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Click here to subscribeA 19th Century mahogany and inlaid Continental bracket clock, triple barrel movement striking to three bells, white enamel dial, the case with cushion top, decorative fret to sides and fluted Corinthian columns to the front corners, the case door with gilt metal spandrels over an inlaid frieze of ribbon and harebells, complete with bracket, clock height 22 1/2" (2)
A long case clock by R.B.Kirby, Malton, the eight day movement with arched painted dial depicting a country landscape with female figure and dog, and buildings to the spandrels, date aperture and seconds dial, in oak and mahogany cross banded case, having ball finials, fluted columns, the shaped door with ebony inlay and canted corners, panelled base and bracket feet, 86" high
A satinwood three piece bedroom suite, of Art Nouveau style, the single wardrobe with carved surmount on flared cornice over foliate carved pediment, mirrored door flanked by carved panels, on base with deep drawer, 87" high together with a dressing chest and marble topped washstand with tiled back (3)
COLEMAN (F.) From The Time I Left The Door, A Journey Through Cornwall from Penzance, round The Land's End to St. IVes, With Illustrations By the Author, hand-written with original mounted water-colour frontis and monochrome illustrations, orig. boards, inked title on spine. This is a 1963 copy of a journal originally written in 1943. Inside is a long ALS sending it to a friend. LOCATION CABINET
Cottage oak long case clock, the hood with swans neck cornice and plain columns with square brass face, named Jas. Brindley, Newcastle, applied spandrels, engraved field with subsidiary seconds, eight day movement striking the hour on a trunk with reeded corners and shaped top door on set out plinth and bracket feet. Height 198cm, 78in.
Oak long case clock banded in mahogany by (Thomas) Birchall, Nantwich, brass broken arch face with painted rolling moon, brass chapter ring, silvered field with subsidiary seconds and date aperture, two train movement striking the hour in swans neck hood with blind fret frieze and reeded columns on a trunk with reeded quarter columns set out canted base with raised panel and bracket feet. Height 221cm (pendulum, two weights, winding key and door key)
Mahogany long case clock circa 1850, the painted broken arch face named Thomas Osmond, Tisbury, rolling moon, subsidiary seconds dial and date aperture, spandrels painted with shells, two train movement striking the hour in a swans neck hood with plain columns, the trunk and plinth with black line inlay raised on bracket feet. Height 210cm (pendulum, two weights, winding key and door key)
Mahogany long case clock circa 1840, with swans neck hood and turned baluster columns, the broken arch painted face with rolling moon, Italianate spandrels, the face named Thos. Bostock, Sandbach with eight day movement striking the hour, subsidiary date and seconds dials on broad trunk with reeded corners and short door on set out plinth. Height 220cm, 86 1/2 in.
George III oak long case clock circa 1770 by Edward Barlow Oldham, broken arch brass face with painted rolling moon landscapes, silvered chapter ring, subsidiary second dial, date aperture and field painted with classical ruins, two train movement striking the hour in a swans neck hood with plain mahogany columns on fluted corner trunk, set out base with raised panel on ogee bracket feet. Height 230cm (pendulum, winding key, door key, two weights)
Art nouveau mahogany and marquetry wardrobe and matching dressing table circa 1890, the asymmetrical wardrobe of 3/4 length mirrored door flanked by cupboard and drawers, inlaid with a peacock and scrolling flowers and foliage. Length 120cm, 48in. The dressing table with a swing mirror over jewellery drawer and apron drawer raised on trestle style square section tapering legs. Length 107cm, 42in labelled Raleigh number 110
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