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Click here to subscribeA 19th Century oak and mahogany long case clock, the hood surmounted by a scrolled pediment with central brass eagle orb, the brass capped columns flanking an arched panelled door enclosing a moon phase dial decorated with roses, inscribed Edward Evans, Aberystwith, calendar aperture and subsidiary seconds dial with twin train movement striking on a bell, full length panelled door on box base, 226cm
A late Victorian burr walnut and gilt metal mounted credenza, inlaid with anthemion sprays and crossbanded borders, the breakfront fitted with a central cupboard door inset with a painted Sèvres style porcelain panel, flanked by turned columns and a pair of bowed glass cabinets, raised on a plinth base, width approx 153cm.
A large Edwardian mahogany and satinwood crossbanded bedroom unit, the dentil moulded pediment above a washstand section with mirrored back panel flanked by a press cupboard and a bowfront chest of two short and three long drawers, each end fitted with a mirrored door and raised on a plinth base, height approx 432cm, width approx 229cm.
AN EBONISED AND GILT METAL MOUNTED BASKET TOP TABLE CLOCK, 17TH Century, SAMUEL TINHAM, New Sarum, the 16cm (6.25") square brass dial with silvered chapter ring, Arabic five minute intervals, fleur de lys half hour markers, finely matted centre, date aperture and gilt winged cherub's mask spandrels, the five pillar, two train wire fusee movement with anchor escapement, rack striking on a bell, the back plate engraved with tulips and scrolling foliage and signed "Samuel Tinham, New Sarum fecit", the case with pierced basket top, pierced gilt brass side panels, the door with applied pierced gilt metal panels and with moulded plinth, 33cms high (with pendulum, crank winding key and case key) see illustration
A STAINED PINE LONGCASE CLOCK the 30.5cms (12") painted broken arch dial with roman numerals, seconds dial, calendar aperture, spandrels in the form of castle and abbey ruins, the arch with cattle watering, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with flat pediment on turned pilasters, long broken arch trunk door, plain plinth and bracket feet, 196cms high (with pendulum and weights)
AN OAK MAHOGANY & INLAID LONGCASE CLOCK, W DAVIS, Birmingham, the 35cm painted dial signed in the centre as above, with Roman numerals, seconds and calendar dials, phase of the moon arch, spandrels representing the Seasons, the 4 pillar movement mounted on a false dial plate, and with anchor escapement, rack striking on a bell, the case with broken swans neck pediment, turned and twist turned pilasters, shaped trunk door inlaid with a shell flanked by conforming pilasters on plinth with canted corners, 245cms high (with pendulum, weights, crank winding key and case key)
A MAHOGANY LONGCASE CLOCK, Jn ROUCKLEIFFE, Bridgwater (fl 1755 - 1785) the 30cm (11.75") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture and gilt foliage spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement, rack striking on a bell, the case with moulded pediment, turned pilasters, long trunk door and panelled plinths, 203cms high (with pendulum & weights)
AN OAK & MAHOGANY LONGCASE CLOCK CASE with ASSOCIATED BLACK FOREST DIAL & MOVEMENT the case with broken swans neck pediment, part ring turned pillars, cross banded trunk door and plinth and bracket feet, 208cm high the associated Black Forest 30 hour chain driven movement with tic-tac escapement and painted wooden broken arch dial, 30cm, with pendulum & weights
A MAHOGANY LONGCASE CLOCK, Jas ROUGH, Kircaldy, the 33.5cms broken arch painted dial signed in the centre as above, with Roman numerals, subsidiary seconds and calendar dials, spandrels representing the Continents, the arch with the seated figure of Britannia, the four pillar movement with anchor escapement, rack striking on a bell, the case with moulded pediment, blind fret carved frieze, fluted pillars, long trunk door flanked by fluted pilasters and panelled plinths, 200cms high (with pendulum, weights and key)
AN OAK LONGCASE CLOCK, Jno SPILLER, Wellington, the 30.5cms (12") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture, and with foliage and flowerhead spandrels, the four pillar movement with anchor escapement, mounted upon a false dial plate, striking on a bell, the case with stepped pediment, blind fret carved frieze, long trunk door and plain plinth, 195cms high (with pendulum, weights and crank winding key)
AN OAK LONGCASE CLOCK, NICHs ROPER, Shepton Mallet, the 31.5cm square brass dial with silvered chapter ring signed as above, Roman numerals, Arabic five minute intervals, fleur de lys half hour markers, matted centre with seconds dial and calendar aperture and pierced mask and foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with brass ball and spire finials, ogee pediment and moulded cornice on turned pilasters, long trunk door and plain plinth, 213cms high (with pendulum, weights & case key)
A GEORGE III MAHOGANY LONGCASE CLOCK the 33cms (13") painted broken arch dial with Roman numerals, spandrels painted with stags and hounds, the arch with a mounted huntsman, the single train eight day six pillar movement with anchor escapement and with side mounted chain driven two pillar striking movement with outside countwheel, striking on a bell, the back plate engraved with initials and dated 1816, the case with broken swans neck pediment, fluted pillars, short trunk door flanked by fluted pilasters and panelled plinth with canted sides (with pendulum, weights & keys)
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