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Lot 1

An oak cased 30-hour grandmother clock, part 18th century, the four-pillar outside countwheel striking movement now with 8.75 inch square brass dial with foliate engraved centre within an applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Nick's Bodie, East Grinstead' to lower edge with applied female mask pattern spandrels to angles, the case with moulded pediment and bobbin turned hood pilasters over rectangular trunk door and panelled plinth base, composite, case probably part 18th century, 173cm high.

Lot 1

A mahogany cased longcase clock, the eight-day single fusee four-pillar movement with Harrison's maintaining power and deadbeat escapement within A-shaped plates, the associated 12 inch square brass dial with arched calendar aperture and recessed nameplate inscribed 'Jo'n Bagnall, Dudley' to the foliate engraved matted centre, within an applied Roman numeral chapter ring with Arabic minutes and mask and scroll cast spandrel mounted angles, the later shaped-top pediment case with Corinthian hood pilasters over rectangular trunk door and panelled plinth base, composite, 203cm high.

Lot 1

A West Country inlaid figured mahogany eight-day longcase clock circa 1830, the four-pillar rack and bell striking movement with unusual 13 inch convex centred cream painted Roman numeral break-arch dial, with arched calendar aperture and subsidiary seconds dial within painted night-time cottage scenes to spandrels and conforming scene of The Old Woodman to arch, the break arch top case with wavy shaped edge crest and spiral turned Corinthian pilasters to hood over short panel inlaid trunk door between conforming twist pillar mounted angles, on crossbanded and line inlaid plinth base with bracket feet and shaped apron between, 225cm high. The scene to the arch is probably taken from an engraving by Bertolozzi after Thomas Barker of Bath entitled 'The Old Woodman', the model was called George Kelston who was well known in the Bath area in the 1790s. See 'The Barkers of Bath', an exhibition catalogue, Victoria Art Gallery, Bath, 17 May - 28 June 1986 p.27.

Lot 1

A George III brass-mounted figured mahogany bracket clock with moonphase circa 1790, the eight-day twin fusee rack and bell striking movement with verge escapement, rise/fall regulation and trip repeat, the backplate engraved with a basket of flowers within circular cartouche and foliate borders, the 8 inch silvered brass Roman numeral break-arch dial with moonphase, subsidiary calendar dial and signed 'Thomas Wagstaff, Gracechurch St, London' to centre, with foliate scroll engraved spandrels to angles and Strike/Silent and regulation dials to arch above, the single brass edged pad mounted break arch top case with hinged top handle over fishscale arched brass side frets and brass fillet inset front door, on moulded skirt base with brass bracket feet, 42cm high excluding handle.

Lot 1

An early 19th century scumbled pine 30-hour longcase clock, with outside countwheel bell-striking movement and 11.75 inch square white painted Roman numeral dial with arch calendar aperture, polychrome painted bird perched on flowering branch decoration and signed J'N. Spurrier' to centre within rose painted spandrels, in a swan neck pedimented case with turned hood pilasters over rectangular trunk door and plinth base with moulded skirt, 209cm high.

Lot 1

An unusual Victorian mahogany eight-day public dial clock with pendulum spring detent escapement, the five wheel train single fusee four-pillar movement with tapered plates and external escape wheel on the backplate, stamped A.P. to lower left-hand corner, the 11.5 inch cream painted circular Roman numeral dial with centre seconds within a moulded bezel, with salt-box type case with rear door behind and foliate scroll carved apron beneath, pendulum lacking otherwise complete but requiring restoration, 52cm high.

Lot 1

An inlaid oak, mahogany and yew eight-day longcase clock with moonphase circa 1825 the rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds, polychrome painted views of windmills and signed 'Jn'o Smith, Wrexham' to centre with rose painted spandrels and moonphase to arch, the swan neck pedimented case with reeded hood pilasters over parquetry panelled frieze to throat and fretwork crested panelled short trunk door centred with conch shell cartouche flanked by turned pilasters to angles, on conforming inlaid and banded plinth base with bracket feet, 228cm high. A John Smith is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Wrexham up to 1830.

Lot 1

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.

Lot 1

A Somerset oak cased 30-hour longcase clock circa 1770, the posted countwheel striking movement with 12 inch square brass Roman numeral dial, with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre within applied chapter ring with Arabic minutes and signed 'Nich. Roper, Oakhill' to lower edge, the angles applied with mask and scroll cast spandrels, now in a swan neck pedimented case with conch shell inlaid rectangular trunk door and recessed panel to plinth, lacking pilasters and door to hood, 211cm high.

Lot 1

An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.

Lot 1

A 19th century inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch brass break-arch Roman numeral dial with subsidiary seconds to the matted centre, within silvered chapter ring with Arabic minutes and fleur de lys half-hour markers, signed 'W. Mapson, Wotten Bassett' along the lower edge, with gilt mask and scroll cast spandrel mounted angles beneath silvered boss inscribed 'Tempus Fugit' between dolphin mounts to arch, in a swan neck pedimented case with turned pilasters to hood, conch shell centred shaped-top mahogany crossbanded trunk door between fluted quarter columns, on plinth base with bracket feet, 220cm high.

Lot 1

A Scottish George III eight-day longcase clock in a scarlet lacquer case, the four-pillar rack and bell striking movement with 12 inch single-sheet brass break-arch dial (formerly silvered) with seconds dial and calendar aperture to the foliate engraved centre within Roman numeral chapters with Arabic minutes and scroll engraved spandrels, the arch signed 'Rob't Alexander, Leith' within foliate scrolls, in a flat-top pedimented case with integral hood pilasters and break-arch trunk door polychrome and gilt decorated with figures within elaborate Oriental pagodas, on a reduced plinth base with moulded skirt, case retouched, 209cm high. Robert Alexander is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Leith 1751-73.

Lot 1

A George III figured mahogany eight-day bracket clock circa 1800, the five-pillar twin fusee bell-striking movement now with anchor escapement, the backplate with foliate engraved border, the 7 inch cream painted Roman numeral break-arch dial signed 'Thomas Pace, London' within a leafy oval cartouche to arch, in break-arch case with brass carrying handle, rectangular side windows and brass fillet moulding to front door, on plinth base with brass ogee feet, losses to dial finish, 39cm high excluding handle. Thomas Pace is recorded in Brittens as working 1784-1840. A longcase clock by the same maker was sold in these rooms on 2nd March 2004 Lot 446 for # 3200.

Lot 1

An Edwardian inlaid mahogany eight-day precision longcase clock with moonphase, the four-pillar movement with deadbeat escapement and maintaining power, striking the hours on a tubular gong and with wood rod pendulum, the 13 inch brass Arabic numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre signed 'T. Pear & Son, Stafford' within gilt numeral applied silvered chapter ring and female mask and scroll pattern spandrel applied angles, with moonphase to arch, the swan neck pedimented case with Corinthian pilasters to hood over oval fan cartouche centred trunk door and conforming plinth base with bracket feet, 234cm high. The inside is pasted with a presentation certificate from Tom Pear Senior to his son, Thomas William Pear, on the event of his marriage in 1910, it has remained in the same family since.

Lot 1

A Victorian figured mahogany three-section wardrobe, with ogee moulded cornice over central shallow arch mirror panelled door enclosing linen trays and drawers, flanked by conforming panel doors enclosing hanging space, on plinth base, 205cm high, 198cm wide, 59cm deep.

Lot 1

A George III oak bureau, the sloping fall enclosing stationery drawers and pigeonholes around a central door, with four caddy moulded graduated drawers with original brass bat's wing handles beneath, on bracket feet, 105cm high, 90cm wide, 52cm deep.

Lot 1

A Victorian mahogany single mirror door wardrobe, with ogee moulded cornice over shaped arch panel door enclosing hanging space, flanked by corbel applied pilaster uprights, with single drawer beneath, on plinth base, 202cm high, 202cm wide, 55cm deep.

Lot 1

An Edwardian inlaid mahogany breakfront side cabinet, with scallop shell centred foliate inlaid shallow arch crest over single shelf mirror back upstand and moulded edge top with arched recess, above trident and laurel wreath inlaid door flanked by adjustable open bookshelves to each side, on plinth base, 150cm high, 122cm wide, 35cm deep.

Lot 1

A Victorian walnut low breakfront bookcase cabinet, with moulded edge top over central glazed door enclosing adjustable shelves flanked by leaf carved fluted angles and further conforming glazed doors to each side, on plinth base, 90cm high, 215cm wide, 32cm deep.

Lot 1

A late Victorian mahogany shop counter top display cabinet, with down-curved glass top between shaped end panels with mirror applied hinged door to rear, 29cm high, 95cm wide, 46cm deep.

Lot 1

A George III style small mahogany kneehole desk, with moulded edge top over frieze drawer with brass swan neck handles, above arched recess backed by panel door flanked by two banks of three graduated drawers, on bracket feet, 80cm high, 82cm wide, 47cm deep.

Lot 1

A mid 18th century joined oak hanging cupboard or hutch, with central break-arch panelled door enclosing single shelf, flanked by fixed rectangular panels, 79cm high, 88cm wide, 28cm deep.

Lot 1

A late 18th century joined oak small enclosed dresser, probably North Wales, with moulded cornice over two plate shelves between shaped ends to the superstructure, over three frieze drawers above central short door and two dummies with brass knob handles flanked by inlaid panel fronted doors, on stile supports with moulded apron between, 188cm high, 152cm wide, 48cm deep.

Lot 1

A late Victorian ebonised D-shaped shop display cabinet, with ogee moulded cornice over large central glazed door flanked by quarter round glazed end sections, the interior mirror backed, 188cm high, 155cm wide, 28cm deep.

Lot 1

A pair of French glass door handles, each with central double pink striated clematis bloom on a leafy stem within a single garland of blue and white blooms, probably Baccarat, 5cm. diameter, mid 19th century, some mild surface scratches together with original brass lock.

Lot 1

A George V oak and brass mounted letter box of arched outline with presentation inscription and glazed front door, mounted on an oak wall bracket, overall 65cm. high.

Lot 1

A George III mahogany stick barometer with broken arch pediment above a glazed panel door, with turned cistern cover, the silvered dial with vernier scale and signed 'T. Bedwell, 45 Alie Street, London', 102cm. high.

Lot 1

An early 19th century mahogany longcase clock, the arched hood with ball and spire finials and turned columns having a moulded arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, date aperture and subsidiary seconds dial, signed to the arch 'James Low, Arbroath', the twin-train movement striking to a bell, 218cm. high.

Lot 1

A 19th century mahogany and inlaid longcase clock, the hood with swan-neck pediment and Corinthian columns, having an arched inlaid waist panelled door decorated with neo classical urn and ribbon designs with similar decoration to the boxed base, the 30cm. arched brass dial signed 'Benefink & Co., London', with subsidiary seconds dial, the twin train movement with anchor escapement, striking to a gong, 237cm. high.

Lot 1

A late 18th century oak and mahongay longcase clock, the arched hood with square top and turned columns, having an arched cross-banded waist panel door on a box base, the 30.5cm. arched brass dial signed 'Henry Strawbridge, Chudleigh', with subsidiary seconds and date aperture and engraved winged griffin to the arch, the twin train movement striking to a bell, 221cm. high.

Lot 1

A mid 19th century mahogany and boxwood strung longcase clock, the arched hood with ball and spire finial having a plain field panel door enclosed by fluted quarter columns on a box base, the 33cm. circular painted dial signed 'William Wright, Dunbar', with subsidiary seconds and date dial, the twin train movement striking to a bell, 215cm. high.

Lot 1

A late 18th century fruitwood and oak longcase clock, the square hood with caddy top with turned columns with a moulded plain field waist panel door with inset glass panel on a box base, the 30.5cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture signed to the arch 'Far. Webb', the twin train movement striking to a bell, 230cm. high.

Lot 1

Brockbank & Atkins, London: A William IV mahogany longcase regulator, the arched hood with canted corners and glazed panel door to the trunk on a moulded plinth base with silvered beat scale to the backboard, the 30.5cm. silvered dial of regulator form signed 'Brockbank & Atkins, London', the movement with six substantial pillars, dead beat escapement and maintaining power, brass suspension for the steel rod mercury pendulum and off-set barrel to the inside of the case for the gut line, 196cm. high.

Lot 1

Barwise, London: A Regency mahogany longcase regulator, the case of arched outline with arched glazed panel door to the hood, on a stepped and ebony strung plinth base with silvered beat scale to the backboard, the 31cm. silvered dial of regulator format, signed 'Barwise, London', the movement with six substantial pillars, dead beat escapement and maintaining power, with brass suspension block for the steel rod mercury pendulum, 182cm. high.

Lot 1

An early 20th century inlaid mahogany display cabinet with satinwood crossbanding thoughout, central door with curvilinear 'astragals', small drawer and on tapering square legs with spade feet, 146cm. high x 67cm. wide.

Lot 1

An 18th century-style mahogany and floral marquetry serpentine corner cabinet in the Dutch manner, the raised back with graduated tiers, a single door below, 121cm. high x 49cm. wide.

Lot 1

A Victorian walnut and floral marquetry bonheur du jour applied throughout with gilt brass mounts, the brass-galleried superstructure with a mirrored door and seven small drawers, the serpentine base with a frieze drawer and on cabriole legs, 126cm. high x 95cm. wide.

Lot 1

A Victorian walnut and floral marquetry display cabinet, applied with gilt brass mounts, with single shaped glazed door and on a shaped plinth base, 112cm. high x 83cm. wide.

Lot 1

An early 19th century mahogany and boxwood strung longcase clock, the square hood with swan-neck pediment, the trunk with plain field door raised on a moulded box base, having a 35cm. painted arched dial with spandrels depicting the four continents, with subsidiary seconds and date dials, the twin train movement striking to a bell, 221cm. high.

Lot 1

A maple framed Victorian woolwork picture depicting a cottage interior with a hunter and his dog at the door, 51 cms. x 36 cms.

Lot 1

A Vienna style walnut cased, single weight wall clock with fretworked top, half ring turned columns to the side of the door, enclosing a white dial with Roman numerals, eight-day[?] single weight driven movement and with seconds dial, 119 cms.

Lot 1

A late 19th century walnut cased Vienna style wall clock with fretwork and decorative pediment over two half ring turned columns to the door enclosing a white dial with Roman numerals and a sprung wound movement, striking on a single gong, 68 cms. overall.

Lot 1

A Victorian mahogany single wardrobe with plain stepped pediment, single mirror door to the centre, flanked by plain panels over a single, long drawer, raised upon a platform base, 110 cms.

Lot 1

An early 20th century inlaid mahogany single wardrobe with stringing and garland decoration; the stepped pediment over a single oval mirror panelled door flanked by further panels over one long drawer raised upon bracket type feet, 122 cms.

Lot 1

An unusual rosewood mirrored door cabinet on chest with stepped pediment over two doors enclosing shelves with barley twist columns to the sides over two short and two long drawers, on bun feet, 103 cms.

Lot 1

An early 20th century walnut mirror-back sideboard with ornate carved and pierced scroll and leaf designs to the top over five mirror panels with shaped shelves and scrolling bracket supports; the plain break-front base with central frieze drawer, another drawer and a glazed cupboard flanked by a drawer and a panel cupboard door, raised upon a bracket type base, 137 cms.

Lot 1

A George III oak hanging corner cupboard with dentil moulded cornice, single cross-banded door revealing serpentine shelves. 42" high, 29" wide.

Lot 1

A Victorian walnut marquetry music cabinet, with single door and plinth base. 23" wide.

Lot 1

A Louis XVI style night table, with marble top, single drawer over door on turned legs.

Lot 1

A George III oak hanging corner cupboard, with moulded cornice, single door with crossbanded decoration. 39" high, 29" wide.

Lot 1

A substantial safe door, lining plate and accessories, manufactured by C. Smith, Birmingham. 39" wide, 74" high.

Lot 1

A 19thC oak and mahogany longcase clock, with painted dial with seconds dial and calendar aperture, painted with cottages and Roman ruin to the arch, signed Henry Goodwin, Newark, of 8 day movement, the hood with a swan neck pediment and turned pilasters, the crossband trunk with triple cusp door, on deep plinth, 83" high.

Lot 1

A 19thC flamed mahogany longcase clock, with swan neck pediment, reeded square column hood, the trunk having full length door enclosed by reeded insert columns, canted base with ogee feet, the painted 14" dial having churches to the spandrels, roman numerals, seconds ring, date crescent and marked J. KANT, Manchester, 8 day movement, striking on bell. 87" high.

Lot 1

A Victorian flamed mahogany long case clock, with swan neck octagonal pillared hood, over a concave and rounded trunk with short door, deep fielded panel base and turned feet, the 13" dial being painted with Gothic ruins to the arch, cottages and churches to the spandrels, having Roman numerals, seconds ring and date ring, and marked J. SMITH, KEIGHLEY. 8' high.

Lot 1

A mid 18thC oak longcase clock, having a 12" square brass dial, with silvered chapter ring, seconds dial, date aperture, engraved with foliate scrolls to the centre, mask spandrels and signed Jos. Tilly, London, of 8 day movement. The hood with a cavetto cornice over dentil frieze and four barleytwist pilasters, the trunk with a rectangular moulded door, over plinth, 80" high. To be sold without reserve at the vendor's request.

Lot 1

An early 19thC mahogany longcase clock, the painted dial with seconds dial, gilt floral spandrels, with figural landscape to the arch, of eight day movement, the hood with arched pediment, turned parcel gilt pilasters, the trunk with arched door flanked by canted corner, over a deep crossbanded plinth, 811/2" high.

Lot 1

A 19thC mahogany and oak longcase clock, the painted dial with seconds dial, with a landscape to the arch, signed Pearce, Grantham, of eight day movement, the hood with swan neck pediment surmounted by three brass orb and eagle finials, turned pilasters, the trunk with satinwood strapping to the frieze, shaped cross banded door flanked by canted corners with acorn terminals. 88" high. To be sold without reserve at the vendor's request.

Lot 1

An 18thC flamed mahogany longcase clock, with arched and pillared hood, the trunk quarter inset with pillars and having full length crossbanded door, canted (and reduced) base, the brass 13" dial having moon roller to the chased arch and applied spandrels, the chapter ring having Roman hour numerals, Arabic minute numerals, the matted centre having subsidiary seconds ring and date aperture within an oval cartouche marked Seddon FRODSHAM. 8 day movement , striking on bell. 8' high to arch.

Lot 1

An 18thC mahogany longcase clock, with swan neck fluted pillar hood having verre eglomise panels, the trunk being quarter inset with fluted columns and full length shaped door, canted base with plinth, the 13" brass dial having painted and silvered moon roller to the arch, cast amorini spandrels, applied silvered chapter ring with Roman hour numerals and Arabic minute numerals, the centre field being a date ring with floral chased centre marked Rathbone, MIDDLEWICH, 8 day movement, striking on bell. 88" high.

Lot 1

A George III style mahogany serpentine fronted sideboard, with a centre drawer, flanked by a deep drawer and single door cupboard, all with box crossbanding and ebony stringing, on tapering legs with spade feet, 48".

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