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George III crossbanded mahogany longcase clock, the hood with dentil cornice, the trunk with arch shaped door, the brass arch shaped dial with moon phase movement having seconds subsidiary dial and calendar aperture - eight day striking movement showing high water at Bristol key, dial signed Jno Hunter, Bristol, 205cm high (John Hunter is recorded by AJ Moore 'The Clock Makers of Bristol' as working between 1761 and 1774, 206cm high
George III mahogany longcase clock, the hood with dentil cornice, blind fretwork frieze, the door with conforming corner brackets flanked by reeded Corinthian columns, the trunk with long door flanked by conforming reeded pilasters, standing on ogee bracket feet. The circular dial with matted centre and silvered chapter ring - eight day striking movement, 221cm high
A JAPANESE LACQUER CABINET ON STAND of rectangular form, the exterior decorated with mons and leafy tendrils on a red ground, the black lacquer interior with three drawers decorated in gold and polychrome with cranes in flight and the reverse of the door with an ornamental bird, on a conforming stand, Meiji, 81/4" x 91/4" high.
A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the white enamelled dial signed Richard Birch, Birmingham, the chapter ring painted with Roman numerals with subsidiary seconds dial and date aperture, with moon phase to the arch, with an eight-day movement striking on a bell, the hood with scrolling cornice with ball and pinnacle finials, the arch topped door flanked by fluted columns with cast capitals, the trunk with conforming quarter recessed columns and long door, on conforming base, 91" high. .
A GEORGE III OAK LONGCASE CLOCK, with a silvered dial signed W. Curtis, Exeter, with Roman numerals with central date aperture and seconds dial, the corners engraved with figures representing the four seasons, with an eight-day movement, the square topped hood with blind fret decoration and turned columns, the trunk with a tall crossbanded door on conforming base with open bracket feet, 78" high.
A VICTORIAN WALNUT CREDENZA, the shaped top with an ebonised moulded border above a frieze with scrolling inlaid satinwood decoration, above twin bow fronted corner cupboards and a central panelled cupboard door with scrolling inlaid decoration against a burr veneer ground, on plinth base, 66" wide.
A VICTORIAN WALNUT AND MARQUETRY CREDENZA, the shaped top with a moulded edge above a frieze inlaid with three panels of floral and scrolling inlay against an ebonised ground, above a central door with a conforming marquetry panel within gilt metal mounts, flanked by glazed bow fronted corner cupboards, with further gilt metal mounts to either side on open plinth base, 64" wide.
A 19th Century Queen Anne Style Cabinet Desk, the top with double arched panelled door enclosing a fitted interior of 14 drawers and secret compartment with brass drop handles on a kneehole desk with eight drawers flanking the kneehole and central cupboard on shaped base and four compressed ball feet 87cm wide.
A LATE 17TH CENTURY ENGLISH WALNUT LONG CASE CLOCK having a square brass dial with silvered chapter ring, signed Jno Martin. Londini Fecit, embossed brass spandrels and second hand, the case with caddy top, blind fretwork decoration, rams head mask mount and fluted pilasters, the panel door with herringbone inlay and lenticle with brass surround and crossbanded decoration, 84" high, 10 1/2" square dial. (some alterations and old restoration) Note: a Jno Martin was apprenticed to the Clockmakers Company in 1684
A George III oak cross banded mahogany eight day longcase clock the 12" square brass dial signed J N Haley, Wrexham with chapter ring of arabic and Roman numerals centred date aperture and subsidiary centred seconds dial within scrolling leaf engraving, the pierced corner spandrels moulded with flowers and scrolling leaves, the four pillar movement striking on a single bell, the hood with swan neck pediment over a dentil moulded frieze the square glazed hood door flanked by fluted front corner hood pilasters over a moulded long crossbanded trunk door with brass pierced key escutcheon flanked by quarter fluted front corner pilasters on a crossbanded box base and cut out plinth, 89" high (with weights and pendulum)
A George III oak thirty hour longcase clock, the 11" square brass dial signed Eunice Guy the chapter ring of Roman numerals within moulded classical figures depicting the seasons, the four pillar movement lacking it's bell the hood with drop on architectural boxed pediment over a trefoil blind fret frieze above a square glazed hood door flanked by back corner quarter turned pilasters (one lacking capitals) over a cross banded trunk door with inlaid star motif and pierced brass key escutcheon on a cut down box base, 75" high (with single weight and pendulum)
A Victorian mahogany eight day longcase clock, the 14" square painted dial signed J N Cross, Liverpool with ring Roman numerals, centred date aperture and subsidiary seconds dial the four pillar movement striking on a single bell the hood with swan neck pediment over a square glazed hood door flanked by slender baluster and ring turned front corner pilasters over a short gothic arch trunk door flanked by spiral reeded quarter front corner short pilasters on a single panel box base and cut out plinth, 94" high (with twin weights and pendulum)
An oak and mahogany eight day longcase clock, early 19th century, the 12" arched painted dial signed W Sharp, Bourn with ring of Roman numerals, centred date aperture and subsidiary seconds dial the corner spandrels painted with thatched cottages, the arch with a young girl picking fruit, the movement striking on a single bell the hood with swan neck pediment over an arched glazed hood door flanked by ring turned and tapering front corner hood pilasters over an architectural pointed short trunk door with central vacant medallion flanked by turned front corner quarter pilasters on a cross banded box base with later plinth skirting, 78" high (with two weights and pendulum)
A George III oak eight day longcase clock, the 13" square painted dial signed Watkin Owen, Llanrwst the four pillar eight day movement striking on a single bell, the face with outer ring of arabic numerals, inner ring of roman numerals, centred subsidiary seconds dial and date aperture painted to the centre with two birds of paradise the spandrels painted with summer fruit and blooms the hood with architectural pediment over a blind fret frieze and square glazed hood door flanked by turned front corner hood pilasters over a long shaped trunk door with pierced brass key escutcheon flanked by quarter fluted front corner trunk pilasters over a single panel box base with canted corners on later skirting plinth 84" high
A Victorian mahogany box wood strung eight day longcase clock, the 14" arch painted dial signed John Jones, High St, Pwllheli with ring of Roman numerals, centred subsidiary seconds, date dial and two colourful painted birds both seated on branches, the corner spandrels painted with architectural ruins under and arch with rolling moon phases the four pillar movement striking on a single bell the hood with swan neck pediment and giltwood acorn finials over an arch glazed hood door flanked by front corner turned pilasters over a gothic arched short trunk door flanked by reeded boxwood banded front corner pilasters over a narrow landscape boxwood strung single panel and cross banded single panel box base with canted front corners, (lacking feet) 87 ?" with twin weights and pendulum)
A Victorian mahogany and rosewood eight day longcase clock, the 14" arched painted dial signed John Evans, Welshpool with ring of Roman numerals, centred date aperture and subsidiary seconds dial the corner spandrels painted with figures of young girls depicting the four seasons under a moon phase rolling arch the four pillar movement striking on a single bell the hood with swan neck pediment and central marquetry medallion depicting a running deer within scrolling leaves rosewood cross banded with two satin wood veneered top corner rectangular panels over an arch glazed hood door (glass at fault) flanked by reeded spiral turned front corner hood pilasters over a marquetry landscape panel within a rosewood cross banded border above a rosewood cross banded gothic moulded short trunk door with central marquetry lozenge shaped medallion depicting a bird of paradise flanked by reeded spiral turned front corner pilasters over a marquetry lozenge medallion on a star inlaid rosewood crossbanded box base (lacking feet) 92" high (with twin weights and pendulum)
An early Victorian mahogany regulator style longcase clock the 12" silvered dial signed T Canaway, Landport with ring of Roman numerals and centred winding hole the single weight driven movement with four pillars and triangular front and back brass plates the hood with arched pediment with moulded central cartouche flanked by flowers and acanthus leaves over a circular hinged glazed bevelled door flanked by canted front hood corners with moulded single panel sides over a rectangular glazed long trunk door flanked by front canted corners on a single panel box base and skirting plinth, 82" high (with single brass weight and pendulum)
A mahogany eight day long case clock, the 13" arched painted dial with outer ring of arabic numerals, inner ring of roman numerals, centred second dial and date aperture under a rolling moon, the four pillar movement striking on a single bell, the face and movement separator stamped Osbournes Manufactury, Birmingham' the painted face in poor condition, in an associated case, the hood with swan neck pediment over box wood and ebony stringing to the frieze and arched glazed hood door, flanked by fluted tapering front corner hood pilasters over a box wood and ebony strung crossbanded shaped trunk door, flanked by box wood and ebony strung front corner trunk half pilasters on a cut down flame veneered box base with canted corners and later skirting plinth, 78" high
A Victorian mahogany eight day long case clock, the 14" circular painted dial with ring of arabic numerals, centred subsidiary seconds dial, the four pillar movement striking on a single bell, the hood with arched pediment over a circular glazed hood door flanked by acanthus carved front corner turned and tapering pilasters, over shaped short cross banded trunk door flanked by acanthus moulded turned and tapering front corner trunk pilasters on a cross banded box base, 89" high,
An oak bureau on stand, 18th century, the crossbanded and boxwood and ebony strung fall front with pierced brass key escutcheon revealing an interior of arch central cabinet door flanked by two narrow column drawers and three short drawers and two pigeon holes to each side over a sliding well on a three drawer stand with wavy apron on four well shaped cabriole legs terminating in a pad foot (with repairs and renewals), 36" wide, 39.5" high, 19" deep
A William IV mahogany sideboard, the low stepped back over a central short frieze drawer flanked by a deep cockbeaded cellaret drawer and single door cabinet all fitted with turned wooded knob handles, the frieze drawer over a central arched recessed deep drawer on four front reeded spiral turned tapering legs, 72 1/2" wide, 37" high, 29" deep
A Victorian mahogany wardrobe/press cupboard, the cavetto cornice and dentil moulded frieze over a right hand side single full length mirror door revealing a hanging interior next to two single panel doors revealing five sliding linen trays over two short and two long cockbeaded drawers one of the short drawers stamped From W Williamson & Sons, Guilford' the lock plate stamped Hobbs & Co, London' the two sections standing on a plinth base, (fitted with later handles) 78" wide 86.5" high, 23.5" deep
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235346 item(s)/page