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Mahogany carved cabinet on stand, the stepped cornice over a panelled door carved with Art Nouveau design trailing vines above lower doors carved with acanthus decoration, all raised on turned feet, 79 1/2in (202cm) high. Note: according to the vendor the cabinet was made by an uncle in Orkney around 1905
Mahogany longcase clock, the swan neck pediment above an arched painted face with a lady in a landscape setting in the arch, over a white enamel dial with Roman numerals in black, subsidiary seconds and a thirty one day ring and with floral painted details to the spandrels, the hood flanked by turned columns and over a cross banded trunk door flanked by corner quarter spiral pilasters, all raised on bracket feet, 84 1/2in (215.6cm) high
An oak and mahogany longcase clock, the arched enamelled 32cm dial painted with rustic scenes to arch and spandrels, Roman chapter ring, inscribed Staddon, Ripley, subsidiary seconds dial, calendar sector, eight day movement, striking on a bell, the arched hood with swan neck pediment and integral turned pilasters, the trunk with shaped door flanked by split balusters, bird and prancing horse inlays to door and base, figured mahogany veneers and rosewood bandings throughout, on bracket feet, 224cm high
Edward East - a small walnut longcase clock, the square brass 25cm dial, inscribed Edwardus East, Londini, fecit, with winged infant mask spandrels, silvered Roman and Arabic chapter ring and matted centre subsidiary seconds dial, with alarum, eight day movement, half-hour striking on two bells, the moulded rectangular hood with integral spirally turned pillars, the trunk door and base door with matched veneers and crossgrained mouldings, on bun feet, 186cm high
A good walnut arabesque marquetry longcase clock, the square brass 13cm dial with crown and sprawling boys spandrels, Roman and Arabic silvered chapter ring, inscribed Jno Austin, Watford, the matted centre chased with florets and outlined with draught turnings, silvered seconds dial and calendar aperture, eight day movement, striking on a bell, the hood with freestanding spirally turned pillars beneath a stepped cornice and blind fretwork frieze, fretwork side panels, the trunk door with oval lenticle, on a moulded plinth, the front inlaid with engraved and penwork floral arabesques with perching birds within strapwork borders, the sides veneered within strung borders, 217cm high
An oak longcase clock, the arched enamelled 32cm dial painted with a coastal scene above castle and figure spandrels, Roman chapter ring, calendar sector, eight day movement, striking on a bell, the arched hood with brass mounted swan neck pediment and central keystone above freestanding brass mounted fluted pillars, the trunk door and base with harewood flowering urn paterae, mahogany bandings and boxwood stringing throughout, on a shaped base, 226cm overall
An oak and mahogany longcase clock, the arched enamelled 36cm dial painted with shepherdess and dog by a stile above spandrels painted with sheep, Roman chapter ring, subsidiary seconds dial, calendar sector, inscribed Heywood, Wrexham, eight day movement, striking on a bell, the case with swan neck pediment, strung cluster columns to hood and trunk, the shaped door and base panel inlaid with rosewood lozenges, 242cm high
Jason & Andrew Kelley, Glasgow. A mid 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the white enamel circular dial with subsidiary seconds dial, the drum hood with acanthus carved moulding, the case with moulded spreading trunk door with canted angles headed and footed by carved scrolls, on shaped plinth base, 208cm high
An early 18th century oak 8-day longcase clock, the twin train movement with anchor escapement, the square train dial with silvered chapter ring enclosing subsidiary seconds dial and date aperture, the hood with caddy top above turned columns and panelled trunk door with glazed lenticle, on plain base with bracket feet, 225cm high
Duncan Robertson, Blairgowrie. An early 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the arched painted dial with subsidiary seconds and date dials, painted to the arch with a maiden, the hood with boxwood stringing and inlaid turned columns above shaped trunk door and inlaid panel base with bracket feet, 215cm high
James Niccoll, Canongate. A mid 18th century mahogany cased 8 day longcase clock, the twin train movement with anchor escapement, the brass arched dial with silvered chapter ring and cast spandrels, enclosing subsidiary seconds dial and date aperture the broken arched hood above turned column and arched trunk door, the plain base raised on bracket feet, 220cm high
David Clark, London. An 18th century mahogany cased 8-day longcase clock, the twin train movement with anchor escapement, the arched silvered dial with subsidiary seconds, hours, strike/silent and alarm/free dials enclosed within arched hood with caddy top, inset with coats of arms, above fluted columns, the arched trunk door flanked by brass capped fluted quarter columns, the panelled base raised on bracket feet, 237cm high
Hugh Spence, Huntly. An early 19th century oak 8-day longcase clock, the twin train movement with anchor escapement, the white enamel dial with subsidiary seconds and date dials, painted with flowers to the spandrels and a lady in a field to the arch, the hood with swan neck pediment centred by a brass eagle and ball finial above brass mounted columns, the case with arched moulded trunk door between quarter column angles, on plinth base, 214cm high
William Lee, Leicester. A late 18th century oak 8-day longcase clock, A late 18th century oak longcase clock, the twin train movement with anchor escapement, the brass dial with cast spandrels, slivered chapter ring and subsidiary seconds dial and date aperture, the hood with moulded cornice and turned columns, the case with double arched trunk door, on plinth base with bracket feet, 200cm high
John Beeckman, Pall Mall, London. An ebony veneered striking table clock, circa 1700, the twin train fusee five pillar movement with verge escapement, striking on a bell with pull repeat (lacking), count wheel attached to engraved back plate bearing inscription John Beeckman in ye Pall Mall, silvered chapter ring with Roman numerals on brass dial with cherub mask spandrels, and similar inscription, date aperture, the rectangular case with pierced scrolling panel to door, pierced and cast gilt brass cushion cresting with hinged handle, flaming urn finals to corners, plinth base with bun feet, 37cm high.
A George III mahogany cabinet on stand, the moulded cornice above two cupboard doors with boxwood stringing, enclosing various small drawers surrounding a cupboard door with marquetry paterae inlay, enclosing further drawers, the stand with frieze drawer flanked by fluting, on turned tapering legs with pad feet fitted with castors, 82cm wide, 127cm high, 41cm deep
A Victorian walnut and inlaid credenza, of semi bowed form, the shaped top above floral and foliate inlaid frieze and central door with gilt metal banding and central marquetry urn issuing flowers, flanked by bowed doors similarly inlaid and raised above a shaped plinth, 152cm wide, 104cm high, 34cm deep
A George III satinwood kneehole secretaire desk, rosewood crossbanded overall, the rectangular top above a secretaire drawer, the interior fitted with writing surface, drawers and pigeonholes, above a small drawer and keehole with recessed cupboard door with marquetry urn inlay, flanked to each side by three drawers, on bracket feet, 84cm wide, 84cm high, 52cm deep
AN ART NOUVEAU OAK DRESSER, flat moulded cornice, shaped apron, small cupboard enclosed by coloured leaded glass panel door, open shelves with plate grooves and a cupboard base with oxidized copper strap hinges and two drawers with plate and handles on spiral turned supports and straight stretchers, 54"w
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235302 item(s)/page