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An 18th Century French oak armoire from the south west region the ornately carved decorated exterior to a leaf cornice centred by a basket of fruit to the frieze below the panelled door with conforming carved decoration and brass lock plates and hinges with a drawer below, 90 inches high x 67 1/2 inches wide
A mid Victorian period burr walnut Davenport the three quarter gallery pierced with leaf scrolls and carved with the interlaced initials 'W M' , the fall with gilt tooled skiver enclosing a harewood lined interior with short drawers and pigeon-holes, the panelled kneehole recess on volute-carved pilaster supports flanked by a cupboard door enclosing short drawers, on sledge base with bun feet 60cm wide, 87cm high, 60cm deep
An Edwardian period 'Sheraton Revival' painted satinwood display cabinet the moulded cornice above an astragal door enclosing a lined interior with shelves and a pair of cupboard doors between canted angles, on shaped apron and splayed square section legs united by a shaped undershelf, the whole painted with neo-classical style ribbon-tied foliage and trophies 82cm wide, 176cm high, 40cm deep
A GEORGE III OAK AND MAHOGANY CROSS BANDED LONG CASE CLOCK having an arched painted dial with country house decoration, second hand and date aperture, two weights and pendulum, the case with break arch pediment, fluted pillar support and arch panel door with cross banded decoration and canted corners, 88" high.
A late 17th century oak buffet of narrow proportions, the pendant and strapwork carved frieze inscribed with the initials MBM and dated 1696 above a celtic-style strapwork carved cupboard door, a small guilloche carved door and a larger strapwork carved door with wrought iron loop handles, between channel moulded uprights and panelled sides, on stem feet 79cm wide, 169cm high, 63cm deep
An 18th century German or Austrian walnut, burr walnut and ebony banded bureau bookcase of serpentine outline, the arched top with a central cabinet door enclosing a fitted interior between six short and a long drawer, the shallow central fall enclosing shelved mirror between short drawers, the lower part with three long drawers with Baroque style gilt metal handles, on skirted ebonised apron and boldly turned bun feet 131cm wide, 200cm high, 64cm deep
An early American ebonised and red 'combed' kitchen dresser Probably mid18th century of small proportions, the projecting ebonised cornice above a re-entrant cornered frieze with incised 'cockbead' edge and three shelves grooved for plates and framed by similarly incised and lipped facings ending in downswept shoe pieces, the top with a broad moulded edge above a six-panel front composed of a pair of cupboard doors flanking a central panelled divider, each panel decorated with narrow frame mouldings, on caddy moulded uprights and stem feet, the sides with conforming double panelling 130cm wide, 194cm high, 39cm deep Note: American painted dressers of this type and size are scarce. The stylish features of this example possibly indicate a New England provenance and the use of crisply executed caddy and re-entrant mouldings suggests an early date. The dresser is in its original condition complete with wrought iron plate hooks, which are crimped flat at the ends, and turned pull handles. An escutcheon appears to have been added to the right hand door, but all the escutcheons appear to be of an early date. The dresser is composed of oak framing around pine panels with are chamfered on their internal edges, rather than presenting an outward facing 'fielded' panel. The ebonised highlights to the mouldings are perhaps more accurately described as 'brown painted.' The drawing of a comb across the wet painted surface has achieved a rippled effect, in dark and light wine-red, appealing to the eye as an example of Folk Art, in the medium of vernacular furniture making.
John Pepper, Biggleswade, an oak longcase clock, the painted arched 12 inch dial with gilt scroll spandrels and urn motif, with seconds dial and calendar aperture, with four pillar 8 day movement, the case with break arch trunk door upon a moulded rectangular plinth, late 18th century, 204cm high
A late 17th century oyster veneered and marquetry inlaid longcase clock, the month going movement striking on a bell with latched pillars, the 10in square brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, the matt centre engraved with a flower head, with pierced steel hands and cast gilt brass hinged cherubs head spandrels, the base inscribed 'Ed Appley att charing crofs,' the rising hood with a fabric back pierced frieze and ebonised twist pilasters, the trunk door with ebonised ground marquetry panels, sycamore banded sides on ebonised ball feet, 192.5cm (75.75in) high. Edmund Appley was working in London 1677-1693.Provenance: Purchased from Anthony Woodburn Ltd.
A William & Mary walnut and floral marquetry inlaid cabinet on stand, the moulded cornice above a cushion moulded drawer and a pair of cupboard doors inlaid with birds in baskets of flowers with stained ivory, enclosing a central cupboard door, enclosing four drawers surrounding an arrangement of ten drawers, fitted with later brass drop handles, the stand with a frieze drawer on spiral twist and turned inverted pear supports united by a shaped peripheral stretcher, on turned feet, 163cm (64in) high, 110.5cm (43.5in) wide, 51cm (20in) deep.Provenance: Christie's, King Street, 10th October 1968, Lot 52, the property of N. Hardy Wallis Esq., Oak Hall, Haslemere, Surrey. Christie's, King Street, 19th November 1992, Lot 82.
An early 19th century leather bound casket, with brass mounts, the top with a plaque inscribed 'Befsy Hockin' with a hinged door revealing four drawers with book spine fronts 'History of England,' one drawer with two glass wells, the next divided for sewing, 21.5cm (8.5in) high, 18cm (7in) wide, 14cm (5.5in) deep.
A late 17th century walnut and marquetry inlaid longcase clock, the 8 day five pillar movement striking on a bell, the 10in. square brass dial with subsidiary seconds and zodiac symbol apertures, with engraved borders on a matt ground, steel hands, with cast gilt brass cherubs head spandrels and foliage engraving, inscribed 'Edmund Appley Charing Crofs' with a fabric backed pierced frieze above spiral pilasters, with ebonised ground marquetry of birds and foliage, the trunk door with oval lenticle, on flattened bun feet, 193cm (76in) high. Edmund Appley is recorded as working in London c.1677-1693.
An early 19th century Irish mahogany longcase clock, the 8 day horizontal set movement with an upside down anchor escapement striking on bell, the 14in painted square brass dial inscribed 'Warner Dublin', the hood with a broken architectural pediment above a satinwood and marquetry inlaid frieze with a glazed door and fluted columns, the fan surmounted waist door flanked by reeded quarter plasters, above marquetry panels on bracket feet, back feet missing, 236cm (93in) high.
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235302 item(s)/page