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A LATE GEORGIAN OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the arched painted dial with subsidiary seconds and date aperture with Roman numerals, inscribed Moore & Son, Coventry, 4 seasons spandrels, the hood with swan neck pediment and turned pillars above a short door flanked by fluted quarter columns, 88" high
A Victorian mahogany extending dining table, the top with moulded border and rounded corners, raised on cabriole legs finely carved with scrolls and beads, fitted five extra leaves extending to 396.2cm (156") long and 140cm (55") wide and a mahogany leaf cabinet with twin arch top panelled front, single panelled end and door, 66cm (26") wide, 165cm (65") high/see illustration
Bible French. manuscript 15th cent illuminated manuscript on vellum in French 104 ff. collation: i-v8 vi6 vii 8 viii10 ix-xiii8 including blank (except for ruling) final ff. in vi and viii original foliation on most of first 18 ff. 23 lines written in brown ink in a handsome lettre bâtarde 30 2- or 3-line initials in gold on blue and white backgrounds many 1-line initials in gold on red or blue and white and a few on brown and gold 3 large miniatures (c.130 x 120mm.) with 4 lines of text beneath ruled in red staining heavy in places seriously affecting the last miniature and a number of other ff. wrinkling throughout small hole in lower border of the second miniature signature `Larochefoucauld` at foot of first p. armorial bookplate on first fly-leaf of H.C.Embleton sixteenth-century brown morocco covers with double blind-stamped roll paste-downs made up of fragments of an early liturgical book printed in red and black rubbed rebacked covers repaired 4to c.240 x 160mm. Northern France late 15th century. ***A fine manuscript though sadly affected by water-damage of three of the `sapiental` books of the Bible associated with King Solomon: Proverbs Ecclesiastes and Wisdom in the bible historiale version by Guyart des Moulins based on Peter Comestor`s Latin Historica Scholastica. The miniatures depict (f. 1r) Solomon enthroned with a group of courtiers beside him insructing his son Rehoboam in an architectural setting with a glimpse of a hilly landscape visible through an open door; (f. 47r) Solomon enthroned between two groups of courtiers (or students?). behind them a wall and behind that glimpses of landscape; (f. 64r) Solomon seated at a large desk writing on a scroll in an architectural setting with shelves of books high up on either side with lansdcape visible through a window above. The three miniatures are in similar architectural borders predominantly in gold with coloured pillars on either side and a tasseled cord on the right on which a small golden manikin is climbing at the foot a gilt pedestal on which is a panel or scroll with 4 lines of text. Provenance: from the La Rochefoucauld family library with signature at foot of first page very similar to that found in books in the Bibliothèque du Château de la Roche-Guyon sold by Sotheby`s in Monaco 9th Dec 1987 (cf lot 753) though unlike the books in that sale this manuscript has neither the library stamp on title nor the family arms on the covers.
ALDOUS HUXLEY: MUSIC AT NIGHT AND OTHER ESSAYS, 1931, orig cl gt + OSBERT SITWELL: OPEN THE DOOR!, 1941 reprint, orig cl gt + PETER CHEYNEY: DARK WANTON, 1948, orig cl, d/w + PETER CHEYNEY: ONE OF THOSE THINGS, 1949, orig cl, d/w + RICHARD GORDON: THE CAPTAIN’S TABLE, 1954, 1st edn, orig cl gt, d/w + EVELYN WAUGH: THE ORDEAL OF GILBERT PINFOLD, 1957, orig cl gt, d/w + VICKI BAUM: THE MUSTARD SEED, 1953, 1st edn, orig cl gt, d/w + H E BATES: WHEN THE GREEN WOODS LAUGH, 1960, 1st edn, orig cl gt, d/w + GRAHAM GREENE: THE HONORARY CONSUL, 1973, 1st edn, orig cl gt, d/w + KATHERINE MANSFIELD: THE DOVES’ NEST AND OTHER STORIES, 1988, orig laminated bds (10)
A GOOD LARGE EDWARDS & ROBERTS EDWARDIAN MAHOGANY INLAID BOOKCASE the top with three astragal glazed doors, dentil cornice over a base of three panel doors all profusely inlaid with flowers, scrolls, cornucopia and swags, supported on bracket feet. Door stamped EDWARDS & ROBERT, 8ft 4ft ins high, 6ft 2ins wide.
Theatre - Doran, Dr. Annals of the Engish stage from Thomas Betterton to Edmund Kean. London, 1888. 8vo, 3 volumes, portrait frontispiece, modern half morocco gilt; Agate, James The amazing theatre. London, 1939. 8vo, original cloth gilt, faded; [Idem] These were actors. London, [no date]. 8vo, frontispiece, original cloth gilt, ink inscription on endpaper; [Idem] Words I have lived with. London, [no date]. 8vo, original cloth, dustwrapper [torn]; [Idem] Ego. London, 1936-1948. 8vo, 8 [of 9] volumes, original cloth gilt, faded and rubbed; Pope, W. M. Gaiety: theatre of enchantment. London, 1949. 8vo, frontispiece, original cloth gilt; Jupp, James The Gaiety stage door. London, 1923. 8vo, portrait frontispiece, original red cloth gilt, faded; Langtry, Lillie The days I knew. London, [no date]. 8vo, frontispiece, original cloth gilt; and 45 others (62)
Two George III metal bound, studded and horsehide covered coaching trunks, late 18th century, both with domed cover, the larger example with the studded initials J.W. to the top and iron carrying handles at the ends, the paper lined interior with a printed label for Dudley Johnson, Trunk Maker, No.64 Opposite the North Door, St Pauls Church Yard, etc, 34cm high, 69cm wide, 42cm deep; the smaller example with gilt brass swing handle to the cover, 23cm high, 46cm wide, 27cm deep
A mahogany eight-day quarter chiming longcase clock, bearing signature for Francis Bennett, Shipston-on-Stour, early 19th century and later, now with triple-train key wound weight-driven movement with anchor escapement and a choice of Whittington, St. Michael and Westminster chimes on eight gongs and striking the hour on a cluster of four further gongs, the 13.25 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and bearing signature FRANCIS BENNETT, SHIPSTON-ON-STOUR to centre, the chapter ring with Arabic five-minute outer track within floral painted spandrels, the arch decorated with a Ho-Ho bird within delicate floral sprays, in a case with blind fret infill to the swan neck pediment and fluted columns to hood above shallow-arch door flanked by fluted quarter columns to trunk, on conforming crossbanded plinth base with moulded skirt incorporating bracket feet, 206cm (7ft 1in) high. condition report:** This clock has 20th century weight driven quarter chiming movement attached to a period dial plate which has been re-finished and signed by the clockmaker who undertook the conversion. Both movement and dial are in fine condition and clock should run and chime once set up correctly. Case is an early 19th century Scottish case and is in sound cosmetically restored condition with the only significant noticeable faults being vertical shrinkage cracks to the plinth base. The clock comes with weights, pendulum, case key and winder IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS Movements, dials and cases Movements and dials are described as relating to the cases in which they are housed in one of the following three ways: the case... we are of the opinion that the movement and dial started life in the current case. in a case... we are of the opinion that the movement and dial are in a case of correct period and type (and may well be original to the movement and dial), however there is evidence to suggest that they may not have started out life together. now in a case... we are of the opinion that the movement and dial are no longer in the original case or one of correct period and/or type. Pendulums, weights, winding and case keys Unless specifically indicated otherwise in the catalogue description it can be assumed that all clocks are sold with the requisite pendulum and correct number of weights (where appropriate), however we cannot guarantee that they are original to the clock. We do not indicate in the catalogue description whether winding or case keys are present with any specific clock. As many are consigned without keys please check with the department to establish whether they are present or not prior to bidding. Condition Due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Measurements Dial measurements are given in inches, other dimensions such as height are given in centimeters (and inches for English clocks). The measurement given for the height of a longcase clock excludes any removable finials in order to provide an approximate minimum ceiling height in which the clock can be accommodated.
A Victorian Scottish mahogany eight-day longcase clock, Farquarson, Dundee, mid 19th century, the four pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Farquarson, Dundee to centre, the angles with four seasons spandrels beneath ploughing scene to arch, the swan neck pedimented case with shaped-top trunk door flanked by split baton applied uprights, on panel-fronted plinth base with bracket feet, 210cm (6ft 11ins) high excluding eagle finial.
A Victorian Scottish mahogany eight-day longcase clock, C. Thomson, Kilmarnock, mid 19th century, the four pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and signed C. THOMSON, KILMARNOCK to chapter ring, the angles with four seasons spandrels beneath figural scene to arch, the swan neck pedimented case with crossbanded rectangular trunk door flanked by canted angles, on plinth base with turned feet, 224cm (7ft 4ins) high.
A mahogany eight-day longcase clock, circa 1800, the 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and with rubbed signature ...Bourton to centre, the spandrels with gilt foliate decoration beneath arch painted with winged Victory, now in a London style mahogany break-arch case with brass stop-fluted pilasters to hood above break-arch trunk door flanked by conforming quarter columns, on raised shaped-panel fronted plinth base, 229cm (7ft 6ins) high excluding finials.
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235346 item(s)/page