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A German walnut-cased bracket clock, (R.M Schneckenburger) having a brass dial with Roman chapter ring framing a matted centre, within foliate spandrels, the train movement striking on coiled gong, stamped "RSM" with a rose, nr 97730, with arched dome surmounted with finial, bevelled glazed door over a stepped base on gilt brass feet. Measures approx; 43cm x 31cm x 24cm.Provenance; originally consigned from Tredean House: Tredean House, Devauden, Monmouthshire is a country house dating from 1901-02. It was designed in an Arts and Crafts style by the architect Arthur Jessop Hardwick.
A 19th Century George III astragal glazed mahogany cabinet chest having a double door cabinet / bookcase top with shelved interior and swan neck pediment atop with inlaid bands throughout. Five drawer base with brush slide top with all having brass knob handles. All raised on bracket feet supports. Measures approx; 178cm x 76cm x 41cm.
An 18th Century George III Scottish 8 day longcase grandfather clock by Gilbert Bannerman (1734 – 1812) of Banff. Brass face with engraved foliate detailing with silvered chapter ring, makers plaque and subsidiary dial. The case in mahogany with arched top glazed door hood with columns and brass finials. The trunk set with an arched top door, key and raised on bracket foot. Complete with two lead weights and pendulum. Measures approx; 239cm tall. Face / dial 12" / 11.5".
A 17th Century mahogany and coromandel wood table top collectors cabinet / box travel chest of simple square form with inlaid bands and brass swing handles to the sides. Brass key escutcheon to the full front door opening to reveal three small drawers over one long all with brass hoop handles and backplates. All raised on bun feet supports. Key present. Measures approx; 18cm x 24cm x 18cm.
A large 19th Century Biedermeier mahogany library bookcase having an open top fitted with adjustable shelves flanked by turned columns with acanthus leaf detailing. Below a double door cupboard section with shaped panels and flame mahogany veneer with further columns. Wear commensurate with age throughout with no major damage. Measures approx; 231cm x 145cm x 43cm.
A 19th Century Victorian mahogany and glass museum display wall mountable cabinet of large rectangular form having bowed end to the right with curved glass panel flanking the full length glazed door. Mirrored back panel with adjustable thick glass shelves set within. Measures approx; 147cm x 100cm x 25cm.
A late 18th century George III mahogany gallery edge night stand. Raised on tall square tapering legs with single cupboard under gallery tray edge top with pierced handles either side. The door with brass pull. Together with a 19th century mahogany washstand of square upright pedestal form having single drawer and pierced top above. Jug tier to base. Along with another. Measures approx; 80cm x 30cm x 30cm.
A 18th Century George III mahogany cased North Country grandfather longcase clock of typical form having an arched pediment top with glazed door below flanked by turned columns. The hood housing a brass face with Roman numeral chapter ring and faceted hands. Face marked for John Bell Carlisle. Measures approx; 208cm x 45cm x 25cm. Face measures approx; 24cm diameter.
An large 19th Century Victorian mahogany breakfront library bookcase cabinet having and arched back rail over a chamfered edge top. Below a decorative carved frieze with flower head carved decoration with a central protruding double glazed door section with adjustable shelves within. The central cabinet flanked by further glazed door components to each side with all being raised on a plinth base Measures approx; 131cm x 160cm x 47cm.
A 19th Century German carved walnut cased mantel / bracket clock having an arched top section with carved scrolls and central glazed door revealing a gilt spandrell corner face with silvered dial chapter ring and faceted hands. The face flanked by two reeded columns and raised on pedestal base. All raised on bun feet. Measures approx; 46cm x 33cm x 21cm.
A 19th Century Victorian Walnut and specimen wood sideboard credenza of serpentine form. Central serpentine door having burl walnut veneer flanked by two curved glass door cabinet cupboard sections. Intricately inlaid with specimen imported woods in herringbone and chequered inlay bands. The top having burl and oyster veneers to the edges. Four turned and inlaid Corinthian columns to the front set with ormolu ropework and mounts. Measures approx; 109cm x 181cm x 47cm.
A 20th Century Queen Anne revival walnut drinks / cocktail cabinet having a double door fronted top with carved pediment above. Brass hinges and backplate to the doors which open to reveal a mirrored interior with glass shelf. All raised and supported on ball and claw feet supports. Measures approx; 167cm x 83cm x 41cm.
A 19th Century Italian mahogany and specimen wood inlaid ladies bonheur de jour writing table desk having a double glazed door cabinet vitrine top with shelf set within and Neoclassical inlaid ladies decoration the the exterior. Further inlaid detailing the single drawer base with all raised and supported on straight tapering supports. Measures approx; 113cm x 90cm x 43cm.
An early 20th Century oak glazed library bookcase / display cabinet having a flared cornice top with carved and applied moulding throughout. The doors housing adjustable shelves within with each having leather detailing. Double door cupboard base with central bank of three drawers with all raised on bun feet supports. Measures approx; 186cm x 142cm x 33cm.
A 20th Century Korean elm chest of drawers of upright pedestal form having a bank of four drawers with brass worked embellishments and swing handles and shaped backplates. Below a double door cupboard with further brass detailing with all raised on shaped supports. Measures approx; 94cm x 54cm x 40cm.
A large 20th Century silver plated table lighter in the form of a church having a tall spire with the top removing to reveal the lighter with a small hatch door below for oil / wick. The building below with lift top roof reveal a storage compartment for cigarettes / cigars with two barrels to the exterior for matches. silver-plated base with all raised on a stepped oak base with domed top oak carry case. Unmarked. Measures approx; 49cm x 45cm x 28cm.
A 19th Century French mahogany pagoda bracket clock having a carved Chinese influence case with carved finial and arched glazed door below. Silvered dial face with Roman numeral chapter ring and foliate detailing. The case housing a French brass movement with all being raised on bracket feet. Measures approx; 48cm x 28cm x 18cm.
Neo-Gothic clock. France, ca. 1840.Bronze.Wooden base.With First Empire movement.Measurements: 66 cm. high.Table clock in bronze, with an architectonically inspired design. It represents a gothic church reproduced in its smallest details: with a slender bell tower, high pinnacles flanking a façade with an openwork door with an ogival profile, figures of medieval pages worked in relief, small rosettes and a large central rosette that functions as the clock face. The Roman numerals and black baguet-type hands stand out against the gilt background.
GABRIEL VIARDOT (Paris, 1830-1906).Display cabinet.In carved walnut wood. Gilt bronze applications.With key.Signed.Measurements: 173 x 81 x 41 cm.Chinese-Japanese furniture whose main body opens by means of three glass panels that allow to see the upholstered interior. Its light, stylised structure features elements frequently found in Gabriel Viardot's ornamental background, such as the dragon in high relief at the top and the oriental influence of the rest of the piece of furniture. It is an architecturally conceived display case, raised on mixtilinear legs of typically oriental character, with a waist decorated with a fretwork border, a hinged door with a mixtilinear profile and a top conceived as a traditional Chinese roof. The latter is notable for its upturned eaves, a type of decoration that appeared during the Han dynasty (206 BC - 220 AD) and was the standard type used until the Song dynasty (960 - 1279).Gabriel Viardot was a cabinetmaker specialising in the production of furniture of the "Sino-Japanese genre". He began his career as a wood sculptor in 1849, when he sent some pieces of naturalistic decorative furniture to the horticultural exhibition. He then became the head of a small team of sculptors when he was only 19 years old. In 1853, he had a factory and a furniture shop located in Rambuteau. At this time, Gabriel Viardot worked with his brother Louis Gustave under the name "Viardot Brothers and Co.". In 1860, he opened his own workshop, "G. Viardot" in Grand-Chantier, a family business which he maintained until 1872. He decided to devote himself to "Sino-Japanese style furniture", which he saw predominantly at the 1867 World's Fair. At the same exhibition, Viardot won four medals. It was for this production that he was awarded a silver medal at the 1878 World's Fair. His furniture was produced thanks to lacquered and carved panels sent directly from China or Japan and decorated with mother-of-pearl inlays from Tonkin. Of the bronze ornaments he made all the designs by hand. Over the years, his success continued to grow, especially at the Nice exhibitions and the eighth exhibition of the Central Union of Decorative Arts in 1884. In 1885, he took part in the World Exhibition in Antwerp, where he won a gold medal. At this time, the shop employed 90 to 100 workers, sculptors or cabinetmakers. After this exhibition, Viardot was promoted to the rank of Chevalier in the Legion of Honour (29 December 1885). In 1889, he took part in the World Exhibition held in Paris and received a gold medal. He won the same prize at the 1900 World's Fair.
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235346 item(s)/page