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Lot 152
A George III Irish provincial oak and mahogany longcase clock, 33cm square brass dial inscribed James Black, Sligo, Roman and Arabic numerals, subsidiary seconds dial, mask and leafy scroll spandrels, eight day movement striking on a bell, the hood with three orb and eagle brass finials, shaped rectangular door to waist, brass capped columns and quarter-columns, shaped apron, bracket feet, 233cm high, c.1800The maker is probably the James Black who also signed clocks from Dublin 1756-1772 who, like many makers of the time, was occasionally peripatetic
Lot 221
An early Victorian oak and mahogany longcase clock by R. Johnson of Campo Lane, Sheffield, the hand painted enamelled dial with Roman numerals, the arched depicting a farmer with corn sheafs, royal blue spandrels with floral decoration, swan neck pediments terminating with carved daisy, ebony stringing throughout, turned pilasters, stepped to waist with central arched mahogany crossbanded door, ivory escutcheon, plinth base (with key)
Lot 350
A large Edwardian mahogany shaped serpentine display cabinet, outswept cornice above a deep frieze and a three quarter glazed door, the lower panels quarter veneered, rosewood crossbanded and outlined throughout with boxwood stringing, tapered square legs, spade feet, 190cm high, 131cm wide, c.1905
Lot 42
A George III oak longcase clock, 31cm square brass dial inscribed John Wyld, Nottingham, Roman and Arabic numerals, calendar dial, 30 hour movement striking on a bell, the hood with dentil cornice, shaped rectangular door to waist inlaid with an eight pointed star, plinth base, 208cm high, c.1775
Lot 47
A matched pair of Franglais gilt metal mounted, marquetry and ebonised side cabinets, in the Louis XVI taste, each with moulded top above a shaped panel door flanked by pillars and glazed doors, profusely inlaid in ivory and boxwood with fanciful creatures, fountains and scrolling foliage, turned feet, 112cm high, 187cm wide, c.1850
Lot 50
A Louis XVI revival gilt metal and porcelain mounted kingwood and marquetry pier cabinet, crossbanded top above a rectangular door centred by an oval plaque painted in the manner of Sevres with colourful summer flowers on a bleu celeste ground, canted angles, outlined throughout with boxwood stringing, 114cm high, 84cm wide, c.1860
Lot 52
A George/William IV oak and mahogany longcase clock, 33cm painted dial inscribed Roberts, Derby, the arch painted with a view of the cathedral, titled Derby In 1803, Roman numerals, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, turned pillars, pointed arched rectangular door to waist, plinth base, 219cm high, c.1830
Lot 72
A George III mahogany longcase clock, 31cm arched silvered dial inscribed Robert Smith, London, Roman and Arabic numerals, Strike/Silent to arch to arch, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, lofty pagoda hood, arched rectangular door to waist flanked by brass mounted Doric stop-fluted columns and quarter columns, plinth base, 233cm high, c.1770
Lot 81
A George III mahogany longcase clock, 33cm arched painted dial inscribed Clitherow, Prescot, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment applied with lotus roundels, reeded Doric columns, shaped rectangular door to waist flanked by reeded quarter-columns, ogee bracket feet, 220cm high, c.1805William Clitherow was a member of a well-known Lancashire clockmaking dynasty, and was working at Prescot outside Manchester from 1795 to 1825.
Lot 115
A small walnut eight-day longcase clock, the dial bearing a signature for William Akers, London, with eight-day four finned pillar inside countwheel bell striking movement incorporating anchor escapement regulated by seconds pendulum and finely sculpted steelwork, with a 9 inch square brass dial incorporating subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes within the outer minute track and bearing signature W’m Akers, London to lower edge, with pierced blued steel hands and angles applied with winged cherub mask cast spandrels, in a case with shallow domed caddy over ogee moulded cornice and floral trail pierced fret to frieze above glazed fixed dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns applied next to bargeboards continuing up past the lintel at the rear, the trunk with convex throat moulding over 35 inch rectangular door veneered with two pairs of book-matched panels within a herringbone banded surround, the sides crossbanded and the base with stepped ogee top moulding over conforming book-matched panel within further crossbanded surround, the whole raised on a moulded skirt, 180cm high
Lot 3
A Victorian figured walnut bonheur du jour, the raised back with a three quarter gilt bass gallery above two inlaid panelled doors enclosing a part maple fitted interior, the base with a frieze drawer fitted with an adjustable writing surface, inkwells etc., above a panelled door flanked by reeded brackets, on ceramic castors, 108cm H x 60cm W x 45cm D.
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235346 item(s)/page