An 18th century oak 30hr brass dial longcase clock by Thomas Dicker of Silchester, the hood with ogee cornice above a plain frieze and turned 3/4 columns, the trunk with plain door on a plain base box with later plinth base, the 10in brass dial with moulded corner spandrels, silvered Roman chapter ring and a single hand, the centre signed Tho.s Dicker SEN.r, Silchester, the 30hr birdcage movement striking on a bell, with pendulum and weight, 47cm wide x 26cm deep x 189cm high.
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A George III oak brass dial 30-hour longcase clock by Samuel Harley of Salop, the hood with scroll pediment and brass finials above a blind fretwork frieze and fluted full columns, the cross-banded trunk with conforming door over a cross-banded base box raised on bracket feet, the 11in dial with moulded corner spandrels, silvered chapter ring with black Roman numerals and Arabic minutes track, the silvered centre inscribed Sam.l Harley to a scroll cartouche and with a calendar aperture, the 30-hour movement with four knopped pillars, striking on a bell, 51cm wide x 25cm deep x 215cm high, with single weight and pendulum.
A George III oak brass-dial longcase clock by William Draper of Waldon, the arch-top hood with three-quarter pilasters to the door, the trunk with moulded and arched door, above a plain base box, the arched brass dial signed to an oval cartouche, above the chapter ring with black Roman numerals and Arabic minute track, subsidiary seconds dial under 12 o'clock and calendar aperture above 6 o'clock, the five-pillar eight-day movement striking on a bell, 49cm wide x 24cm deep x 202cm high.
An early 18th century oak dresser, Denbighshire, the cyma recta cornice above three plate racks, the upper one with a crenelated front to accommodate spoons, the base with a twin-plank top above three fielded frieze drawers over a central fielded oblong panel, flanked on each side by a shaped fielded panelled cupboard door, each side with three fielded panels, raised on extended stiles, 138cm wide x 52cm deep x 197cm high Purchased by the vendor from Peter Nelson, Stow-on-the-Wold, for £345 in 1969.Overall lovely colour and well-figured. Cornice later. Some very old well patinated chips and dents, including top of base and sides. Back plank of top of base with very old well-patinated cracks, some frassing and very old fillet between two planks chipped and lacking elements. Rack with old holes where hooks were once placed. Lacking 2cm of right edge moulding on bottom plate rack. Left stile on base very old crack at the bottom and base of foot frassed and right door with two old keyholes. Left side stamped ‘RO’.
A first half of the 19th century oak dresser, the later, well-matched, inverted breakfront three-tier rack with a Shropshire style spice cupboard left and right, the rectangular base with three central drawers, with bone kite-shaped escutcheons, flanked on each side by a fielded panelled door, raised on bracket feet, some damage, 161cm wide x 49cm deep x 205cm highLacking 1cm, 2cm, 4cm and 2cm sections of moulding on front edge of the top of the base. Base with later handles and apertures of original ones evident. Feet water stained. Scratches, dents and chips consistent with age and use.
A good early 20th century, Louis XVI style, gilt metal mounted vitrine, embellished with beading and floral pendants and Vitruvian scrolls, the pierced gallery above a pierced gilt metal mounted frieze, with a crossing torch, bow and quiver and arrows and a central wreath, above a glazed door, enclosing one shelf and flanked by curved glass panels, raised on fluted and turned pillars, united by an under-tier, one mount and some mouldings detached, lacking one mount, 108cm wide x 44cm deep x 183cm highOne mount and some mouldings detached, lacking one mount. Minor chips and dents and scratches.
Parcel ebonised and mahogany bracket or table clock,18th Century, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes and lozenge half hour markers signed to the lower edge 'Asselin, London', the finely matted centre with false pendulum and date apertures, foliate scroll spandrels and strike/silent ring to the arch. The triple train fusee movement with verge escapement, chiming on six bells and striking on a further bell with acanthus scroll engraved back plate and pull repeat. The parcel ebonised mahogany case with inverted bell top, brass handle, break arch door with later brass frets, glazed side windows, upon brass ball feet, 44.5cm high with handle lowered x 26cm wide x 25.5cm deepOld repairs and alterations including the door escutcheon and brass frets. The case was probably originally ebonised. There is a plugged hole in the case side which may have been another pull repeat for the chime or hours. Wear and marks commensurate with the age and use.
§ MATT SMALL (BRITISH CONTEMPORARY) JAMES - 2019 Signed, titled and dated verso, oil on found metal panelDimensions:71.5cm x 43.5cm (28.25in x 17.25in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Primarily a painter, London based Matt Small has a strong, compelling style, often choosing discarded objects like car bonnets or old signs instead of canvas for his work. 'The theme of my work is young, dispossessed people: individuals who feel undervalued, who don’t have a voice, who get looked over.' Small explains how the urban debris he paints on becomes symbolic of the feeling of being without value: 'I thought it’d be interesting to connect the two – that oven door, that shelving unit, that piece of trash to someone – I don’t see it like that, I see that it can be something beautiful and worthwhile. That’s how I see our young people too. Let’s look at their potential, at the hope that’s in all of them.'
A Victorian cast iron umbrella stand, the back with fleur de lys type decoration, with rectangular drip tray, 51cm high, together with an oak tabletop display cabinet, with a raised shaped top above an arched mirrored door, enclosing a velvet lined interior with brass supports possibly for shelves, each side of the cabinet with glazed panels, 48cm high.
A Victorian walnut mirror back sideboard, the outswept pediment above a carved frieze, raised on two pairs of fluted columns, with a bevelled glass plate back, above two frieze drawers, central recess and small cupboard door flanked by two further panelled cupboards, raised on bracket feet, 198cm high, 151cm wide, 56.6cm deep.
A late Georgian mahogany longcase clock, by John McNiesh of Culross, the break arch dial painted with a lady holding an anchor, floral spandrels, circular dial bearing Roman and Arabic numerals, subsidiary seconds and date dials, eight day movement with bell strike, the domed hood raised on turned columns, trunk with a bow fronted door, raised on bracket feet, with one weight, 215cm high.
Corgi 313 "Graham Hill" Ford Cortina GXL - metallic bronze, black roof, off-white interior, chrome front and rear trim, black base with Whizzwheels - Near Mint (couple of very minor marks on door edges) - still a lovely bright example - Good orange and yellow window box (does have some light fading) complete with correct "Graham Hill" figure - see photo.
Matchbox Superfast 4a Dodge Stake Truck - yellow cab and chassis, green stake back; 17a AEC Horse Box - light orange cab and base, green back with grey opening side door with 2 x plastic figures; 32a Leyland "BP" Petrol Tanker - green cab and chassis, white tanker; 37a Dodge Cattle Truck - yellow cab and chassis, dark grey back with 2 x cattle figures; 47a DAF Tipper Container Truck - silver cab and chassis, yellow tipper with silver grey lid, red base and 58a DAF Girder Truck - metallic lime green, red base, grille and plastic load - conditions are generally Near Mint to Mint in generally Excellent to Near Mint boxes (6)
Corgi 205 Riley Pathfinder Saloon - red body, silver trim, spun hubs - Excellent Plus (couple of small marks on door protruding edges) - with some Corgi accessory labels applied - still a bright example of a harder variation to find in a generally Good Plus blue and yellow carded picture box.
Corgi 439 Chevrolet Impala "Fire Chief" Car - red body, white side flashes and door panels, lemon interior with 2 x figures, spun hubs, grey plastic aerial, roof light - overall condition is generally Good Plus to Excellent (some small marks on edges and front and rear bumpers) in a generally Excellent blue and yellow carded picture box (couple of small scuffs on edges).
Dinky 167 AC Aceca Coupe - two-tone cream, brown upper and full length trim, silver bumpers and grille, light beige ridged hubs with treaded tyres - overall condition is generally Excellent (couple of small marks on roof and door edges) in a Good Plus to Excellent yellow and red carded picture box with correct colour spot.
Picture Pride or similar a wood and glass construction Display Cabinet which measures approximately 84cm in width x 76cm in height x 9cm in depth, comes with glass shelves along with shelf holding pins - condition is generally Good (front door does have some scuffs and usual wear on edges) - see photo. PLEASE NOTE COLLECTION ONLY FROM THORNABY OR WITNEY DUE TO GLASS CONTENT.
Group of 1950's to early 1970's period British Diecast Vehicles predominantly Matchbox & Corgi but does include Dinky Toy Land Rover with green plastic hubs & Spot-On BEA Vauxhall Cresta complete with Pilot figure (bumpers & grille incomplete) along with Norev Citroen DS19 Convertible & made in Hong Kong 1892 Peugeot. Matchbox models do include 23c Bluebird Dauphine Caravan with 36-tread black plastic wheels but this is missing both its tow hook & opening door and 34b Volkswagen Transporter Caravette with 24-tread black plastic wheels but this has one loose door - Poor to Good play worn unboxed with a couple of models incomplete.
Matchbox Regular Wheels (1) 7b Ford Anglia - without rear silver trim but with red tail lamps, gloss black flat base, 36-tread black plastic wheels; (2) 21c Commer Milk Float - cow door decals, gloss black clip-fit base, 36-tread black plastic wheels (left hand side of model sun faded); (3) 34b Volkswagen Transporter Caravette - twin rivet base, black plastic wheels; (4) 42b Studebaker Lark Station Wagon - lighter blue body, light blue roof slide without cast letter B, bare metal base without tow guide, complete with both plastic figures removed from sprue;(5) 45b Ford Corsair - bare metal base, 36-tread black plastic wheels, (left hand of model a little sun faded), complete with boat & roof rack removed from sprue; (6) 53b Mercedes 220 SE Coupe - dark red body without rear silver trim, 36-tread black plastic wheels - condition varies from Good Plus to Excellent Plus in Fair damp damaged & tape repaired to Good boxes. (6)
Matchbox Regular Wheels group of mid to late 1960's issue Cars. (1) 28c Jaguar Mark Ten with metallic brown engine bay - Near Mint with tiny pin size factory assembly paint chip to trunk in Excellent to Excellent Plus "New Model" type E1 box illustrating blue model with yellow circles; (2) 33c Lamborghini Miura - Excellent with a few tiny chips around passenger door & right hand rear quarter panel in Good clean but creased "New Model" type E4© box; (3) 67b Volkswagen 1600 TL - chrome hubs with black plastic tyres - Good Plus with some paint chips in Good Plus type F2 box with small tear to one end flap; (4) 75b Ferrari Berlinetta - metallic green body without headlamp cowls, bare metal base, wire wheels - Near Mint with minor mark to roof in generally Good clean but creased with tear to one end flap scarce type E3 box. (4)
Matchbox Superfast group of early 1970's issue Cars. (1) 8b Ford Mustang Wildcat Dragster - orange body with type 2 labels, dark yellow interior, dark graphite grey (charcoal) base (some tiny chips to leading edge of hood & box has large original retailers price label to one picture face); (2) 14a Iso Grifo - bare metal base, 5-spoke wide wheels (does have some paint chips to roof & passenger door handle); (3) 27a Mercedes 230 SL - yellow body with high arches, black interior, bare metal base, 5-spoke wide wheels (does have a few tiny chips and in earlier period type G box); (4) 62b Mercury Cougar Rat Rod Dragster with bare metal base; (5) 75a Ferrari Berlinetta - red body without silver trim but with headlamp cowls, bare metal base, solid 5-spoke narrow wheels three of which have tread pattern cast, one front wheel without (paint flaw/small area of corrosion to hood which also has a couple of tiny pin size chips) - all Excellent in Good to Good Plus type G boxes. (5)
Edwardian mahogany and leaded glass inlaid bow front China display cabinet vitrine. Raised on cabriole legs with pad feet having upright body with leaded glass bow front door with leaded glass panel windows either side. Inlaid dentil with flared top and stage gallery back. Measures approx. 171cm x 114cm x 38cm.
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