A George II walnut eight-day longcase clock with penny moon Edward Greatrex, Birmingham, circa 1745 The four-pillar rack and bell striking movement with 13.75 inch brass break-arch dial with calendar aperture and penny moon with age apertures to the foliate engraved matted centre, within an applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes and signed E. Gratrex, Birmingham to lower edge, the angles with female mask and scroll cast spandrels beneath silvered boss inscribed TEMPUS FUGIT flanked by dolphin cast mounts to arch, in a case with moulded cornice above fluted pilasters to hood above ebony and box strung break-arch door to trunk, on a reduced plinth base, case with alterations, 222cm high. Edward Greatrex is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume II as working in Birmingham circa 1750.
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A William IV mahogany eight-day longcase clock with moonphase Frances Pugh, Warrington, circa 1830. The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Frances Pugh, Warrington to centre, the spandrels painted with Classical maidens emblematic of the four seasons beneath rolling moonphase to arch, the swan neck pedimented case with gilt foliate painted infill decoration above dial and reeded pilasters to hood, the trunk with book-match veneered shaped-top door flanked by conforming pilasters, on panel inlaid plinth base with ogee bracket feet, 226cm high.
An Edwardian inlaid mahogany quarter chiming longcase clock Unsigned, early 20th century The substantial four -pillar triple train movement chiming the quarters on eight bells and striking the hour on a gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the polished centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised fleur de lys half hour markers, the angles with cherub head and scroll cast spandrels beneath STRIKE/SILENT dial flanked by conforming mounts to arch, the case with swan neck pediment above military trophy infill and brass reeded columns to hood, the trunk with central oval panel of a Grecian warrior within symmetrical foliate scroll and swag borders to the shallow arch trunk door, the crossbanded plinth base centred with conforming panel of a chariot drawn by two horses, on moulded skirt incorporating shaped apron and bracket feet, 236cm high.
A George II stained oak and pine eight-day longcase clock Thomas Hill, London, circa 1750. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed Thomas Hill, London to an applied shaped plaque to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, the angles applied with Indian mask and scroll cast spandrels beneath STRIKE/SILENT dial flanked by dolphin mounts to arch, the case with domed caddy above moulded cornice, blind fretwork infill and integral pilasters to hood, break-arch trunk door and on reduced plinth base with moulded skirt, case formerly japanned, 232cm high.
An inlaid mahogany quarter chiming longcase clock Kemp Brothers, Bristol, early 20th century The four-pillar triple train movement chiming the quarters on four gongs and striking the hour on a further gong, the 12 inch brass break-arch dial with subsidiary seconds dial and shaped plaque engraved KEMP BROS., UNION ST, BRISTOL to the matted centre, within an applied silvered Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, the angles applied with female mask and scroll pattern spandrels beneath STRIKE/SILENT dial flanked by dolphin mounts to arch, the swan neck pedimented case with vase and flower inlay to frieze above turned pilasters to hood, shallow arched door decorated with tied swags above an urn and leafy wreath to trunk, on conforming recessed panel fronted plinth base with moulded skirt, 237cm high.
A George I walnut eight-day longcase clock James Stevens, London, circa 1725 The five finned pillar rack and bell striking movement with 12 inch brass break-arch dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with lozenge half hour markers and Arabic five minutes, the angles with applied mask and scroll cast spandrels beneath silvered boss signed Jam’s Stevens, LONDON flanked by dolphin cast mounts, in a walnut case with moulded cornice and turned pilasters to hood above box and ebony line strung break-arch trunk door with book-matched veneers and cross-grain edge mouldings, on conforming crossbanded plinth base with moulded skirt, 218cm high. James Stevens is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1710.
A George III mahogany eight-day longcase clock with moonphase S. Gill, Rye, early 19th century The four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed S. GILL, RYE to centre, the spandrels with polychrome and gilt fan painted decoration beneath rolling moonphase to arch, in a case with shaped cresting to the break-arch cornice and brass stop-fluted pilasters to hood above break-arch trunk door and raised panel fronted plinth base with moulded skirt, 211cm high. This clock was probably made by a relative of Daniel Gill who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Rye circa 1797.
A rare George II red japanned eight-day longcase clock Joseph Herring, London, circa 1750 The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and twin bird and urn cast spandrels to angles beneath silvered boss signed Jos’h Herring, London flanked by dolphin cast mounts to arch, in a case with domed caddy and blind fret infill to the moulded stepped cornice above integral pilasters flanking gilt trail decorated hood door, the trunk with scallop shell and foliate painted throat moulding above break-arch door polychrome and raised gilt decorated with figures within an Oriental ornamental terrace landscape with pagodas on a faded red ground, the plinth further decorated with raised work of a courtier and attendants above stepped skirt, original decoration to case with wear and losses to finish, 229cm high. Joseph Herring is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being Liveryman of the Clockmakers Company in 1767. It is possible that this clock was made either by Joseph earlier in his career (as a Freeman of the Clockmakers Company) or perhaps by Joshua Herring who worked from 1742 to 1763.
A George III figured mahogany eight-day longcase clock Charles Penton, London, circa 1775 The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed subsidiary seconds dial, calendar aperture and shaped plaque signed Cha’s Penton, London to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate cast spandrels to angles beneath Strike/Silent dial flanked by conforming mounts to arch, in a break-arch case with brass stop-fluted pilasters to hood above break- arch door flanked by conforming stop-fluted quarter columns to trunk, on shaped raised panel plinth base with double moulded skirt incorporating bracket feet with shaped apron between, 222cm high. Charles Penton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1774-8.
A George II inlaid walnut eight-day longcase clock William Newman, Norwich, circa 1730. The five finned pillar rack-striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with female mask and scroll spandrels within a herringbone engraved border, the added arch with silvered boss signed William Newman, Norwich flanked by dolphin mounts within conforming engraved border, the case with break-arch cornice and integral pilasters to hood above parquetry lunette decorated break-arch long door flanked by reeded canted angles to trunk, on crossbanded plinth base with moulded skirt, 215cm high.
A William III walnut and marquetry eight-day longcase clock William Jackson, London, circa 1695 The five finned pillar inside countwheel bell-striking movement with 12 inch square brass dial with foliate border engraved calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, stylised fleur de lys half hour markers and signed William Jackson to lower edge, the angles with applied Indian mask and scroll cast spandrels, in a case with moulded cornice and fretwork frieze above integral pilasters to the floral marquetry inlaid hood door, with conforming decoration to the convex throat moulding and long trunk door further inlaid with birds and mythical figures amongst flowering foliage on an ebony ground, the door surround with scrolling foliage, the sides divided into panels, the plinth base with conforming marquetry continuing on the moulded skirt base, 221cm high.
Greece - Constantin, Dimitrios An album of 46 views of Athens and the surrounding area, c. 1860's, mounted on both sides of card leaves, some with ink captions, some with numbers in negative relating to printed leaflet enclosed, including View of the Acropolis from the monument of Philopappus, the Acropolis from the south-east, the temple of Jupiter and the Acropolis, The Acropolis from the north-west and the north, propylea or the western entrance of the Acropolis and the temple of Nike, the inner precinets of the Acropolis, the west front of the Panthenon, the Erechtheum & the Panthenon from the north-west, interior of the Panthenon, the Panthenon from the north-west, the Erechtheum from the south-east, portico of the Caryatides, temple of Theseus, west door of the Erechtheum, Areopage or Mars Hill from the north-east, the Pnyx, Prison of Socrates, Momument of Lysiecrates and a number of others of monuments, street scenes and landscapes, some fading, contemporary morocco album, worn, stained, lacking backstrip
Victorian break front Credenza, with mahogany veneered top above a walnut frieze, inlaid and decorated with flowers and scrolls, above an arched glazed door, flanked by small arched glazed doors, separated by gilt metal mounted and inlaid pilasters, with shaped apron, bracket feet, 178cms, (5'10").
Edwardian mahogany Side Cabinet, in the Japanese style, the superstructure with central cupboard with fretwork doors and mirrored back, flanked by shelves and panels, inlaid with mother of pearl and bone with floral decoration, the base fitted with a central cupboard, with a door similarly inlaid with a basket of flowers, flanked by shelves below short drawers, on tapered supports similarly inlaid with signature plaque, (138cms, (4'6").
A set of Art Deco walnut and coromandel bedroom furniture by Maurice Adams Ltd. Granville Place, London, consisting of two wardrobes, each 36" wide x 54 1/2" high, a further unit with canted cupboard door and attached mirror, a bed head with integral bedside cabinets, 86 1/4" wide overall, a matching dressing stool and a further dressing stool.
A VICTORIAN MAHOGANY LONGCASE CLOCK having a circular steel dial signed Maple London, with engraved ribbon swag decoration and Westminster Whittington chime enclosed by a convex glazed door with carved acanthus surround, the case with scroll and gadrooned decoration, moulded panel base and bracket feet, with three brass weights and pendulum, 6 ft 8" high overall, dial 12 1/2" diameter.
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234658 item(s)/page