An Arts & Crafts walnut pedestal desk, with inset leather writing surface over three frieze drawers, a bank of three drawers to one pedestal and carved cupboard door to the other within simulated reeded columns, burr wood panels, arcaded mouldings and plated brass ring handles, 141cm wide, 76cm high, 81cm deep with contemporary oak office armchair (2)
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Bosschère (Jean de) - The Closed Door, translated by F.S.Flint, number 4 of 50 copies on handmade paper with hand-coloured plates and initialled by the author , plates and illustrations by Bosschère, the plates hand-coloured by the artist, some light foxing, original parchment-backed cloth, t.e.g., others uncut, spine rubbed, 1917 § Lytell Geste (A) of Robyn Hode and His Meiny, number 174 of 280 copies following the Wynkyn de Worde and William Copland texts, printed in orange and black, hand-coloured illustrations by Valenti Angelo, original morocco-backed patterned-paper boards, uncut, spine a little faded, San Francisco, Grabhorn Press, 1932, 8vo (2)
Fine Quality Edwardian Mahogany Inlaid Sheraton Revival Display Cabinet, In Two Sections. The Glazed Top with a Central Door, Carved with Lattice Work Applied Designs with Matching Side Panels. The Shaped Top Terminating with a Carved Shell Motifs, Three Cupboards Below with Black Stringing with Feathered Mahogany Panels with Matching Side Panels, Supported on Six Square Tapering Legs. 53 Inches Wide, 16 Inches Deep & 93 Inches High.
An early 19th Century long case clock, with eight day striking movement, the painted square dial with arched top and decorated with a shooting scene, floral spandrels, Arabic numerals, subsidiary seconds dial and calendar aperture, the mahogany case with scrolling top to hood, classical columns with brass capitals, arch top trunk door on pedestal base with shaped apron, 208cm.
An early 20th century silver metal mounted kingwood armoire, with single mirrored door stamped 'Gros Paris', 118cm wide x 215cm high. Footnote: Jean-Louis-Benjamin Gros is recorded as an ébéniste and marqueteur at 27 rue des Blancs-Manteaux Paris until 1850 and then at 43 rue des Tournelles until 1863. He was associated with the Winckelsen firm acting as its main cabinet-maker. His son Aristide-Henry took over the business following his retirement. Both father and son exhibited at the major 19th century Exposition Universelle and won an honourable citation in 1855. They specialised in reworkings of late 17th /18th century designs and both stamped their pieces 'Gros, Paris'.
An 18th century scarlet Japanned eight day longcase clock, the arch top twelve inch dial with subsidiary second and calendar apertures amongst gilt corner spandrels, signed 'Robert Higgs, London', the hood with flanking columns over arch trunk door, on plinth base, 220cm high, one pendulum, weights lacking.
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