A late 20th Century 8 Day Long Case Clock, Lauris, the hood with swan neck pediment to free-standing columns, with ogee throat and long trunk door flanked by canted corners, to a plinth base, to a 10" arched dial with moon phases and engraved spandrels with Roman and Arabic chapter ring and fleur-de-lys half-hour markers, with matted centre and black hands with sweep centre seconds, to a triple weight driven movement with anchor escapement and strike on twelve rods, height 87"
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Small French Carriage Clock made by Drocourt circa 1886 with key. 11738 impressed on back plate and 738 on door and bottom of case. Brass and enamel face, enamelled panels to sides, glass panels to top and rear. 9.7cm to top of handle, 7.4cm to top of case x 5.1cm wide (plinth) x 4.5cm deep (plinth ) approx.
An 18th Century oak longcase clock movement by Francis Ransford of London, the 12ins square brass dial with wide silvered chapter ring with Arabic and Roman numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in 19th Century oak case with shaped pediment and turned pillars to hood, panelled trunk door and astragal moulded panel to plinth, on bracket feet, 82ins high
An 18th Century oak longcase clock by Blencorve (?) Churchill, the 10ins square brass dial with wide chapter ring with Roman numerals and engraved dial centre and single hand to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded hood and blind fret frieze, with plain pillars to hood, shaped trunk door, 73ins high
A late 18th Century oak longcase clock by William Wilks of Wolverton, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the silvered dial to centre with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with scroll pediment and turned and fluted pillars to hood, inlaid frieze above shaped door with fluted quarter columns, the plinth with astragal moulding, on single plinth base, 86ins high
An 18th Century oak longcase clock by John Johnson of Walton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, the engraved and matted dial centre with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with swept top and turned and fluted columns with Corinthian capitols to hood, plain trunk door, 86ins high
A 19th Century oak and mahogany longcase clock by Rhead of Rugeley, the 12ins square painted dial with Roman numerals and alarum dial to centre, the spandrels painted with shells to the eight day two train movement striking on a bell, contained in oak and mahogany case with moulded scroll pediment and turned and fluted pillars to hood, the crossbanded trunk door with fluted quarter columns, on bracket feet, 83ins high. Note : William Rhead recorded working Rugeley 1835
An 18th Century mahogany longcase clock by Hariman of Workington, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with turned winding holes to the eight two train movement striking on a bell, contained in plain mahogany case with shaped pediment and turned and fluted pillars to hood, arched trunk door with raised panel to plinth, on bracket feet, 83ins high
An early 18th Century longcase clock movement by Mansell Bennett of Charing Cross, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial with turned winding holes and cast crown and cupid spandrels to the eight day two train five pillar movement striking on a bell, contained in later ebonised case with moulded cornice and arched trunk door, 82ins high
A late 18th Century oak longcase clock by William Cooper of Derby, the 13ins brass circular dial (formerly silvered) with Roman and Arabic numerals and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with angled pediment and slender split turned columns to hood, shaped trunk door, on bracket feet, 85ins high. Note : William Cooper recorded working Derby 1760-1802
A 19th Century oak and mahogany longcase clock by R.H. Goodwin of Macclesfield, the 14ins arched painted dial with Roman numerals, and subsidiary seconds dial and calendar dial, the arch decorated with a view of Canterbury Cathedral and cottages to spandrels to the eight day two train movement striking on a bell, contained in oak and figured mahogany case with scroll pediment and turned pillars to hood, the shaped trunk door flanked by plain quartered columns, the plinth base on ogee bracket feet, 89ins high. Note : R.H. Goodwin recorded working Macclesfield 1857-1865
A George III mahogany longcase clock by Wickes of London, the 12ins arched silvered dial with Roman and Arabic numerals and with subsidiary seconds and calendar dials, Strike/ Silent dial to arch, to eight day two train five pillar movement striking on a bell, contained in figured mahogany case with arched top and moulded cornice and turned, fluted and brass stopped columns to hood, shaped figured mahogany veneered trunk door flanked by fluted and brass stopped quarter columns, plinth with raised astragal moulding, the double moulded plinth with bracket feet, 87ins high
A late 17th/early 18th Century walnut and floral marquetry longcase clock by Barnes of London, the 12ins square brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes, the spandrels cast with cherubs holding a crown within wheat ear pattern engraved borders to the eight day two train five pillar movement striking on a bell, contained in case with narrow moulded cornice and fretted frieze, spiral turned pillars to hood, the door panel filled with marquetry depicting cherubs, masks, flowers and scroll work and crossgrained mouldings to edge of door within scroll work borders, with gilt framed lentical, and the plinth similarly inlaid with birds and floral ornament, and with moulded plinth, 87ins high (plinth with restoration and movement fully restored). Note : Thought to be by George Barnes, apprenticed London 1693
A late 17th Century walnut and marquetry longcase clock by Brounker Watts of London, the 10ins square brass dial with narrow chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with winged cherub's head spandrels and engraved borders to the eight day two train five pillar movement with outside locking plate striking on a bell, contained in walnut, ebonised and marquetry case with deep moulded cornice and spiral turned columns to hood, the trunk door inlaid with marquetry panel depicting birds, flower and leaves, and with circular lentical, confirming lower panel and moulded plinth, 79ins high (case partly reveneered and rebuilt). Note : Brouncker Watts recorded working Fleet Street, London, apprenticed 1684, clockmaker 1693 and died 1719
A pair of early 20th Century French gilt dwarf cabinets of Louis XVI design with white marble slabs to top, each fitted one plate glass shelf with mirrored backs enclosed by a single glazed door with scroll acanthus leaf and bead ornament flanked by conforming narrow glazed panels and conforming side panels, each on four leaf scroll capped square tapered front legs, 38ins wide x 17.5ins deep x 40.5ins high
A mid 19th Century Continental oak rectangular metamorphic three tier dinner wagon with parquetry top and leaf carved edge moulding, on rectangular panelled end supports with carved scroll brackets, trestle feet with shaped flat stretcher and scroll toes and castors, 42ins wide x 24.5ins deep x 35ins high, rising to 47ins high. Provenance : Thought to have been retailed by Warings of Liverpool and purchased by William Gladstone (1809-1898) for his home in Rodney Lane, Liverpool. Given around 1870 to Esther and Julius Jackson, his next door neighbours and thence by family descent
A Victorian figured walnut credenza with bowed ends, the whole inlaid with boxwood stringings and walnut bandings, and with gilt metal mounts, the centre fitted with a cupboard enclosed by a single inlaid panelled door flanked by display cabinets, each fitted two velour lined shelves enclosed by a bow-fronted glazed door, the plinth base with bun feet, 62.5ins wide x 16.5ins deep x 41.5ins high
A rosewood bookcase, the upper part with moulded cornice, fitted three shelves enclosed by a single astragal glazed door, the base with bead mouldings, and two shelves enclosed by a pair of panelled doors, on turned bun feet, 25ins wide x 14ins deep x 72ins high (base probably late George III, the top later)
An Oak Court Cupboard (constructed from Period timbers), Lunette moulded canopy over two later ring turned balustered supports, the back with three scroll carved panels, the lower section fitted with central door enclosing cupboard over two drawers on bracket feet, 18th / 20th Century, 58” wide
A Victorian mahogany longcase regulator by Webster of London, having a dome top, signed silvered dial; Webster, Cornhill, London, silvered minute main dial, diameter 12.5”, with subsidiary hour and seconds dial, single winding hole, having a single fusee, eight day weight driven movement, with wood rod pendulum and brass cased weight, the glazed door showing visible pendulum and brass cased weight, all raised upon a panelled box base, height 171cm
A George III oak longcase clock, the hood having a broken swan neck pediment, twin turned pilasters flanking square painted dial, width 12” , signed J Shortman? of Lewisham, having Roman numerals, subsidiary seconds dial and rolling date dial, thirty hour weight driven movement striking on a bell, the panelled door with ebony stringing on a box base with bracket feet, height 210cm
A Regency mahogany longcase clock, the hood having a broken scroll swan neck pediment, above twin fluted pilasters flanking a painted arch dial signed Steedman of Leith, width 13”, the arch dial having a rolling moon phase, painted Arabic and Roman numerals, subsidiary seconds and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk having a flame mahogany panel door flanked by quarter fluted pilasters to a panel box base on bracket feet, height 217cm
An early 19th century oak longcase clock, having an arched hood enclosing painted arch dial, signed to the centre J Pace, Bury (St Edmunds), the painted dial having Roman numerals, width 12” , subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar movement striking on a bell, the case having arched panel door to a boxbase on bracket feet, height 199cm. According to Haggar & Miller’s Suffolk Clocks & Clockmakers; John Pace was a watch and clockmaker and jeweller in Abbeygate Street from 1823-1855. He acquired a high reputation and was also an inventor of a night time-piece and created many elaborate skeleton clocks.
An early George III fruitwood bureau cabinet, the upper section having a cavetto cornice above twin recessed panel doors, opening to reveal adjustable shelves above arcaded pigeon holes and base drawers, all with two candle slides, the base having a sloping fall opening to reveal a fitted interior of centre cupboard door flanked by arcaded pigeon holes and an arrangement of three drawers, all above two short and two long drawers and raised on bracket feet, height 200cm, width 98.5cm
A George III mahogany writing bureau, the sloping fall enclosing a fitted interior of centre cupboard door flanked by an arrangement of arcaded pigeon holes and stationary drawers, all above two short and three long graduated drawers having replacement but period pierced brass batwing escutcheons and raised on bracket feet, width 94cm
A late Georgian mahogany gentleman’s fitted washstand of square section, having a fold-over top, rising mirror and fitted interior above a dummy drawer, cupboard door, two further drawers, the lower drawer with pull-out commode, all raised on square tapering supports with brass cup castors, width 51cm (closed)
A Sheraton Revival mahogany and inlaid corner cabinet, the upper section having a broken swan neck pediment above a scroll marquetry inlaid frieze and arched astragal glazed door enclosing shelved interior, the base having a shaped bowfront and centre bowed panelled door with further satinwood crossbanding and profusely inlaid with wind instruments and a bow with quiver of arrows, all within a scroll leaf and flower surround, the whole within boxwood stringing and raised on bracket feet, height 230cm, width 95cm
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235346 item(s)/page