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Click here to subscribeA large Victorian mahogany mirror back inverted breakfront four door chiffonier, the arched mirror with acanthus moulded show frame over three secret frieze drawers and four single panel cabinet doors with acanthus corner mouldings on an inverted breakfront plinth base, 84" wide, 65" high, 27" deep
A Victorian walnut and marquetry piano top Davenport writing desk, circa 1860, the hinged top revealing a central short drawer flanked by stationery compartments over pull-out ratchet writing surface flanked by pen trays and ink bottle wells over a cabinet base with a two panel glazed door with open fret decoration flanked by turned and fluted leaf carved front corner pilasters on a cut-out plinth base with manufacturer’s label ÔOetzmann & Co, London’ on the reverse, 23" wide, 38" high, 19" deep
A near pair of Victorian ebonised walnut banded display cabinets, each with rectangular crossbanded boxwood and ebony strung tops with beaded gilt metal edge over a frieze with central aesthetic style scrolling leaf and bell flower inlay over a single arched glazed door flanked by front corner turned and tapering pilasters with gilt metal corinthian capital, each door revealing two boxwood strung display shelves on a crossbanded rectangular base and short turned front feet, 33" wide, 43" high, 15.5" deep (2)
A George III mahogany bureau bookcase, the bookcase top with dentil moulded architectural pediment over a blind fret carved frieze and two astragal glazed doors revealing adjustable shelves over a fall front writing surface revealing a central single door cabinet flanked by four short drawers and two pigeon holes to each side over pull-out lopers and four long graduated cockbeaded drawers fitted with brass swan neck handles raised on shaped bracket feet, 40.5" wide, 88" high, 21" deep
A Sheraton period mahogany bureau the banded front with fine stringing the fall-flap reveals inlaid fitted interiors with a tulipwood oval band to the cupboard door enclosing a drawer and pigeon hole flanked by drawers with ivory knob handles above pigeon holes with sycamore shaped friezes the front with two short and three long oak-lined drawers with brass swan neck handles on bracket feet. 3ft. 10in. (1.17m.). /t
A George III mahogany longcase clock by Robert Douglas, Liverpool, with 13in. brass moon phase dial, fitted roman numerals and subsidiary seconds dial, with eight day striking movement, the ornate hood with swan neck pediment above Verre Eglomise panels and two pairs of fluted pilasters either side of the glass panelled door, a single drawer to the trunk flanked by further fluted pilasters an unusual base panel flanked by simulated brick-work corners, raised on ogee bracket feet, 20 1/2in. x 86in. high.
An early oak longcase clock, with 10in. arched brass dial inscribed 'Abraham Weston, Lewes', decorated with engraved scrolls and spandrels, fitted thirty-hour striking movement, the hood with domed top, the arched glazed panelled door flanked by turned pilasters, an arched panelled door to the trunk raised on a cut-away plinth base, 18in. x 82in. high.
An early 19th Century Scottish mahogany longcase clock, the white enamel dial inscribed 'P. McFarlane, Glasgow', with painted roman numerals, subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the cylindrical hood with carved scrolling decoration, the circular glazed panelled door above a tapering panel door to the trunk with canted sides, raised on a plinth base with bun feet, 18 1/2in. x 83in. high. (see lot 1247 for illustration)
A French style ebonised and ormolu balloon-shaped mantel clock, the brass dial inscribed 'John Pyke, London', fitted roman numerals and date aperture, the eight day movement striking on a single bell, the case decorated with applied gilt-metal leaf scrolling motifs and eagle to the base of the glazed panel door, raised on scrolling feet, 12in. x 20in. high.
A George III oak longcase clock, with 12in. brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, an engraved boss to the arch inscribed 'Cha. Stoddart, Morpeth', the hood with swan neck pediment surmounted by a brass sphere above the glazed panelled door flanked by brass-mounted pilasters, an arched panelled door to the trunk below, raised on a cut-away plinth base, 18 1/2in. x 88in. high.
A fine late George III mahogany longcase clock, the 13in. white painted moon phase dial with arabic numerals and subsidiary seconds and date dials, inscribed 'John Brand & Son, Dumfries', fitted eight day movement striking on a single bell, the ornate case surmounted by swan neck pediment and cross banded panelled door, decorated all over with inlaid panels of stags, flowers and shells, the pilaster and uprights with double-stop fluting and bone mounts, with cross banded panelled door and canted base, raised on bracket feet, 21 1/2in. x 88in. high. (see lot 1245 for illustration)
An early 19th Century mahogany longcase clock, the arched painted dial inscribed 'Topham, Nantwich', painted roman numerals, fitted seconds dial and date aperture, eight day movement striking on a single bell, the hood with scrolling swan neck pediment, flanked by turned and reeded pilasters, with arched panel door to the trunk decorated with cross banding and further pilasters, with chamfered square base on bracket feet, 24in. x 89in. high.
An early 18th Century oak longcase clock, the 13in. brass dial with silvered chapter ring and subsidiary and seconds date dials, a silvered boss to the arch engraved with an eagle decoration, fitted eight day movement striking on a single bell, the later carved case with swan neck pediment above later stained wood pilasters, ornate panelled door to the trunk flanked by canted and carved corners, raised on bracket feet, 19 1/2in. x 86in. high.
A 19th Century mahogany longcase clock, with 13in. brass dial inscribed 'William Rowland, Berwick', fitted eight day movement striking on a bell, with subsidiary seconds and date dials, the hood with arched panelled door flanked by turned pilasters further cross banded panelled doors to the trunk flanked by canted inlaid corners, raised on bracket feet, 18 1/2in. x 83in. high. (see lot 1259 for illustration)
An early 19th Century mahogany secretaire, with a single cross banded drawer above a cross banded fall-flap opening to reveal a fitted interior of pigeonholes, short drawers and a cupboard, a further panel door under enclosing adjustable shelf, raised on square tapering legs on block feet, 30in. x 15 1/2in. x 51in. high.
A Victorian ebonised bracket clock Ashdown London the double fusée hour-repeating movement striking on gong and having circular enamelled Roman dial the ebonised drum case applied with flowers in relief and supported on scroll-carved plinth base the rear door having pierced sound frets; with ebonised bracket H 44cm W 38cm
A George III oak longcase clock John Owen Llanrwst the eight-day movement having 12ins brass dial with Roman chapter ring subsidiary seconds date aperture and foliate-engraved matted centre; the case mahogany crossbanded and having concave cornice over fluted pilasters with shaped trunk door below flanked by quarter-fluted columns on plinth base and ogee bracket feet H 202.5cm W 62cm
AN 18TH CENTURY 30 HOUR LONGCASE CLOCK BY WILLIAM MARSTON, BISHOPS CASTLE, having flat hood with square apeture flanked by reeded columns, later carved waist door flanked by quarter reeded pillasters, under carved base and bracket feet. Square brass face with date apeture and figural spandrels. (face & case associated) 11.5" Dial. 77" High. C1750 and later.
AN EARLY 19TH CENTURY WELSH OAK 30 HOUR LONGCASE CLOCK BY HENRY EVANS OF LLANGADOG, having broken swan neck pediment above arched apeture, herringbone and string inlaid waist with pointed arch door, panelled base with bracket feet. 30Hour movement striking on one bell, arch painted face 18" x 12.5" with cottages and castles, date apeture 83" High. C1830. (Henry Evans, Llangadog 1830-50).
AN EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK BY JAMES ISAAC & SON OF CARMARTHEN, the hood with broken swan neck pediment above arched apeture, shaped waist door and plain base with bracket feet. Arch painted face 12" x 16" with floral spandrels, seconds dial and date apeture. 86" High. C1810. (some restorations).
AN 18TH CENTURY OAK 8 DAY LONGCASE CLOCK BY SAMUEL BURGES, LONDON, having arch hood (lacking pediment) above arched apeture, plain waist with arched door, panelled base with bracket feet. Eight day five pillar movement striking on one bell, arch brass face 16.5" High x 12" Wide with engraved decoration, pierced spandrels, silvered chapter ring and seconds dial, date window. 80" High. (Restored).
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