Claire Houlihan Fluffy Cat Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Claire Houlihan Chandos Place Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Houlihan The Yellow Door Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Hope Eye Spy I, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards 2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Hope Eye Spy II, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards 2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Hope Eye Spy III, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards 2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Abigail Hampsey Cheek to cheek, 2023 Coloured pencils on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Abigail Hampsey is a British painter and a co-founder of the artist led project Minutes_on. Abigail completed her BA in Fine Art at Newcastle University in 2019 and has recently completed her MA from the Royal College of art (2022). In this time her work has been exhibited at the Holden Gallery and workplace gallery to name but a few. Abigail has also spent time at the British school at Rome being awarded the Foreshaw Foundation Residency and was also the recipient of The Basil H.Alkazzi Scholarship Award at the Royal College of Art. Abigail is also an academic and tutor at Newcastle University where she teaches and a member of the painting collective Contemporary British Painting. Interested in the notion of truth, trickery, the real and the fake, Abigail's work acts like that of the vaudeville stage. Characters, locations and mediums change from scene to scene creating layers of narrative that reflect not only the source of the imagery but also the decision-making process of painting itself. Abigail creates images drawing on her own experiences and memory, as well as art historical and literary sources. She seeks to create her own stories in a new type of narrative painting. With a particular interest in myth and folklore from the North West of England, Abigail's affiliation to place and home plays a strong role in the construction of her work. In turn, the images tell stories that may be neither true nor accurate, but that reflect a personal yet often archetypal narrative. Education The Royal College of Art Painting MA Newcastle University BA Fine Art, 2016/2019 - First Class Honours Blackpool and the Fylde College, UAL Foundation Diploma, 2015/2016 Select Exhibitions/Awards Shortlisted for the Jacksons painting prize 2023 Became a member of Contemporary British Painting 2023 Cyprus School of Art Summer residency July 2022 Shortlisted for the BEEP Painting Biannual 2022 The Basil H.Alkazzi Scholarship Award, The Royal College of Art, 2020//2022 The Hatton The Foreshaw Foundation residency at The British School at Rome, July 2019 20th May 2023, Contemporary British Painting X, Newcastle 2023 Stage, Pebble/ Shoe, Kingsgate project space, London 2022, The Road to somewhere, Hew Hood, London 2022, Pigeon Park 2, Manor place, Kennington, London 2022, The World In Colour, Hew Hood Gallery, London 2022, Beep Painting Biannual, Shortlist exhibition, Swansea, Wales 2022, The Royal College of Art, Degree show, Battersea, London 2022, Kaleidoscope, WORKPLACE Gallery, London 2022, An Allegory of Love and Time, New Normal Projects, London 2022 Threes a crowd, Gallagher and Turner, Newcastle 2021 Fully Awake, Holden Gallery, Manchester 2021 Pigeon Park, Manor Place, Kennington, London Statement about AOAP Submitted Artwork Titled House luck, this most recent body of work within the ongoing series, explores themes of narrative, the everyday and sense of place, since moving back to her home town of Lancaster. (Nov 22-July23) Exploring for the first time the land of her memories hoping to find her "Home" now within it. "House luck is the luck we bring into the home. The luck we can create, the luck we can wish for and the luck others can give. It is mystical and non-verbal. It's a lottery and not a given. It's an exploration into the desire to have one's own space, place or home. In its simplest form its safe and dry. It doesn't always physically exist. its coins under the corners of your carpet or thrown through the door on new years day. Often times we gaze at others, imagining what ours could be. Its Piranesi in appearance and ever expanding upon our land, yet tricky to possess entirely. It's the luck of the house at the loss of the land. A conversation to start with no end as old as standing strait. An initial scratch of a larger itch, since arriving "Home" that one can't help but latch." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mauvillon, Friedrich Wilhelm v. Leerzame Tijdkorting voor meer- en mingevorderde Schaakspelers, bestaande in honderd uitgezochte stellingen, waarmede het spel bij den voorzet te winnen is. Naar het hoogduitsch ... door J. W. V. v. d. B. Amsterdam, van der Vinne, 1838. Quer - 16°. Mit 101 Diagrammen auf 51 Tafeln. 4 Bll. (Titel, Vorbericht und Zwischentitel). Geheftet mit aufgeklebtem Titel des alten Vorderumschlages. (45) * Linde - N. 2167; van der Linde II, 95 (mit abweichender Seitenangabe); Kieler Schachkatalog 5110. Niederländische Übersetzung nach Mauvillons Werk "Belehrende Unterhaltung für junge angehende Schachspieler ..." mit Endspielen auf Buchstabentafeln. Zustand: Innen etwas gebräunt und mit wenigen Bleistiftnotizen. Umschlag etwas abgestaubt. Rücken erneuert.
Scheveningsche Schaak Societeit. Eerste Jaarboekje der Scheveningsche Schaak Societeit 1917. Samengesteld door M. Marchand Jr. Ohne Ort ca. 1918. 8°. Mit 2 Abbildungstafeln und einigen Diagrammen. 79 Seiten. Originaler Leinenband mit goldgeprägtem Titeldruck auf Vorderdeckel. (45) * Linde - N. 5911. Seltene Ausgabe mit einer kurzen Historie zum Verein, Partien aus Wettkämpfen der Jahre 1915 und 1917, Schachaufgaben, Katalog der Bücher des Vereins und Mitgliederliste zum 31. Dezember 1917. Zustand: Name und privater Stempel auf Titel. Innen gebräunt. Einband angestaubt, etwas fleckig und und bestoßen, teilweise verblichen.
Scheveningsche Schaak Societeit. Tweede Jaarboekje der Scheveningsche Schaak Societeit 1918. Samengesteld door M. Marchand Jr. Ohne Ort ca. 1919. 8°. Mit 2 Abbildungstafeln und einigen Diagrammen. 62 Seiten. Originaler Leinenband mit goldgeprägtem Titeldruck auf Vorderdeckel. (45) * Linde - N. 5911. Seltene Ausgabe mit einer Darstellung der Ereignisse von Okt. 1917 - Okt. 1918, Partien aus dem Wettkampf 1918, Katalog der Bücher des Vereins und Mitgliederliste zum 31. Dezember 1918. Zustand: Innen gebräunt. Einband wenig bestoßen und etwas angestaubt.
(Verbeek, W. J. L.) De Hollandsche Schaakspeler. Een Zakboek voor Schachaakspelers, zamengesteld door den Redacteur van Sissa. Wijk bij Duurstede, Andriessen, 1861. 8°. Mit 1 Diagramm auf Titel und Diagrammvordrucken im Text. 2 Bll. (Titel und Vorwort), 124 Seiten. Leinenband mit goldgeprägtem Titel auf Vorderdeckel. (45) * Vand der Linde II, 45. Zustand: Vorsatz mit Namenszug “Rimington Wilson”, Stempel und Defekt. Innen gebräunt und wenige Seiten mit kleinen Defekten in der unteren Ecke. Einband teilweise verblichen.
LARGE CHINESE ROSEWOOD MIRROR BACKED SIDE UNIT, 20TH CENTURY the superstructure with central mirrored recess, flanked by two stage cabinets, the base fitted with three pairs of cupboard doors220cm high x 274cm wide x 40.5cm depthCondition generally good, wear as per use and age. The central cresting is loose and with damaged section. The right hand door of the left cabinet is stiff. the left hand door of the right cabinet is off its top hinge.
A Rare 32-Bore Percussion Doorstop Alarm Circa 1880With short brass barrel made in one with the wedge-shaped body, the former (some verdigris at the muzzle) stamped 'REGISTERED 6742', the latter with integral trigger operating on opening a door and releasing a hook-catch engaging with the back of the hammer, the bottom with thin steel plate and two stabilising pins at the front 15.5 cm. Footnotes:For another example see Lewis Winant, Firearms Curiosa, 1955, pp. 106 and 109, pl. 107For further information on this lot please visit Bonhams.com
A Chinese hardwood low chest late 19th / early 20th century, the rolled top over three short drawers and two cupboard doors, raised on ball and claw feet, 84¼ x 18in. (213.9 x 45.7cm.), 37in. (93.9cm.) high. *Some fading to top and age related shrinkage splits forming to end panels, pin missing from brass cupboard door lock.
A 19th century ormolu mounted ebonized bombe Boulle free standing corner cabinet with serpentine front and white marble top, the central door opening to reveal two shelves, flanked by ormolu mounted putti, on three curved feet above a shaped plinth base, 27½ x 18¼ (69.8 x 46.4cm.) x 43½in. (110.5cm.) high *Good condition.
A Victorian inlaid walnut and ormolu mounted credenza with two mirrored doors opening to reveal two shelves flanked by two open quarter lune compartments with a mirrored back, each with two ormolu galleried shelves, raised on a plinth base 72 x 16in. (182.9 x 40.6cm.), x 42½in. (107.9cm.) high. *Lock is stuck on cupboard door.
A George III mahogany long case clock having a swan neck pediment over an enamel and hand painted arched dial depicting a country house in a river landscape, floral spandrels, subsidiary seconds and date dials, flanked by two fluted pillar supports, the case with fluted pilasters flanking a single door, box base on bracket feet, 20in (50.8cm.) wide, 79½in. (201.9cm.) high.
An English, late 19th century, elaborately carved oak musical three train long case clock the brass arched dial with a silvered chapter ring and Arabic numerals enclosing a subsidiary second dial below twelve, a strike dial in the arch, ‘Westminster Chime/Silent’ within pierced scrolling spandrels, the case having a carved hood and surmounted by a scallop shell and floral carving, the glazed trunk door flanked by carved fruit, nut and floral design and glazed sides, all raised on a plinth with a carved central panel of ribbons and flowers, 26 x 17¼ x 100in. high.
A 19th century Scottish longcase clock by James Boyd, Cupar, the painted face with Roman numerals and subsidiary minutes and quarter marks, with additional seconds and date dials, pierced hands, the case with three finials to the arched top and a brass lined glazed door over a crossbanded trunk door, flanked by canted ¼ columns, raised on swept feet, 19 x 9in. (48.2 x 22.8cm.), 82½in. (209.5cm.) high without middle finial. *Middle finial off, glazed door hanging loose with poor previous repair, not tested.
Georgian Sedan leather chair, in need of restoration, the single door to the front with half panel slide window, the side panels with two quarter slide windows, and the hinged opening roof enclosing a lined interior with ribbon trim and upholstered shelf seat, on sleigh type slide supports, 62" high, with two poles 142" long - ** in 'barn find' condition from The Royal Crescent Hotel stores
Antique Continental Bijouterie cabinet, in ebonised wood with brass veneer detailing, The top section with a single glazed door which open to access a shelved interior with a material back. The base section with a lift up, hinged lid which opens to access a display area with lined interior, All standing on elegant square columned tapering legs. 93 cm wide, 56 cm deep, 152 cm high, some slight losses to brass veneer, and ebonising but overall good used condition.
1896 silver cased miniature carriage clock with Paris marked movement by Army & Navy Cooperative Society Ltd (Frederick Bradford Macrea) - total height 9cm & 244g total weight & runs BUT WE CANNOT GUARANTEE THE TIMEKEEPING OR RUNNING OF THIS OR ANY WATCH / CLOCK ONCE IT HAS LEFT THE PREMISES ~ crack to dial & dents to case and door slightly sprung
Rivarossi, Athern & others American Outline rolling stock. To include Rivarossi C&A The Alton limited - Wilson; AHM Kansa City St Louis & Chicago 57 clerestory; AHM Virginia & Truckee 12 clerestory; C & BT Shops single door box car S.P.&S.; Athern or similar kit built fridge box car Burlington Refrigerator Express plus many others. Conditions; Fair to Excellent in Fair to Good boxes. (46)
Bachmann 00 Gauge Group of Goods wagons consisting of Coal Trader 3- pack wagons 37-095A 7 plank weathered and 37-097 5 plank wagons weathered *2, 37-115 7 plank ICI *2, 37-091 End Door Tredegar with load *2, 37-113 Snibston, 37-161 8 plank Foster & Co, 37-952Conflat with BD Container Speedfreight, 37-529B Brake van weathered and 37-404A SR Pill Box Brake van BR departmental weathered. Near Mint in Excellent boxes. (9)
Henry Marc Paris repeating carriage clock: a French two train movement chiming on a gong with repeat button, balance escapement, 2" white porcelain dial signed Hry Marc Paris with Roman numerals and Arabic minutes. The dial is surrounded by a brass panel. A brass case with bevelled glass and carrying handle. Key present. Dimensions: 7½" (top of handle) x 4" x 3½". Condition report: looks to be in good overall condition. Some minor chips to the bevelled glass at the top of back door. Repeat is working.
A Duverdrey & Bloouel for Bayard 20th century 8- Day brass cased carriage clock, marked Made In France, (Door slightly loose so opens easier than it should, tarnishing, wear, untested). Together with a small rectangular brass matchbox holder with oval hand painted porcelain plaque, a cased pair of mother of pearl and base metal lunettes, and a cased Parker 61. (1 bag)
GOOD ARTS & CRAFTS OAK SIDEBOARD, CIRCA 1900 the the superstructure with foliate carved arched cresting over a moulded dentil cornice and carved frieze, with single lead glazed door with stylised brass fittings, flanked by twin recesses to bevelled glass mirrors, outset turned baluster and knop columns, over a long recess with central bevelled mirror flanked by moulded panels, the base fitted with two short drawers over a recess, flanked by two moulded panelled cupboard doors with brass strap hinges, to bun feet226cm x 182cm Structurally sound and stable; some scratches and nicks to sideboard top commensurate with age and use, one more pronounced gouge visible to left end, wear around the base of the superstructure where affixed to the sideboard; pronounced water marks and stains to central recess, build up of dirt to apron; chip and loss to carved detail left front bracket; scuffs and wear to feet which are possibly old replacements
ARTS & CRAFTS OAK MIRRORED WARDROBE, CIRCA 1900 with moulded cornice over a single door with embossed copper strap hinged and inset bevelled glass plate, the base fitted with a single long drawer, on block feet195cm x 125cm Some chips, small losses and wear to cornice; small nicks to apron; relatively light but general surface scratches and marks, glass replaced, interior with expected wear and stains to lining but appears either original or contemporary with the period, interior brass rail and hooks likely replacements; stable without structural damage52cm deep, interior houses rail and nine hooks (two to each side and five to back)
IB KOFOD-LARSEN FOR G-PLAN, TEAK SIDEBOARD, CIRCA 1960-69 fitted with five graduated drawers flanking two cupboard doors, on tapered cylindrical supportsAdditional images availablemarks and stains to top, particularly right side; two veneer chips to right side top and right side heavily scratched; left side with small chips to top and a prominent and deep scratch, both ends faded and dry; handles of drawers loose, the lowest almost detached; handle of left door has been damaged with loss; similar if lesser general wear to frontage and supports; overall would benefit from surface restoration and cosmetic attention, is stable without structural damage76.5cm high, 48cm deep, 235cm wide
ARTS & CRAFTS OAK BEDROOM SUITE, CIRCA 1900 comprising wardrobe, pair of bedside cabinets and a dressing chest,Mathew Pollock, Wylie and Lochhead Wardrobe, subject to typical age and use related wear. Left hand side is missing lower moulding (though this is present for restoration). Lowest cupboard door to central section is off hinges and will need repaired. Sticker residue to right edge, will need removed. Tightening of handles would be beneficial.Dressing table, subject to typical wear. Some damages to chequered inlay. Surface wear and water spots in areas, most notably to principle surfaces. Left handle of right drawer damaged. Bedside cabinet and table with typical wear, the cabinet with pronounced hammered marks to front and back edge. Additional images now available. wardrobe 198x216x57cm Wardrobe dissembly will require relevant tool, though should be possible to deconstruct to three pieces + cornice
Camerer, Cuss & Co, 54 & 56 New Oxford Street, London, a very large late 19th or early 20th Century Black Forest clock, the chalet formed case with carved foliage detail, dial with Roman numerals and fitted with a brass movement with pipes and a automaton bugler who appears through two opening doors at the bottom of the case, 84cm highCase with general marks and wear, some minor losses, door to one side requires attention for closing, movement is sold untested and probably requires some attention
A small 17th Century and later mural cupboard with single door with moulded geometric decoration, opening to an interior with small drawers and raised on turned bun feet, 40cm wide, 22cm deep and 43cm highGeneral surface marks and wear throughout, interior drawers with range of various handles, likely some later amendments and alterations
A small bronze alarm gun of ingenious wedge shaped design to push under a door, the action firing with a percussion cap, marked G.J.B. Patent. 7.4cm x 2.5cm. PLEASE NOTE This item is being sold in the UK and you need to be aware of local laws and shipping requirements. *CR Appears to be in good condition.
A rare early Tunbridge ware whitewood and paint decorated cottage form spice box of circular form, the tapering 'thatched' roof with central chimney, the sides painted with a door in trellis frame, three pairs of dome top windows, a single dome top window, a rectangular window and various flowers, the four compartment interior with black on green printed labels 'Nutmeg / Cinnamon / Mace / Ginger', usual paint loss due to use, 15cms dia.
A novelty brass tape measure in the form of a bathing hut, an unusual version with plate above the door '42' and complete with steps, roof with flag, the complete tape printed in ins. and cms, complete with end stop and wound from one wheel, 7 x 2.8 x 6.2cms. From a distinguished UK Private Collection
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