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Lot 1051
LONDON ILLUSTRATED NEWS. Two volumes January to December for 1887, bindings in poor condition, cracked hinges, spine cloth panels loose, rubbed and bumped, spotting to first three leaves including title page, profusely illustrated throughout, good clean text block, 1887. (2)Double page 'The Hippodrome at Olympia, The National Agricultural Hall, Kensington: The Chariot-Race,' Jan 1st, double page 'A Cry for Help: The Life-Line from the Shore,' Jan 8th, 'The Fighting in Burmah,' Jan 29th, double page 'Napoleon and the Sphinx,' Feb 19th, double page 'Russian Troops on the March,' March 5th, double page birds ey view of 'The American Exhibition, Earls Court,' April 16th, frot page 'The New Racing-Yacht Thistle, Built on the Clyde,' June 11th, double page portrait of Queen Victoria June 18th, double page 'Arrival of the Queen at the West Door of Westminster Abbey,' June 21st, double page arial view of Newcastle upon Tyne July 16th, double page 'The Victoria and Albert Passing Between the Lines of the Ironclads,' July 30th, landscape 'One of the New Afghan Boundary Pillars,' Aug 20th, 'The British Mission to Morocco: Reception of the Mission by the Kaid of Dukala,' Aug 27th, 'A Sleeping Beauty,' Oct 8th, 'Sketches on the River Congo,' Oct 22nd, 'The Port of Allahabad and Junction of the Jumna with the Ganges,' Nov 19th, 'Ibex Shooting in the Himalayas,' Nov 26th, 'A Visit to the Harem in Morocco,' Dec 17th.
Lot 14
Capt SAMUEL BRUNT. 'A Voyage to Cacklogallinia: With a Description of the Religion, Policy, Customs and Manners, of that Country,' rebound with pebbled cloth boards, lacking frontispiece, J. Watson, London, 1727.Written under the pseudonym of Samuel Brunt-and in the past laid at Daniel Defoe's door- the book is a satire, inspired by the South Sea Bubble fiasco, in which, during a visit to a country inhabited by fowl, the narrator becomes involved in a scheme to prospect for gold on the moon.
Lot 72
Sir ARTHUR CONAN DOYLE. 'The Lost World,' first edition, original cloth, rubbed and bumped, b+w frontis, sporadic foxing throughout, contemporary ink inscription to endpaper, Hodder and Stoughton, London, 1912; 'Danger! and Other Stories,' first edition, original cloth, vg to fine, John Murray, 1918; 'The Vital Message,' original cloth, sun bleaching to spine, slight cracking to joints, Hodder and Stoughton, London; 'The Poison Belt,' original cloth, b+w frontis, Hodder and Stoughton, London, 1913; Through the Magic Door,' original cloth with gilt decorations, sporadic spotting throughout, Smith, Elder & Co, London, 1907; With seventeen other books by or about Doyle including later prints of 'The Sign of Four,' 'A Study in Scarlet,' and 'The Exploits of Sherlock Holmes'. (22)
Lot 227
Burke (Thomas, 1749-1815). Portrait of Lady Rushout and her Daughter, after Angelica Kauffman, 1784, oval stipple engraving printed in brown on laid paper, a fine impression, in good condition (unexamined out of the frame), together with Bartolozzi (Francesco, 1727–1815). The Shepherdess of the Alps, after Angelica Kauffman, 1785, oval stipple engraving printed in bistre, a fine impression, in good condition, plus two further stipple engravings by Francesco Bartolozzi: Angels (after Vieira Portuense), 1800, & Cherubims (after Matthew William Peters), two stipple engravings on wove paper with colouring à la poupée, published by Anthony Moltano, very good impressions, London, very good impressions, a few marginal defects,and other 18th and early 19th century British prints including, Edmund Stott (1758-1811), Lingo and Cowslip (after Henry Singleton), 1788, stipple engraving printed in brown, a very good impression, Richard James Lane (1800-1872), A Mother with her two children at her knees (from Studies of Figures by Gainsborough), 1825, lithograph with green tint stone, printed by Hullmandel, a very good, fresh impression, on wove paper, with margins, Simon de Koster (1767-1831), Portrait of William Pitt the Younger, 1799, stipple engraving on firm laid paper with text verso, published by John Brydon, a very good, black impression, vertical crease partially but unobtrusively split, the lower left corner re-attached; Luigi Schiavonetti (1765-1810), The Primrose Seller, & Milk below Maids (from Francis Wheatley's Cries of London), 1793, two stipple engravings, both good impressions, laid on the support sheets, Benjamin Duterrau (1767-1851) The Farmer’s Door, after George Morland, 1799, stipple engraving printed in brown, on laid paper, and Alexander Runciman (1736-1785), Cormar attacking the spirit of the waters, 1774, Reclining woman in antique dress, circa 1767, and Fingal finding Conban-Cargla at the cave of Turthur, circa 1770s, together three etchings on tissue-thin paper with wirelines, late printings; various sizes, the largest sheet 38.3 x 32.3 cm (15 x 12 3/4 ins), smallest sheet 7.5 x 12.7 cm (3 x 5 ins), all unframed except for Burke,after Kauffman, Bartolozzi, after Kauffman, and Stott, after Singleton (45.5 x 42.5 cm) and the gilt frames averaging 50.5 x 43 cm (oval)QTY: (13)
Lot 80
Meissen Clock. A Meissen porcelain mantel clock circa 1890, the case heavily encrusted with flowers, surmounted by a bachannalian child and three further children including on girl carrying a garland another with representing harvest, circular white enamel dial with blue roman numerals and arabic numerals to the outer dial, signed but illegable, two winding holes, Bogquet et Fils movement with convex glass door, some damage to the flowers and feet as well as other area, blue crossed swords mark to base, 47cm highQTY: (1)
Lot 87
Mantel Clock. A late 19th century French mantel clock, the elaborate classical ormolu case with urn finial, and wreath border supporting a convex white enamel dial with black roman numerals and arabic minutes, pierced gilt metal hands, single winding hole (damage to the enamel and the glass door heavily pitted), drum shape brass movement, on a white marble base with turned brass supports, 30cm highQTY: (1)
Lot 90
Longcase Clock. A George III longcase clock by John Safley, Edinburgh, circa 1780, the 42 x 30cm brass dial with silvered chapter dial with black roman numerals, calendar aperture, a silvered dial engraved with masonic compass emblem and minutes, 3 winding holes, two dials to the arch for hours strick [sic] and quarters strick [sic], pierced brass spandrels, the movement with 8 bells, housed in a red walnut case with hood with broken arch pediment with fret cut scrolls, with weights and pendulum, 225cm highQTY: (1)NOTE:A manuscript note card is affixed to the inner door incribed 'John Safley Nicholson's Street Edinburgh (1764 (d.1803). A Scottish Masonic Lodge clock, red walnut architecrural case with "broken pediment" carved acanthus and 'egg & dart' mouldings. Superb 8 bell three train quarter chiming movement. Having 'dead beat' escapement, a detached 'star wheel' and 'continuous snail' on the strike train, a massive pendulum for accuracy, and steel work and blued of the highest quality'John Safley became a freeman clockmaker in Endinburgh in 1765, he died in 1803.
Lot 471
Georgian oak hanging corner cabinet, with key cornice over a single astragal glazed door enclosing a shelved interior, 28" wide, 33" high; together with an Art Nouveau type hanging corner cupboard with raised back and key cornice over foliate and fruit carved cupboard door, 19" wide, 29.5" high (2)
Lot 385
An oak striking table clock, by Joseph Smith of Barthomley, early to mid 18th century, the oak case with brass swing handle and urn finials to top, over arched glazed door on plinth base with bun feet, with glazed panels to sides and reverse, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, the chapter ring signed Joseph Smith Barthomley, the matted gilt centre engraved with a sun, date aperture at six, with mask and scrolling foliate spandrels, the arch with later plaque inscribed Tempus Fugit, the eight day twin fusee movement with repeating mechanism, striking three bells, the backplate elaborately engraved with flowerheads and scrolling foliate decoration, with pendulum, 51cm high including handle, 26cm wide, 15.4cm deepNote: Joseph Smith of Barthomley, Chester is listed on page 721 of Brian Loomes’ Clockmakers of the World: 21st Century Edition. He married in 1718 and worked in Barthomley until 1725 when he moved to Gloverstone, Chester, where he continued to work till post 1769.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 386
A gilt-brass table timepiece, circa 1800, the arched case with swing handle to top and pierced quatrefoil design to sides and top, having glazed door to reverse, the silvered chapter ring with Roman and Arabic numerals, matt gilt centre and C-scroll spandrels, with automaton in the arch depicting a painted scene of a man and woman wielding clubs with a cottage to background, single fusee, dead beat movement, with pendulum and winder, 30.5cm high (excluding handle), 23.5cm wide, 15cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 394
A Victorian walnut eight day mantel clock, late 19th century, the walnut case with relief carved scrolling foliate decoration on scrolling base, having pierced brass side panels and reverse door, the painted circular dial with Roman numerals and outer minute track, the dial signed Chas Cordoux Clifton, with spade hands, within brass bezel, with twin fusee chain driven movement striking on a bell on the hour, with pendulum, key and winder, 48cm high, 41cm wide, 18cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 413
A George III mahogany and boxwood inlaid wall clock, early 19th century, the boxwood string inlaid case with shaped and moulded cornice above plain glazed hood and trunk with broken arch door over shaped supports, the white enamel dial with Roman and Arabic numerals, the single train movement with anchor escapement, 118cm high, 35cm wide Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report
Lot 421
A chinoiserie eight day longcase clock, by John Berry, London, second quarter 18th century, the black lacquered case with moulded cornice above fretwork frieze, with four pillars flanking glazed hood door and glass side panels, the trunk and plinth base decorated with figures, pagodas and birds, the trunk door with lenticle, the square brass dial with brass chapter ring with Roman and Arabic numerals, signed JOHN BERRY LONDON to chapter ring, with subsidiary seconds dial at twelve and date aperture at six, with crown and cherub spandrels, the eight day twin train movement striking on a bell on the hour, with pendulum and two weights, 209.5cm Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 470
A Regency ebony inlaid mahogany collectors cabinet, the hinged top inlaid with brass plaque enclosing velvet line compartment, above drop down door enclosing twelve velvet lined drawers with ivory handles, flanked by ring turned and reeded columns, raised on gilt bronze lion paw front feet and turned back feet, 50cm high, 55cm wide, 45cm deepIvory submission reference: T1CAPJACPlease refer to department for condition report
Lot 503
An Edwardian Sheraton revival bow front mahogany corner display cabinet, satinwood and ebony strung with marquetry inlay, the spindle cornice above glazed door and single drawer beside faux drawer, the base with square tapered legs and spade feet joined by undertier, 168cm high, 74cm wide, 50cm deepPlease refer to department for condition report
Lot 349
A large early 20th-century French "Anglaise Riche" 8-day repeater carriage clock with a distinctive folding bale handle. The two-piece concave silvered Arabic dial and a mask fretted with a bird alighting from branches. The movement chiming the hours on a coil gong. On a moulded skirt foot. 10.5 cm wide x 9.5 cm deep x 20 cm overall heightthe back door panel is broken and one side panel is chipped at the back edgeThe balance runs with agitation
Lot 352
A 19th-century Bolvillier of Paris 8-day carriage clock with elaborate water gilt canted case mounted with entwined mermaids bale handle. The movement chiming the hours on a single bell and fitted and engraved balance. The one-piece white enamel Roman dial with blued moon hands and marked "Bolvillier a Paris". On a moulded architectural base with running bands of fruiting vines. The movement marked 230 LM. 11 cm wide x 10 cm deep x 22 cm overall height.The rear door is looseAll glass panels are intact and chip-freeBoth going and chiming trains wound solid but balance does not move even under encouragement.
Lot 337
Mills: A Mills Hi-Top, Red, Jackpot, operating on 6d play, one arm bandit amusement machine, restored, working order with front loading jackpot which has Mills snake key lock, together with a collection of 6d coins and keys. With internal cashbox door and cashbox. Measurements approx. 70cm height, 41cm width, 40cm depth.
Lot 584
Five later 20th Century light oak chairs in the manner of the Chartwell chair by Heal and Son Ltd, each with a shaped top rail above lattice backs drop-in seats and H-form stretcher frames, unlabelled and one drop-in seat pad missing, S/D, together with an oak veneered cupboard in the manner of Heals, with triangular chip-cut frieze with blue and green painted highlights, fitted with a central double door (two further door panels missing) height 52cm, width 208cm and depth 56cm, the cupboard A/F. (6) Provenance - Consigned to auction sale from the Cadbury's chocolate factory. This furniture had been in use as part of the boardroom furniture.
Lot 586
An Ercol Furniture model 351 elm and beech sideboard, designed by Lucian Ercolani, fitted with two drawers above a double door and single door cupboard, raised to as splayed stretcher frame, height 83cm, width 120cm and depth 45cm, together with an Ercol model 268 two tier elm plate rack, height 50cm and width 95cm. (2)
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235346 item(s)/page