An extremely large 19th Century mahogany longcase clockWith musical organ movement, the hood with broken arch detail, candy twist columns and arched door, the body with arched trunk door, reeded side pillars and box base with ogee feet, the massive arched wooden face painted with various figures in countryside setting to a central dished dial, (face measurement 53x81cm) the eight day movement with further organ musical movement with wooden pipes (some missing) and three rotating figures to the face, the movement unsigned and requires some restoration, lacking weights, pendulum, some pipes and hands, total height approx. 257cm CONDITION REPORT: Case with some scuffs and lifting veneer and light crazingFace lacks hands and has had some repainting (rather crude around winding holes) and there are various chips to the paintClock has been stored for some time and is not workingThe movement is lacking some of the organ pipesThis clock is sold as not working and requires considerable renovationSee extra photos
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An Edwardian bedside cupboard, enclosed by a rectangular moulded panel door with later cream painted finish, together with a 19th century rose wood veneered occasional table, the rectangular top with inlaid floral marquetry, parquet and brass detail, raised on slender turned supports with swept feet
A Georgian mahogany longcase clock, the trunk with full length door crossbanded in walnut, the hood of arched outline with simple column supports enclosing an engraved broken arch with brass dial and floral spandrels and eagle detail with subsidiary calendar and secondary dial and eight day striking movement by Josias Walker of Ottery (the movement recently overhauled)
A Georgian burr elm bureau and associated bookcase, the bureau of two long and two short drawers, the interior fitted with an arrangement of drawers and shelves, the 18th century cupboard enclosed by two panelled doors and fitted with an arrangement of shelves, alcoves and drawers together with a central cupboard enclosed by a mirror plate door, flanked by ionic and reeded columns beneath a stepped frieze, 105 cm wide
A pair of early 20th century black and white etchings by Charles William Cain showing middle eastern scenes - The Closed Door and The Return, both signed bottom right, 19 x 14 cm approx, together with two further black and white etchings by Louis Conrall Rosenberg, showing The Fountain of Aya Sophia and The Doges' Palace, all framed
A fine George II ebonised bracket timepiece by John Everell, LondonCirca 1750 The case with a brass knopped swing handle above a caddy top and a six inch gilt metal break arch dial signed John Everell, London with Roman and Arabic numerals and applied with scrolling foliate and human mask openwork spandrels, the clock with a single fusee movement and pull repeat on two bells with a verge escapement and a back plate ornately engraved with a bird amongst scrolling foliage. The front door of the clock with two fret work panels enclosing the break arch dial with a conforming rear door and each side with two shaped glazed apertures above a plinth base and bracket feet, height 43cm CONDITION REPORT: Case with some marks and knocksPossible repair to moulding on the top of caseClock runs/repeats when wound, but this is no guarantee it is in full working condition see images.
A George III mahogany linen press adapted for hanging, 132cm wide Condition Report: Height 197cm and depth 59cm.The linen press has been adapted for hanging and the two short and first long drawer being drawer fronts only. There are no sliding trays. The veneer to the cornice frieze is split and rising in places, there is a noticeable gouge to the top left side and right door has a split, the handles on the drawers are later and there are gouges to the left hand base.
Heal & Son, London, a Victorian satin-birch triple wardrobe/compactum, the centre door with mirrored panel, enclosing hanging space and fitted slides over three base drawers, on a plinth base, stamped to drawer, 188 x 60 x 207 cm h (note mirror cracked bottom right corner) - (see associated lots 835, 837. 838)
Late Victorian china display cabinet, mahogany with boxwood stringing, glazed to front and sides with a single glazed door enclosing two shelves lined with lozenge patterned upholstery, standing on six tapering square legs and spade feet with under tier, brass escutcheons and loop handles, (h 191cm w 111cm d 38cm) (one key in office)
A mahogany china display cabinet with ebony and boxwood stringing, having a single glazed door, lozenge mullions to the glazed front panels, glazed sides, and the interior with two shelves and lined with pale green lozenge pattern fabric, a cupboard under, standing on tapering square legs with spade feet, probably c1900 (height 183cm width 117cm depth 41cm) (one key in office)
A late 19th century French chiming table clock with Marti et Cie movement and twin tube mercury compensated pendulum, the case of composition to resemble onyx with baroque gilt brass mounts and feet, hinged front and back door, gilt dial with Arabic chapter and central wire work, the movement marked Medaille d'Argent 1889 L Marti et Cie MADE IN PARIS 1334 52, (height 37cm, width 23cm), fitting for pendulum might not be complete
A fine Edwards & Roberts mahogany and marquetry vitrine, straight-fronted with concave sides, upper stage with swan-neck pediment and two adjustable shelves enclosed by single glazed door, bevelled mirror plates beneath, panelled cupboard base with single drawer, inlaid throughout with floral garlands, harebells and leaf-scrolls, square tapering legs with spade feet, impressed maker's stamp, 4ft. 6in. wide; 6ft. 5in. high SEE ILLUSTRATION
A large, late 19th century Gillow & Co. oak sideboard, straight-fronted with four spiral columns and corinthian capitals, three frieze drawers above panelled cupboards and open recess beneath, carved doors featuring hog and ram's heads, wheat-ears and fruit with leafage, engraved brass strap hinges, central door stamped Gillow & Co., and with impressed no. 14052, 8ft. 6in. - top with stains and old repairs SEE ILLUSTRATION
An early 19th century mahogany 8-day longcase clock, arched, painted dial indicating Manchester maker, dial with subsidiary seconds and date, arch with moon-phases, anchor escapement striking on a bell, large case with floral-painted hood and swan-neck cresting, three gilt finials, arched trunk door with flame veneers, with key, pendulum and weights, 7ft. 9in. total height
A DUTCH MARQUETRY LONGCASE CLOCK, JOOST GERD, HAGUE the 28cm brass dial with a silvered chapter ring with Arabic minutes and Roman hour numerals, subsidiary seconds dial and date aperture, figural spandrels to the corners, a cartouche above inscribed Joost Gerd, Hague, bell striking movement, the arched hood with a fretwork panel, a shaped panelled door below flanked by pillars, fretwork panels to each side, the trunk with a shaped doors adorned with flowering vines and urns, canted corners, the sides with birds amongst foliage, on a shaped plinth base, on bracket feet, marquetry and stringing throughout, distress, restorations 236cm high PROVENANCEPROVENANCEThe Craig Troeberg Collection
A DUTCH DELFT MINIATURE FOOD CUPBOARD of rectangular shape, with a hinged door, supported on barley twist legs, on a stepped rectangular base, painted in underglaze blue throughout depicting various scenes including farming, lakes, windmills, flora and fauna, significant repair to backing, signed with makers signature31,5cm highPROVENANCEThe Craig Troeberg Collection
A POLISH SILVER TORAH SHIELD, ABRAHAM REINER, WARSAW, 1878 of cartouche form, chased and applied with pillars (representing Jachin and Bo'az, the pillars that King Solomon put up at the entrance to the Temple of Jerusalem), a pair of rampant lions, a crown and further traditional symbols, one door and Festival plates lacking, crown with soldering repairs, 630g, 24cm wide, 34cm high PROVENANCEEx-Berea Hebrew Congregation - Established 1919, Deconsecrated May 2000
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235302 item(s)/page