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A Jaeger-LeCoultre gilt brass cased Atmos clock the perpetual gilt brass movement with 4½in. circular chapter ring and black Roman numerals, the glazed case decorated with burgundy bands, on a stepped base and adjustable disc feet, complete with original morocco bound double door fronted case, 10½ x 8¾ x 6in. (26.75 x 22.5 x 15.25cm.).
An early 19th century mahogany cased eight day longcase clock the arched silvered dial signed `Bentley, Kingsbridge`, with Roman chapter ring, subsidiary seconds dial at noon, central date aperture, pierced steel hands, floral lower spandrels and Strike/Silent to arch with foliate scroll and swag engraving, the brass four pillar, bell strike movement with anchor escapement, the mahogany case with arched moulded cornice with gilt ball finials, raised on turned pillars, over a trunk with cross banded arched door, on a cross banded base, 80in. (203cm.) high, lacks feet.
An early 19th century oak eight day longcase clock with painted square dial with Roman numerals, Arabic outer minute track, subsidiary seconds at noon, date aperture, floral sprigged decorations and floral spandrels, bell strike movement, the case with arched cornice on turned pilasters, the trunk door with serpentine top flanked by plain pilasters, on a cross banded base with short bracket feet.
A Chinese carved hardwood display cabinet over cupboard early 20th century, the glazed two door upper section with mirrored back and two shelves, over two frieze drawers carved with stylised clouds, with brass handles, over two cupboard doors carved with panels depicting dragons chasing flaming pearls over a stylised mountainous landscape, on plain brass butterfly hinges and enclosing a single shelf, over a frieze carved with stylised clouds and key frets uniting plain stile supports, 35¼ x 13½in. (89.5 x 34.25cm.), 70½in. (184cm.) high.
An Edwardian mahogany and satinwood inlaid coal purdonium, of rectangular form with a part gadrooned back rail above a moulded top with a gadrooned outline centred with a fan inlay, the front door with teardrop handle hinging to reveal a plain interior on squat pearl and claw feet, 41cm x 37cm x 76cm.
A 19thC oak and mahogany longcase clock, the eight day striking movement behind a Roman numeric 31cm dial signed Sexty, Grantham, with a subsidiary second hand and date appertue in a swan neck pedimented hood above a carved arched door stamped JOHN HILL NOTTM, terminating in stylised bracket feet, 226cm.
Scarce Schoenhut In- Door Golf Game c1922 – to incl 2x mechanical golfing figures "Tommy Green" together with teeing ground, 4x other hazards, 5 tin plate pin holes, original score cards, original club packet together with various clubs to incl 2x drivers (one damaged), mashie, 2x niblicks and 2xputters (one broken), 3x original balls – still with the remains of the original box to incl the lid
The "Eric Lester" Press Cuttings and Photograh album – leather bound with gilt title and name to the front boards – this incredible album which contains over 80 press photographs and numerous press cuttings covering Lester` s career during the 1950s period – what is more remarkable is that all his achievements were achieved while still working as club professional which to the surprise and shock of his club he handed his notice in at the age of 40 to concentrate on playing full time on the professional tour. Several times Lester was knocking on the door for Ryder Cup honours which always just evaded him but he had the privilege to play for the Great Britain team on several occasion against The Commonwealth, The Rest of Europe, and The Walker Cup team – he was also a member of team which won the Joy Cup in 1956. His biggest win came at The Penfold Swallow Tournament in 1956 the biggest prize played for at that time outside the Open with a first prize of £1000. He defeated Max Faulkner and Syd Scott in the final group out. In addition to his success he was also winner of The Tooting Bec Medal in the 1953 Open at Carnoustie (won by Ben Hogan) for the best round by a British Golfer which he also shared with Dai Rees. The album incl photographs covering Swallow Penfold Tournament, team photographs incl Golf Professional Team v Walker Cup, the team incl Dai Rees, Cotton, Scott, Daly, Allis, Panton, Lester, Bradshaw, O` Connor, Eric Brown - another of both teams from GB v The Commonwealth which incl Gary Player, Locke, Peter Thomson, Von Nida, Shankland, Bruce Crampton et al – The Joy Cup team 1956, GB v Rest of Europe together with individual shots incl Henry Cotton signed, Bobby Locke signed, Antonia Cerda Argentina, Max Faulkner, Harry Weetman, Peter Thomson, Christie O` Connor Snr, Syd Scott, Harry Bradshaw, R Henning (S.A), a wonder full photograph of Lester teeing off at The Penfold Swallow Tournament at The Royal Burgess Edinburgh seen driving and watched by huge crowd when over 5000 turned out to watch, and much more – all the images have been sellotaped but nevertheless this is an absorbing record of Eric Lester who came from a golfing family whose roots were in the midland – one of 4 golfing brothers and started at Sandwell Park as a caddie, served in the RAF during the war – the golfing traditions have carried on in the family with his sons and nephews carrying on in the profession
EARLY 20TH CENTURY CARVED MAHOGANY BEDROOM SUITE of serpentine form, comprising a three door wardrobe, 214cm high, 194cm wide, mirrored dressing chest, 122cm wide, pair of single beds, a chest of drawers, 115cm wide, a single chair, pot cupboard, 79cm high and an oval cheval mirror, on brass casters, 170cm high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed *** Long, Dundee, the 12"" painted dial with subsidiary seconds dial and date aperture to the floral painted centre, powered by an eight day movement, striking on a bell, housed in a flat top case with moulded cornice, gilt metal capped free standing Corinthian forecolumns, over a long trunk door with shaped and central oval inlay, flanked by fluted quarter columns and raised on a panelled base, lacks feet, 77"" (195.6cm) high
EARLY TWENTIETH CENTURY ARTS AND CRAFTS CARVED OAK LONGCASE CLOCK, the 9"" silvered Arabic dial powered by a twin weight driven movement striking on a gong, housed in a dome top case with deep moulded cornice above a long, glazed cupboard door, raised on a panelled base with carved stylised floral decorated and shaped plinth, 76"" (193cm) high
*A GOOD GEORGE III LANCASHIRE MAHOGANY LONGCASE CLOCK, the eight day movement striking on a bell with painted arched dial inscribed `G. Monks, Prescot`, with moon-phase and sweep seconds and calendar hands, the spandrels emblematic of the seasons, the case of good colour and attractive presentation with swan-neck pediment to the hood inset with South Staffordshire enamel roundels and painted glass tablets, brass Corinthian capitals with fluted detached pillar flanking the door, the trunk with fluted quadrant forecorners with canted corners to the base, standing on ogee bracket feet, 94 1/4"" (240cm) high (Split to trunk door)
VICTORIAN CARVED WALNUTWOOD CASED DROP DIAL WALL CLOCK, the 12"" enamelled roman dial powered by an eight day spring driven movement with embossed gilt pendulum bob, housed in a typical case with moulded octagonal surround, glazed door, floral carved side pieces and curved underfoot, 27"" (68.6cm) high
NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, signed Lockwood and Cooke, Huddersfield, the 14"" painted roman dial with fruit spandrels, subsidiary seconds and date dials and landscape with man and dog to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and free standing turned fore columns over a flame cut short trunk door with shaped top, flanked by chamferred forecorners and raised on a base with inset circular flame cut panel and bracket feet, 94 1/2"" (240cm) high
MODERN AMERICAN `SESSIONS` COLONIAL STYLE WALL CLOCK, the 6"" silvered Arabic dial powered by an 8 day movement strung on rods, housed in a drum top case with gilt metal cast eagle finial, above a tapering panelled trunk with silhouette profile potrait and pierced gilt metal side pieced, and a glazed door and shaped foot, 29 1/2"" (75cm) high
EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Coats, Wigan, the 12 1/4"" brass dial with scroll and shell pierced spandrels and date aperture to the diaper matted centre, powered by a thirty hour movement striking on a bell, and housed in a case with swan neck pediment, turned finials and free standing, tapering fore columns, over a long trunk door with shaped top, flanked by quarter turned columns and raised on a plain base with chamferred forecorners corners, 82 1/2"" (209.6cm) high (dummy winding holes to matted centre)
LATE NINETEENTH/EARLY TWENTIETH CENTURY FLEMISH CARVED OAK CUPBOARD, the moulded cornice above a galleried frieze and panelled cupboard door, the upper panel with pierced circular design, the lower panel carved with tavern scene, enclosing three shelves to the interior and raised on a foliate carved plinth base with turned feet, 76 1/2"" (194.3cm) high, 36 1/2"" x 17 1/2"" (92.7cm x 44.5cm)
EDWARDIAN CARVED AND PIERCED DARK MAHOGANY FLOOR STANDING CORNER CABINET, the swan neck pediment with central shell cresting above a blind pierced lattice work frieze and glazed cupboard door enclosing a plush lined interior, over an open shelf with triple bevel edged mirror glazed back, the advanced flat fronted lower section with conforming frieze above an open shelve with mirror back and lattice pierced side panels, raised on slender acanthus capped square cabriole type fore supports, with claw and ball feet, 81"" (205.7cm) high, 30 1/21"" (77.5cm) wide
LATE 19th CENTURY CONTINENTAL CARVED WALNUT TWO DOOR LARGE BOOKCASE, the moulded cornice above a pair of five panelled glazed doors with arched floral crestings and half round split columns with conforming terminals, enclosure for adjustable shelves to the interior, raised on a plinth vase with oblong chamfered feet, 85"" (216cm) high, 48"" x 21 1/2"" (122 x 54.6cm)
MID NINETEENTH CENTURY BURR WALNUT AND MARQUETRY INLAID SERPENTINE FRONTED SIDE CABINET, the crossbanded top, inlaid frieze and conforming cupboard door inlaid with geometrical scroll work and enclosing two fixed shelves to the plush lined interior, flanked by cast gilt metal mounts and raised on a a suspid plinth, 43 1/4"" (109.8cm) high, 33"" x 16"" (83.8 x 40.6cm), split across top
GOOD QUALITY LATE VICTORIAN MAHOGANY PARTNERS DESK, the moulded oblong top inset with three gilt tooled `Antique` red leather panels, above six frieze drawers, one fitted with Bramah lock and three drawers and cupboard door to each side of the pedestals, raised on plinth bases, 30 1/4"" (76.8cm) high, 69"" x 56"" (175.3cm x 142.3cm)
NINETEENTH CENTURY LINE INLAID MAHOGANY BOOKCASE on later stand, the moulded cornice above a flame cut frieze and pair of seventeenth panel astragal glazed cupboard doors, enclosing two adjustable shelves and a fixed shelf with cupboard door beneath, the stand with square tapering legs with spade feet, tied by an undershelf, 65"" (165.1cm) high, 44"" x 13 3/4"" (111.8cm x 35cm)
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234658 item(s)/page