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Lot 1348
A French Regence Striking "Boulle" Bracket Clock, signed Roquelon A Paris, the highly elaborate case surmounted with a figure of father of time, waisted case with scroll gilt mounts and glazed side viewing windows, the glazed door decorated with winged cherubs and raised upon scroll worked feet, 9-1/2-inch cast dial with twelve Roman enamel cartouches and a central enamelled plaque signed Roquelon a Paris, twin barrel movement with square shaped plates, anchor escapement, numbered outside countwheel striking on a top mounted bell for the half hour strike and for the hours, movement lower backplate with matching signature, later pendulum with sun burst bob, 87cm high, together with matching "boulle" gilt mounted wall bracket, 33cm high
Lot 1351
A French Ormolu and Bronze Mantel Clock, circa 1830, the case surmounted with a cherub painting at an easel, bronze tree trunk with opening door to the back, circular base upon claw feet, 4-inch silvered dial with Roman numerals, twin barrel movement with silk suspension, outside countwheel striking on a bell, movement backplate stamped `Arera` and numbered `292`, 43cm high
Lot 1366
A Brass Miniature Striking Lantern Clock Made For The Turkish Market, signed Robt Ward, London, circa 1790, 3-1/2-inch arched brass dial with silvered Turkish numeral chapter ring, matted dial centre, the arched with circular silvered disc signed, four posted movement with verge escapement and striking on a top mounted bell, engraved Turkish crescents to the side opening door panels, (both side frets are missing), bob pendulum, later adapted hoop and spurs, 20.5cm high, together with a small lead weight
Lot 1369
A Mahogany Striking Wall Clock, circa 1860, the case with a circular top and side opening doors, trunk with pendulum viewing window and flanked by carved side `ears`, bottom opening door, 11-inch painted dial with Roman numerals and inscribed `Thos Rich, Worcester`, twin fusee movement with anchor escapement and striking on a bell, 72cm high
Lot 1382
A Mahogany Chiming Longcase Clock, pagoda hood with pierced side frets, fluted columns with Corinthian capitals, crossbanded trunk door flanked with Corinthian capped pilasters, rectangular plinth with a framed panel and upon bracket feet, 12-inch arched silvered dial with Roman and Arabic chapter, floral engraved dial centre with subsidiary seconds, date aperture and selections for Whittington chimes/Westminster chimes, the arch signed `James Brown, Portsmouth`, triple weight driven movement with anchor escapement and chiming with eight hammers striking on a nest of eight bells and a further hammer striking on a large gong for the hour, (dial associated to the movement and both are associated to the case), 225cm high
Lot 1383
A Scottish Mahogany Eight Day Longcase Clock, signed Cowan, Glasgow, circa 1820, the case with swan neck pediment, inlaid stringing and fluted columns, nicely figured trunk door, rectangular plinth raised upon later bracket feet, 14-inch one piece silvered dial with Roman numerals, dial centre with date and seconds, arch signed, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high
Lot 1384
A Mahogany Eight Day Longcase Clock, signed J.Wignall, Ormskirk, circa 1830, the case with swan neck pediment, turned columns, nicely figured arched trunk door with fluted pilasters, rectangular canted plinth raised upon bracket feet, 14-inch square painted dial with Roman numerals, corners painted with fruit, dial centre with subsidiary seconds, date dial and signed, four pillar movement with anchor escapement and rack striking on a bell, 224cm high
Lot 1385
An Oak and Mahogany Eight Day Longcase Clock, the flat top pediment with fluted columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular base with raised panel and upon bracket feet, 13-inch square brass dial with silvered chapter ring, signed `A Coften, Kirkham`, dial centre with date aperture, four pillar movement with anchor escapement and rack striking on a bell, 211cm high (dial and movement associated to the case)
Lot 1386
A Walnut Eight Day Longcase Clock, the flat top case with brass capped columns, arched trunk door, rectangular plinth with bracket feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with subsidiary seconds and date aperture, arch with silvered plaque signed, `Thos Napier, Glasgow`, four pillar movement with anchor escapement and rack striking on a bell (dial and movement associated to the case), 212 cm high
Lot 1387
An Oak Eight Day Longcase Clock, signed Winder, Kirby Lonsdale, circa 1820, swan neck pediment, turned columns, arched trunk door flanked with fluted pilasters, rectangular plinth with canted corners, (bracket feet missing), 14-inch painted arched dial with Roman numerals, dial centre with subsidiary seconds and date, with signed, rolling moon in the arch, four pillar movement with rack striking on a bell, 226cm high
Lot 1388
A Rare Oak Eight Day Longcase Clock, the case with flat top pediment, glazed side windows, moulded trunk door with glazed lenticle, plain rectangular plinth upon a moulded skirting, 12-inch square brass dial with silvered chapter ring signed `John Green de Skipton`, matted dial centre with ringed winding holes, date aperture and subsidiary seconds, crown and cherub spandrels, four pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations and possibly associated to the dial and movement circa 1720), 213cm high John Green is recorded working in Skipton around 1696. He died in 1742. His work rarely comes on the market and there is thought to be only three longcase clocks known to exist by him. See Loomes (Brian) Clockmakers of Northern England, pg.43.
Lot 1389
A Japanned Eight Day Longcase Clock, the case with a pagoda hood, turned columns and brass capped capitals, oriental gilt painted scenes throughout the case, arched moulded trunk door, rectangular plinth with a stepped skirting, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture and subsidiary seconds, the arch with silvered disc inscribed `William Winrowe, London`, five pillar movement with anchor escapement and racking striking on a bell, (dial and movement associated to the case), 247cm high
Lot 1390
An Oak Eight Day Longcase Clock, signed Jno Lees Middleton, circa 1780, case with swan neck pediment, turned columns, wavy shaped trunk door flanked by inset pilasters, rectangular plinth with canted corners, upon bracket feet, the unusual painted 13-inch brass dial with Roman and Arabic chapter ring signed, dial centre painted with a landscape scene, arched date aperture and rolling moonphase, painted scene in the corners, four pillar movement with anchor escapement, inside countwheel striking on a bell, 229cm high
Lot 1391
A Mahogany Eight Day Longcase Clock, the case with a swan neck pediment, fluted columns, inlaid trunk door flanked by fluted and carved capital pilasters, rectangular canted plinth upon bracket feet, 15-inch painted dial with Arabic numerals, date aperture and inscribed `W.Dawes, Whitehaven`, subsidiary seconds, the arch with rolling moonphase, four pillar movement with anchor escapement and striking on a bell, (dial associated to the movement and both are associated to the case), 246cm high
Lot 1392
An Oak Thirty Hour Longcase Clock, signed Thos Lister, Halifax, circa 1780, the caddied hood with brass finials, turned columns, arched trunk door flanked by plain inset pilasters, plinth with raised panel and upon a later skirting, 12-inch square brass dial with a Roman and Arabic chapter ring, dial centre with floral engraving, date aperture, `Halifax` moonphase and signed, brass hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 223cm high
Lot 1393
A Mahogany Longcase Regulator, signed Geoe Stephenson, Warminster, circa 1830, the nicely figured case with a flat top pediment, carved cresting and canted corners, applied mounts throughout the case, glazed front door with canted corners, rectangular plinth with a raised carved and moulded frame upon a rectangular solid base, 13-inch regulator circular silvered dial with outer Arabic five minute markers, inner date ring with corresponding central date hand, dial centre with subsidiary seconds, hour dial and signed, single weight driven six pillar movement with deadbeat escapement, `Harrisons` maintaining power, glass tubed mercury pendulum (mercury has been removed from tube), 213cm high
Lot 1394
A Rare Brown Oak Eight Day Longcase Clock, signed Simcock, Prescot, circa 1780, the case with broken arched pediment and good figuration, turned columns, wavy shaped crossbanded trunk door flanked by inset pilasters, rectangular plinth with a raised quatre form panel and canted corners, later bracket feet, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring signed, inner date ring with a corresponding central date hand, dial centre with subsidiary seconds and applied silvered floral and scrollwork with old sayings "On Times, Date:depends, Uncertain, Eternity", the arch with rolling moonphase, four pillar movement with deadbeat escapement and rack striking on a bell, 220cm high
Lot 1396
A Fine Shereton Revival Chiming Longcase Clock, signed S.Smith & Son, 9 Strand, London, circa 1900, the finely made case with a gadrooned caddied hood and acanthus leaf carved borders, satinwood inlaid swags to the front, pierced side sound frets, marquetry floral inlaid trunk door with moulded borders, rectangular plinth with an inlaid centre panel depicting floral fruit bowl and flanked by turned urn finials, 14-1/2-inch silvered dial with Roman and Arabic chapter, dial centre with subsidiary seconds and engraved with swag and scrollwork, signed `S.Smith & Son, 9 Strand, London`, sun burst decorated corners, the massive triple weight driven movement with deadbeat escapement, eight hammers quarter striking onto eight tubular bells and a further hammer striking a further tubular bell for the hours, 270cm high
Lot 1397
A Walnut Eight Day Longcase Clock, signed John Marsden, London, circa 1730, the case with flat top pediment, pierced frieze to the front, glazed side viewing windows, columns with brass capped capitals, feather crossbanded rectangular moulded trunk door, rectangular plinth upon a stepped base, 12-inch square brass dial with silvered Roman and Arabic chapter ring, matted dial centre with ringed winding holes, date aperture, subsidiary seconds and a oval silvered plaque signed `John Marsden, London`, five pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations), 220cm high John Marsden is recorded working at St John`s Square, London. He was Free of the Clockmaker`s Company in 1698, and in 1731 became Master until 1741. He is known as specialising in repeating work. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.210.
Lot 1398
A Fine and Extremely Rare Burr Elm and Walnut Three Month Duration Longcase Clock, signed Morgan Lowry in Leeds, circa 1715, the attractive and nicely figured case with a later built caddied top and pierced fretwork panels, glazed movement viewing windows to the sides, gilt wooden capitals with three-quarter columns flanking the hood door, case with burr elm panels and walnut crossbanding veneers on a oak carcass, moulded edged trunk door with glazed lenticle, rectangular plinth raised upon a later built double skirting, 13-inch square brass dial with silvered Roman numeral chapter ring signed `Morgan Lowry in Leeds`, finely matted dial centre with subsidiary seconds and engraved above on a silvered plaque depicting cherubs, dial with herringbone engraving around the perimeter, finely pierced hands, the large six pillar movement with a anchor escapement and outside countwheel striking on a bell, possibly later seatboard, 260cm high Morgan Lowry (Leeds, 1682-1757) was the son of Jeremy Lowry. He is recorded as a maker of repute, and was working in London c.1700 where he picked up his skills for producing quality movements, including long duration longcase clocks. In 1703 he married Ann Boyes in Leeds and they had a daughter named Anne in 1715. His wife died in 1726 and in 1737 he married Mary Thwaites. He worked in Briggate and in Boar Lane in Leeds. He was a Sergeant at Mace for the Borough of Leeds until 1755. His clocks are extremely rare. There is a walnut long duration clock and a year going longcase clock by him in the Leeds City Museum. For more information see Britten (FJ) Old Clocks & Watches And Their Makers, pg.791; Loomes (Brian) Yorkshire Clockmakers, pg.121); and Loomes (Brian) Watchmakers & Clockmakers of the World, pg.147.
Lot 1399
A Fine Late 17th Century Walnut Small Eight Day Longcase Clock, signed Joseph Knibb, London, circa 1690, the case with spiral twisted columns, (re-converted) back to rising hood, pierced frieze fretwork and surmounted by a later carved floral cresting, glazed side viewing windows, top of the backboard with a rising hood coiled spring and lever, rectangular trunk door with matching veneers and with moulded border, re-built plinth raised upon a moulded skirting, 10-inch square brass dial signed `Joseph Knibb, London` positioned below 6 o`clock, silvered chapter ring with Roman and Arabic numerals and typical trident half hour markers, finely engraved with floral decoration between the winged cherub spandrels, matted dial centre with date aperture below 12 o`clock position, finely pierced and sculpted blue steel hands, latches to the dial feet and to the five ringed pillars of the movement, anchor escapement, outside countwheel positioned to the movement backplate and striking on a bell, 199cm high Case backboard with a label inscribed Temple Newsam House Leeds, Exhibition of English Clocks 1949, No.21. This clock is recorded in the catalogue of Exhibition of English Clock 1600-1850, September 3rd - October 9th 1949, No.21. The catalogue states A William and Mary longcase clock by Joseph Knibb London, circa 1690, in a oak case with walnut veneer, formerly in the Fitzwilliam Museum, Cambridge and Lent by Harold Wildsmith Baxter, Esq. Harold Wildsmith Baxter was one of the great post war collectors of Early English Clocks. Sold together with a photocopy of the Exhibition of English Clocks catalogue entry No.21. Joseph Knibb, the most famous and inventive member of the celebrated Knibb clockmaking family, was born in 1640. In 1655 he was apprenticed to his cousin Samuel and after serving seven years he worked first at Oxford and then moved to London in 1670, where he was made Free of the Clockmaker`s Company. Records show he supplied a turret clock for Windsor Castle in 1677 and payments were made to him in 1682 by King Charles II. Towards the end of the 17th century Joseph Knibb moved to Hanslop in Buckinghamshire. By the early 18th century Knibb had virtually retired and he died in December 1711.
Lot 1476
A Mid 18th Century Oak and Pine Enclosed Dresser and Rack, the rack (possibly associated) with dentil and fret cut cornice, above three fixed shelves all between fluted uprights, the base with an arrangement of nine feather banded drawers with brass swan neck handles around a central fielded panel door, raised on bracket feet, 189cm by 54cm by 206cm
Lot 1506
An Adams Revival Serpentine Shaped Display Cabinet, by Waring & Gillows, early 20th century, the moulded cornice above a husk decorated frieze, the bowfront glazed central door with a panel decorated with ribbon tied motifs and centred by a ram`s head, flanked by further glazed panels and raised on tapering fluted legs, 156cm by 53cm by 192cm
Lot 1519
An Impressive George IV Mahogany Sideboard, 2nd quarter 19th century, the staged back above an inverted serpentine shaped top, the central frieze drawer and arched recessed drawer flanked by a cupboard door and deep cellaret drawer, all between reeded and turned tapering supports, 198cm by 80cm by 94cm
Lot 1523
A George III Style Mahogany and Satinwood Banded Four Door Breakfront Bookcase, incorporating 19th Century elements with later additions, the fret cut swan neck pediment above a strung frieze, with four conforming astragal glazed doors enclosing six adjustable shelves, the lower section of two short over two long drawers flanked by cupboard doors, raised on plinth base, 246cm by 49cm by 220cm
Lot 1545
A George IV Mahogany Breakfront Sideboard, 2nd quarter 19th century, the top formerly fitted with a brass gallery, the single frieze drawer above an arched apron, flanked by a deep drawer and cupboard door with brass ring drop handles, all between reeded and tapering supports, 214cm by 71cm by 94cm
Lot 1553
A Regency Rosewood and Parcel Gilt Cabinet, early 19th century, the upper section with glazed door enclosing three velvet lined fixed shelves flanked by leaf carved reeded columns, the lower section with a frieze decorated with foliate gilt metal mounts and circular husks, raised on lappet carved tapering supports, faux marble painted platform base below a mirror plate, 92cm by 41cm by 163cm
Lot 1609
A Late 19th Century Rosewood, Floral Marquetry and Gilt Metal Serpentine Shaped Vitrine, the Rouge Royal marble above a staged top with gilt foliate mounts, the glazed door enclosing a red floral silk lined interior, with glazed canted sides and rocaille mounts, the lower section with three marquetry panels of flowers, raised on cabriole fore legs with gilt sabots, 86cm by 50cm by 166cm
Lot 1612
A Louis XV Style Kingwood and Floral Marquetry Bombé Vitrine, late 19th century, the domed top above a serpentine shaped glazed door with floral marquetry panel below enclosing a velvet lined interior, the mirrored back flanked by serpentine glazed sides, raised on cabriole legs with foliate gilt mounts and sabots, 90cm by 47cm by 180cm
Lot 1613
A Louis XIV Style Ebonised, Gilt Metal, Red Tortoiseshell and Brass Inlaid Side Cabinet, circa 1850, the serpentine shaped top with a gadrooned and husk decorated band, the foliate frieze above a central bowfront door richly inlaid, flanked by conforming serpentine shaped glazed doors and gilt figural mounts, raised on a moulded base, 165cm by 55cm by 97cm
Lot 1614
A Louis XV Style Vernis Martin Gilt Mounted Sedan Cabinet, circa 1900, of slightly tapering form, the domed glazed top above a glazed door decorated with floral swags, the faded red velvet interior with a glass shelf with four dividers below, the sides with four handles to receive brancards, 66cm by 46cm by 140cm
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235346 item(s)/page