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A Victorian limed oak three-piece bedroom suite; the wardrobe with a central scallop shell motif to the cornice, a mirror door flanked by a pair of cupboard doors, one enclosing shelves and drawers, the dressing table with a mirror and trinket drawers and a base with two frieze drawers, turned legs and stretchers and a bedside cabinet with a fruit motif carved to the door. (3)
A VICTORIAN INLAID FIGURED WALNUT MUSIC CABINET, the superstrucutre with open fret cresting with central arch mirror above a shelf, the lower part having a cross banded door with central marquety inlaid rim enclosing shelves, the angles canted, on turned legs terminating in castors. Width 22". Height 58".
A LATE VICTORIAN GOTHIC OAK CABINET, with foliate scrolled pediment and moulded cornice above four divided shelves, one end slatted the other open, with a cupboard door beneath, the back with a full length cupboard divided for the storage of table leaves and opening at the side, raised on a plinth. Width 32". Depth 22". Height 72".
A VICTORIAN OAK CORNER CABINET in two sections, the upper with dentil frieze and moulded pediment above a pair of doors set with bevelled mirror plates and with a pair of mirrors beneath, flanked by fluted half columns with convex frieze above a single fielded door, the central panel with relief carved foliate motifs, flanked by fluted pilasters, raised on a plinth. Width 36". Height 88".
A MID 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK, with three train, hour striking and rod chiming movement, the brass dial with painted mechanical moon phases within the arch with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre having a second dial with calendar aperture on aperture and inscribed "Thomas Bristol", the domed rectangular hood with open fret work and fret angle pillars, the sides with open fret panels, the trunk with long arched cross banded door, the base similarly banded, on a moulded plinth, the pine sides simulating walnut. Dial Width 12". Width 13.5". Height 96". Alterations and additions.
A LATE 18TH CENTURY WELSH OAK LONG CASE CLOCK, with eight day movement, the arched brass dial with gilt metal spandrels and roman numerals, inscribed "R Williams Swansea" applied to an enamel dial, the hood with swan neck pediment and fluted angle pillars, the trunk with long shaped door flanked by fluted quadrant pilasters, the plain base on bracket feet. Dial Width 12". Width 14". Height 82".
A 19TH CENTURY MAHOGANY LONG CASE CLOCK, with two train movement, the circular silvered dial with roman numerals and second dial, inscribed "H H Curtis Neath", the hood with arched pediment and canted angles, the glass circular, the trunk with long rectangular glazed door flanked by canted angles, the plain base on a shaped plinth. Dial Diameter 13". Width 14.75". Height 82".
AN EARLY 19TH CENTURY OAK BIRDSEYE MAPLE & ROSEWOOD LONG CASE CLOCK, with two train movement, the arched enamelled dial painted with gilded floral motifs within arch and spandrels, with roman numerals, second dial and calendar aperture, the hood with swan neck pediment and bobbin turned angle pillars, the trunk with gothic arched cross banded door flanked by similarly turned pillars to the hood, the cross banded base on turned feet. Dial Width 16". Width 17". Height 92".
A MID 20TH CENTURY OAK LONG CASE CLOCK, the weight driven three train German movement quarter chiming, the square brass dial with silvered chapter ring and roman numerals, the square hood with spirally turned angle pillars, the trunk with bevel glazed rectangular door, the panelled base on a projecting plinth on round feet. Dial Width 10.5". Width 12.5". Height 72".
AN OVERALL CARVED OAK LONG CASE CLOCK, with thirty hour movement, the square brass dial with roman numerals, the square hood with turned angle pillars, the trunk having a long ogee arched door, carved with floral lunettes and guilloche, the base with inset panel relief carved with a winged figure, on a shaped plinth. Dial Width 10.5". Width 13". Height 79".
A GREEN & GOLD LACQUER LONG CASE CLOCK, with thirty hour movement, the circular painted dial with copper and iron studs forming the chapter with colour transfer painted strips between, the centre copper studded with star and flower head motifs and colour transfer printed nasturtium flowers, the George III case having a square hood with swan neck pediment and circular glass, the trunk having a shaped door with Japanese figures, birds, butterflies etc., the angles with fluted quadrant pillars, the base with projecting panel with similar motifs to door, on a shaped plinth. Dial Diameter 16". Width 17". Height 98".
A 19th Century oak and mahogany longcase clock by W. Matthews of Penrith, the 13ins arched painted dial with Arabic numerals and scene of country park to arch, subsidiary date aperture to the thirty hour striking movement, contained in case with shaped and moulded pediment, slender turned pillars to hood, shaped trunk door crossbanded in mahogany, with quarter columns, 90ins high
An 18th Century oak longcase clock by Henry Baker of Malling, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the thirty hour brass framed movement with outside locking plate striking on a bell, contained in plain case with moulded cornice and plain pillars to hood, with later ball and eagle finials, plain trunk door, on bracket feet, 84ins high.
A late 18th Century mahogany longcase clock by John Lacy of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in case with deep moulded and arched cornice, plain turned pillars to hood, shaped trunk door and double plinth base, 85ins high (in need of restoration - hood in pieces and plinth base water damaged)
A George III mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with two exotic birds and differing flowers to spandrels to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, with arched and moulded cornice, and turned and fluted pillars to hood, the trunk with dentil cornice, the arched trunk door with moulded edge and fluted cant corners, on bracket feet, 83ins high (door twisted and somewhat damaged, and cresting to hood altered).
A mahogany domestic regulator by William Hutton & Sons, London, the 12ins silvered dial with shaped top plates engraved with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement with dead beat escapement striking on a bell, wooden pendulum with heavy brass bob and brass cased weights, contained in later mahogany case with moulded cornice and cant corners to hood, shaped and figured veneered door with moulded edge and conforming panel to plinth, and double moulded plinth, 81ins high.
A Victorian walnut and gilt metal mounted credenza with curved ends, the frieze inlaid with boxwood ornament, fitted central cupboard enclosed by a single panelled door inset with oval "Sevres" porcelain plaque painted with a shoulder-length portrait of a woman, gilt metal mounts and mouldings, flanked by turned pillars with Corinthian capitals, the ends each fitted with two shelves enclosed by a single bowed glass door, on turned feet, 61ins wide x 43ins high (base somewhat water damaged with some veneers missing and chipped)
A late Georgian partner's mahogany kneehole desk with green leather inset to top, fitted three frieze drawers to front and reverse, the pedestals each fitted with three drawers to one side and a cupboard to reverse enclosed by a panelled door, 60ins x 42ins x 29.5ins high (faded and in need of restoration)
An Edwardian mahogany bracket clock the moulded arched top with brass carrying handle, the arched silvered dial with black Roman numerals and subsidiary Slow/Fast and Chime/Silent dials, the glazed door enclosed by fluted canted angles on stepped base with brass bun feet, 8-day movement striking on a coil, 35cm high.
A George III mahogany secretaire chest on chest with dentil moulded stepped cornice above two short and three long graduated cockbeaded drawers, enclosed by blind fret carved canted angles, the fall front secretaire drawer revealing an interior of six drawers, four compartments arranged around a moulded panel door above two further long cockbeaded drawers, all with brass swan neck handles, on shaped bracket feet, 118cm x 189cm.
An 18th century mahogany longcase clock with stepped moulded cornice, the arched frieze inlaid with floral oval paterae on brass capped column supports, the arched dial painted with black Roman numerals, subsidiary seconds and calendar aperture within floral spandrels and inscribed 'Thos. Brownbill, Leeds', the spire top moulded rectangular door outlined with boxwood stringing with fan corner paterae, the canted angles outlined with satinwood banding, the stepped curl veneer base with a chequer inlaid shield shaped medallion enclosed by boxwood stringing with fan paterae angles, shaped apron and outlined bracket feet, 8 day movement striking on a bell, dial 47cm high, 215cm high.
A 19TH CENTURY MAHOGANY LONG CASE CLOCK, by Andrew Bartley, Bristol, the enamel dial with rolling ship in arch, floral and shell spandrels, of eight day movement striking on a bell, the case with swan neck pediment with fluted frieze, attached fluted columns, the trunk with oblong door, canted fluted corners, inlaid with satinwood and ebony lines, on bracket feet, 88in. (223.5cms) high .
Inlaid rosewood and oak bracket clock, circa 1880, the triple fusee movement chiming on coils, brass arched face with silvered chapter ring, chime/silent, eight/four gongs, slow/fast, labelled "Reid & Sons, Newcastle" the architectural case with gilt brass Corinthian columns, raised on brass paw feet. Height 60cm (pendulum, door and winding keys)
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235346 item(s)/page