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A Victorian oak longcase clock, the shaped pediment mounted with brass gold rosettes flanking an eagle finial, having an egg-and-dart moulded cornice above an arched door, with movement by James Potts of Berwick, the enamelled dial with floral spandrels above a trunk with fluted columns, and a base with further egg-and-dart carvings. (88in),400,600
A `George III` oak longcase clock, 12in (31cm) brass dial inscribed Thomas Bridge, Roman and Arabic numerals, date aperture, twin winding holes, 8-day movement striking on a bell, the hood with outswept cornice above a deep frieze carved with leafy scrolls, turned columns, ogee arched rectangular door to waist flanked by quarter-columns, shaped plinth base, 204cm high Thomas Bridge was an early 18th century , working from 1708 and who married in 1710.London maker Replaced seat board, movement looks very clean, screwhead in front of dial, chapter ring, dial and movement a marriage, some alterations, case generally ok, country house condition, from a local deceased estate Depth 7 inches
AN OAK LONGCASE CLOCK by J Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, inset moonphase and calendar aperture, chased with foliate scrolls, birds and signature cartouche, the case with split pediment and brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 88" high (Illustrated)
AN OAK LONGCASE CLOCK by Edward Morgan, London, c.1730/40, the eight day five pillar London movement with anchor escapement striking on a bell, 12" arched brass dial, the silvered chapter ring having Roman and Arabic numerals, secondary dial and calendar aperture, signature roundel to arch, the yew banded case with moulded cornice to arched hood and blind fret frieze on turned columns, ogee flush door, panel base and bracket feet, 84" high (Illustrated)
AN OAK LONGCASE CLOCK by Joshua Farrer, Pontefract, the eight day movement with anchor escapement striking on a bell, 10 1/2" square brass dial, the silvered chapter ring engraved with flowers and with Roman and Arabic numerals, calendar dial and unusual mask penny moonphase, the carved case with stepped moulded cornice having gilt wood finials, on turned columns, panelled door, mitre moulded base and bracket feet, 87" high (Illustrated)
AN EDWARDIAN MAHOGANY DISPLAY CABINET crossbanded with stringing and chequer banding, and inlaid with husking, raised panelled back with dentil cornice, panel inlaid frieze, central inlaid panelled door over arched alcove flanked on either side by a glazed concave door, glazed sides, raised on square tapering legs and spade feet, 54 1/4" x 17 3/4" x 67 1/4"
A LOUIS XVI STYLE MAHOGANY AND KINGWOOD PIER CABINET, 20th century, of serpentine oblong form with gilt metal mounts and inset veined marble top, single door with oval marquetry panel featuring a vase of flowers flanked by inlaid panels and fluted pilasters, on fluted turned tapering feet, 29 1/4" x 13 1/4" x 36 1/2"
A MAHOGANY CORNER CUPBOARD ON STAND of bowed form, the moulded cornice and plain frieze, central door with plain glazing flanked by astragal glazed panels and enclosing shaped shelving, the stand with undershelf over two faux and one true drawer, turned brass handles, raised on square section supports, base early 19th century, top later, 31" x 19" x 74 1/4"
A VICTORIAN OAK HIGH DRESSER of breakfront form, the open delft rack with dentil moulded cornice and scroll cut frieze over four shelves flanked by fluted pilasters, the base with four central drawers having brass drop handles flanked by a drawer over a cupboard door with fielded panel, and flanked in turn by a raised panel, twin panel sides, moulded base and ogee bracket feet, 83 1/2" x 23 1/4" x 84 1/2" (Illustrated)
A REGENCY MAHOGANY BEDSIDE STEP COMMODE, of oblong form with three treads each with reeded edging and inset with tooled maroon leather, cupboard door in top riser over a central pull out step with rising lid enclosing a pan and cover, raised on ring turned tapering front legs and splayed back legs, 17 1/2" x 27 1/2" x 26 3/4" (Illustrated)
AN EDWARDIAN MAHOGANY BOOKCASE of breakfront form crossbanded with stringing, ledge back, raised centre section with waisted frieze inlaid with husking, drawer below with brass ring handles over door inlaid with a patera flanked on either side by open adjustable bookshelves, raised on square tapering legs and spade feet, 54 1/4" x 13 3/4" x 51 1/4" (Illustrated)
AN OAK DINING SUITE, c.1930, in the Arts and Crafts style comprising sideboard of canted oblong form with two central fielded drawers flanked on either side by a multi panelled cupboard door, faceted turned wood handles, on chamfered square section legs and block feet joined by an H stretcher, 60" x 20 1/2" x 34 1/4", en suite with six chairs having cross splats and drop in seats, and an oblong table with twin end supports and trestle feet, 60" x 32" x 30" (8) (Illustrated)
AN ADZED OAK SIDEBOARD by Robert "Mouseman" Thompson with ledge back, three central drawers with turned wood handles, flanked on either side by a six panelled cupboard door with wrought iron latch and hinges, canted angles with carved trademark in high relief, panelled sides, on turned faceted legs, 71 3/4" x 18 1/2" x 32 1/4"
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235346 item(s)/page