Stoll (Caspar). Aanhangsel van het Werk de Uitlandsche Kapellen, Voorkomende in de Drie Waereld-Dellen Asia, Africa en America, Door den Heere Pieter Cramer, Amsterdam, 1791, a broken copy, eighteen eng. plts. only, all with orig. hand col., later vellum gilt, 4to, together with Maki (Jacob Nicholas Henri & Hughes P), Storia Naturale delle Scimie e dei Maki, Milan 1812, a broken copy, nine b & w eng. plts. only, near contemp. speckled calf, rubbed and frayed, folio, with Theil (Dritter), Bilder zum Unfchauungs Unterricht fur die fugeng, Stuttgart, n.d., c.1880, twenty-four wood engs. only, all with orig. hand col., several with repaired closed tears, some torn with loss, spotted and stained throughout, some plts. with juvenile pencil annotations on verso, text block detached, contemp. qtr. calf, boards detached, paper label to upper board with some biro arithmatic, 4to, and Rumphius (Georg Eberard), A collection of sixteen engravings, c.1740, uncoloured eng. plts. of shells and molluscs, occ. marginal staining, each approx. 320 x 195 mm. Sold as a collection of plates, not subject to return. (approx.65)
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Hunter (John). Practicaale verhandeling over de ongemakken der tanden geschikt tot een vervolg van de Natuurlyke historie der tanden door Johan Hunter; uit het Engelsch vertaald door Pieter Boddaert ...’s Gravenhage, 1780, woodcut ornament on title and tail-piece at the end of each chapter, one leaf misfolded but text not affected, orig. boards gilt with gilt starburst ornament in centre of covers, sl. rubbed at extremities, 4to, together with James (Lieutenant-Colonel Henry), Account of the Observations and Calculations of the Principal Triangulation, and of the Figure, Dimensions and Mean Specific Gravity of the Earth as Derived Therefrom ... drawn up by Captain A. R. Clarke ... under the direction of Lt.-Col. H. James, 2 vols. including Atlas, 1st ed., 1858, eng. frontis., eng. vign. title and dedication leaves, some browning, Atlas vol. with eng. frontis. and twenty-eight eng. plts., mostly double-page and including a large folding map with closed tear repair, both orig. cloth gilt, rubbed and faded, 4to, plus [Leroy, J. A.], Essai sur l’usage et les effets de l’ecorce du garou, vulgairement appele Sain- Bois ..., 1st ed., Paris, 1767, top outer-corner of final leaf torn away with the loss of a few letters, sl. browning and spotting, modern boards, 12mo, plus other mostly antiquarian science including foreign language editions (26)
An oak livery cupboard, of canted form having a moulded edge top above a cupboard enclosed by a carved arched panel door with floral marquetry, above a frieze drawer flanked by fielded panelled canted sides, on turned barrel front supports to a stretchered undertier, adapted from a larger piece with 17th century and later elements, 51.75in (131.5cm) h, 42.25in (107.3cm) w, 21.25in (54cm) d.
A collection of ormolu and gilt brass door furniture, to include: a pair of hand plates in late 18th century style decorated with cherubs, musical instruments and ribbon tied drapes, a set of five pierced Louis XVI style hand plates, a Victorian hand plate with matching escutcheon, three Rococo door knobs etc, 11.25in (28.4cm) max. (19) Provenance: Turner Lord, Mount Street, London.
Oxford Rowing Interest. A mahogany cabinet, made from the hull of a boat, of tapering form, the hinged door inscribed 'O.U.B.C. Eights 1895, Magdalen College, Head of the River' and with names, the interior with two drawers and a shelf with painted college arms, 16in (40.5cm) h, 9.75in (24.5cm) w
A Victorian walnut side cabinet, the shaped mirror back with carved foliage above a serpentine fronted moulded edge marble top above a central oval mirrrored panel door flanked by a pair of glazed panel doors with applied carved foliage and fruit mouldings, 61.5in (156cm) h, 54.5in (138.5cm) w, 20in (51cm) d. The sides with later glass shelves.
An early 20th Century Walnut Vienna style Wall Clock, the overhanging cornice over half-fluted ring turned columns, to a cushion base, and single glazed door, enclosing a brass and silvered dial with black painted Arabic numerals and floral centre, with blued steel hands, and spring driven movement with anchor escapement strike on a coiled gong, height 35"
A late 19th Century Walnut Dial Wall Clock, the moulded and segmented surround over carved ears, enclosing a single glazed door, to a spun brass bezel enclosing an 11 ½" painted Roman dial with outside minute track and black painted hands, to a spring driven movement with anchor escapement and strike on a bell, height 24"
A late 19th Century American Wall Clock, Seth Thomas, the octagonal oak surround to a drop trunk with single glazed door, with spun brass bezel enclosing a painted 11" Roman dial, with outside minute track and black painted spade hands, to a spring driven movement with anchor escapement, and strike on a coiled gong, height 24"
A late 19th Century American Wall Clock, Ansonia, the rectangular wall mounted case with cushion surround, to a panelled glazed door enclosing a 7 ½" painted square dial, and over a reverse applied print depicting "Merchants Exchange, Philadelphia", to a twin weight driven movement with anchor escapement and strike on a coiled gong, height 26"
An early 20th Century Oak cased 8-day Long Case Clock, unsigned, the architectural pediment centred with a ring turned urn, to a carved frieze and freestanding columns, to a long shaped trunk door within canted corners, and carved with thistle design, to a similarly decorated plinth base on bracket feet, to an 11 ½" square brass dial with Roman and Arabic chapter ring and half-hour markers to an engraved centre with subsidiaries for seconds and date, and black painted hands, to a weight driven movement with anchor escapement and strike on a gong, height 85 ½"
A mid-18th Century Walnut cased 8-day Long Case Clock, Wm Gunn of Wallinford, the hood with moulded overhanging cornice to ¾ colums and ogee throat, to a long plain trunk door and plinth base, to a 12" arched brass dial, with subsidiary date to the arch flanked by dolphin spandrels, over further mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with half-hour diamond markers to a matted centre, with subsidiary seconds and ringed winding squares, with blued steel hands, to a movement with plates united by four knopped and finned pillars, with anchor escapement, strike on a bell, height 77 ½"
A third quarter of the 18th Century Oak cased 8 day Long Case Clock, Willm Stanford of South Waltham (unrecorded), the square hood with overhanging cornice to ¾ columns with gilt capitals, to an ogee throat and long arched door, and raised on a plinth base, to an 11" square brass dial with unusual cast and applied ho ho bird and "C" scroll spandrels, to a silvered Roman and Arabic chapter ring, to an engraved centre, with black pierced steel hands, to a movement with plates united by four knopped pillars, and anchor escapement, strike on a bell, height 76"
A mid 18th Century Oak cased 8-day Long Case Clock, John Arnold of Childockford, the hood with overhanging cornice to a blind fret panel, over three-quarter columns, to an ogee throat and long arched panelled door, and plinth panelled base, to a 12" arched Brass dial, decorated with silvered sunburst disc flanked by dolphin spandrels and further cast and applied spandrels enclosing silvered Roman and Arabic chapter ring with fleur-de-lys half hour markers, to a matted centre with further silvered subsidiary seconds and date sector with black painted hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84"
A second quarter of the 19th Century Mahogany cased 8-day floor standing Household Regulator, unsigned, the hood with overhanging cornice, over freestanding baluster columns, to an ogee throat and a plain frieze to a shaped short trunk door, flanked by quarter reeded columns, and raised on a plain plinth base, to a glazed door with Brass bezel, enclosing a 13½" painted Roman dial, with outside minute track and enclosing subsidiaries for seconds with black painted spade hands, to a movement with plates united by four knoped pillars with deadbeat escapement with strike on bell, to a wooden stemmed pendulum with large Brass face lead bob and a pair of "Mortar Bomb" cast iron weights, height 78"
A mid-20th Century Oak cased triple weight Long Case Clock, the plain arched case to a glazed long trunk door on plinth base, and raised on four compressed bun feet, to an 11" silvered circular dial, with applied silvered Arabic numerals and pierced hands, to a weight driven movement with anchor escapement and strike on eight rods, height 73 ½"
AN EDWARDIAN MAHOGANY ARTS and CRAFTS FOUR PIECE BEDROOM SUITE comprising:- wardrobe, having flat moulded cornice, mirror faced door, panelled door with leaded glass panels, oxidised copper strap hinges and drawer furniture, the centre-section with open stage and bowfronted drawer, 2 small, 1 large and 1 long drawer, shaped apron and bracket feet, 200cm overall, the marble topped washstand with tiled back, the cupboard base with open stage, well type dressing table with long bevelled plate mirror and an arrangement of five drawers and a bedside cabinet (4)
A Queen Anne walnut bureau bookcase, circa 1710, the upper section with swan neck and gilt ball finial pediment, above a mirror panelled door and a pair of candle slides, the bureau interior with an arrangement of eight drawers, four pigeon holes and a well with sliding cover, above two short and two long drawers, on later barcket feet, 239cm high, 98.5cm wide, 60cm deep (some later elements). Visit www.dnfa.com for condition reports.
A Liberty's style oak two door wall cabinet, late 19th century, together with an oak book stand, an oak writing desk of small proportions, a pair of provincial oak stools, an oak gateleg corner table, a side chair upholstered in peacock feather fabric and a provincial oak dining chair, (8). Provenance: From the estate of Marit Allen, Journalist, Editor, Costume Designer. First working as fashion assistant on Queen magazine in 1961 and then moving to Vogue in 1964 and later on becoming fashion editor of vogue, Marit Allen is widely dedicated with championing young fashion designers and was always well admired in the industry. In 1973 when the director Nicolas Roeg asked her to design the costumes for Julie Christie in the film 'Don't Look Now' Allen soon established herself as a prolific costumier and she continued to work right up to her death. She worked on about 40 films and was nominated for a Bafta and two Emmy awards.
An 18thC brass dial eight day mahogany crossbanded oak longcase clock, the swan neck pediment over arched dial by Stevenson of Stafford, strike/silent to arch with dolphin, matted gilt dial centre, subsidiary seconds, date aperture, flanked by fluted columns, the case with shaped door, the base having oval panel over ogee bracket feet, Height 89"
A mahogany and satinwood crossbanded cutlery cabinet Probably by Whytock & Reid of Edinburgh in the French transitional taste, the match veneered top with full width drawer above a cupboard door enclosing six baize lined sides, between canted stiles, on short cabriole legs, with rococo cast gilt metal handles and sabots 53cm wide, 107cm high, 40cm deep
A late Victorian mahogany chiming longcase clock the fretted gilt arched dial with subsidiary second, chime/silent and Westminster, Whittington or St Michael dials, the three train movement striking on tubes, the hood with pierced sound frets and broken swan neck pediment, the case with an oval glazed panel door above a paneled apron, raised on bracket feet 37cm deep, 226cm high
A George III mahogany longcase clock the 30 hour movement with anchor escapement striking the hours on a bell, the Greek key cornice above a plain frieze and silvered dial with foliate engraved centre and seconds dial below maker's signature of John Farnsworth, Mansfield, the shaped trunk door above plain apron and plinth base, a note attached inside the trunk door stating that 'This clock was made in the year 1791 by John Farnsworth of Mansfield'
An Edwardian mahogany and arabesque inlaid chiffonier By Edwards & Roberts the swan-neck pediment above an astragal glazed door flanked by trinket shelves and subsidiary mirrors, the lower part of break-bowfront outline with two frieze drawers, one with maker's stamp, above two glazed doors between open corner shelves, on short turned legs 122cm wide, 120cm high, 38cm deep
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235302 item(s)/page