A Mahogany Striking Table Clock, signed John Moore & Sons, Clerkenwell, London, circa 1830, arched top with a pineapple finial, pierced sound frets and canted corners, raised upon ball shaped feet, 9-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, backplate signed, 56cm high 06.10.14, Case with minor cracks to veneers and small dents in parts, small piece of veneer missing above the back door, back door lock needs attention, arched top with a small chip, metal surfaces are faded, sound fret silks need replacing, glasses are slightly scratched, dial numerals are slightly faded, movement needs cleaning, backplate with surface scratches, movement is striking, fully wound and not working.
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A Mahogany Striking Table Clock, signed Thos Moss, Frodsham, circa 1770, inverted bell top with carrying handle, pierced side panels, 6-inch arched brass dial with Arabic and Roman numerals and signed, arch with moonphase, twin fusee movement with verge escapement and striking on a bell, 44cm high over handle 06.10.14, Case with small dents in parts, mouldings around the invented top with chips to the corners, sides with cracks, back door lock is not working and now held by a wooden peg, side wooden panels are later behind the frets, feet are missing, dial needs re-silvering, movement is working and striking, moonphase is functioning, verge escapement has been replaced.
A Rare Miniature Ebony Table Clock, signed Desgranges, late Recordon, London, circa 1800, the ebony veneered case with an inverted bell top, gilt brass carrying handle, fish scale sound frets, acorn shaped feet, 3-1/4-inch silvered dial with Roman numerals and signed, arch with strike/silent selection, twin fusee movement with anchor escapement and rack striking on a bell, backplate with an engraved border, 24.5cm high over handle, with a later ebonised wall bracket, 17cm high 08.10.14, Case with cracks and minor chips to the veneers, front door with a small piece of veneer missing, small piece of moulding to the front has come loose, brass surfaces are discoloured, base with one piece of moulding replaced, feet possibly later, dial is slightly discoloured and needs re-silvering, movement needs cleaning, replaced escapement, possibly a later replaced back cock, later pendulum bob, movement is working and striking, later wall bracket with scratches and minor chips.
An Oak Striking Table Clock, circa 1890, arched top with carved finials, pierced side frets, elaborately scroll engraved dial with a silvered Arabic and Roman chapter ring, two dials for strike/silent and fast/slow, twin fusee movement with anchor escapement and striking on a gong, secured by movement brackets, 36cm high 06.10.14, Two back finials are missing, some small scratches to the back, front door is slightly faded, dial needs cleaning, movement needs cleaning, in going order and striking.
An Ebonised Striking Table Clock, signed John Flook, London, circa 1760, inverted bell top with carrying handle, acorn finials, glazed side panels, front door with sound frets, 7-inch arched brass dial with a silvered Arabic and Roman chapter ring, matted dial centre with date aperture and mock pendulum aperture and signed on a silvered plaque, arch with strike/silent selection, twin fusee movement with verge escapement and rack striking on a bell, backplate elaborately engraved with scroll and floral decoration, bob pendulum, movement secured by brackets, 51cm high over handle 09.10.14, Case has been re-ebonised, slight rubbed in parts to the ebonising, minor dents in parts, later acorn finials, dial and movement are clean, movement in going order, strike not working.
A Mahogany Eight Day Longcase Clock, signed Ben Peers, Chester, circa 1800, swan neck pediment, arched trunk door, 14-inch painted arched dial, seconds and date aperture, arch with moonphase, four pillar movement with anchor escapement and rack striking on a bell, 233cm high 07.10.14, Case with small cracks to veneers in parts, side of the hood with a chip, front of the plinth with a crack, trunk door is slightly bowed, later bracket feet, dial with crazing marks, movement is complete.
A Good Mahogany and Satinwood Inlaid Chiming Longcase Clock, signed Jas Carr, Malton, circa 1810, pagoda pediment, inlaid columns with Corinthian capitals, arched trunk flanked with canted corners, inlaid plinth raised upon bracket feet, 13-inch painted arched dial, seconds, corners with two dials for strike/silent and chime/silent, central painted hunting scene and figures with a horse in the arch, triple weight driven movement with anchor escapement, eight hammers chiming on a nest of eight bells and a further bell for the hours, 232cm high 07.10.14, Case has been polished, pediment has been restored, trunk door slightly bowed, plinth with a small crack to the side, later bracket feet, dial has been re-painted but to a high standard, movement is clean and complete.
A Mahogany Chiming Longcase Clock, retailed by Charles E.Rose, Halifax, circa 1890, arched pediment, pierced sound frets, glazed trunk door, recessed plinth with canted corners, 12-1/2-inch arched brass dial with a silvered Arabic numeral chapter ring, elaborately scroll pierced decoration, seconds, silvered plaque with retailers signature, arch with two dials for chime/silent and Westminster/Whittington/St Michael chime selections, triple weight driven movement with deadbeat escapement, quarter chiming on eight tubular bells and striking a further tubular bell for the hours, 211cm high 08.10.14, Case with minor dents and scratches in parts, right side with a crack, silvered dials are faded, movement needs cleaning.
A Mahogany Eight Day Longcase Clock, signed Danl Douglas, Whitehaven, circa 1820, swan neck pediment with gilt painted glass panels, arched trunk flanked by fluted columns, 14-inch painted arched dial, seconds and date dials, arch with a seascape, four pillar movement with attached falseplate stamped Finnemore, anchor escapement and rack striking on a bell, case possibly later, 242cm high 07.10.14, Small chip to a glass panel, trunk door and plinth with small cracks, side skirting is loose, slightly faded in parts, wooden blocks have been added to both sides of the cheeks beneath seatboard, later seatboard, dial with brass collet missing around a winding hole, crazing marks, movement needs cleaning, case possibly later.
A Mahogany Longcase Regulator, signed W.Johnson, 50 Strand, London, circa 1830, the nicely coloured case with architectural pediment, glazed front door flanked by canted corners, plinth with moulded borders, upon rectangular base, 12-inch circular silvered dial signed, two large subsidiary dials for seconds and 24-hours, single minute hand, the substantial five pillar movement with deadbeat escapement, ``Harrisons``, maintaining power, mercury tube pendulum with steel rod and adjustable rating nut, brass cased weight, 193cm high 08.10.14, Case slightly faded in parts, the hood with small chips to the mouldings, side of the hood with small cracks and scratches, hood with scratches around the key hole, plinth side panel is slightly lifting away from the carcass, plinth with some mouldings missing, dial with small scratches and the silvering is faded, movement is complete.
A Walnut Eight Day Longcase Clock, signed Joseph Williamson, London, circa 1695, caddied pediment, glazed side panels, moulded trunk door with glass lenticle, 11-inch square brass dial with a silvered Arabic and Roman chapter ring signed, matted dial centre with scroll and ringed engraved decoration, date aperture and seconds, ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 223cm high Joseph Williamson was an eminent watch and clock maker in the late 17th/early 18th century. Apprenticed in 1686 and became Master of the Clockmakers Company in 1724. He was the watchmaker to the King of Spain and claimed the invention of equation mechanism in a paper to the Royal Society. His watches and clocks are exhibited in several collections around the world today. 09.10.14, Case has been re-veneered in parts and the veneers are polished, mouldings are re-ebonised, hood door with a later side latch, small dents and scuff marks in places, some small chips to veneers, later skirting to plinth, trunk door slightly bowed, dial and movement are clean.
A Fine Mahogany, Satinwood Banded and Floral Marquetry Display Cabinet, circa 1890, richly inlaid with urns, trailing flowers, swags and ribbon tied motifs, the broken swan neck pediment above an oval glazed cupboard door with two cupboard doors below, raised on square tapering legs with spade feet, 91cm by 46cm by 233cm
A Figured Walnut and Crossbanded Double Door Cabinet, the later top with ogee cornice above cupboard doors enclosing an arrangement of eleven featherbanded drawers around a central cupboard door, raised on later cabriole legs with pad feet, 107cm by 44cm by 106cm Top with shrinkage? split right and left end sections. Doors with natural? split. Interior generally good. but cupboard door with natural? split. Later lock. Section of timber patched on door interior. 300914
A Regency Mahogany and Ebony Strung Secretaire Linen Press, early 19th century, the architectural pediment with turned finials above two oval panel doors enclosing five sliding trays, a two-as-one drawer enclosing an arrangement of drawers and pigeon holes around a cupboard door, two deep drawers below, raised on splayed bracket feet, 130cm by 62cm by 255cm
A George III Style Mahogany Kneehole Desk, the long frieze drawer with six drawers below all around a cupboard door, raised on bracket feet, 18th century and adapted, 70cm by 49cm by 74cm Cosmetically ok. General scratches consistent with age. Previous handle marks visible on larger frieze drawer and several of the smaller drawers. Oak lined drawers. 021014
A Japanese Shibayama Cabinet, Meiji period, with gold lacquered panels inlaid with ivory depicting immortal figures in a landscape, with open niches, cupboards and foliate carved panels, raised on a stand with two sliding doors above a foliate carved apron, 92cm by 38cm by 170cm Cosmetically ok. Pediment with various sections of mother-of-pearl missing. Decorated panel doors with various small losses, various flowerheads missing. Foliate carved back panels with small sections missing. Sliding cupboard door to base - one door framework damage (we do have the door in pieces). Carved apron to base with losses/repairs. 111114
An English Joined Oak Cupboard, the bold cornice above two small drawers with fielded panels below flanked by a hinged door enclosing an interior fitted with pegs, raised on plain stiles, 113cm by 50cm by 172cm With original receipt from Mary Bellis, Bournemouth, dated 13.9.50, and described as a 17th century oak hanging cupboard, sold for £60 Numerous old repairs and old? worm holes. Various natural? splits, particularly through fielded panels. Right hand upper panel with later section of timber. Later brass hanging pole. Cornice with repair front right corner. Right hand stile with split. Rear legs replaced/repaired. 300914
A Late 17th Century English Joined Oak Press Cupboard, the strapwork frieze with S shaped scrolls and carved 1686 JI above inverted acorn finials with two cupboard doors below, the base of cupboard doors, all between carved stiles and muntins, 126cm by 61cm by 163cm Typical old decay throughout, particularly end panels of the end section. Later shelves to interior. Later handles. Base cupboard doors with previous handle marks visible. Natural? splits to carved panels on upper section. Right hand base door with small section of timber missing. Otherwise original unrestored condition. 111114
An Edwardian Satinwood, Tulipwood Banded and Polychrome Painted Bureau, early 20th century, richly painted with garlands of flowers, ribbons and a cornucopia of vases, the fall enclosing a fitted interior of two drawers, six pigeons and a small cupboard door, four long graduated drawers below, raised on bracket feet, 78cm by 53cm by 103cm Cosmetically good, and uniform colour. Numerous fine cracks, including end panels and the fall. Paintwork good. General bruising to corners and platform base. 300914
A Louis XVI/Transitional Style Mahogany and Gilt Mounted Breakfront Meuble d`Appui, late 19th century, with breche d`arrábida marble top, above a bowfront glazed door with foliate mounts, raised on short cabriole legs with sabots, 126cm by 49cm by 106cm Timber generally good, minor strengthening repair work around the legs, which have been polished. Gilt mounts reasonable. Marble top with old repair to a decent standard. 111114
A French Louis XVI/Transitional Style Mahogany and Brass Mounted Vitrine, late 19th century, the fluted and architectural pediment above a glazed door, a frieze drawer and cupboard door below, all between fluted canted stiles, 76cm by 50cm by 201cm Section fitted with its maximum of two shelves. The base with no shelves, which could accommodate two. With three keys and working locks. Reasonable condition. Minor scuffs and small veneer losses consistent with age. Base section right hand panel with minor natural? fine splits. 111114
A Late George III Mahogany Four Door Library Breakfront Bookcase, early 19th century, the dentil and arcaded cornice above astragal glazed doors enclosing adjustable shelves, the base of two oval panel cupboard doors flanked by eight graduated drawers, 269cm by 64cm by 248cm Good colour and good timber, uniform colour. Bruising around the lower section. Drawer fronts and base cupboard doors with splits around oval panels which have been partly filled. Small sections of moulding missing to the ovals. Corner section of base - triangular section of timber has been patched/replaced. Opposing left hand corner with rectangular section of timber patched and replaced. Old repairs around hinges. Repairs to moulding of glazed doors. With assorted shelves to upper section. 111114
A matched silver Old English pattern part table service by Viner`s Ltd (Emile Viner), Sheffield 1932, 1937 & 1938, comprising: Twelve table forks, Six table spoons Twelve dessert forks, Twelve dessert spoons Six soup spoons, Six tea spoons Eleven egg spoons, Two sauce ladles A soup ladle, 3734g (119 oz); Together with the following with silver blades/tines and ivory handles: Twelve fish knives, Twelve fish forks; With various xylo and steel cutlery; Housed in a 1930s figured walnut two door cabinet, on carved scroll legs.
An Irish George III line inlaid mahogany eight-day longcase clock, circa 1800, the four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and indistinctly signed `B. BAYNHAM LIMERICK` to centre, with monochrome scroll painted spandrels and polychrome floral sprays to arch, in a case with open triangular pediment above line-bordered frieze and fluted columns flanking dial to hood over trunk with shaped-top rectangular door, on conforming line-bordered plinth base with moulded skirt, 238cm high.
A Vauxhall Astra Design, 5 Door Hatchback, 1.8 16v Petrol 140, registered 2007, 93959 miles, ex-dealership demonstrator, full service history, cam belt changed 07/08/13, two new tyres, recent brakes, alloy wheels, P.A.S, electric windows, auto headlights, auto dimming rear view mirror, SAT NAV, M.O.T, two keys, keyless entry and central locking, parking sensors, front fog lights.
Victorian Walnut Inlaid Credenza with boxed glass doors with ebonised column sides terminating in ormalu capitals. The central door panel inlaid with a marquetry decorated roundel with an ebonised background. Ormalu beading to all the doors. c 1880`s. 58 inches wide, 18 inches deep and 42 inches high.
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234658 item(s)/page