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George III oak longcase clock by Thomas Williams of Chew Stoke, square moulded cornice with fluted columns, trunk with long door and standing on bracket feet, square brass and silvered dial with engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, 30 hour striking movement, 205cm high
George III mahogany longcase clock by Richard Trevor of Topsham, the hood with moulded pediment, reeded pillars with brass Corinthian capitals, case with arch shaped long door flanked by reeded split pillars and standing on bracket feet, brass arch shaped dial with engraved decoration, Roman numerals and subsidiary strike/silent and seconds dials, eight day striking movement, 225cm high
18th Century Irish mahogany longcase clock by Newman of Dublin, hood with broken arch pediment, case with long door having inlaid decoration depicting a sheet of music, ribbon and bell husk, standing on bracket feet, 12" brass dial with cast spandrels, engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, signed Newman, Dublin, eight day striking movement, 210.5cm high
19th Century mahogany longcase clock by Bartley of Bristol, typical Bristol case, hood with broken arch pediment and reeded pillars, trunk with short door having ebonised stringing, standing on bracket feet, painted arch shaped dial with moon phase, subsidiary seconds and calendar dial, eight dial striking movement, 213cm high
AN EDWARD VII MAHOGANY AND INLAID DISPLAY CABINET cross banded and quarter-veneered with boxwood and ebony line inlay, having a single door three quarter glazed with oval interlocking tracery above an indented panel and flanked by a serpentine glazed panel to either side, the fabric lined interior fitted with four shelves, canted corners and on short square tapered legs with spade feet, 160.5cms wide x 190cms high
A VICTORIAN WALNUT AND SATINWOOD BEDROOM SUITE inlaid with ribbon tied pendant flowers and sprays comprising a wardrobe having an arched and pierced frieze and moulded cornice above two mirrored doors and two drawers below, shaped apron and on short cabriole legs, 165cms wide x 249cms high; the dressing table having an oval mirror above a shaped shelf with two jewellery drawers and three drawers to the apron on conforming legs, 115cms wide; the pot cupboard having pierced and arched raised back, above an indented single door, on conforming legs, 42cms wide. See illustration
A LATE 17TH / EARLY 18TH CENTURY OAK TABLE CABINET, the single indented panel door carved with flowering plant forms within a running leaf scroll border, the interior fitted with a shelf, later carved knob handle and compressed circular feet, 44.5cms wide x 20cms deep x 46.5cms high. See illustration
††Minoche a Paris, a late 18th or early 19th century Boulle clock and bracket, the signed backplate to the timepiece movement with anchor escapement, the balloon shaped case surmounted by a putto and dolphin, the signed dial applied with blue enamel numerals, an eagle at the base of the glazed door, the clock 61cm (24in) high, with bracket (2)
M Jorgen Moller 1856, a Danish painted pine longcase clock, with 10 inch painted wood circular dial, 8 day twin barrel bell striking movement, the maroon and green later painted case with pierced gallery to the squared hood, wreath moulded dial surround, trunk with pilasters to the corners, inscribed to inside trunk door, upon a swag moulded plinth, 202cm (78.5in) high
A GEORGIAN OAK EIGHT DAY LONG CASE CLOCK, the break arch painted dial with Roman numerals, Arabic five minutes, subsidiary seconds and date aperture, indistinctly signed Griffith, Denbigh, the arch decorated with a roundel depicting a seated lady with spaniel and with foliate and fruit spandrels. The hood with swan neck pediment and fluted pillars over a mahogany crossbanded door flanked by conforming quarter columns, plain base and bracket feet, 84" high.
A MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch painted dial with pastoral scene, over a Roman chapter ring with Arabic five minutes, subsidiary seconds and date aperture signed Stephen Cranbrook, Dover, with pink rose and strawberry spandrels, the hood with fretwork pediment, brass finials and brass stop fluted pillars, dentil and cavetto moulded throat, the trunk with break arch satinwood banded and flame veneered door flanked by conforming quarter columns with matching panelled base with central inlaid patera and fans, raised on a double skirt base, 93 ½" high.
AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch painted dial decorated with a castle, thatch cottage spandrels, Roman numerals, subsidiary seconds and date aperture, indistinctly signed ....., Cheltenham, the hood with swan neck pediment and turned pillars, short trunk door with inset coromandel lozenge flanked by fluted quarter columns raised on ogee bracket feet, 88 ½" high.
A GEORGE III MAHOGANY EIGHT DAY LONG CASE CLOCK, the 12" brass break arch dial with recessed subsidiary seconds, date aperture and name plaque inscribed Matt W Holland, London, to the matted centre, the Roman chapter ring with Arabic five minutes and cast foliate spandrels beneath a strike/silent ring with conforming mounts and five pillar bell striking movement. The hood with swan neck pediment, fluted pilasters with Corinthian capitals above an arched flame veneered trunk door flanked by conforming quarter columns, panelled and skirt base, 93" high (AF).
A GEORGE III EIGHT DAY LONG CASE CLOCK, the arched brass dial with silvered strike/silent ring above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds, date aperture and oval name plaque, signed Danl. Wood, London with flowering urn and bird spandrels. The figured walnut case with flat moulded top, plain pilasters above a quarter veneered and feather banded panel door with matching skirt base, 89" high.
A GEORGE III EIGHT DAY LONG CASE CLOCK, the 12" arched brass dial signed to the arch Robt Clidsdale, Edinburgh, above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds and date aperture with rococo spandrels. The oak case with break arch hood, brass ball and spike finial, plain pilasters above a break arch trunk door, raised on bracket feet, 89" high.
A GEORGE III EIGHT DAY LONG CASE CLOCK, the 12" square brass dial with silvered chapter ring, Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds, date aperture and oval name plaque signed Phil Burchett, London, with gilt coronet and cherub spandrels and five pillar movement. The oak and mahogany crossbanded case having a swan neck hood with brass rosettes and ball and spike finial, plain columns and lozenge inlaid trunk door, 81" high.
A GEORGE III MAHOGANY BRACKET CLOCK, the bell top case with brass swing handle, break arch glazed door to front and rear, glazed side panels above a moulded skirt base, raised on gilded brass ogee bracket feet. The brass break arch dial with Roman chapter ring and Arabic five minutes, the matted centre with recessed date dial above an arched name plate inscribed Charles Wrench, London, all beneath a strike/silent ring to the arch with cast foliate spandrels, the twin train fuseé movement with bell strike, verge escapement and pull repeat, the back plate engraved with foliate scrolls and central pagoda, 20" high handle up.
AN 18TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes, signed Samuel Fish, London, with matt centre with subsidiary seconds and date aperture, the arch with strike/silent ring and foliate spandrels. The hood with fretwork pagoda top and brass stop fluted pillars over an arched trunk door flanked by conforming quarter columns, panelled base and double skirt, 96" high (no weights or pendulum).
A VICTORIAN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date aperture, inscribed M Truscott & Son, Aberystwyth, the hood with swan neck pediment and double rope twist turned pilasters above a short door flanked by conforming pillars, panelled base and ogee bracket feet, 96 ½" high.
A MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes and matted centre with subsidiary seconds, date aperture and name plate signed Ambrose Powell, London, the arch with Tempus Fugit disc and rococo spandrels. The break arch hood with brass stop fluted pillars over a panelled door and base with double skirt, 86" high.
A GEORGE III DARK GREEN JAPANNED EIGHT DAY LONG CASE CLOCK, the pagoda hood with three ball and spike finials and plain brass capped pilasters, the trunk with break arch door, decorated in raised gilt with figures, buildings and junk over similar base decoration and single skirt. The 12" arched brass dial signed John Burges, Gosport, to the arch with Roman chapter ring, Arabic five minutes, subsidiary seconds ring and date aperture to the matted centre, mask spandrels and five pillar movement, 91" high.
A Regency oak crossbanded mahogany eight day longcase clock, the 13 inch arched painted dial signed `Jn Callcott, Cotton`, with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer quarter ring of Arabic numerals, with rose painted corner spandrels under a nautical painted arch, the hood with swan-neck pediment over an arched glazed hood door, between fluted front corner hood pilasters over an ogee arched short trunk door, between fluted front corner quarter trunk pilasters, over a single panel box base and fluted canted front corners (lacking bracket feet), 219cm high
An elm eight day longcase clock, mid 18th century, the 12 inch square brass dial signed `R Bullock, Ellesmere`, with centred date aperture and twin winding holes, within an inner ring of Roman numerals, outer ring of Arabic numerals and figural spandrels depicting the seasons, the hood with ogee pediment over a square hood door with split acorn and baluster mouldings to the front hood corners over a long trunk door, with central star inlay and shaped brass key escutcheon, over a reduced plank base and later skirting plinth, 203cm high Footnote Douglas J Elliott lists Richard Bullock in `Shropshire Clock and Watchmakers`, son of Edmond Bullock, clockmaker, brother of Jeremiah Bullock, clockmaker, Richard is buried at Ellesmere `3.11.1797`, Richard Bullock of Ellesmere, clockmaker, aged 78, buried.
A Regency oak crossbanded mahogany eight day longcase clock, the 13 inch arched painted dial signed `Arkinstall, Drayton`, with subsidiary centred seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals, florally painted corner spandrels with a three masted galleon painted to the arch, the eight day movement at fault, the hood with swan-neck pediment over an arched hood door between tapering front corner fluted hood pilasters, over an ogee arched long trunk door between fluted front corner trunk pilasters, on a single panel box base with canted front corners (lacking bracket feet), 210cm high
A Regency oak and mahogany eight day longcase clock, the restored 13 inch arched painted dial with ring of Roman numerals, subsidiary centred seconds dial and date aperture within architectural ruin painted spandrels, under a church ruin painted to the arch, the hood with swan-neck pediment and gilt brass eagle finials, over an arched hood door between baluster front corner hood pilasters, over a short crossbanded trunk door between quarter turned front corner trunk pilasters, on a crossbanded box base and cut out plinth, 226cm high
A George III oak North Wales high dresser, the ogee moulded cornice over a wavy cut frieze above three boarded open shelves over two short and three long graduated drawers to the centre section fitted with replacement brass swan-neck handles flanked by an ogee single panel cabinet door to each side raised on shaped bracket feet (at fault), 166cm wide, 215cm high, 56cm deep
A mid Wales oak deuddarn, early 19th century, the calvetto moulded cornice over a fixed ogee arched centre panel, flanked by matching single cabinet door to each side, opening to reveal a fixed shelf over two short frieze drawers and two single panel cabinet doors to the base, all fitted with brass knob handles raised on stile end supports, 130cm wide, 202cm high, 56cm deep
An oak and ash North Wales mural cupboard, 18th century, the moulded cornice over a central cabinet door with six turned ash wood spindles to the centre arch over a rectangular fielded panel opening to reveal a single fixed shelf and later oak planked back, flanked by a matching spindle and fielded panel to each side (with repairs to the hinges and lacking the left hand cornice return), 110cm wide, 54cm high, 29cm deep
A joined oak cabinet, elements 18th century, the rectangular two plank top over two frieze drawers with geometric mouldings, fitted with brass knob handles over a two panel cabinet door to the base opening to reveal a vacant interior, raised on short bracket feet, 74cm wide, 78.5cm high, 48.5cm deep
A Regency mahogany secretaire chest, the secretaire drawer with double false front opening to reveal an arrangement with central cabinet door flanked by three pigeonholes and two short drawers to each side, over a replaced tooled leather skiver above three long graduated cockbeaded drawers, each fitted with two brass ring handles with pressed brass Prince of Wales feather back plates over a shaped apron on slender splay bracket front feet, 81cm wide, 101cm high, 48.5cm deep
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235302 item(s)/page