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Lot 384
An Edwardian, inlaid breakfront bookcase/display cabinet, inlaid with satinwood crossbanding and ebony and boxwood stringing, the frieze inlaid with bows and garrya festoons and pendants, above a pair of glazed doors, enclosing two shelves, flanked by a cupboard on each side, minor damage, some glass panes broken, front left leg broken-off at join, 154cm wide 35cm deep x 110cm highCondition report: Generally ok, but three panes of glass badly broken and front left leg broken-off where leg joins - dowels snapped. Left door and right glazed door slightly warped. Lacking small elements of inlay, including 1cm of crossbanding on the back edge of the top. 5cm gouge on the centre front of top filled and another more shallow indentation on the right side middle of the top. Chips, dents and scratches consistent with age and use.
Lot 387
A George III mahogany bow-fronted hanging corner cupboard, the moulded cornice above double panelled doors, enclosing shelves and three small drawersbelow, minor chips, 120cm high x 58cm highCondition report: Minor chips, including cornice and base moulding and central door bead. Scratches and dents consistent with age and use.
Lot 449
An 18th century oak livery cupboard, the cavetto cornice above two double fielded panelled doors, enclosing hanging space, above three further fielded panels, raised on extended stiles, restorations and some damage, 135cm wide x 50cm deep x 190cm high Condition report: ‘H’ hinges and possibly stiles later. Chip on the base of the left stile of the right door. Patched in the centre of the frieze of the base. Chips, dents and scratches consistent with age and use. Overall nice colour and figuring.
Lot 18
the silvered brass 12in. square dial with a Roman numeral chapter with five-second markers, twin winding holes, date aperture, and subsidiary seconds dial, with cherub and crown pierced finials in caddy top hood with ebony columns, above a long trunk door with a brass banded lenticle and boxwood lined marquetry panels, on a base with a central marquetry panel and raised on bun feet; the month-going five pillar movement with five trains, anchor escapement, and outside countwheel hour strike on a bell228cm highFootnote: Note: Edinburgh made clocks that predate 1700 are exceedlingly rare. Andrew Brown [or Broun] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he offically ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow"
Lot 5
An Edwardian Sheraton Revival satinwood and painted corner display cabinet, painted with floral swags and bows, and interlocking trails of hare bells, the outswept pediment over a glazed door, enclosing two shelves, above a cane paneled door, set with a painted plaque of putti, opening to reveal a single shelf, raised on bracket feet, 190cm high, 54cm wide, 33cm deep.
Lot 97
A late Victorian wardrobe, with moulded edge above a central mirror door, flanked by paneled sides, above a drawer, 146cm wide, together with an associated washstand, with a raised marble inset back, headed by oval bevelled mirror with carved supports, the variegated marble top above two paneled doors, on square tapering legs, and later castors, 107cm wide.
![Mimi Rogers signed 10x8 colour photo. Miriam Rogers, née Spickler; born January 27, 1956 [citation needed] is an American act](https://cdn.globalauctionplatform.com/0b7c951d-73f5-4dc4-856f-ad8a008ca680/1513af76-7f8a-48fd-b2ea-ad8b0145edd6/468x382.jpg)
Lot 145
Mimi Rogers signed 10x8 colour photo. Miriam Rogers, née Spickler; born January 27, 1956 [citation needed] is an American actress and producer. Her notable film roles are Gung Ho, 1986, Someone to Watch Over Me, 1987, and Desperate Hours, 1990 . She garnered the greatest acclaim of her career for her role in the religious drama The Rapture, 1991, with critic Robin Wood declaring that she gave one of the greatest performances in the history of the Hollywood cinema. [1] Rogers has since appeared in Reflections on a Crime, 1994, The Mirror Has Two Faces, 1996, Austin Powers: International Man of Mystery, 1997, Lost in Space, 1998, Ginger Snaps, 2000, The Door in the Floor, 2004, and For a Good Time, Call.., 2012 . Her extensive work in television includes Paper Dolls, 1984, Weapons of Mass Distraction, 1997, The Loop, 2006-2007, and recurring roles on The X-Files, 1998-1999, Two and a Half Men, 2011-2015, Wilfred, 2014, Mad Men, 2015, and Bosch, 2014-2021 . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
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235302 item(s)/page