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Click here to subscribeA 19th century carved mahogany cased barrel organ, of Gothic revival style, bearing a plaque inscribe 'H Bryson, No.3 Little Thelma Street, East Smithfield, London, Patent', remains of a paper label inside the side door for a retailers, Princess Street, Edinburgh, 61cm, together with two spare barrels and a book on Barrel-Organs and various papers going back to the 1960's Provenance: Removed from a local estate in Suffolk
A good early 18th century 8-day longcase clock, 12 x 16 inch arched brass dial, wheatear engraving to outer perimeter, applied, silvered chapter ring engraved for the maker James Beckett, Dover (listed by Loomes as working 1720 - 1721), seconds ring, cast spandrels and unusual crest to arch, matched steel hands, 8-day internal countwheel bell striking movement, 5 ringed and finned pillars, oak case has been carved later, retains shell inlay to trunk door, with key, pendulum and 2 cast-iron weights, 210cm tall.
A Set of Stereoviews of the Vatican and Others 26 sepia gelatin silver views, dated 1897, 1903 and 1904 by Underwood & Underwood, including views of Pope Pius X, other dignitaries, Hungarian pilgrims, art treasures etc., cased, with 19th century albumen prints 'The West Door of Elgin Cathedral' by G W Wilson of Aberdeen, German scene by Adolphe Braun of Dornach, Lion's Head Rock from Poultons Stereoscopic Series, three anonymous views of Italy, and two views of animals by Excelsior Stereoscopic Tours of Burnley (34)
A GEORGE III OAK LONGCASE CLOCK, "William Greaves, Bromsgrove", engraved to the square brass 11" dial, having cast figurative spandrels, chapter ring with Roman numerals and Arabic minutes, secondary dial and date aperture, the square top hood with c olumns, the case with mahogany cross banding to the trunk door, fitted an 8-day striking movement, 200cm high (with pendulum, two weights and key)
A GEORGE III OAK LONGCASE CLOCK, the brass 12" square dial engraved "Melling, Chester", cast figurative spandrels, silvered chapter ring with Roman hours and Arabic minutes, secondary dial and date aperture, 8-day striking movement, the hood with sha ped top and decorative mounts, column mounted, the trunk door with marquetry device, c.1800, 219cm high
A 19TH CENTURY FRENCH BRACKET CLOCK by "Pinchon Fils Aime, Paris", caddy top with brass finials, brass line inlaid with gallery, the arched glazed door flanked by columns, the brass chaptering with Roman numerals and decorative mount below, raised on fluted brass bun feet, fitted 8-day chiming movement, the back plate engraved "Pinchon-Paris", paper label inside back door reads, "From James A Butti Fine Art Collector and dealer in articles of virtu, 7 Queen St, Edinburgh"
AN EARLY 19TH CENTURY NEOCLASSICAL CABINET, satinwood cross banded mahogany of rectangular form with canted corners, the front central door and flanking sides with hand painted classical figures in landscape decoration, in the manner of Angelica Kauf fman, raised on squared tapering feet, 117cm wide x 84cm deep x 94.5cm high
A late 18c eight day longcase clock now with a 13in diam. circular brass dial signed R. Todd of Scarborough. the standard four pillar movement is rack striking on a bell and has anchor escapement. The later dial has been made up from an old chapter ring on a newer back plate. It is contained in an oak case, the hood having swan neck pediments with and eagle and ball finial between. Plain columns flank the hood door and the long trunk door is plain with a curved top. Plain quarter columns flank the trunk door and the plain base has a skirting plinth. The clock stands 82in tall overall.
A late 19c/early 20c collection of approximately seven hundred and fifty microscopic slides of which approximately six hundred and fifty are professionally prepared slides by C.M Topping, Smith Beck & Beck, E wheeler of London and Samuel Stephens. The wide range of subjects include European photography, his majesties curiosities, insects, flowers, trees, minerals and wood, contained within twenty five pull out slide drawers enclosed by a single hinged glazed door, cabinet the brass carrying handle 12.5in w, 14in h.
An early 18c eight day longcase clock movement and dial, the 12in arched brass dial signed William Stumbels, Avetongiffard in a late 18c/early 19c oak and mahogany case. The four pillar movement has rack striking silent and ringed pillars. The dial has ringed winding holes, female head spandrels and wheatear edge decoration. The oak and mahogany case has fluted columns with Corinthian capitals flanking the dial, and swan neck pediments to the hood with eagle and ball finials. The trunk has fluted quarter columns and a wavy top to the trunk door which has a central oval sunburst inlay and mahogany edge crossbanded ring. The base has canted corners and a similar inlay with inlaid tracery lines in boxwood. The base has bracket feet and the clock stands 87in tall overall.
An early 19c eight day longcase clock, the movement now with a later Victorian brass dial bearing the name Thos. Scott Gainsborough. The 13in arched dial has cherub and crown spandrels and silvered chapter ring and dial centre. The movement is of four pillar construction and rack striking on a bell and has anchor escapement. The mahogany case has swan neck pediments to the hood, the unusual paterae having plums sprouting from them and there are three vases and eagle finials to the top. The dial is flanked by slim fluted pillars with Corinthian capitals and there is a panel of banded inlay below the dial. The trunk door has a triple arched top with boxwood line inlay to the edges and is flanked by fluted quarter columns with Cornithan capitals. The base has canted corners and a boxwood line inlaid to its edge and has bracket feet. The clock stands 90in tall overall.
EDWARDIAN MAHOGANY MUSIC CABINETwith a shaped three quarter galleried top supported by shaped sides with a bevelled rectangular mirror below, with a bevelled glass fall front revealing three velvet lined shelves marked 'Sacred', 'Songs' and 'Various' and with a panelled cupboard door below opening to reveal a divided interior, standing on bracket feet, 115.5cm high
Of Beatles interest - a group of four autographs, signed on paper, two faded, 11 x 16 cm. Provenance; These signatures were obtained in the Bahamas in 1965 during the filming of "Help". A family friend was social hostess at The Balmoral Hotel (now Sandals), on Cable Beach in Nassau. The Beatles were staying at a cottage called Deauville on the waterfront next door to the hotel where they used the facilities and dined. The social hostess managed to get the autographs on behalf of myself and my brother. Filming began on February 23rd 1965 when they arrived at New Providence Island. The Bahamas had been chosen after The Beatles' financial adviser, Dr Walter Strach, had established a tax shelter there, and had to spend a year living in the British colony as part of the setup. Partly as a gesture of goodwill, the group agreed to film there, staying for two weeks at the Balmoral Club near Cable Beach. They worked without a day off over the next 14 days. It is noted in the Bahamas Tribune in 2013 that Rupert Missick Jr recalls the moment Beatlemania came to The Bahamas. "The Beatles had a little house near the sea where they hung out whenever they had a day off from filming or if there was time between shoots. One of the people they met in the Bahamas was the actor Brandon deWilde, a former child star… He was a member of the Peter Fonda, Dennis Hopper group of Hollywood hard-livers who liked to hang out and get stoned."
A Georgian mahogany breakfront library bookcase, the stepped cornice above a pair of thirteen clear, red and orange astragal glazed doors flanked by a further glazed door to each side, all opening to adjustable shelves, over frieze drawers with brass handles and ivory escutcheons, the lower section with a pair of panel cupboard doors opening to a shelved interior, flanked by a further panel door to each side, on a plinth base, 230 x 40 x 208 cm.
AN EARLY 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE the top with a pair of astragal doors enclosing shelves above a hinged door enclosing pigeon holes and drawers above a pair of panelled doors enclosing slide out drawers and on splayed feet, 238cm high x 110cm wide x 54cm deep Condition Report: Available upon request
AN OAK ARTS AND CRAFTS SIDEBOARD the overhanging cornice above a mirror back flanked by inlaid stylised foliate panels and two shelf brackets joined by pierced tulips and above a panelled door and two drawers on short circular legs, 158cm high x 157cm wide x 58cm deep Condition Report: Available upon request
AN EDWARDIAN MAHOGANY LONGCASE CLOCK in the Georgian manner, the brass face with moon phase above North and South hemispheres, foliate spandrels and silvered chapter ring with eight gongs striking on bells, 200cm high Condition Report: Some repairs to hood, some small damage to door, small damage to fretwork.
A rare and unusual piece of Rock 'n' Roll memorabilia - the original taxi badge from the Ford Consul taxi in which Eddie Cochran was killed, in Chippenham, 1960. The enamel plaque, which features the unique taxi identifier code of ' 100/130 AG ,' was affixed to the front of the privately-hired vehicle which carried Eddie Cochran, his Fiancee Sharon Sheeley, singer Gene Vincent, tour manager Pat Thompkins and the driver, George Martin of Bristol. White enamel, with black lettering and measuring approx; 6cm x 5cm, with a central mounting point to the top. Accompanying the plaque is a small newspaper cutting from the period.About the crash: On Saturday, April 16, 1960, at about 11:50 p.m., while travelling from The Bristol Hippodrome to London, Cochran was involved in a traffic accident in a taxi travelling through Chippenham, in Wiltshire, on the A4. The taxi driver lost control of the vehicle due to excessive speed and crashed into a lamppost on Rowden Hill (a plaque today marks the site of the car crash). At the moment of impact Cochran, who was seated in the centre of the back seat, threw himself over his fiancée (songwriter Sharon Sheeley) to shield her and he was thrown out of the car when a rear passenger door opened in the collision's force. He was taken to St Martin's Hospital, in Bath. He had suffered severe head injuries, and died at 4:10 p.m. the following day, Easter Sunday, 1960, at the age of 21.Provenance: the plaque was removed from the front of the taxi by the vendor, who lived opposite the garage on Bath Road where the taxi was towed during the early morning of April 17th 1960. Later that afternoon after reading about the crash in the local newspapers, the vendor and a group of her friends walked over to the garage and took several souvenirs from the taxi. The vendor has clear memories of this process, and even said they came away with a box full which they later ' divided up ' amongst their friends. This plaque is the sole survivor from the collection of 'souvenirs' taken that day.A rare, poignant and important part of Rock and Roll history.
18th century oak cased 8 day long case clock by W Lendon of Taunton, painted dial with second dial and date aperture to twin Train movement striking on bell, 206cm high,. Weights and pendulum present.Hood door detached but present.Seconds dial lacking hands.Minute hand bent.General wear and tear consistent with age and use.Small losses to enamelling and wear especially around seconds hand hole. Please see ewbanks.co.uk for condition reports and further images
Late 18th century wall clock by William Johnson, London, brass face, verge movement and fusee, dial 29cm diameter,. Face door detached but present. Splits in wood surrounding dial.Dial worn and one screw missing and dial has lifted in this area.Heavy wear and tear. Please see ewbanks.co.uk for condition reports and further images
Early 20th century mahogany and marquetry inlaid and painted display cabinet with mirrored top to glazed door flanked by glazed serpentine panels on splayed legs 190cm x 120cm . Glass in good order no damage found,overall condition good, Superstructure has been split in to two and subsequently repaired, various minor scratches throughout due to use. Please see ewbanks.co.uk for condition reports and further images
•Simon B. Hodges (20th/21st century contemporary) - 'High Street looking North, Bath', also 'High Street looking South, Bath', both inscribed on the artist's original label verso and dated '04 (2004), pencil and watercolour, each 5.75" x 7.5" (a pair); also 'Roman Bath and Gothic Splender', signed with the artist's monogram, incorporated into the stonework of the door, also inscribed on the artist's original label verso, pencil and watercolour, 7.5" x 10.75" and 'The Circus, Bath', signed, also extensively inscribed on the artist's original label verso, charcoal drawing, 8.5" x 12" (4)
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