There are 235302 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA retro vintage mid 20th century walnut veneered cocktail cabinet highboard having a glazed sliding doors shelving space to left over a twin door cupboard space. To the right, single door over a bank of three drawers. Raised on teak tapering supports. It measures approximately 121cm x 140cm x 40cm.
Lucian Ercolani - Ercol - Windsor Model 469 - Serving Cabinet - A 1960s retro beech wood cocktail / bureau cabinet having a drop down fronted door to top, above a twin door cabinet and a single drawer, all handles being recessed oval pull handles. Applied blue label to inside door. Measures approx. 110cm x 82cm x 43cm.
Stonehill Furniture - A retro vintage 20th century circa 1960s teak wood sideboard credenza. The sideboard having a bank of three drawers to the far left sided by a twin door cupboard spaces. Tilt front cupboard space to the far right. All with lip handles. Raised on straight supports united by stretchers. Measures approx. 74cm x 212cm x 43cm.
Elliots of Newbury - EON - Zebrano - A retro vintage mid 20th century circa 1960s teak wood & zebrano sideboard credenza. The sideboard having chamfered edges over a twin door cupboard space to the left & a bank of four concave front drawers to right. Raised on atomic style tapering supports attached to sides with brass detailing. Measures approx. 77cm x 143cm x 45cm.
Skovby - Danish Furniture - A retro vintage early 2000s blonde oak Danish Skovby sideboard credenza. The sideboard having a straight top over a bevelled edge front with three single push mechanism cupboard doors opening to reveal a shelving interior. Label to door. Raised on straight supports. Measures approx. 73cm x 179cm x 48cm.
A contemporary Milano solid oak two door open display unit bookcase. The bookcase having straight top over six cubical sections over a double door cupboard compartment below. The cupboard having push mechanism opening to reveal storage space. Raised on splayed tapering supports. Measures approx. 160cm x 80cm x 33cm.
British Modern Design - A large retro 20th century teak veneered sideboard credenza. The sideboard having a straight top over a full length double door cupboard space opening to reveal a shelved interior to the left. Top double door cupboard space to right over a bank of four drawers. Raised on tapering supports. Measures approx. 141cm x 230cm x 47cm.
Ercol - Lucian Ercolani - A vintage mid 20th century dark beech and elm open front waterfall bookcase by Ercol in the Old Colonial style having three shelves atop a twin door cupboard with turned handles and a shelved interior inside. Together with an Ercol style dark elm freestanding open back five tier bookshelf. Tallest measuring approx. 133cm x 82cm x 13cm.
Ameublement NF Meuble - A vintage mid 20th century circa 1960s French walnut veneered sideboard credenza. The sideboard having a flared straight top over a series of single cupboard doors with chrome pull handles opening to reveal an appointed & shelved interior. Label to door. Raised on tapering supports with front metal detailing to feet. Measures approx. 97cm x 230cm x 50cm.
Gunni Omann - Axel Christiansen - A retro vintage mid 20th Century Danish Scandinavian teak wood sideboard credenza having an offset central bank of four drawers flanked by dual door cupboard to right and single door cupboard to the left. All being raised on teak tapering supports. Measures approx. 81cm x 244cm x 47cm.
Jentique - A retro mid 20th century teak sideboard credenza having a graduating bank of three drawers to the left with double door central cupboard flanked by a fall front cocktail drinks cupboard to the right. All with curved teak handles and being raised on tapering supports. Measures approx. 72cm x 183cm x 45cm.
Beautility - A retro vintage 20th century 1970s teak wood sideboard credenza. The sideboard having a central bank of four graduating drawers flanked by double door cupboards with teak ring handles. All raised on tapering stained beech wood supports united by stretches. Measures approx. 77cm x 217cm x 46cm.
Victor B. Wilkins for G Plan - Fresco - An original retro vintage 1960s teak wood highboard comprising of four single door cupboard spaces to top over four matching drawers below. The base having a tilt down door to left with three graduating drawers to right. Raised on tapering supports. Measuring approximately 94cm x 151cm x 46cm.
A vintage early 2000s Danish inspired light oak curved tapering sides sideboard cabinet. The credenza having a straight top over curved tapering sides flanking three single door cupboard spaces with chrome pull handles. The sideboard together with a cylindrical low occasional table having a rotating circular glazed top over a bank of two drawers, raised on castors. The sideboard measuring approx. 80cm x 158cm x 55cm.
Avalon - British Modern Design - A retro vintage mid 20th century teak wood sideboard credenza having a double door cabinet to the left, central bank of three drawers with single cupboard door to the right. Raised on tapering supports with side stretchers. Makers stamp inside drawer. Measures approx. 71cm x 203cm x 44cm.
A late 20th century Japanese Oriental lacquered cabinet cupboard. The cabinet with straight top over twin recessed sliding doors opening to reveal a cupboard interior. Double door cupboard space below raised on straight supports. The cabinet decorated with gilt ground panels & floral detailing within black lacquered framed & gilt hand painted patterns. Measures approx. 135cm x 101cm x 56cm.
A South German, Augsburg-type walnut and fruitwood tabletop cabinet,17th century and later elements, the drawers inlaid with stylised landscape marquetry scenes, inspired by Lorenz Stoer's "Geometria et Perspectiva", fitted eight drawers and a central cupboard with a secret compartment. 57 cm wide x 30 cm deep x 41 cm overall height.Note with later additions in the form of mouldings and the central panel from the cupboard door is missing.
A 19th-century well-carved Anglo Indian rosewood/padauk wood two-door bookcase, c.1850s, with pierced and floridly carved parapet above the carcass carved in low relief with birds browsing upon Indian strawberry (potentilla indicia) bushes, The carcass supported with whimsical naïve carved couchant lion fore supports. 140 cm wide x 56 cm deep (at the foot) x 215 cm overall height.On the whole in good order with a nice rich patina , I can't see any splits in the sides or back, btw the backboards are native teak from original, one small point is A very slight twist on the left hand door but this is held in check by the lock, but the door does require slight pressure to throw the keeper of the lock. This could be compensated by slight adjustments of the hinges. A nicer quality than usual example.
Pieter Brueghel d. Ä.,um 1525 – um 1569DER KALVARIENBERGÖl auf Leinwand. Doubliert.89,5 x 108 cm.In profiliertem Holzrahmen.In einer hügeligen Komposition in absteigender Keilform sehen wir den sogenannten Kalvarienberg, auf dem soeben das dritte Kreuz aufgestellt wird. Im Hintergrund die Stadtsilhouette von Jerusalem mit einem variantenreichen Himmel, da dieser gemäß der Bibel sich zu verdunkeln im Begriff ist. Die ausgewogene Komposition zeigt zahlreiche wohl verteilte Personen auf dem Berg Golgatha die teils trauern, teils kommunizieren und gestikulieren. Vergleichbar ist das Gemälde hinsichtlich der Gestaltungsweise der Personen etwa mit der Anbetung der Könige in den Königlichen Museen zu Brüssel oder auch der Kreuztragung Christi im Kunsthistorischen Museum in Wien, die hinsichtlich der gestaffelten Komposition, der im Vordergrund Trauernden (dort rechts, hier links) und der Pferde mit ihrem Zaumzeug gut als Vergleich herangezogen werden kann. Auch die in Wien befindliche Bekehrung des Paulus ist gut vergleichbar: Hier wie auch bei uns sehen wir die Rückenansichten der Pferde, die steile keilartige Komposition mit ihrer gesteigerten Dramatik und auch das die Komposition brechende Gewirr von Lanzen, das auch in dem hier angebotenen außergewöhnlichen Gemälde gut zu sehen ist. Auch zur Burggestaltung findet sich ein Vergleichsbild, nämlich „Die Elster auf dem Galgen“ im Hessischen Landesmuseum Darmstadt.Gutachten:Provenienzbestätigung der Provinciaal Vlaamse Kapucijnen über den Verkauf des Gemäldes am 15. Januar 1972, datierend 1. Februar 2007.Beglaubigter Auszug aus: De Antwerpsche Konstkamers / Inventarissen van Kunstverzamelingen te Antwerpen in de 16e en 17e Eeuwen, J. Denuce, 1932, S. 15, Beglaubigung vom 30. Dezember 1987.Beglaubigter Auszug aus: Antwerpsch Archievenblad - uitgegeven bij opdracht van het Gemeentebestuur door den Dienst der Stadsarchieven, Tweede Reeks, 6. Jahrgang 1931, S. 262.Anbei ein technischer Untersuchungsbericht von Edmond Florens, 25. August 1981, Brüssel.Provenienzbestätigung durch Edmond Florens vom 27. August 1981.Gutachten von A. C. Roose, Brügge, 30. Juni 1975.Anbei ein Gutachten von Prof. S. Bergmans, Präsident der Académie Royale d‘Archéologie de Belgique, Brüssel, 3. April 1975.Gutachten von Dr. Dr. Herbert Paulus, Erlangen, 1. April 1973, der zu dem Schluss kommt, dass es sich um eine Gemäldevorstudie Pieter Brueghel d. Ä. und seinen Gehilfen handelt.Provenienz:Vermutlich in der Sammlung von Philips van Valckenisse, dessen Nachlass am 10. April - 3. Mai 1614 niederlegt wurde. Darin ist erwähnt eine „Lancworpige schilderye op doec, Cruycinge Ons Heeren.Vermutlich Sammlung des Gewürzhändlers Hendrik Bartels, 1672. Dort erwähnt „Een schilderey van de Cruyssingh Cristy. Van den ouden Breughel f. 150“.Das vorliegende Gemälde war Bestandteil der Sammlung eines Kapuzinerklosters und ist in die Sammlung zwischen 1852 und 1951 eingegliedert worden. Dort erworben durch einen Belgischen Industriellen am 15. Januar 1972, der das Gemälde 1974 von Edmond Florenzs restaurieren ließ und ihm die Herkunft am 26. August 1981 bestätigte.Literatur:Das vorliegende Gemälde ist vermutlich schriftlich erwähnt in: De Antwerpsche Konstkamers / Inventarissen van Kunstverzamelingen te Antwerpen in de 16e en 17e Eeuwen, J. Denuce, 1932, S. 15.Das vorliegende Gemälde ist vermutlich schriftlich erwähnt in: Antwerpsch Archievenblad – uitgegeven bij opdracht van het Gemeentebestuur door den Dienst der Stadsarchieven, Tweede Reeks, 6. Jahrgang 1931, S. 262.Vgl.: Gotthard Jedlicka, Pieter Brueghel, Erlenbach, 1938, dort besonders auch das Kapitel zur Kreuztragung, S. 166 ff. (1361162) (13)Pieter Brueghel the Elder,ca 1525 – ca. 1569THE CALVARYOil on canvas. Relined.89.5 x 108 cm.Accompanied by a provenance confirmation of the Provinciaal Vlaamse Kapucijnen about the sale of the painting on January 15, 1972, dated February 1, 2007. Certified extract from: De Antwerpsche Konstkamers / Inventarissen van Kunstverzamelingen te Antwerpen in de 16e en 17e Eeuwen, J. Denuce, 1932, p. 15, authenticated December 30, 1987. Authenticated extract from: Antwerpsch Archievenblad – uitgegeven bij opdracht van het Gemeentebestuur door den Dienst der Stadsarchieven, Tweede Reeks, 6th volume 1931, p. 262. Also attached a technical examination report by Edmond Florens, August 25, 1981, Brussels. Attached is an expert‘s report by A. C. Roose, Bruges, June 30, 1975. Also attached is an expert‘s report by Prof. S. Bergmans, President of the Académie Royale d’Archéologie de Belgique, Brussels, April 3, 1975. Also an expert‘s report by Dr. Dr. Herbert Paulus, Erlangen, April 1, 1973, who concludes that it is a painting preparatory study Pieter Brueghel the Elder and his assistants.Provenance:Probably in the collection of Philips van Valckenisse, whose estate was deposited on April 10 - May 3, 1614. In it is mentioned a “Lancworpige schilderye op doec, Cruycinge Ons Heeren.Probably collection of the spice merchant Hendrik Bartels, 1672. There mentioned “Een schilderey van de Cruyssingh Cristy. Van den ouden Breughel f. 150”.The present painting was part of the collection of a Capuchin monastery and has been incorporated into the collection between 1852 and 1951. Acquired there by a Belgian industrialist on January 15, 1972, who had the painting restored by Edmond Florenzs in 1974 and confirmed its provenance on August 26, 1981.Literature:The present painting is probably mentioned in writing in: De Antwerpsche Konstkamers / Inventarissen van Kunstverzamelingen te Antwerpen in de 16e en 17e Eeuwen, J. Denuce, 1932, p. 15.The present painting is probably mentioned in writing in: Antwerpsch Archievenblad – uitgegeven bij opdracht van het Gemeentebestuur door den Dienst der Stadsarchieven, Tweede Reeks, 6. Year 1931, p. 262.
PULP FICTION (1994) - Brett's (Frank Whaley) Apartment Wall Sconce - Brett's (Frank Whaley) apartment wall sconce from Quentin Tarantino's crime film Pulp Fiction. When Hitmen Vincent Vega (John Travolta) and Jules Winfield (Samuel L. Jackson) visited Brett to recover Marcellus Wallace's (Ving Rhames) briefcase, a sconce was seen next to the bedroom door.This metal sconce comes from the collection of the film's on-set dresser McPherson O. Downs. It is painted black and features a push button toggle switch with an orange glass filament bulb. The rear features a wire secured by black gaffer's tape. It exhibits paint chipping and edge wear exposing metal, and its functionality remains untested. Dimensions: 15" x 5.5" x 4.5" (38 cm x 14 cm x 11.5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
DOCTOR WHO (T.V. SERIES, 2005 - PRESENT) - Replica TARDIS Police Box Used for Various Non-BBC Productions - A replica TARDIS police box based on the 11th and 12th Doctors' configuration from Steven Moffat's sci-fi series Doctor Who. The Doctor (Matt Smith and Peter Capaldi) sought adventure through time and space with various human companions and outsmarting countless nemeses, including Daleks and the Weeping Angels.This replica was used in a variety of trade shows and rented out to various non-BBC productions, including The Late Late Show with Craig Ferguson, and is constructed for fast setup and striking as needed. Built primarily from spruce wood and painted "Sydney Blue" to emulate the original production pieces, it features light and sound options that are remote controllable. Its light-up functions include the top-mounted lantern, in addition to various acrylic signages: "Police Box" headers, windows, and the "Pull to Open" door sign with hand-applied acrylic lettering. A speaker allows for the audio playback of key effects, including the iconic TARDIS "Vworp!" materialization and dematerialization, the Cloister Bell catastrophe alarm, and the door lock's "chirp chirp." Light and sound effects are coordinated, depending on pre-programmed remote-controlled instructions. The instruction manual detailing assembly, takedown, and functionality, as well as a radio-control remote and power source, is included. The display exhibits scratches, nicks, grime, scuffs, and wear at the panel connections. Dimensions: 60" x 60" x 122 (152.5 cm x 152.5 cm x 310 cm)Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $15,000 - 30,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
STAR TREK: THE NEXT GENERATION (T.V. SERIES, 1987 - 1994) - LCARS Door Panel - A LCARS door panel from the sci-fi series Star Trek: The Next Generation. The starship Enterprise crew used keypad-like panels placed throughout the ship to access its computer system, with panels of this size often placed near doorways to open, lock, and request entrance.This lot consists of a black acrylic panel with light blue and cream-color graphics made to appear like numbered touch-screen buttons in the iconic LCARS (Library Computer Access and Retrieval System) style seen in Starfleet technology of the era. The acrylic exhibits scratching, including through some of the graphics. Dimensions: 3" x 7.5" x 0.25" (7.75 cm x 19.25 cm x 0.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: DEEP SPACE NINE (T.V. SERIES, 1993 - 1999) - USS Defiant Door Panel - A USS Defiant door panel from the sci-fi series Star Trek: Deep Space Nine. The crew aboard the prototype vessel Defiant, as well as its replacement of the same name, used door panels to open, lock, and request entrance to doors throughout the ship.This lot consists of a black acrylic rectangular panel with numbered yellow button graphics and a purple Starfleet logo graphic. It exhibits scuffing and scratching from use and age, including some through the buttons. Dimensions: 1.75" x 5.25" x 0.25" (4.5 cm x 13.5 cm x 0.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
BACK TO THE FUTURE TRILOGY (1985 - 1990) - Light-Up Full-Size DeLorean Time Machine Replica Used at Official Universal Studios Promotional Events - A light-up, full-size DeLorean time machine used at multiple promotional events at Universal Studios Hollywood. Doc Brown's (Christopher Lloyd) time-traveling DeLorean was the signature vehicle in Robert Zemeckis' Back to the Future trilogy, used throughout each film by Brown and Marty McFly (Michael J. Fox) as they scrambled to save history.This ornately detailed, full-size 1981 DeLorean DMC-12 replica was constructed for a private collector in the late 1990s by DeLorean of California service manager Danny Botkin, who also helped restore the screen-used "A" DeLorean from Back to the Future. Universal hired this DeLorean from a private collection to use at Universal Studios Hollywood and Universal CityWalk events throughout the 2000s, including the 2007 "Countdown to the Final Flight" event held for Back to the Future: The Ride. The car was featured in the June 2007 Car & Driver magazine.The exterior of the vehicle is installed with extensive custom-fabricated replica components matching those seen in the films, including a Mr. Fusion Home Energy Reactor, an "OUTATIME" license plate dated "AUG 86," a Flux Capacitor, and a medley of auxiliary lights and wires along the undercarriage and tailfins. It features a trapezoidal windshield with gullwing doors, Goodrich tires, and the signature stainless steel body panels associated with the brand. The frame has been powder coated to prevent rust. The lights illuminate via a key fob, while halogen lights inside the car vents operate via a switch on the interior.The vehicle's two-seat interior is similarly overhauled with both operational and faux electronic components, including three adjustable time circuit boxes labeled "Destination Time," "Present Time," and "Last Time Departed," a Dayton electronics kit on the center console, and a keypad which operates phone sound effects adjacent to the wheel. It is upholstered with gray corduroy and black leather with DeLorean Motor Company labels visible throughout the interior, including on a manufacturer's plaque on the driver's side dated "Aug. 81," on the floor rugs, and on QR code decals applied under each door. Numerous sound clips can be played via internal and external speakers. A Panasonic radio, a backup camera, and a three-battery system in the trunk designed to operate the time machine features and stereo are also installed. Also included are a Letter of Authenticity from Botkin confirming that this privately-owned Delorean was hired for several official Universal Studios promotional events, a breakdown of the car's electrical systems and instruments, and color-printed photographs of Lloyd and Jay Leno with the vehicle.This DeLorean is fully operational, registered, and insured with Vehicle Identification Number (VIN) SCEDT26T3BD002901 and a current mileage of 22,532. Due to its previous operation and exhibition, several of the replica components on the back exhibit loosening and minor staining, the interior upholstery exhibits minor grime and wear, and the right-side dash panel lights are not currently functional. As this is a functioning vehicle, legal transfer of title will need to take place before delivery can be arranged. Dimensions: 170" x 75" x 90" (432 cm x 190.5 cm x 229 cm)Contains electronic components; see notice in the Buyer's Guide.Contains mechanical components; see notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $150,000 - 300,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
NIGHTMARE BEFORE CHRISTMAS, THE (1993) - Screen-Matched Christmas Town House Facade Model Miniature - A screen-matched Christmas Town house facade model miniature from Henry Selick's stop-motion fantasy musical The Nightmare Before Christmas. Distinctive striping screen-matches this house to when Jack Skellington (Danny Elfman and Chris Sarandon) first discovered Christmas Town.This Christmas Town house is made of red hand-painted foam poster board base with green painted wooden trim and door and white clay to resemble a snow-covered roof with a red painted clay chimney. This house features five windows, each with a red and white candy cane-painted board trim and a green painted stick for the window panes. The inside of the house is painted yellow to resemble a glow in the house through the windows and five holes around the top front window. This house exhibits imperfect paint patterns and grime from age. Dimensions: 2.5" x 4.5" x 8.75" (6.5 cm x 11.5 cm x 22.25 cm)Estimate: $4,000 - 8,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
SIGNS (2002) - Rev. Graham Hess' (Mel Gibson) Mirrored Knife - Rev. Graham Hess' (Mel Gibson) mirrored knife from M. Night Shyamalan's sci-fi horror film Signs. Hess used the reflection in his kitchen knife to look under his pantry door, then chopped an alien's fingers with it.This large metal knife was custom-made with reflective metals for the production. It features a black urethane handle and a cloth sheath labeled "mirrored knife keep in sheath fragile" with tape. The sheath exhibits staining and the blade exhibits scratching from production. Dimensions: 17" x 2.25" x 1" (43.25 cm x 5.75 cm x 2.5 cm)The blade was dulled by production.Estimate: $7,000 - 14,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
GHOSTBUSTERS (1984) - Temple of Gozer Door Model Miniature - A Temple of Gozer door model miniature from Ivan Reitman's supernatural comedy Ghostbusters. After possessing Dana Barrett (Sigourney Weaver) and Louis Tully (Rick Moranis), Zuul and Vinz Clortho completed their ritual and opened supernatural portal doors to reveal the Temple of Gozer.This resin door miniature is engraved with staircase and temple symbols with five figures on the front and painted turquoise over brown to resemble a patina from age. The lot exhibits pitting from the curing process, holes, chipped paint, and missing pieces. Dimensions: 25" x 21" x 1" (65 cm x 53.5 cm x 2.75 cm)Estimate: $5,000 - 10,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
GHOSTBUSTERS II (1989) - Set of Four Production-Made Ecto-1A Decals - Four production-made Ecto-1A decals from the production of Ivan Reitman's supernatural comedy sequel Ghostbusters II. The reunited Ghostbusters updated the Ecto-1A with a new two-fingered No-Ghost logo.Printed by Earl Hays Press for the Ecto-1A's door and tailgate, this set consists of two unpeeled black, white, and red two-fingered No-Ghost decals, a matching unpeeled sticker, and an unpeeled No-Ghost decal in the style of those created for the first film. They exhibit discoloration, creasing, and staining from production. Dimensions: (each) 18" x 20" (45.75 cm x 51 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
INDIANA JONES AND THE LAST CRUSADE (1989) - Lorne Peterson Collection: Tank Side Door Model Miniature - A tank side door model miniature from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. Indiana Jones (Harrison Ford) rescued his father, Henry (Sean Connery), and Marcus Brody (Denholm Elliott) from a tank before it crashed down a cliffside.Built for shots of the tank going over the cliff, this metal tank side door miniature comes from the collection of Industrial Light & Magic (ILM) model maker Lorne Peterson. It features a vinyl sticker of the Imperial standard of a fictionalized Hatay on the front and parts of a hinge on the left side. This lot exhibits rusting and lifted adhesive. Dimensions: 7.25" x 9.5" x 0.25" (18 cm x 24 cm x 0.5 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
A GEORGE III WELSH OAK DRESSER OR CWPWRDD TRIDARN MID 18TH CENTURY With inlaid panel initialled IA197cm high, 124cm wide, 48cm deepProvenance: Adams Antiques, 20th February 2010, £15,500, where provenance noted 'A House Sale, Baumaris, Anglesey, North Wales in the early 1970's. Featured in 'Welsh Furniture 1250 - 1950 by Richard Bebb (Volume II, page 97)Condition Report: Old marks, scratches and abrasions, chips and splits comensurate with age and useSome old repairs, including fillets of timber as old honest repairs often expected for this age and type of furniture. some small old losses. some old worm damage as expected for age and type. Some small nails of various date used to secure some elements. (see images)Good colour and patina overall but with fading to the front in particular. . Original surface overall.Some additional old dark scratches and indentation as expected for age and use. Some partial dark old ring marks to the 'shelf' of the lower part. The brass handles have age and suit the piece well but are later replacements. There are disguised/ plugged holes from a previous/ original set of handles (see images) many are disguised by very well matched square shaped sections of matching timber. There are circular marks surrounding them caused by the previous/ original sets of handles. The brass escutcheons are equally very likely later additions or replacements. One of the upper door escutcheons is false and there is no lock, the other lock looks to be an addition but has age. The lock to the longer drawer of the lower section appears original or atleast to be of the period. Lacking keys. To the lower cupboard, it appears that there was previously a shelf there that is now lacking (see images) Rather charmingly, one rear panel visible from inside the cupbaord is a re-use of a 17th century panel as it is carved with initial and partial date '168' (see additional images) The rear panels all appear original throughout, as do the drawer linings and timbers forming the lings of the cupboards. No obvious splicing to feet. Some planks forming 'floor' of drawers vary from each other but appear to be of period, some may be honest old replacements. There is some division between elements forming the floors of the drawers (as expected)Of solid structure overall. The rear panels all appear original. Please refer to all additional images available by email for visual reference to condition.Condition Report Disclaimer
A Victorian walnut piano seat, tilting door to front with sheet music rack, carved door panel, bracket feet, 55.5cm high x 55cm wide x 35.5cm deep, c.1880; Victorian mahogany bedside commode, hinged lid, interior fitted with original ceramic bowl, 43.5cm high x 46.5cm x 46.5cm; mid 20th century oak cheval mirror, (3).
Loading...
