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An English painted lead tobacco jar and cover in the form of a cottage ornée, of hexagonal shape, with arched top, painted glass windows flanking the door, the walls andpainted to resemble brickwork, the cover forming the roof, chimney-finial, 16cm h Minor faults and paint loss but unusual and in original state
A William IV gilt brass gothic mantel clock, the circular brass dial signed GILLARD LOWER BARNSTAPLE, with roman chapters and pierced hands, , the twin fusee movement with arched plates the castellated case with leafy crockets and buttressing, on scrolling feet, 39cm h In good original condition apart from inappropriately replaced hinges and button to the glazed door at the back. The release to the front door a replacement otherwise in good original condition although the later lacquer finish discoloured. The movement in apparently good going order. The pendulum original
An oak longcase clock, the 12 inch painted dial with date sector, subsidiary seconds dial, ringed winding holes signed indistinctly H Bar..., having floral spandrels and a medallion of a girl to the arch, fitted eight day movement in crossbanded case with swan neck pediment and fruitwood pillars, a shaped door to the trunk, 214cm h Some old repainting to the dial. A couple of vertical splits in the base and later boarded plinth but in otherwise sound original condition. The dial, case and movement original.
An Edward VII mahogany cabinet, decorated in penwork and inlaid within satinwood crossbands and stringing, the frieze of swags above three shelves enclosed by a door with oval glazing bars flanked by quarter veneered doors inlaid with urns, three drawers to the apron, on square tapered legs with undertier and spade feet, 177cm h; 140 x 41cm In fine original condition. The two inlaid panels very slightly bowed but not split
A South German small cabinet inlaid with etched steel plaques, last quarter of the 16th Century of rectangular form, veneered in rosewood, the corners each reinforced by a shaped etched steel bracket, the outer faces each inlaid with pairs of white metal bands framing a raised moulding enclosing a large steel plaque, each etched with scrolling foliage enclosing a central panel of differing scenes, including on the reverse Christ entering Jerusalem on the reverse, a marine monster on one side, a grotesque demi-figure on the other, and with biblical scenes on the top and front, the latter opening to reveal a series of drawers and a central door, the door secured by a contemporary lock, the drawer and panel fronts all inlaid with steel plaques etched with scrolling foliage and strapwork bands, the inside of the lid inlaid with white metal bands and a large steel plaque etched with the Arrest of Christ in the Garden (the carrying handle and keys each missing, the etching with areas of light wear, the veneer with one small chip and cracks on the reverse, one foot associated) 24.1 cm ; 9.5in by 30.4 cm ; 12 in by 21.6 cm ; 8.5in
WM. EWBANK, ELLAND, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with fan inlay corners, the break arch 'Wilson' rolling moon phase dial with subsidiary seconds and strawberry spandrel corners, the swan neck pediment hood above a shaped top trunk door flank by quarter columns, raised on a stepped base with bracket feet, twin train movement, 93 1/2 ins high.
A GEORGIAN MAHOGANY AND INLAID LONGCASE CLOCK, the arched pediment hood with a square glazed door flanked by boxwood inlaid pillars, crossbanded trunk door flanked by brass capped boxwood strung pillars, raised on a stepped panelled base with plinth, the associated 12 ins painted dial supporting a twin train movement, 86 1/2 ins high
A FINE VICTORIAN FIGURED WALNUT AND ORMOLU MOUNTED 'D' ENDED CREDENZA, the gilt metal and panel veneered frieze above a central oval marquetry panel door, gilt metal mouldings, flanked by female gilt metal mounted stiles, glazed end bowed doors flanked by conforming stiles, raised on a gilt metal mounted plinth base, 73 ins wide.
A late 18th century oak Somerset longcase clock, the 30 hour movement with outside count wheel, the square brass 12in. dial engraved a scene of a ship and house above a calendar aperture, inscribed James Webb, Frome, cast pierced corner spandrels, the hood with gilt capped reeded pillars, the trunk with a sycamore banded door and base to a plinth. 6ft 2in. (219cm.)
A LATE GEORGIAN MAHOGANY-CASED 8-DAY LONG-CASE CLOCK having a truncated pagoda-topped hood with twin brass ball-and-spire finial, the arched door between fluted columns with brass capitals, the arched trunk door between fluted canted front corners, on a plain base and bracket feet, the movement having an adapted arched brass dial with fan-shaped rolling day window (now fixed, the dial now forming centre of the main dial), between spandrels cast with sea serpents, the silvered chapter ring, with Roman hours and Arabic minutes, inscribed "John Whithurst, Congleton", (unrecorded Baillie), the spandrels cast with figures emblematic of the Seasons, all within incised chevron dial edging, 212cm, (83.5in) high (sold with two weights, pendulum ands key)
A VICTORIAN MAHOGANY-CASED 8-DAY LONG-CASE CLOCK having a (depleted) swan-neck pediment above an arched hood door between spirally-reeded and baluster-turned columns, the glazed trunk door, with rounded oblong top corners between similar columns, the base with canted corners flanking a recessed circular panel, on ogee bracket feet, the movement striking on a coiled gong, the white-painted arched dial having a "rolling moon" mechanism, painted with views of a sailing ship and a windmill respectively, beneath a lunar calendar crescent, vacant globes beneath, the Roman hours framing subsidiary seconds and date dials, the spandrels painted with figures emblematic of the Seasons, 225cm, (88.6in) high, (sold with two weights plus pendulm bob - no rod)
AN EARLY 20TH-CENTURY INLAID SATINWOOD SERPENTINE-FRONTED FLOOR-STANDING CORNER DISPLAY CABINET having a mahogany-stained top, the long door with serpentine glazed pane above a finely inlaid a panel of basket of flowers above foliate scrollwork, within a border of six-petalled flowers and leaves, enclosing two serpentine-fronted plyboard shelves, the canted angles similarly inlaid, on canted cabriole-type front legs and a chamfered rear leg, 71cm x 49.5cm x 140.5cm high, (28in x 19.5in x 55.3in)
A GEORGE III INLAID MAHOGANY CORNER CUPBOARD having a swan-neck pediment with brass disc terminals, flanking ebony and boxwood stringing, the similarly strung and flame figured door enclosing three shelves, between canted corners with matching stringing, 77.5cm x 53cm x 123.5cm high, (30.5in x 21in x 48.6in)
A GOOD EARLY VICTORIAN MAHOGANY TRIPLE WARDROBE having a rectangular cornice above a central arch-moulded panel, the right-hand door, with shaped oblong moulding, enclosing double hanging space (behind central panel also), the left-hand door enclosing a shelf and four deep drawers, three with brass swan-neck bale handle, on a plinth base, the whole of good colour and figure, 208cm x 89cm x 208cm high, (82in x 32.3in x 82in)
A fine oak Arts & Crafts sideboard by Liberty & Co. Limited, London, the raised back with flared cornice above a central lead-glazed panelled door decorated with bullseye panel, flanked by open shelves, a single drawer and two cupboards under fitted steel ring handles and hammered strap-work hinges with angled sides, raised on square legs, 75in. x 73in. high (bears Liberty label to the back).
A large Belgian oak sideboard, the ornate raised back surmounted by a carved pediment centred by a deer's head, flanked by a griffin and acanthus leaf scrolls, the gadrooned frieze above a central bevelled mirror panelled door flanked by a pair of carved panelled doors depicting tavern interior scenes with figures, the whole back section raised on carved musician supports, fitted three short drawers to the frieze with lion mask motifs, two pairs of carved panel doors below decorated with male figures with further musician figures, raised on pedestals, the whole raised on a breakfront plinth base, bearing the Van Kerckhoven trade label on the reverse, 72in. x 106in. high.
A late Victorian three-piece walnut bedroom suite comprising: a large three-door wardrobe with central bevelled full-length mirror panelled door, flanked by a pair of panelled doors decorated with carved acanthus leaf scrolling panels, opening to reveal hanging space, sliding shelves and drawers, raised on a plinth base, 81in. x 73in. wide; together with a dressing table, the raised swing mirror back above three short drawers, two short drawers to the frieze, the platform undertier raised on turned tapering legs and castors, 45in. x 72in. high; and a pedestal bedside cupboard enclosed by a panelled door, 16in. x 30in. high.
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235302 item(s)/page