An oak bureau bookcase with leaded glazed doors above a fall front over three various drawers on barley-twist supports to squat bun feet CONDITION REPORTS Whilst the piece is basically sound and of reasonable colour, the glass has two cracks to the left-hand door right upper panel and markings to one of the middle panels, old sellotape marks to right-hand panels in two places, the right-hand side has a screwed on section of wood the reason for which is not apparent other than perhaps to stop the door from opening too wide, fall front has a section of moulding to the left of the centre moulding missing and knocks and cracks to the fall front compartment, left-hand upper drawer has a section of moulding missing, otherwise the piece has wear and tear conducive with age and use, requiring minor restoration. Size : 91 cm wide x 210 cm high x 45 cm deep.
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An Edwardian mahogany three shelf display cabinet with satinwood inlay on straight legs to spade feet CONDITION REPORTS Overall with wear, scuffs, knocks and chips, some cracks to top, section of moulding missing to top of door, some slight warping to doors, some lifting and cracks to veneers and inlays, dirt and stains to fabric, glass to one side is broken and has sections missing, some losses to inlay and veneers, size approx. 88 cm wide x 148 cm high.
An early 19th Century oak cased longcase clock, the eight day movement with square brass dial Arabic and Roman numerals to chapter ring enclosing a subsidiary seconds dial and date aperture, and medallion inscribed "Will Gough London" CONDITION REPORTS Overall with wear and scuffs. Various alterations and replacement sections. Surmound to top section of case appears to be a later replacement. Door warped. Base appears to have been altered and cut down. Some old woodworm holes. Various chips and splits. Approx 197cm high x 45cm wide. Diameter of dial/chapter ring approx 27.5cm.
A box containing assorted brass and other metalware to include a pair of pricket sticks, a fighting cock, various door handles, etc, together with a box containing transfer decorated toilet jug and associated bowl, and a Continental plated tea set, a box of assorted lampshades and a barley twist standard lamp
Victorian Aesthetic School coromandel banded walnut side cabinet, the tray top with carved foliate roundels and side spindles, door with carved upper panel, bevelled glazed panel below enclosing four shelves, engraved brass hinge plates and ring drop handle and standing on slender turned supports, 52.5cm wide Please see extra images and TELEPHONE department for further details
George III gentleman`s mahogany square top enclosed washstand, the double hinged cover opening to reveal a fitted interior with sliding mirror and three apertures, cupboard door and single drawer below and standing on square supports united by a platform stretcher, 37cm wide Please see extra images and TELEPHONE department for further details
Late 19th/early 20th Century ormolu mounted dark mahogany display cabinet, having a moulded cornice, frieze below with ormolu swags, partially bevelled glazed door with oval green jasper panel and oval fielded panel with ormolu figural decoration in relief, standing on cabriole supports, 97cm wide Please see extra images and TELEPHONE department for further details
19th Century string inlaid mahogany longcase clock by John Warry of Bristol, the hood with arch shaped pediment and reeded pillars, trunk with short door and standing on bracket feet, painted dial with Roman and Arabic numerals, moon phase, subsidiary seconds dial and calendar aperture, eight day striking movement, 222cm high Please see extra images and TELEPHONE department for further details
George III mahogany crossbanded oak longcase clock by William Short of Cirencester, the hood with moulded cornice, square glazed door flanked by tapered pillars, trunk with long door and standing on ogee bracket feet, square brass dial with silvered chapter ring having Roman numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 212cm high Please see extra images and TELEPHONE department for further details
Early 20th Century mahogany longcase clock, the hood with swan neck pediment, trunk with long door having oval bevelled glazed panel and standing on bracket feet, arch shaped silvered dial with allover applied gilt scroll work, having Arabic numerals and with subsidiary chime/silent and seconds dials, eight day movement striking on five graduated tubes, 218cm high Please see extra images and TELEPHONE department for further details
George III mahogany longcase clock by James Scholfield of Barnsley, the hood with swan neck pediment, ormolu mounts, arch shaped glazed door flanked by reeded pillars, trunk with long door flanked by conforming split pillars and standing on bracket feet, arch shaped dial with painted landscape panel, Roman and Arabic numerals, conforming seconds and calendar dials, eight day striking movement, 243cm high Please see extra images and TELEPHONE department for further details
Antique assembled walnut cased bracket clock, square door flanked by barley twist columns and with key drawer below, 8"" brass dial with engraved rim, engraved figural decoration to the centre, cast angel spandrels, silvered dial with Roman numerals and with each minute numbered with Arabic numerals, brass double fusee movement striking on a bell, overall height 63cm Please see extra images and TELEPHONE department for further details
19th Century Chinese black lacquered table cabinet having typical gilded landscape decoration, brass gallery, engraved brass hinges and escutcheon, doors opening to reveal a fitted interior with six drawers and a cupboard door, all having conforming gilded decoration, 52cm high, on an associated Chinese Chippendale style ebonised stand, overall height with stand 126cm Cabinet in distressed condition (would recommend viewing this lot in person) - ** General condition consistent with age
Late 19th/early 20th Century ormolu mounted dark mahogany display cabinet, having a moulded cornice, frieze below with ormolu swags, partially bevelled glazed door with oval green jasper panel and oval fielded panel with ormolu figural decoration in relief, standing on cabriole supports, 97cm wide Please see extra images and TELEPHONE department for further details
19th Century string inlaid mahogany longcase clock by John Warry of Bristol, the hood with arch shaped pediment and reeded pillars, trunk with short door and standing on bracket feet, painted dial with Roman and Arabic numerals, moon phase, subsidiary seconds dial and calendar aperture, eight day striking movement, 222cm high Please see extra images and TELEPHONE department for further details
Early 20th Century mahogany longcase clock, the hood with swan neck pediment, trunk with long door having oval bevelled glazed panel and standing on bracket feet, arch shaped silvered dial with allover applied gilt scroll work, having Arabic numerals and with subsidiary chime/silent and seconds dials, eight day movement striking on five graduated tubes, 218cm high Please see extra images and TELEPHONE department for further details
George III mahogany longcase clock by James Scholfield of Barnsley, the hood with swan neck pediment, ormolu mounts, arch shaped glazed door flanked by reeded pillars, trunk with long door flanked by conforming split pillars and standing on bracket feet, arch shaped dial with painted landscape panel, Roman and Arabic numerals, conforming seconds and calendar dials, eight day striking movement, 243cm high Please see extra images and TELEPHONE department for further details
Antique assembled walnut cased bracket clock, square door flanked by barley twist columns and with key drawer below, 8"" brass dial with engraved rim, engraved figural decoration to the centre, cast angel spandrels, silvered dial with Roman numerals and with each minute numbered with Arabic numerals, brass double fusee movement striking on a bell, overall height 63cm Please see extra images and TELEPHONE department for further details
Victorian Aesthetic School coromandel banded walnut side cabinet, the tray top with carved foliate roundels and side spindles, door with carved upper panel, bevelled glazed panel below enclosing four shelves, engraved brass hinge plates and ring drop handle and standing on slender turned supports, 52.5cm wide Please see extra images and TELEPHONE department for further details
George III gentleman`s mahogany square top enclosed washstand, the double hinged cover opening to reveal a fitted interior with sliding mirror and three apertures, cupboard door and single drawer below and standing on square supports united by a platform stretcher, 37cm wide Please see extra images and TELEPHONE department for further details
19th Century Chinese black lacquered table cabinet having typical gilded landscape decoration, brass gallery, engraved brass hinges and escutcheon, doors opening to reveal a fitted interior with six drawers and a cupboard door, all having conforming gilded decoration, 52cm high, on an associated Chinese Chippendale style ebonised stand, overall height with stand 126cm Cabinet in distressed condition (would recommend viewing this lot in person) - ** General condition consistent with age
A George III mahogany linen press, the moulded and Greek key cornice above a pair of panelled doors, with three drawers below, on bracket feet, 120 cm wide See illustration Condition report Report by NG Approx. measurements - 120 wide, 178 high, 62.5 cm deep. Linen press all in one piece. Knocks and bumps and some patches inlet in cornice. Beading to doors looks like it has been altered. Canted corners now reveal untidy corners of panel door. Some knocks and repairs to beading. Split in right panel door. Open to reveal six slides. Other general wear and knocks and bumps.
An early 19th century mahogany chiffonier, the raised back above two frieze drawers and a pair of doors with brass grilles, 107 cm wide See illustration Condition report Report by RB There are a few areas of veneer missing to the top of the back, the right hand scroll support is previously repaired and is now broken again, there is some beading missing to the back panel, and a square section beading also missing above the right hand scroll support, and moulding missing to the side of the right hand cluster column. There are a couple of ring stain marks to the top, which is also very slightly warped, with the left hand projecting cluster column moving slightly away from the carcass (in other words the veneer is badly split), the right hand drawer has both the vertical mouldings missing to the front, there is an area of veneer missing to the top left hand section of the right hand panel door, with a section missing to the bottom right hand section of the left hand door, with a section of the moulding missing beneath the right hand panel door, with a drawer key and a door key, overall a good colour, from a private client, and now requiring some restoration
A George III mahogany linen press, the moulded and Greek key cornice above a pair of panelled doors, with three drawers below, on bracket feet, 120 cm wide See illustration Condition report Report by NG Approx. measurements - 120 wide, 178 high, 62.5 cm deep. Linen press all in one piece. Knocks and bumps and some patches inlet in cornice. Beading to doors looks like it has been altered. Canted corners now reveal untidy corners of panel door. Some knocks and repairs to beading. Split in right panel door. Open to reveal six slides. Other general wear and knocks and bumps.
An early 19th century mahogany chiffonier, the raised back above two frieze drawers and a pair of doors with brass grilles, 107 cm wide See illustration Condition report Report by RB There are a few areas of veneer missing to the top of the back, the right hand scroll support is previously repaired and is now broken again, there is some beading missing to the back panel, and a square section beading also missing above the right hand scroll support, and moulding missing to the side of the right hand cluster column. There are a couple of ring stain marks to the top, which is also very slightly warped, with the left hand projecting cluster column moving slightly away from the carcass (in other words the veneer is badly split), the right hand drawer has both the vertical mouldings missing to the front, there is an area of veneer missing to the top left hand section of the right hand panel door, with a section missing to the bottom right hand section of the left hand door, with a section of the moulding missing beneath the right hand panel door, with a drawer key and a door key, overall a good colour, from a private client, and now requiring some restoration
De Voorgenome Scheeps-Togt van Sebastiaan Gaboto, om door de Straat Magellaan na de Moluccos te Stevenen, aan Rio de la Plata Voleyndigt This small map of the continent is filled with detail and illustrates the explorations of Sebastian Cabot. In 1525 Cabot embarked upon an expedition to calculate the precise demarcation of the Treaty of Tordesillas, which divided the lands outside of Europe between Spain and Portugal. With a fleet of four ships and 200 men, Cabot landed in Brazil and then proceeded to explore the interior of the Rio de la Plata. He constructed a fort named San Salvador and then ventured up the Parana River, establishing another fort named Espiritu Santo. Both forts are noted on the map. With the exception of a small area in central Brazil, the map is fully engraved with rivers, towns, and mountain ranges. The mythical Parime Lacus appears just north of the equator, with the fabled golden city Manoa el Dorado on its western shore. This map was published in van der Aa`s compilation of early voyages of exploration. A dark impression with attractive color, light toning, and a few spots of foxing. The top margin has been extended to accommodate framing. 6"" W x 8.8"" H Aa, Pieter van der 1710
![[Pascaart van Europa op Wassende Graaden door Dirck Rembrantsz van Nierop] This is the central portion of an extremely scarc](http://lot-images.atgmedia.com/SR/36385/2916721/449-2014116144348_468x382.jpg)
[Pascaart van Europa op Wassende Graaden door Dirck Rembrantsz van Nierop] This is the central portion of an extremely scarce oversized copperplate chart of Europe, extending to include the majority of the North Atlantic. The full plate was listed in an advertisement in Doncker`s Nieuw Groot Stuurmans Straetsboeck, published in 1664, and was to be printed on either vellum or paper. The advertisement explains that the chart would be fit to put in a golden frame as a ""jewel"" or prize decoration in the home. Only one example of the full chart is known to be in existence, a hand-colored vellum example at the Maritime Museum in Rotterdam. As the oversized chart would not fit in a folio atlas, Doncker masked different portions of the chart in order to print the chart on paper for several of his atlases. The British Library has an example of this masked chart in a Doncker atlas published in 1696, Nieuwe Groote Vermeerderde Zee-Atlas ofte Water-Werelt. However, the chart in the British Library exemplar is shifted slightly to the west and includes a title added below the ships at bottom left: ""Pascaert van het Westerlyckste Deel van Europa."" This is the only known copy of this atlas. Another example of the masked chart exists in a 1693 Doncker atlas in the Biblioteca Nacional in Madrid, with the chart shifted farther north.Doncker`s oversized sea chart is largely based on Jacob Aertsz. Colom`s four-sheet chart published in 1651, Der Groote Noord Zee Wassende Grade Pas Caart, which extends further north and west than Doncker`s chart (see Burden #302). The coastlines of Europe and northern Africa are filled with place names, while the coats of arms of various nations are placed within the interior. In Scandinavia is a charming depiction of horned sheep in a pasture. Along the right edge of the sheet are the beginnings of an elaborate vignette and the title cartouche.The Prime Meridian is based in the Canary Islands. Iceland, Jan Mayen Island, and the mythical Enchuyser Eylant are depicted just west of the Prime Meridian in the North Atlantic, with numerous place names and depth soundings surrounding Iceland. This chart also gives good detail of Greenland, which has a partially delineated coastline to the south and a projected coastline to the northeast. Interestingly, there are significant differences between this chart and all of Doncker`s other charts representing Greenland, Iceland, and Davis Strait, published between 1659 and his death in 1699. This chart gives two additional place names in Iceland: Lokula Haske in the south and Suer in the east. In addition, the shape of Greenland and place names along the coastline are starkly different in this map versus his other works. This map has place names concentrated on the western coast (partially truncated in this example), and depict the island with a more accurate shape. In contrast, Doncker`s other charts of Greenland show the island with a pointy southern tip that slants to the southwest, with several large islands at the southern end. These differences clearly show that this chart was based on Colom`s chart, whereas Doncker`s other maps representing Greenland were based on Pieter Goos` chart of Greenland, Iceland, and Davis Strait, first published in 1650 (Pascaerte van Groen-Landt), which itself was based on Theunis Jacobsz` chart of Greenland. A nice impression with minor soiling and light damp stains at right and left. There are 2"" centerfold separations at top and bottom, as well as several short tears and one long tear extending from northern Africa to Ireland that have been closed on verso with archival materials. 19.9"" W x 23.7"" H Doncker, Henrick 1690
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