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A MAPLE & CO FIGURED MAHOGANY SIDEBOARD, early 20th century, the bowed and inverted bowed top with gadrooned edge and brass back rail, above a Vitruvian scroll carved band over a pair of bow-fronted short drawers over a recessed bow-fronted cupboard door with oval beaded panel, flanked by a pair of inverted bow-fronted cupboard doors with beaded oval panels, enclosing slides and a cellarette, raised on short square-section tapering legs carved with pendant bell flowers and terminating in spade feet, makers label to inside of door. 1.45m (to top of rail) by 1.96m by 0.75m.
JOHN TAYLOR & SON, EDINBURGH, A LATE VICTORIAN MAHOGANY 6` BOOKCASE, the projecting cornice surmounted by a crest, above a pair of glazed doors beside a single glazed door, enclosing adjustable shelves with moulded fronts, all flanked by channel-moulded pilasters, the conforming base with fielded panel doors, raised on a plinth, stamped to the inside of one base door. 2.40m by 1.90m by 0.45m.
A SHAPLAND & PETTER OAK WARDROBE AND DRESSING CHEST, the wardrobe with stepped top over a mirror-fronted door flanked by copper panels repousse with stylised plantform, over a base drawer above a plinth base, copper handles; the dressing chest with mirrored superstructure flanked by heart cut-outs above a spindle gallery over a moulded top above three long graduated drawers, fitted with copper handles, raised on a plinth base, locks stamped S&P B. Wardrobe 1.97m by 1.16m by 0.47m.
Edwardian inlaid mahogany two-piece bedroom suite, the combination wardrobe, fitted central cupboard over four drawers flanked by two oval mirror door hanging compartments: The dressing table with oval mirror flanked by pair of cupboards over well centre with five drawers on square fluted support
A rare W. Avery & Sons. of Redditch Victorian Needlecase No. 635, depicting the grave of `Poor Cock Robin`, having elaborate fence with various birds, insects and a bull ringing bell, enclosing hinged coffin, the underside with two hinged door and Reg. marks for 28th July 1854. Coffin headstone stamped ``In memory of Poor Cock Robin``
A magnificent George III musical bracket clock circa 1820, by the noted maker Santiago James Moore French, of 15 Sweetings Alley, Royal Exchange, London, the eight day striking movement with quarter chiming and cylinder playing six musical airs on twelve bells, the backplate signed `French Royal Exchange London` within an oval cartouche, the arched white enamelled Roman dial similarly signed, with painted floral spandrels and arch cartouche, pierced brass hands, beneath paired chime/not chime and musical air subsidiary dials, the airs titled `O Dolce Concento`, `The Tank`, `Roast Beef`, `Russian Dance`, `The Padlock` and `Tekeli`, in an ebonised case with gilt bronze mounts, the caddy top surmounted by a detachable flambé finial with storage compartment beneath, over a pierced floral lattice frieze flanked by four smaller flambé finials, above an arched glazed door with pierced ormolu spandrels and an arched rear pierced grille door, both flanked by canted corners with swagged musical trophy mounts, the sides with floral latticework panels and gilt bronze carrying handles, raised on a plinth with central ormolu battle trophy mount, on four ormolu foliate scroll feet, 35½in. (90cm.) high, 16¼in. (41cm.) wide.
A National Time Recorder Co. clocking in machine the mahogany, cast iron mounted case with company transfer lettering to the glazed door, with painted and signed Roman dial with day of week aperture, eight day movement, the lower section with `In-Out` selector and brass handle, on a plinth base, 38¾in. (98.5cm.) high, 13¼in. (33.5cm.) wide.
An Edwardian mahogany grandmother longcase clock with musical movement the silvered foliate engraved Roman dial signed `John Byrne & Son Ltd., Liverpool`, with subsidiary seconds dial, pierced steel hands and gilt brass floral spandrels, chime/silent dial to arch, the eight day movement striking on five tubular bells, the case with arched hood with gilt mounted fluted columns, panelled door to the trunk and a conforming panel to the plinth base, 67¼in. (171cm.) high.
A walnut serpentine double pedestal desk early 20th century, the moulded top with serpentine front and bowed back, with gilt tooled tan leather writing surface, over three frieze drawers, a central recessed kneehole cupboard door and four graduated drawers to each pedestal, all with ebony edge banding and angular brass handles, on a moulded plinth base with concealed casters beneath, 53in. (135cm.) wide, 28in. (71cm.) deep.
An early 19th century carved oak corner cupboard with flared pediment over a carved frieze and single chamfered panelled door, carved with a lozenge and scrolling foliate decoration, the canted sides with conforming decoration within lozenges, enclosing two shaped shelves and two small drawers, on a moulded plinth, 40 x 30½in. (101.5 x 77.5cm.), 17in. (43cm.) deep.
A 19th century oak crossbanded mahogany thirty hour longcase clock, the 11 inch square painted dial signed `P Evans, Shrewsbury` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and florally painted corner spandrels, the hood with square glazed door flanked by slender turned front corner hood pilasters over a rectangular crossbanded trunk door on a box base with cut-out plinth, 195cm high NOTE: Douglas J Elliot notes Phillip Henry Evans, Shrewsbury, 1823-1862 in Shropshire Clock and Watchmakers
An 18th century oak thirty hour longcase clock, the 12 inch square brass dial signed `Tho Wilmshurst, Deal` with ring of Roman numerals and cherub moulded corner spandrels. The thirty hour bird cage movement striking on a single bell, the caddy top hood with square glazed door and three quarter turned front corner hood pilasters over a long trunk door and box base with later skirting plinth, 198cm high
An 18th century and later oak high dresser, the boarded rack with two shelves and cup hooks, over three short frieze drawers fitted with brass swan-neck handles above three short false drawer fronts flanked by a single fielded panel cabinet door to each side, on stile end supports, 133.5cm wide, 184cm high, 54cm deep
A French tulip wood vitrne, with gilt metal mounts, 19th century, in the Louis XV taste, the variegated marble top over a single serpentine glazed door, opening to reveal two glass shelves between re-entrant front corners and glazed side panels, on four well shaped cabriole legs with gilt metal mounts and pointed toes, 71cm wide, 165cm high, 39cm deep
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235302 item(s)/page