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A Continental ebony and red tortoiseshell glazed display cabinet, r18th century, having a cast metal gallery over an astragal glazed door enclosing shaped and inlaid shelves, the back painted with classical garden landscapes, the carcase inlaid with red tortoiseshell panels within inlaid brass borders on an ebony ground, the interior with strung and parquetry decoration, raised on claw and ball feet, originally a chest on stand, now sitting on a plain modern oak stand,cabinet 82cm wide44cm deep114cm highProvenance: North Mymms Park.(The hammer price for this lot will be VAT inclusive).
A pair of George III satinwood and crossbanded pier cabinets, in the manner of Thomas Sheraton, each with a white marble top over a shaped front with a single door opening to reveal shelves within, raised on short turned legs, the front and sides decorated with painted roundels depicting classical figures amongst scrolling foliate motifs,75cm wide30.5cm deep89.5cm high (2)
A red lacquered bureau bookcase,George ll and later, the top section with a swan neck pediment over two panelled doors, enclosing a fitted interior with folio partitions, shelves and drawers around a mirrored door, the base with a stepped interior and a well over two short and two long drawers and bracket feet, red lacquered with gilt chinoiserie, 98cm wide51cm deep231cm high Provenance: The Estate of a Gentleman Dealer.
Bible [Dutch]. Biblia, dat is De gantsche H. Schrifture vervattende alle de Canonyke Boeken des Ouden en des Nieuwen Testaments..., door last van de Hoog Mog. Heeren Staten Generaal der Vereenigde Nederl... in de Jaaren 1618 ende 1619, door gemeene ordre der Kerken van Druksouten verbeetert, 1791, Haarlem: Joh[annes] Enschede en Zoonen, [1791], engraved title with ink armorial stamp and signature of Gerharus Masman, New Testament title with imprint dated 1789, bound with Het Boek der Psalmen, Nevens de Gezangen bij de Hervormde Kerk van Nederland in Gebruik..., Haarlem: Johannes Enschede en Zoonen, 1789, ink armorial stamp and signature of Johannes Trellont, some spotting throughout, a.e.g., with gauffered edges, contemporary dark green straight grain morocco gilt, later clasps, 8vo (1)
Freemasonry. Jachin and Boaz; or, an Authentic Key to the Door of Free-Masonry, both Ancient and Modern. Calculated not only for the instruction of every new-made MAson; but also for the information of all who intend to become brethren..., with a correct list of all the regular Lodges in Scotland, London: Printed for the Booksellers, 1812, 56pp., engraved frontispiece, full-page plan, some dampstaining, toning and spotting, late 19th/early 20th century calf, morocco title label, rubed, slim 8vo, together with Oliver (George), The History of Initiation, in three courses of lectures..., London: Printed for the Author; & Published by Bro. Washbourn, 1829, scattered spotting, one gathering sprung, contemporary navy straight grain morocco, "King's Friends' Lodge No.553" in gilt to upper board, joints splitting, worn, 8vo, plus other 19th & 20th century Freemasonry and Lodge history related, plus an 18th century masonic indenture on vellum (approx. 50)
*Brock (Charles Edmund, 1870-1938). The Bumble's wing shut up like a fan, 1892, pen & ink on card, depicting an elfin knight with lance riding a dragonfly, in pursuit of a bee, with another mounted elf in the distance, signed and dated lower left and titled to lower margin, a few light finger-marks, sheet size 15.5 x 17.5cm (6 x 7ins), mounted, together with "The little green-clad doorkeeper", 1892, pen & ink on card, depicting the figure of an elf in doublet and hose, opening an ornate door with a gesture of welcome, signed and dated to right of image and titled to lower margin, a few light marks, 18 x 15.5cm (7 x 6ins), mounted Two beautifully detailed drawings, possibly produced for 'English Fairy and Folk Tales' by E.S. Hartland, published by W. Scott in 1893. (2)
*Brock (Charles Edmund, 1870-1938). 'He came to kneel down by her & took her in his arms', 1912, grisaille watercolour on artist's board, depicting an interior scene with a lady seated in an armchair being comforted by a gentleman kneeling beside, signed and dated lower left, captioned by the artist in ink to lower margin below image, image size 31.5 x 20cm (12.5 x 8ins), sheet size 37.5 x 26.5cm (14.75 x 10.5ins), together with '"Permit me, gentlemen, to present you to Squire Balston, and to Admiral Mallard."', 1913, duotone watercolour, depicting the candlelit interior of a panelled room, with a young lady in a fur-trimmed cape introducing two gentlemen, one seated and with his arm in a sling, signed and dated lower left, captioned by the artist in ink to lower margin below image, remains of adhesive to margins (not affecting image), image size 26 x 19.5cm (10.25 x 7.75ins), sheet size 37 x 26.5cm (14.75 x 10.5ins), plus Stern Critics, pen & ink on card, depicting a pretty young lady in jodhpurs leading a large horse in harness and carrying a whip, with two elderly women at a cottage door surveying her from behind, two pin holes to upper margin, signed lower left, captioned below image, Brock's address on verso in the artist's hand, 34 x 24cm (13.5 x 9.5ins), plus two others by C.E. Brock similar, entitled The Young Poacher and The Honoured Guest (latter wormed) First two items are original illustrations for 'The Mating of Lydia' by Mrs. Humphrey Ward, published by Smith, Elder & Co. in 1913 and 'Captain Nancy' by Dorothea Mary Moore, published by Nisbet in 1914. (2)
A GROUP OF 19TH CENTURY CERAMICS PAINTED WITH BIRDS, comprising a pair of porcelain door finger plates, both bear impressed registration diamonds, length approximately 19.5cm, a suite of three claret ground vases, heights approximately 17.5cm and 14.5cm, an oval porcelain plaque painted with a bird by water, framed, approximately 12.5cm x 9.5cm, a small circular Bodley plaque decorated with a pigeon on a nest, diameter approximately 11cm, a loving cup, a cylindrical spill vase on three paw feet and a pair of miniature silver lustre and puce printed baluster vases, height approximately 4cm (11) (condition: some pieces with slight damage, other pieces with more extensive damage and restoration)
A FRENCH GILT BRASS CARRIAGE CLOCK, bevelled glass panels to the front, sides and door with an oval bevelled panel to the top, fitted with a hinged carrying handle, eight day repeating movement, striking on a gong, white enamel face with Roman numerals, stamped H J. Paris, with two keys, height to the top of handle approximately 17cm (condition: in working order at the time of this report)
AN EARLY 20TH CENTURY FRENCH GILT BRASS CARRIAGE CLOCK, bevelled glass panels to the front, sides and door, between column supports, with a rectangular bevelled panel to the top, fitted with a hinged carrying handle, white enamel face with Roman numerals, named 'Mappin & Webb Ltd, London. W French Make', comes with two keys, height to top handle approximately 13.5cm (condition: in working order at the time of this report, gilding largely worn, some staining to dial and fault in top left hand corner)
A GEORGE III AND LATER MAHOGANY AND STAINED CASED BRACKET CLOCK, brass carry handle above caddy top, moulded glass door enclosing a 6''/15cm silivered dial, Roman and Arabic numerals, the spandrels engraved with foliate scrolls and the arch named 'Joseph Lum, London', glazed side panels and rear door, enclosing crown escapement double fusee movement, bell strike and repeat mechanism, the case base on bracket feet, height to top of handle approximately 51cm, with pendulum, key and case key
A LATE 19TH CENTURY GILT BRASS FIGURAL MANTEL CLOCK, clerical figure holding staff on a rocky base above a circular enamel dial (cracked), with Roman numerals, eight day movement with bell strike, lacks rear door, the dial flanked by later painted panels with bishop's mitre gilt metal decoration, on an openwork foliate scroll base, height approximately 40.5cm, with pendulum
A LATE VICTORIAN OAK CASED BRACKET CLOCK, the architectural top with five finials, bevelled glass door below enclosing a silvered chapter ring with Arabic and Roman numerals, gilt spandrels, foliate pierced gilt metal sound boards, chime/silent mechanism to side, the panel door to rear opening to reveal eight day movement with gong strike chime, bears label for 'The New Haven Clock Co, Chime Clock No.3', overall height approximately 47cm, with key and pendulum
A VICTORIAN BURR WALNUT AND INLAID PIANO TOP DAVENPORT, fitted with a rising mechanism, back opening to reveal fret cut stationery racks above three small drawers, the sloped front enclosing a pull-out writing surface with easel back, two drawers, pen compartment and two voids, one with cover, the base fitted with pierced and turned walnut stained uprights to the front, the right side with a cupboard door enclosing four satinwood drawers with gilt metal handles, on plinth style base with ceramic castors, height 90cm x width 59cm x depth 54.5cm
A PAIR OF VICTORIAN OAK CABINETS WITH CARVED DECORATION, the short raised backs with a cresting rail of fruiting vine, the tops of inverted breakfront form over a single drawer with foliate carved front and handle, a cupboard door under (opening opposite ways), one carved with a putti leading a goat being ridden by another putto, in a landscape, the other carved with three putti eating grapes and squeezing grapes within a rocky landscape, each cupboard flanked by lion mask and fruiting vine uprights with foliate corbel style terminals, on plinth bases, height 130cm x width 115cm x depth 53cm (2)
A GEORGE III OAK, MAHOGANY BANDED AND INLAID LONGCASE CLOCK, the hood with broken arch pediment and three gilt metal ball surmounts, veneered detail frieze, gilt topped column supports flanking the arched glazed door enclosing arched brass face with silvered dial, subsidiary seconds dial and date aperture, the arch with 'Tempus Fugit', 11''/28cm dial named Thomas Danes, Northampton, Roman and Arabic numerals, eight day movement with bell strike, the case with arched trunk door with shell paterae and flanked by quarter columns, inlaid plinth base on ogee bracket feet, height 236cm, with pendulum, two weights and door key
A GEORGE III MAHOGANY LONG CASE CLOCK, the hood with caddy top on half column supports flanking arched door, the brass face with circular silvered name plaque for 'Thomas Bell' to the arch above silvered 11 1/4'', 29cm dial, with Roman and Arabic numerals, subsidiary seconds dial with date aperture, eight day movement with bell strike spandrels, rectangular trunk door, plinth base, height approximately 228cm, pendulum, two weights and door key
A VICTORIAN MAHOGANY BREAKFRONT BOOKCASE, central section with arched cornice above glazed double doors, flanked by a further glazed door, enclosing adjustable wooden shelves with tooled green leather wavy edge trim, the breakfront base with a long drawer above a double door cupboard with a short drawer and single door cupboard to either side, on a plinth base, width 234.5cm x height 262cm x depth 68cm (condition: some pieces of moulding loose or absent and veneer loss)
George III mahogany linen press with cupboard doors over two short and two long drawers, on bracket feet, fitted interior. 195x128x54 cms. Some moulding lacking from cornice, some damage to the top edge on the left side and also to the edge of the left door, large section of moulding missing from the lower right side of the top section, two short drawers and cupboard missing lock covers, surface marks and wear consistent with age and use.
§ Sherree Valentine Daines (British, b. 1959) Mother and daughter sitting outside a cottage door, circular oil on board, signed. 19.5cm dia. Please note that Artists Resale Right is additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information).
A mahogany three piece Bedroom Suite comprising wardrobe enclosed by mirror panelled door and with domed cornice, single drawer under and bracket feet. 4' (122cms) wide, dressing chest with bevelled mirror and two long and two short drawers under and a chest of four long drawers. 2' 10" (87cms) wide.
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234658 item(s)/page