet , late 17th century style, the hinged cover with mirror within, the twin panel doors opening to an arrangement of ten drawers around a central door, opening to an architectural interior, 58cm high, 56cm wide, 31cm deep Provenance: Purchased Sotheby's, 28th October 2004, lot 351 Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
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A Louis XVI style mahogany, parquetry and ormolu mounted bureau à cylindre, Paris, late 19th century/early 20th century, after a model by Jean-Henri Riesener, possibly by François Linke (model 100), the top applied with a three quarter gallery above a fall with a ribbon-tied oval marquetry musical trophy medallion, the interior with an arrangement of sixteen pigeonholes and an automatically activated writing panel, the frieze centred by a concealed drawer with an ormolu tablet of putti amongst clouds flanked by flower-filled basket mounts and scrolled handles to the lateral drawers with lock plate possibly stamped to the reverse CT LINKE/SERRURERIE/PARIS and numbered 100, the sides and back with further plaques emblematic of the arts, on tapered square legs ending in acanthus cast feet, bearing the stamp of Edwards & Roberts to the central door, 110cm high, 108cm wide, 62cm deep This secrétaire à cylindre in the Louis XVI style, is a version of another bureau featuring mother-of-pearl trellis marquetry, made by Riesener for Marie-Antoinette's boudoir at Fontainebleau in 1786. The trophy and putti tablet on the present lot were possibly based on the ormolu medallion accompanying a tablet of festive putti, on Marie-Antoinette's secrétaire à abattant, also by Riesener, in the Prince Demidoff Collection, sold San Donato, 22 March 1870, lot 282. An identical bureau à cylinder by François Linke sold Christie s London, 29 September 2005, lot 183 (aggregate price £16,800) and further very similar example by Alfred Beurdeley sold Christie s New York, 14 - 15 April 2011, lot 135 (aggregate price $38,500).
Ω A French tulipwood and ormolu mounted writing table , in the Louis XV style, late 19th century possibly by François Linke, with Vernis Martin style decoration, the raised superstructure with a central painted panel door flanked by an arrangement of six drawers, the projecting serpentine lower part with three drawers, on cabriole legs with satyr mask decorated knees, with elaborate ormolu mounts throughout, 133cm high, 106cm wide, 46cm deep Provenance: Purchased Sotheby's, 18th March 1988, lot 182, together with a Christie's barcode label Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
19th century oak longcase clock with eight-day striking movement, the painted broken-arch dial inscribed 'Peter Poignand, Jersey', the dial with painted figures, horse and cart in the arch and having subsidiary seconds and calendar dials, whelkshell spandrels, the trunk with broken-arch door and brass presentation plaque, 212cm high
Black chinoiserie lacquer longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals and date aperture, the thirty hour movement striking on a bell
19th Century Scottish mahogany longcase clock, the circular moulded hood above an arched panelled door flanked by turned pilasters above a moulded plinth base, the painted dial with Roman numerals, subsidiary seconds and date dial, signed Leighton, Montrose, with a two train eight day movement
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