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Lot 1236
5 modern Dutch produced Tekno trucks. Scania 142H and 142M forward control tractor units. A MAN tractor unit. All with 3-axle trailers, of which 2 are Reefer. 2x MAN forward control box vans, each with a drawbar trailer. All in the green and white livery of GOES. GC-VGC, one with a detached trailer door, but present. £70-90
Lot 549
A Louis XV style kingwood and gilt metal mounted vitrine of typical serpentine bombe form, fitted with a glazed and painted door enclosing shelves, flanked to the sides with further painted and glazed panels, the mounts with carytids and acanthus detail surmounted by foliate cresting, 185 cm high x 79 cm wide.
Lot 68
Mark Hancock (UK) burr elm bowl with gilded interior 10x26cm. Signed I first met Ray at David Woodward’s gallery in Hay-on-Wye the day before the opening of the AWGB exhibition there in 1990. I was still training to be a woodturner at the time and was there with my tutor trying to get a couple of pieces of work included in the exhibition via the back door! We didn’t succeed but I still remember the generous comments given by Ray and his great friend, Bert Marsh, regarding our work. Over the years I met, worked and exhibited with Ray on so many occasions it’s difficult to remember them all. He had a great passion for the craft of woodturning with a wealth of knowledge and was a wonderful storyteller. I do recall the sound advice he gave me at two events where we were both demonstrating and have followed it ever since. My fondest memories are those after event get togethers with the banter flowing between Ray and Bert and crying with laughter. I feel truly privileged to have known him. The Piece It’s always hard to complete someone else’s work particularly when that person is the legend Ray Key. The elm piece had been mounted on a faceplate, the outside and top surface not covered by the faceplate had been turned. It had a tenon prepared on the base for a chuck. The piece ran almost perfectly true when mounted in the old Axminster Super Precision chuck as used by Ray. I decided to keep to his KISS (“keep it simple stupid”) principle and removed as little as possible to true the outside up and keep to the original form as much as possible. None of the centre had been removed, possibly because of the large crack on the outside, and my initial reaction was to leave it like that but that would have left the faceplate screw holes. I finally decided to hollow out enough just to eliminate the screw holes, trying to create a flowing internal surface with an undercut edge. I was tempted to reduce the diameter of the rim in order to remove blemish in the edge but decided against that as I didn’t want to take away any more than I had to of Ray’s original work. It also reminded me of one of Ray’s pieces where he left a chainsaw cut in the finished work. The gilding of the inside with 24 carat gold leaf is the only part that may possibly be considered to be from my style of work. It’s Ray’s piece and I wanted it to remain that way as much as possible. The Ray Key Collaboration Auction
Lot 3044
Norman Stansfield Cornish MBE (1919-2014) ''Pit Road with Colliery, Winter'' Signed, inscribed verso, pastel, 60cm by 71cm Provenance: Gifted to the vendor's father by the artist The Pit Road is one of Norman Cornish's most iconic images. He made this journey almost every day for over 30 years from his front door in Bishops Close Street, Spennymoor to Dean and Chapter Colliery three miles away at Ferryhill. At the end of a shift underground the return journey was made in all weathers and at different times of the night and day. As such, it is not surprising that there are so many variations of this scene. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 409
Victorian inlaid figured and burr walnut breakfront credenza, central panel door inlaid with satinwood scrollwork, enclosed by two glazed doors, cast ormolu mounts and boxwood inlay, on a skirted base W181cm, H111cm, D38cm Condition Report Click here for further images, condition, auction times & delivery costs
Lot 416
19th century Dutch burr walnut, rosewood and marquetry secretaire a abattant of slightly bow-fronted form with rouge marble top, all over inlaid and with marquetry vases of flowers within boxwood stringing and chequered borders, the fall front opening to reveal a fitted interior with central cupboard door bearing a family coat of arms surrounded by eight floral marquetry graduated drawers, over three long drawers, on stile supports W55cm H139cm D34cm
Lot 3561
A Liberty & Co Tudric Pewter and Enamel Mantel Clock, Model No.0371, 2-1/2-inch dial, Roman numeral copper chapter ring with blue enamel, spade hands, the case front with swept base below stylised trees, arched rectangular hinged back door, movement stamped LENZKIRCH 1 MILLION and numbered 522622, case stamped and inscribed 0371 E 13 3/6 247 N.Spq37 6/6 N15/E278, 23.5cm See illustration
Lot 3641
An Aesthetic Movement Walnut, Ebonised and Burr Triple Door Mirrored Wardrobe, the stepped cornice above a bevelled glass plate central door flanked by two panelled doors with carved repeating motifs, enclosing sliding trays, drawers and hanging fitments, labelled JOHN MANUEL & SON UPHOLSTERERS DEVONSHIRE CABINET WORKS SHEFFIELD, 223cm wide, 65cm deep, 203cm high; a Matching Pot Cupboard, 42cm by 37cm, 75cm; and A Bedroom Chair, 88cm (3)
Lot 411
A George III oak and mahogany cross banded eight day long case clock by James Joyce , Whitchurch, having a 33 cm painted dial centred with a subsidiary second dial and date aperture, signed with the makers name, enclosing the two train movement striking on a saucer bell, the shaped cross banded door flanked by quarter reeded columns, 208cm high, two weights and pendulum
Lot 370
David Woodlock (1842-1929), Two watercolours on paper, 'The Back Door', and 'Shakespeare Country, Roadside Cottage',Signed lower right and lower left,Each 24.5cm x 17cmEach framed and glazedProvenance: The first purchased from Carole Thomas Fine Arts, June 1988; the second from Vicarage Galleries, October 1996 (2)
Lot 807
An Edwardian walnut compactum wardrobe in the aesthetic style, by Lamb of Manchester, having an architectural pediment above a central mirrored door enclosing a foliate pattern fabric lined interior, the central door embraced by two pairs of small cupboard doors and an arrangement of nine graduated drawers, all applied with brass geometric open work back plates and swing handles, raised upon turned tapering feet, 227cm H x 216cm W x 66cm D
Lot 341
Sir William Nicholson N.P.S, I.S, (1872-1949), Two woodcut prints on paper, 'Lord Roberts' and 'Drum Major (Wimbledon Common)','Lord Roberts' signed in ink lower left, 'Drum Major' with biographical labels verso, 28cm x 25.5cm and 26cm x 24cm,In matching frames and glazed,Provenance: Purchased from Graham Bentley Watercolours, November 2001 and February 2001,With a further print on paper,'South Door, Dunfermline Abbey'Indistinctly signed, titled and numbered 25 of 25 in pencil to lower margin, blind stamp lower right,55.5cm x 37cm,Framed and glazed (3)
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235346 item(s)/page